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matching domestic-and-leisure
Accessory (1647)
Clothing (3097)
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Leisure object (699)
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Kew Historical Society Inc
Clothing - Long Brown Dress with Braids & Matching Jacket, Grace James, 1972
Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Three piece brown outfit comprising a long dress, a separate bodice and a belt of scarf. The outfit is made of a synthetic fabric. The long plain brown dress has been designed with a matching bodice that features a tan trim; the wide belt/scarf is striped. Brown silk purse with brass fittingsgrace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design -
Kew Historical Society Inc
Clothing - Pale Green Silk Bed Jacket with Cream Lace
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Pale green coloured fine silk bed jacket with cream coloured lace of the period on the edgings.women's clothing, dressingwear, bed jackets -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's white kid gloves, 20thC
Ladies' gloves for formal and semi-formal wear come in three lengths for women: wrist, elbow, and opera or full-length (over the elbow, usually reaching to the biceps but sometimes to the full length of the arm). In the late 19thC and early 20thC Gloves were expected to be worn for both daytime and evening wear with most types of outfits. The most expensive gloves are custom-made of kid leather. Mousquetaire gloves have buttons at the wrist so the wearer could open the buttons and slip her hand out without taking the whole glove off. The finger section would be folded in and kept away tidily. This is how ladies wore gloves while dining. After the meal they would put their hands back into the gloves, usually for the rest of the evening. The Eldridge family were early settlers in Moorabbin Shire and relatives of William and Elizabeth Box. A pair of lady's white, 'Opera length', kid leather gloves with 3 pearl buttons at wrist opening, or 'Mousquetaire'clothing, gloves, kid leather, leather work, moorabbin, bentleigh, brighton, early settlers, pioneers, market gardeners, box elizabeth, box william, box avis, eldridge carol, box john, sheldrake martha, box alonzo -
Kew Historical Society Inc
Clothing - Knitted Mohair Shawl, 1970s
Multi-coloured knitted and fringed triangular mohair shawl in rust tonings.shawls, women's clothing -
Kew Historical Society Inc
Clothing - Sleeve Cuff
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. One of a pair of muslin cuffs as worn by maids. Hand sewn.women's clothing, sleeve cuffs -
Kew Historical Society Inc
Clothing - Two-Piece Evening Dress with Multicoloured Metal Sequins, 1920s
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Outstanding black silk crepe cocktail dress with extensive use of glittering silver and red metal sequins. The sequins are used on either side of the red ribbon bordered neckline, on the sleeves and on panels of the skirt. The dress incorporates an attached fabric tie at the neck and a separate belt.cocktail dresses, weir collection, fashion - 1920s, edith mary weir (nee betteridge), illapa - 84 princess street - kew (vic.) -
Kew Historical Society Inc
Clothing - Lace bodice, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton machine made net bolero with tambour work and a chemical lace medallion inserted centre backfashion and textiles collection - kew historical society, lace, women's clothing -
Whitehorse Historical Society Inc.
Leisure object - Toy Car
Red painted metal car with painted windows depicting people, White and black grille and headlights. Movable wheels. Possibly windup.British Madetoys, general -
Tatura Irrigation & Wartime Camps Museum
Clothing - Greatcoat
Navy coloured woollen greatcoat, 3 big navy buttons down each side, 1 flap each side on pocket, sleeves are turned up. Inside top has a black quilted lining. Back has a kick pleat. Inside top has a pocket each side and inside left front under pocket is a triangle piece from same fabric as coat held onto front by two small navy buttons. Has a large and small navy button under each lapel. Can be worn either for male or female.label: Ladage & Velkegreatcoat -
Bendigo Historical Society Inc.
Clothing - PINK SILK PYJAMAS
Clothing. Deep V neckline, front and back, has a tapered tie, at the shoulder to 4.5 cm, and slanted at the lower edge of the tie. The V neckline has a fine binding finish as do the armholes, and the lower edge of the bodice. Shadow, and pulled thread embroidery, in a floral design, outlines the V neckline in the front. A tiny 10 cm x 10 cm heart shaped pocket is bound at the edges and sits at lower right front. A small dart, 1 cm x 6 cm long is below the armholes, on each side seam. Fabric is cut on the cross to add flair. A two cm x 60 cms tie attaches at each side seam, and would tie at the back. Clothing. Pyjama pants have a V shaped waistband 11 cm deep at front and back, below which is a small 1.5 cm wide pleat on either side of front and back. An 11 cm deep plackett on both side seams - on the left hand side two x 1 cm pearl buttons and buttonholes fasten the plackett. The two buttons on the right hand side are missing. A panel of shadow embroidery decorates the outside lower edge of the trouser leg. Fabric is woven with a floral design. Lower edge of legs are finished with a fine binding. 11 cm peak at waistband. Pants with hem 88 cms, width at ankles 64 cms.Silk and Rayon Made in Chinacostume, female, pink silk pyjamas (bodice) -
Whitehorse Historical Society Inc.
