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Artwork, other (1313)
Ceramic (770)
Decorative object (721)
Drawing (4631)
Mixed media (541)
Painting (2490)
Print (1673)
Sculpture (407)
Textile (1366)
Work on paper (2112)
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Glenelg Shire Council Cultural Collection
Painting - Painting on cloth - Tongan Tapa Cloth, n.d
Clircular tapa cloth painted and sewn to a round wooden frame. View of a village painted on front of cloth, depicting a pole and wire fence with palnts at base, and palm trees and bushland in the background. The huts have thatched roofs.Front: Tonga Friendly Islands (lower centre, black dye) -
Ringwood RSL Sub-Branch
Work on paper - Assorted R.A.A.F -USAF
Printed information, types of aircraft etc -
Surrey Hills Historical Society Collection
Work on paper - Photograph, The 2/1 Australian Field Butchery Platoon, Petrie, Queensland, 1945, 9 March 1945
This is an official group portrait of the 2/1st Field Butchery Platoon who are identified as: Left to right, back row: VX33117 Corporal (Cpl) F M Hogan; NX85618 Private (Pte) A J Nicol; VX127710 Pte E C J Kemp; VX143647 Lance Corporal (LCpl) L G Lobb; QX44905 Pte C L Adams; SX25540 Lance Sergeant R J Gray; NX193508 Pte K A Burgess; VX5112 Pte J T Roberts; NX153073 Pte D J Evans; WX9743 Pte M F Lynch. Middle row: QX49356 Pte L V Symes; QZ31697 Pte N R Underhill; QX16156 Staff Sergeant H L Cairns; VX19172 Lieutenant W H Thomas; VX55658 Sgt D W Craig; QX47082 Sgt E S Wilbraham; SX19778 Pte D Weatherald. Front row: NX155215 Pte E Corrigan; QX56335 Pte E Corrigan; NX57204 LCpl W H Jackson; VX59081 Pte B Moszkowicz; SX31901 Pte J Lambre; NX94941 Cpl R A Hanson; QX40009 Pte T G O’Neill; VX84971 Pte S J Welsh. The photo was taken under the command of 1 Aust Base Sub Area and Lt R B Irving. According to the Australian War Memorial website, the photographer was David Tennant Gaery Eastman and the photo was taken on 9 March 1945. In the AWM collection there is also a photo of members of the platoon at the unit slaughter yards in Milne Bay, New Guinea (REF: AWM 0703790). An overview of the history of the unit can be found at https://birtwistlewiki.com.au/wiki/2/1st_Field_Butchery_Company Leslie George Lobb, the father of the donor, was the platoon sergeant. He had multiple copies of this photo, which may have been obtained with the aim of distributing them to other platoon members. Leslie George Lobb - born 15 July 1920 in Box Hill; married Elizabeth Annie Stephenson in 1954; died 14 Nov. 1997. Leslie became a service station / garage proprietor at 352 Mont Albert Road, Mont Albert a business he took over from his father. An associated mechanical business operated under the name of Leo Green Motors, at the same address. The family lived next door at 354 Mont Albert Road, Mont Albert. Leslie's father Harry Lobb had operated at an adjoining property (350 Mont Albert Road, Mont Albert) as a fuel and ice merchant, before installing a petrol bowser to service the expanding motor car industry. The house at 354 Mont Albert Road, Mont Albert was removed and relocated by the family in 2000 to Mirboo North, Gippsland, Victoria, where it still stands.The photo is a touchstone to local servicemen who served in World War 2.A B&W / sepia photo with a narrow white border of 25 men in uniform. They are standing / sitting in 3 distinct rows with the rear row standing and the other 2 sitting on a 'sandy' area with sapling eucalypts and a (?) corrugated iron shed in the background.REAR: Purple photographer's stamp approximately in the centre: "Photograph No. MH [in lead pencil 87544] / Supplied by Military History / Section (S.D.9) / General Staff L H Q. / For personal enjoyment ONLY / and on condition that it will / not be reproduced in any form." f m hogan, a j nicol, c j kemp, l g lobb, c l adams, r j gray, k a burgess, j t roberts, d j evans, m f lynch, l v symes, n r underhill, h l cairns, w h thomas, d w craig, e s wilbraham, d weatherald, e corrigan, w h jackson, b moszkowicz, j lambre, r a hanson, t g o’neill, s j welsh, 2/1st field butchery platoon, petrie, world war, 1939-1945, mont albert -
Federation University Art Collection
Painting - Artwork, [Landscape], c1996
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Landscape painting on canvas.art, artwork, reinhard gromm, alumni, horsham campus art collection -
Darebin Art Collection
Painting - Shannon Smiley, Shannon Smiley, Darebin Creek, 2017
darebin creek -
Horsham Regional Art Gallery
Painting, Gwendda SMITH, The old blacksmith's shop, 1983
Gift of the City of Horsham Lions Club, 1983watercolour on paper -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Curators and Benefactors, Visit to Ballarat Old Cemetery, September 2007, September, 2007
