Part of World War 2 army uniform worn by Captain Noel WestWord War 2|Australian War Graves UnitArmy Khaki officers peaked cap. Rising sun badge on front with narrow leather strap around front of cap. Small button on back end of strap which has a map of Australia engraved in the centre. Leather binding around inside of capLondon Stores Ltd. opp GPO Melb.costume, male uniform, military

Black long-sleeved ladies’ silk blouse. High round neckline at front with V shaped lace insert from throat to bust line. Stand up lace and net collar. Top edge of collar is trimmed with pink ribbon piping and gathered cream coloured lace. There are three strips of brown tape attached vertically to the collar at each shoulder and front RHS of collar to hold plastic strips to support the collar in upright position. One piece of plastic still in place. On either side of centre front are vertical panels of pintucks with knife pleats on either side facing inwards. There are three small pink decorative buttons (1 cm) below the throat and another group of three buttons 10 cm below the first group. The top has a back opening fastened with 10 press studs. The back has two vertical panels of pintucks and knife pleats. The long sleeves have cuffs at the wrist (5 cm) with U-shaped split on upper side. Each cuff has three decorative pink buttons on one side of the U-shaped split. The lower edge of each cuff is trimmed with black lace (5 - 6 cm) that falls over the wrist. Machine stitched.costume, female evening, black silk top

White cotton baby nightdress with two ties. Lace frill at neck and sleeve edge. Gathered at front of bodice. tape ties at neck.'NS' embroidered on hemcostume, female nightwear

Most likely worn at Wilby and balls around the districtVery pale pink satin skirt overplayed with tulle and net. Round neck, sleeveless bodice with lacy net overlay. Decorated by hand with sequins, diamentes and beads. Zipper at back. Hand made. None

Wedding dress designed by Melbourne designer based on the wedding dress worn by Princess Margaret for the marriage of Miss Evelyn Hancock of Lakes Entrancewedding dress design based on dress worn by Princess Margaretclothing

Blue synthetic dog coat with the words 'SEEING EYE DOG', 'Sponsor a Puppy call 1800 787 797' and '1800 Puppys' in white on both sides of the coat. An L plate, also in white, is located above the words 'Seeing Eye Dog'. Velcro straps secure the coat to the dog across the stomach and chest. Signed by ex-football player Garry Lyon and two other football players (signatures illegible, 09 and 27 against their names). 1 blue and white dog coat"L" SEEING EYE DOG Sponsor a Puppy call 1800 787 797 1800 Puppysseeing eye dogs australia, garry lyon

Two Cream Silk Nightdress, Gathered Smocked & Embroideredstawell clothing material

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

May have been made for the apron exhibition Small black & white apron . Yellow tape measures along top of pocket and hem of apron. Pair of scissors attached with a red cord. domestic life

Clothing. Guipure lace and spotted tulle bolero with sleeves. The 8cm cuffs of the sleeves are also guipure lace. The lace is of a floral design with tiny looped picots separating the floral motifs. Sleeves are of spotted tulle (.7 cm spots). The back of the bolero is shallow - just 26 cm deep, while the front dips to two peaks in the centre front.From shoulder to lower edge is 44 cms. No fasteners are evident. Armhole seam is bound with tulle.costume, female, cream tucked net collar and jabot

Large horse-shoe, covered in 5 cm wide ribbon. A 55 cm loop of cream 1.0 cm wide nylon ribbon for hanging, is attached to the top of the horse-shoe with a bow, and a spray of waxed orange blossom - two flowers, four buds, and two fabric leaves.To Merle, wishing you a married life of Happiness and Joy. With love from Bartina.costume accessories, female, wedding horse-shoe charm

Cream fine mesh collar with four long points. Cream silk embroidery.costume accessories, collar accessories

Donated by donor, by an elderly friend who had been given the item. Donor had had the item for 20 years.Camisole, white cotton square neck, short sleeve, shaped to the waist. Neck trimmed with broderie anglaise lace, threaded with pink ribbon. Yoke opening 12cm down the front with three pearl buttons to a 64cm waist band and 8cm peplum.costume, female underwear