Clothing - Nightdress
Long white Nightdress with square neckline and long sleeves. Cotton broderie anglaise lace at neckline and cuffs. Four self covered buttons covered by placketcostume, female nightwear -
Whitehorse Historical Society Inc.
Clothing - Fur collar
Cream and pale brown mottled fur collar - has been removed from a garment. Taurmaline Mink.costume, female -
Kew Historical Society Inc
Clothing - Black Lace Evening Dress, 1930-1935
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Full length black lace evening dress with a fitted black silk lining. The ‘v’ necked gown has a very full skirt. The lace has an abstract floral pattern. The garment was previously dated to the 1930s.costumes, evening dresses, fashion - 1930s, fashion design -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: WHITE LINEN AND LACE HANDKERCHIEF, Late 1800's
Clothing. Very fine, white linen 12cms by 12 cms square, that has a band of white lace, 9 cm deep hand-stitched around the linen. This has given shape to the linen, as the lace motifs are circular in design, and the linen has been cut away to display the lace pattern.costume accessories, female, white linen and lace handkerchief -
Ararat Gallery TAMA
Clothing, Pinchos, Victoria, Handbag
The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995. -
Brighton Historical Society
Clothing - Dress, Afternoon dress, circa 1878
This dress is believed to have been worn on the Goldfields of Victoria. The discovery of gold in Victoria ranged between 1851-1879. This dress is believed to have been worn on the Goldfields of Victoria. There are few remaining examples of clothing worn on the Victorian goldfields.A circa 1878 two piece dress consisting of bodice (.1) and skirt (.2). The eau de nil (green) corded silk dress features a high round neckline that secures with hook and eye fastenings and decorative buttons through the length of the princess line bodice to the band around the hem. A watch pocket sits just below the waistline on the left hip. The three-quarter sleeves are narrow with kilted pleat trim on the lower edge and decorative buttons. At the back of the dress is asymmetric in its cut. The dress splits along the right hand side and finishes shorter with pleating and has a decorative pocket. A bow sits at the top of the split. The underskirt fastens on the left hip and features kilted pleats along the base of the skirt and train. The train features additional fullness created by a section of gathering in the centre.victorian goldfields, asymetrical victorian dress, princess line, 1870s fashion -
Glenelg Shire Council Cultural Collection
Craft - Cotton Doyley, n.d
a) Piece of crochet lace - possibly a decoration for garment, or collar. Rectangular, crocheted into three points either side of central band. When folded in half attains a collar shape b) Piece of crochet lace possibly decoration for garment or collar. Rectangular, large and small diamonds patterncraft, handicraft, needlework, womens history -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: ROYAL BLUE COAT BY ZANKO: PART OF ENSEMBLE WITH 11400.524, 1950s
Royal blue rayon long sleeved coat to wear with 11400.524. Fully lined with blue rayon lining, ¾ length set in sleeves with 10cm fold back (fully lined) cuffs. Front opening with no fastening or crossover. Fold back shawl collar. Front darts running from centre shoulder – 24cm vertically Internal pocket of lining fabric. Pockets on either side at hip level. Angled 15 degrees away from side seam with a band along opening edge – 16 cm. Back made from one piece. A line shape. Slightly flared at hem. Machine stitched. Part of ensemble with 11400.524.Created by ZANKO of Melbournecostume, female daywear, coat -
Whitehorse Historical Society Inc.
Costume - Child's bracelet
Bracelet worn by Margaret Scarlett when she was a small child.Gold chain bracelet with gold locket & safety chain.costume accessories, children's -
Tatura Irrigation & Wartime Camps Museum
Clothing - Child's Dress, 1940's
Worn by Gretl Hornung, daughter of internee, at Camp 3. Dress made by her mother Emma Frank.Orange knitted dress. Bodice rib pattern, embroidered white and blue flowers and white zig zag pattern on ribbed bodice. Long sleeves. Garter stitch band around neck and hem of skirt. 8 glass buttons down the back.gretl hornung, emma frank, camp 3 clothing, knitted dress -
Ararat Gallery TAMA
Clothing, Belt
The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995. -
Bendigo Historical Society Inc.