A number of Friends of the Ballarat Botanical Gardens investigated the graves of 8 notable Ballarat citizens in 2007 and found Thomas Stoddart's grave to be in a deplorable state. Plans were made by John Garner and Jenny Burrell for the restoration of Thomas Stoddart's grave and the addition of a plaque noting his significant donation of 12 Carrera marble statues to the Ballarat Botanical Gardens.Two pages of typing. p.2 (2 copies). Page 1 and last paragraph of p.2 scanned as one page, to avoid repetition.None.ballarat botanical gardens, doctor john garner, jenny burrell, friends of the ballarat botanical gardens, graves, thomas stoddart, george longley, john lingham, thomas rooney, david ham, j.russell thomson, edward morey, ballarat old cemetery, benefactors, curators, plaque, restoration., 12 carrera marble statues., john garner collection, gardens, ballarat, courier -
Greensborough Historical Society
Work on paper - Newsletter, North East Link getting it right [June 2020], 2020_06
Banyule City Council comments on the North East Link project. This newsletter is to keep the community informed of developments. Includes a sketch map from the M80 Ring Road to Lower Plenty Road.2 page leaflet, colour text and images.north east link, banyule city council, watsonia -
Port Melbourne Historical & Preservation Society
Print - Railway Pier, Sandridge, c. 1880
State Library print of Sandridge Railway Pier c 1880piers and wharves - railway pier, ann gibson -
Geelong Gallery
Painting - Rainy Day, BECKETT, Clarice, 1930
Oil on canvas on board -
Swan Hill Regional Art Gallery
Print, SIBLEY, Andrew, Red Roses, 1993
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Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Print, River scene
acrylic painting on river sceneillustration, reproductions -
Stawell Historical Society Inc
Painting, Will Rees, "Evening Shadows" of Stawell Victoria Aug, 1929
Framed painting of field trees and Grampians Range in background. Houses in distance and what may be a smokestack. 1929To Robert Rees Morcom on his 21st Birthday May 1934. From his Grandfather Will Rees and aunt Elsie Rees. -
Federation University Art Collection
Painting - Artwork - Painting, 'Ghosts of the Murray' by Neville Bunning
Oil painting featuring the Murray River.painting, neville bunning, murray river, framing required, ghost -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Rye, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Queenscliffe Maritime Museum
Painting - Oil Painting, Dacre Smyth, 1. 'Queenscliffe' in open shed. 2. 1988 Tall Ships at Queenscliff; Leeuwin, Asgard
Tall Ships at Queenscliff; 'The sail training barquentine "Leeuwin" from West Australia and the Republic of Ireland brigantine "Asgard II" at anchor off Queenscliff prior to the "Arrival Convoy" in Melbourne of a number of the Tall Ships, all bound eventually for Sydney via Hobart for Australia's 1988 bicentenary. The Queenscliff pier with the old lifeboat shed and the Blacklight (Queenscliffe's High Light) alongside the old signal tower are also depicted. Port Phillip Heads in the disctance. By Dacre Smyth 29 Dec 1987.A barquentine or schooner barque is a sailing vessel with three or more masts; with a square rigged foremast and fore-and-aft rigged main, mizzen and any other masts. A brigantine is a two-masted sailing vessel with a fully square-rigged foremast and at least two sails on the main mast: a square topsail and a gaff sail mainsail (behind the mast). The main mast is the second and taller of the two masts.Oil painting in frame of the Leeuwin and Asgard tall ships in Queenscliff 1988.On front: Tall Ships at Queenscliff (LEEUWIN and ASGARD). Hand written on back: Tall Ships at Queenscliff; 'The sail training barquentine "Leeuwin" from West Australia and the Republic of Ireland brigantine "Asgard II" at anchor off Queenscliff prior to the "Arrival Convoy" in Melbourne of a number of the Tall Ships, all bound eventually for Sydney via Hobart for Australia's 1988 bicentenary. The Queenscliff pier with the old lifeboat shed and the Blacklight (Queenscliffe's High Light) alongside the old signal tower are also depicted. Port Phillip Heads in the disctance. By Dacre Smyth 29 Dec 1987'.leeuwin, barquentine, queenscliff, dacre smyth, brigantine -
Horsham Regional Art Gallery
Print, Brett WHITELEY, Garden in Rome, 1973
Gift of Mack Jost, 1997 -
Moorabbin Air Museum
Mixed media (Item) - Team Australia Defence Industry Capabilities for the Joint Strike Fighter Program, Joint Strike Fighter: Industry Capabilities
Contains advertisements relating to the Australian defence industry's ability to contribute to the Joint Strike Fighter program. -
Gippsland Art Gallery
Work on Paper, Lincoln, Kevin, Lindenow Flats - Gippsland VIC III, 2003
