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Artwork, other (1312)
Ceramic (770)
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Print (1673)
Sculpture (407)
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Work on paper (2111)
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Flagstaff Hill Maritime Museum and Village
Textile - Food Safe Cover, Mary Jane Giles (Mrs Harry Giles), Late 19th to Early 20th Century
This food safe cover is one of many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940. The Giles family collection is of social and historical significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation.Food safe cover, white with knitted lace on the front and part of the two sides.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, flagstaff-hill-maritime-village, safe cover, giles collection, henry giles, tower hill, cooramook, mailor’s flat, wangoom, 19th century household goods -
Hymettus Cottage & Garden Ballarat
Textile - curtain, Parlour window Valance
This example of a late 1920s valance retained in the front parlour at Hymettus is a part of the period decoration and still fills its purpose of over a century ago in concealing the curtain rails. of the room. Although the house was built 1900 -1901 the room was redecorated in the late 1920s.A rare surviving example of a silk patterned and machine embroidered valance in situ since the 1920s.valance, window, parlour, hymettus, ballarat -
Moorabbin Air Museum
Drawing (Item) - Black Hawk Exterior Paint Schemes and Markings
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Stawell Historical Society Inc
Textile - Costume and Accessories, c1930
Canvas Table Runner, Stencilled in Colour Red Blue Greenstawell clothing material -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 16 Howie Street, Glen Iris, 1998
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Moorabbin Air Museum
Drawing (Item) - Bell Helicopter 47-976-050 Helicopter Assembly Three View General Arrangement and Kits Sheet 1 of 2
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Camberwell Historical Society
Drawing (series) - Architectural drawing, 1/8 Hope Street, Camberwell, 1995
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Friends of Ballarat Botanical Gardens History Group
Work on paper - The Ballarat Botanical Gardens' Statue of Leda, Leda (Mythology)
john garner collection, ballarat botanical gardens, gardens, ballarat, leda, mythology, statue -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Adam Lindsay Gordon Cottage, Restoration, 1989, 1989
The Ballarat Y's Mens Club Project had this leaflet printed calling for funds to restore the Adam Lindsay Gordon Cottage. The letter to Mr R.Whitehead, Director, Parks and Gardens from Dr.R.R. Schrieke, President of YMCA, 23/1/1989, confirms their interest in the active involvement in the restoration and management of the Cottage.The Adam Lindsay Cottage was seen as an important part of local history.1 sheet of yellow paper with printing and picture of Adam Lindsay Cottage and 1white sheet of paper with blue and red print in the heading. There is the red and blue international logo for the YMCA and the heading Y's Men"s Club of Ballarat. john garner, doctor, john garner collection, ballarat botanical gardens, adam lindsay gordon cottage, craft cottage, craig's hotel, australian poet, ballarat y's mens club project, restoration, ymca, doctor r.r. shrieke, mr r.whitehead, director of ballarat parks and gardens, gardens, ballarat -
Ballarat Tramway Museum
Drawing, Original by Hadfield's and print by Warren Doubleday, "Ballarat Plan 6", 1995
Yields information about a new depot for Ballarat - the track plan proposed but not followed through for ESCo. Gives the layout and the proposed manufacturer Hadfield's.Print made from a microfilm using a microfilm printer, of "Ballarat Plan 6", a drawing showing trackwork for a new tram depot proposed for the ESCo owned property near the power house. Shows an 8 track tram depot in association with existing Wendouree Parade trackwork. Prepared by Hadfield's Sheffield, drawing No. 6745 as Plan No. 6. Gives details of the proposed rail weights - 90lb and 83lb and location details. Drawing held as one complete assembled print and two part prints. The assembled print was scanned. Note not printed at full size. See Alan Bradley article on the Power Station and power supply to Ballarat.depot, trackwork, ballarat, esco, hadfield's -
Flagstaff Hill Maritime Museum and Village
Textile - Crochet
Length of crochet linen edging in white cotton.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, cotton edging, cotton hem, decorative edging, crochet edging -
Australian Lace Guild - Victorian Branch
Textile - Bedfordshire Maltese Lace, Late 19th or early 20th Century
Use: Domestic. Household trimmingBobbin lace edging. Sample -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 45 Inglesby Road, Camberwell, 1997
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 1/26 Cornell Street, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Gippsland Art Gallery
Work on Paper, Senbergs, Jan, Port Liardet, 1982
Donated by Georges Australia Ltd, from the Georges Art Prize, 1982Pastel and acrylic on papergippsland, artwork, permanent collection -
Benalla Aviation Museum and Men's Shed Inc.