Clothing - FAVALORO COLLECTION: WOMAN'S PINK NYLON PANTIES, 1950's
Clothing. Pink nylon woman's panties with gusset and elasticized legs trimmed with 6 cm coffee coloured lace. Elasticized waistband.On tag inside back, ''EMCO'' ''W''costume, female underwear, woman's pink nylon panties -
Whitehorse Historical Society Inc.
Leisure object - Phonograph, Thomas A. Edison, Edison Fireside Phonograh, c1905
Phonograph was purchased by the donor's mother in the 1950s in an Auction Sale in Broken Hill, New South Wales.A wooden box with handle and lid marked Edison Fireside Phonograph and a metal arm to attach the green horn. There is a folding rod and needle attachments.Trade Mark - Thomas A. Edison, Edison Fireside Phonograph Combination Type Serial No 18462thomas edison, phonograph, music -
Bendigo Historical Society Inc.
Clothing - WHITE COTTON CHILD'S LACE DRESS
White cotton child's lace dress. Unlined. Dropped waistline. Bodice made up of vertical strips of two different laces. U shaped neckline with flat gathered lace collar (7cms) with one cm fine lace trim around neckline. Cap sleeves (7cms). Skirt (16cms) of gathered lace in one piece. Back opening full length of bodice (22cms) with three buttons two X .6cm and one X .9cm.costume, children's, white cotton child's lace dress -
Whitehorse Historical Society Inc.
Leisure object - Toy Chest of Drawers
Was one of Doris's toys as a child.Miniature wooden chest of drawers with three drawers with metal handlestoys, doll's furniture -
Bendigo Historical Society Inc.
Clothing - MACKAY COLLECTION: WHITE COTTON CAMISOLE
Mackay collection - white cottong camisole with lace trim, name M R Mackay printed in black on edge.costume, female underwear, camisole -
Whitehorse Historical Society Inc.
Clothing - Camisole
Square neck cream crochet yoke. White ribbon threaded through eyelet lace.Would be used for yoke for camisole.costume, female underwear -
Churchill Island Heritage Farm
Clothing - Lace Collar
A five petal machine made lace collar, this item would be attached to the neckline of a garment and appears to be designed to lay flat although a little starch applied could make it stand up like petals around the neck. The Folk Art style rose between two rosebuds design is simple and outlined in fine black thread as are the scalloped edges of each collar petal The design being embroidered on to net leads one to believe that this was made on a Cornely machine. The Cornely machine had a great impact on the embroidery industry. It developed from hand tambouring and contemporary inventions in the field of sewing machines and was the first single-needle embroidery machine. It was easy to use, could be used in the home or a small workroom and as the mechanism developed it became difficult to distinguish machine from hand sewn. Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide representative examples of techniques from the late nineteenth to the early twentieth centuries.Cream lace collar with black edging. Rosette pattern and some scalloping around selvage edge. Machine made lacelace, churchill island, janet amess lace collection, amess, collar, garment, clothing, machine -
Bendigo Historical Society Inc.
Clothing - BLACK SYNTHETIC CREPE DRESS
Black dress of synthetic crepe fabric. Sleeveless bodice with darts at front from waist to bustline. Side panel inserts under arms to waist. Back has opening from neck to below waist with metal zipper(53cm). Peplum(8cm) at waist front and back. Decorative bows of black cord at waistline at each hip. Long tassels.Knee length skirt is knife pleated. Dress is unlined.Markings/Inscriptions Label attached to lower zipper. ''A59110 mf ex st sz'' Handwritten ''Sample'' ;Y127' '12'.costume, female, black synthetic crepe dress -
Clunes Museum
Leisure object - GRAMAPHONE RECORDS, REGAL RECORDS, C.1920
GRAMOPHONE RECORDS 78 RPM PARLOPHANE .1 LAY MY HEAD BENEATH A ROSE - THE LETTER EDGED IN BLACK DECCA .2 RAINBOW ON THE RIVER - FLOWER SONG IN DARK RED PAPER COVER, REX "THE KING OF RECORDS" REGAL .3 FOUR LITTLE BLACKBERRIES - TWO HEDGE SPARROWS, BEIGE PAPER COVER PRINTED WITH "BRUNSWICK RECORD".1 WHITE STAMP, RED PRINTING "ALBERT & SONE ROYALTY STAMP, BLUE 1 1/4 d JAS .2 WHITE STAMP, RED PRINTING "ALBERT & SON ROYALTY STAMP, BLUE 3/4 d JAS AN ADHESIVE RED DOT WITH 1.00 HANDWRITTEN ON IT. recorded music, decca, parlophone, regal, 78rpm