Worn by donor's baby boy in 1950sCream Vyella boys 'Shepherd' suit top. Yolk in lemon with one rabbit and a mushroom embroidered on each side. There is lemon and white smocking under the embroidery. 'Peter Pan' collar with lemon and white edging. Top has long sleeves with buttons on the cuffs. Top opens down the back with three button holes and buttons. There are two buttons on each the front and back to attach the pants.'Friedelle' Made in Australiacostume, children's

Textiles. Cream coloured linen doyley. Embroidered edge with blue triple blanket stitch. Embroidered blue border 4cm inside edge. Clusters of cross stitched flowers and leaves along inside edges of border. Old box 573.textiles, domestic, linen doyley

Cream fuji silk baby's dress. Crochet scalloped neckline, short sleeves . Neckline and sleeves embroidered in cream silk 2 press studscostume, infants'

Belonged to Jean Cornell's Grandmother, Eliza Waite, born in Gippsland in 1867. Died in 1942. Married a Cornishman, a Sugarcane worker, & had 5 children. Had a Market Garden in Springvale. Grandfather died in 1945. Jean & husband lived in Mitcham from 1956.Cream coloured Bib apron, trimmed with brown bias tape. Halter neck. Three brown buttons down front, embroidered with sprays of yellow & brown flowers. Pocket at waist. unfinished band of flowers along hemline.costume, female working

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.Pale pink bed jacket, long sleeved, hand knitted. Vertical pattern on sleeves and most of body. Round collar with tie.knitting handicrafts, neale, mrs vera, knitting, handicrafts, bed jacket, clothing, children

Navy formal blazer worn by the Lady President of Heidelberg Golf Club in 1999.Navy women's blazer with navy lining, metal buttons and embroidered pocket.Pocket embroidery: 'HGC Crest and Lady President 1999", on manufacturer's label: "Neat n' trim uniforms. Made in Fiji"clothing, hgc lady presidents, jan balgowan

George Harold Merrett married Dorothy Lorna James at Christ church Horsham 14/8/1954. wedding gown and accessories were donated by family members.Worn by groomsmanOne pair male grey gloves size 6 featuring black press clip and 3 darts on front.costume accessories, glove accessories

This child's white batiste apron was worn by Robert Barnard, son of Mrs W N Barnard of Portland, when he was a young child, circa 1911.This child's apron is representative of ladies fashion of the 1910s.Child's white batiste apron. Hand sewn, open back, ties to close, sleeveless, pintuck and lace bodice, lace insert border above hem. Circa 1911. Worn by Robert Barnard son of Mrs W N Barnard of Portland.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mrs w.n. barnard, w.n. barnard of portland victoria, robert barnard, child’s batiste apron c. 1911, child’s clothing c 1911, protective clothing

Includes the first VFL Park tie, first Sydney Swans tie and the Clive Fairbairn Rapier Bats tie. Donated by the Ferguson family.

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Two piece olive green and gold shot silk dress comprised of a skirt and top. The very full skirt has a scalloped edge front panel with bands of grey/green silk ribbon. The scalloped panels seem to be backed with later lining fabric (sic). The bodice has decorative buttons at the front from the high round neck to the waist. The bodice, like the skirt has a scalloped panel at the front, which is edged with ribbon. netta fuller, australian fashion - 1860s, women's clothing - 1860s, dresses - 1860s

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. White lace gathered onto tape which can then be sewn onto a garmentlace, women's clothing, collars

BHS CollectionWhite cotton full length ladies petticoat. Made of five pieces - two at the back, three at the front. Back opening. Very tightly gathered onto a waistband (4cm). Back section of waistband has horizontal stitching to form casings for four narrow cotton ties. Ties extend from hips on either side across the back opening to be used for tightening and closing the opening. Lower edge finished with cotton cord. Two small frills above hemline.costume, female, cotton full length petticoat.