Work on paper - Proposed Amendment to Manual of Management, MOM Amendment
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Ballarat Tramway Museum
Drawing - Gisborne NZ - Battery Tramway - plan, Wal Jack, c1946
Wal Jack had an extensive range of correspondents throughout Australia and the world who often provided him with detailed drawings and notes on various tramway systems. This drawing shows the small battery-powered (four) tramcar system in Gisborne NZ. Shows the NZ rail line, rivers and the length of each route, and the dates of operation. Based on the handwriting, prepared by Wal Jack himself. Yields information about Wal Jack's extensive recording and research work.Drawing - black, red and blue ink or colour pencil on quarto size paper of the Gisborne NZ tramway system.tramways, wal jack, drawings, maps, tramcars, gisborne nz -
Hawthorn Historical Society
Drawing - Property Illustration, 37 Lisson Grove, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.37 LISSON GROVE, HAW Margaret Picken ~94 WOODARDS - HAWartist - margaret picken 1950- -
Hymettus Cottage & Garden Ballarat
Work on paper - Photograph
bandsman, field gun, artillery, ballarat -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 12 Martin Road, Glen Iris, 1995
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 22 Dent Street, Glen Iris, 1999
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Moorabbin Air Museum
Drawing (Item) - Mirage Drawing , Exterior Markings - Mirage Fins Drawing No. A13278 SHT 6 Of 7 SHTS
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Camberwell Historical Society
Drawing (series) - Architectural drawing, 2A Granville Street, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - watercolour, John Mather, Brighton Beach, 1896
John Mather, Brighton Beach 1896, watercolour, 47 x 81 cm. Bayside City Council Art and Heritage Collection. Purchased 2022watercolourbrighton, beach, ti-tree, port phillip bay, sunset, john mather, coast, bayside -
Melbourne Tram Museum
Drawing, Melbourne & Metropolitan Tramways Board (MMTB), "Plan of Tramway System - showing route mileage of electric tramways", Late 1960's
Set of 9 A3 photocopy of a drawing - of a dyeline print that had been mounted onto a cloth backing and had been kept up to date with regard to extensions and closures or opening and closing - titled - "Plan of Tramway System - showing route mileage of electric tramways" - Principal Junctions and intersections shown diagrammatically. Map of system shown at 40 chains to the inch. Copy of Drawing No. P6050. Shows crossovers, signal cabins, automatic points, closed cable tram lines in the city area, Port Melbourne, roads, railways and stations. Has extensions to Mill Park up to April 1987. Shows the Port Melbourne, North Melbourne (Spencer and Abbotsford Sts) and Collingwood cable lines, the Footscray system lines and the Point Ormond lines. See also Reg Item 1561 for a late 1960's print and 3642 for a 1941 version.trams, tramways, mmtb, trackwork, tramways, junction, map -
Ararat Gallery TAMA
Textile, Frances Burke, Spider Orchid (place mat), c. 1955
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Moorabbin Air Museum
Drawing (Item) - Bell Helicopter 47-110-502 Rotor Installation Hub and Blade Assembly Metal Blades
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Hawthorn Historical Society
Drawing - Property Illustration, 819 Burwood Road, Hawthorn, 1991
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 819 Burwood Road, Hawthorn by Margaret Picken.819 Burwood Rd, Hawthorn, Margaret Picken '91. Woodards - Hawthorn. artist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 49 Elgin Street, Hawthorn, 1999
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 49 Elgin Street, Hawthorn by Margaret Picken.49 Elgin Street, Hawthorn, Margaret Picken '99. Woodards - Hawthorn. artist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 8 Elphin Grove, Hawthorn, 1988
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 8 Elphin Grove, Hawthorn by Margaret Picken.8 Elphin Grove, Hawthorn, Marg Picken '88. Woodards - Hawthorn - 'B'. artist - margaret picken 1950-