Donated by the artist through the Australian Government Cultural Gifts Program, 2004Watercolour and charcoal on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Leti, Bruno, Bolung, 1995
Donated by the artist, 1997Etching and aquatint on papergippsland, artwork, permanent collection -
Kew Historical Society Inc
Print, Pioneer Women's Memorial, 1950s
An item from an and diverse collection, assembled by members of the Christian and Washfold families of Kew.Colour print of the Pioneer Women's Memorial in the Domain, Melbournepioneer women's memorial (melbourne), christian-washfold collection -
Bass Coast Shire Council - Art Collection
Work on paper - The Caves - Inverloch, Adrian Johnson
1994Pastel on paperSigned -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Begonia Festival Display During the Millennium Drought, Outside the Statue Pavilion, Ballarat Botanical Gardens, Victoria
john garner collection, ballarat botanical gardens, gardens, ballarat, drought -
Darebin Art Collection
Painting - Jeanne Sanders, Jeanne Saunders, Aftermath and Hope, 2009
Jeanne Sanders is a local artist, based in Bundoora. The painting 'Aftermath and Hope' shows the site of a house her family owned in Whittlesea which was destroyed in the Black Saturday fires. -
Glenelg Shire Council Cultural Collection
Print - Label - Henty: Sparkling Lemon and Soda, n.d
(Previous collection, Exhibitions, Prizes, etc.)UnknownFront: (text on label includes brand name, flavour of drink, etc...) -
Eltham District Historical Society Inc
Work on paper (item) - Photograph, 2 Metery Road, Eltham South
Robert and Ada Zull built an Alistair Knox designed house at 2 (lot 8) Metery Road, Eltham, a one acre property for their family of five in the mid 1960s. Susan Bennett, nee Zull's reminiscences are published in EDHS Newsletter, February, April, June, August 2020. This series of photographs together with the account of personal remiscences provide a unique document of the construction of an Alistair Knox designed home. Knox was a pioneer in the use of mudbricks and recycled materials and is significant to his contribution of this style of architecture in Eltham and the wider Shire of Nillumbik.zull family, eltham south, 2 metery road, alistair knox, bush block -
Ringwood RSL Sub-Branch
Work on paper - newspaper east asia
printed newspaper article and booklets -
Wyndham Art Gallery (Wyndham City Council)
Painting, Al Stark, Birds, Bush and Sea, 2021
5 x painted boards -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Tilly Thompson. Research and Talk by Roy D Mosman. FBBG, Robert Clark Centre, 24/2/2000, The Life and Work of Tilly Thomson with Supporting Documents
john garner collection, ballarat botanical gardens, gardens, ballarat, tilly thompson, tilly, lucas girls -
Flagstaff Hill Maritime Museum and Village
Painting - Oil painting, W. Langley-Taylor, Cape Schank [Schanck], Late 19th to early 20th century
This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. The subject of this painting is Cape Schanck, Victoria, which is on the east side of Port Phillip Bay. It includes the Cape Schanck Lighthouse and its Flagstaff. The Cape Schanck Lighthouse was built in 1859 and is the second of Victoria’s coastal lights. It is 21 metres tall and made from limestone. Unusually, its stairway is made from stone rather than wrought iron. Gilded tours are available to explain its use and significance to visitors. The lighthouse keepers at Cape Schanck kept records of the ships that sailed past them along Bass Strait; ship’s names, direction, time and date and so on. The details would also be passed on to shipping agencies, Harbour Masters and newspapers, which published Arrivals and Departures into and out of shipping ports such as Port Phillip Bay and the Port of Melbourne. INSCRIPTIONS “Mrs M Irby” (and on the Eagle Rock, Warrnambool, painting “980/Regency”) The inscription “Mrs M Irby” is on the back of both paintings but the significance of the inscription has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. NOTE: The artist’s spelling of the title “Cape Schank, Vic.” is incorrect. The location in this painting is named Cape Schanck. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of coast with cliffs, lighthouse and flagstaff, flying birds, high waves breaking onto rocks, blue sky with clouds. The title is painted on lower left corner and the Victorian artist, W. Langley-Taylor, has signed his name on lower right. The inscription on back is handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “CAPE SCHANK, VIC.” [NOTE: correct spelling is Schanck] Handwritten on back “Mrs. M. Irby” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, painting, oil painting, cape schanck painting, w. langley-taylor, wall decoration, seascape of victoria's coast, art, mrs m irby, victoria's coast, pair of paintings