Showing 1762 items
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Anglesea and District Historical Society
Wooden Bowl, Estimated post 1938
Wooden Bowl (turned) made from the wood of the SS "Edina" - beeswax finish, some wear evident.Small brass plaque pinned to side of bowl stating "MADE FROM / THE WOOD OF / SS EDINA"ss edina -
Nillumbik Historical Society Incorporated
Book - Hardcover book, Cypress Books, Greensborough and Greenhills, 1983
A history in recollections and photographs of the Doreen district of Victoria, AustraliaHardcover with linen finish and colour and no dust cover, paper pages 100gsm - 62 pages with etchings and a mapnon-fictionA history in recollections and photographs of the Doreen district of Victoria, Australia -
Tennis Australia
Keyring, Circa 1990s
Metal medal-shaped keyring with wreath edging and Tennis Australia logo. Bronze finish. Materials: Metaltennis -
Queenscliffe Maritime Museum
Photograph - The Namoi, Photographer unknown
An original, flush card mounted, print of the sailing yacht 'Namoi' at sea.Realism, historicalCard mounted flush, an enhanced photograph of the 21 foot restricted class yacht "Namoi" in sepia finishOn the reverse - " NAMOI ONE OF MANY 21 foot RESTRICTED CLASS YACHT 1923"mounted print, sailing yacht, 21 foot class, namoi -
Queen Victoria Women's Centre
CD-Rom, Victorian Women Vote, c. 2008
white matte finish CD-rom on which is a visual presentation of the history of Women's participation in democracy in Victoriavideos, sufferage, feminist movement, voting -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Photograph - Framed photo finish, Susie Royal, Bendigo Novice Handicap 14/3/1931, 14 March 1931
Susie Royal, a trotting mare foaled in 1921 by Royal Mac from Charity's Dolly, was raced by Vic and Bill Rothacker, trained and driven in races by Bill Rothacker of Serpentine. Among her many wins were 8 at the metropolitan track at Richmond in Melbourne.Large rectangular black and white harness racing photo finish, mounted on brown and white paper and framed.In black ink: Top on brown paper: Bendigo / Novice Handicap 14/3/1931 Bottom on white paper: Susie Royal / W. Rothacker Bottom on brown paper: Hilda Voyage. / "Bluen". c.summers. / Admiral Patch. wilki Lee. Stamp at the back of the frame: Style 498 / Price £ 1414-0trotting, susie royal, hilda voyage, wilki lee, c. summers, bluen, admiral patch, 1931, bendigo, harness racing, novice handicap, wc rothacker, bill rothacker -
The Ed Muirhead Physics Museum
Fluxmeter Cambridge
Body cast in mould. Possibly dipped in coating. Surface finish: Black coloured evenly applied coating. Inscribed on underside: “C402373” Dymo label on top face: “Physics/ PT2 222 D5” -
Duldig Studio museum + sculpture garden
Sculpture, Karl Duldig, Mask by Karl Duldig 1921, 1921
Karl Duldig carved this marble sculpture of a mask in the Vienna Kunstgewerbeschule (School of Applied Arts) in 1921. His teacher, Anton Hanak, the Professor of Sculpture at the School, encouraged him to carve directly into the stone. It was an accomplished work for the 19 year-old student and was selected by Hanak to represent the students of the School at the Deutschen Gewerbeschau (German Applied Art exhibition) in Munich in 1922, an early accolade for the young artist. The sculpture and another Kneeling Nude were reproduced in the journal Deustche Kunst and Dekoration in 1923-24 in an article on the Hanak-Klasse. In 2011 Mask was exhibited in the National Gallery of Victoria exhibition Vienna: Art and Design. The sculpture is one of ten substantial sculptures in marble and stone, and a larger group terracotta sculptures and masks, portrait busts and small stone sculptures created by Karl Duldig in Vienna that are held in the Museum collection. These art works are complemented by an archive of contemporary documents including letters, photographs, documents and ephemera. In 1938 Duldig’s Viennese sculptures were sent to Paris in 1938 for a proposed exhibition, and were hidden in Paris by Slawa Duldig’s sister Rella, throughout the Second World War, and arrived in Australia post-war over 5 decades. Karl Duldig was a student of the Kunstgewerbeschule from 1921 until 1925, and then attended the Akademie Der Bildenden Künste (Academy of Fine Arts) from 1929 until 1933. He was accepted into the Professor Josef Mullner’s “Meisterschule” at the Academy of Fine Arts from 1929 until 1933. His teacher at the Kunstgwerebeschule was Austria’s foremost contemporary sculptor Anton Hanak, and he was a formative influence on Duldig’s work. Hanak had been a member of Viennese Secession, and worked with Josef Hoffman on architectural commissions prior to the First World War. Hanak shared both his love of the expressive quality of materials and a humanist vision with his students. Various writers have written about Duldig’s interest in masks. His interest may have been stimulated by his classical education, the Greek and Roman antiquities in the Kunsthistoriches Museum in Vienna, or the ethnological collections in Vienna’s Museum of Ethnology (now known as the Weltmuseum). The mask was a motif explored by expressionist and cubist artists whose work was exhibited at the Vienna Secession. Duldig would have been familiar with the psychological investigations of the neurologist and founder of psychoanalysis Sigmund Freud, who established his practice in Vienna. In the Duldig Studio library, Duldig’s keen interest in the arts of a myriad of visual cultures is apparent. Of particular note are two well-thumbed copies Rudolf Utzinger’s, Masken, published by Ernst Wasmuth in Berlin in 1923, depicting masks from around the world. It is likely that a multitude of influences were at play. Slawa Duldig also worked with this motif, and also carved a smaller mask in Salzburg marble as well as a remarkable mask in clay, and these are held in the collection. Ann Carew 2016The Mask has national and international aesthetic significance. It is one of the earliest works by Karl Duldig in the Studio collection, and is a subject that he would continue to explore throughout his working life. The sculpture demonstrates a high degree of technical skill and mastery at an early age. It is evidence of Duldig’s engagement with the art of his peers during this period – the mask is a motif that inspired contemporary expressionist and cubist artists. It also demonstrates his interests in portraiture, human psychology, and the creation of identity and transformation of personalities. The Mask also provides an important link to the studio practice in the Vienna Kunstgwerbeschule, the teaching of Anton Hanak, and the program of international art exhibitions in Europe during the period. It is also of historical significance: the story of its survival and eventual recovery provides a counterpoint to the story of the Nazis’ confiscation of art during the Second World War. Ann Carew 2016Carving in Salzburg Marble. Holes for eyes and mouth cut through the block. Highly polished finish at front contrasting with rough finish at back and stylised curled hair. Marble base separate (75 x 275 x 198, wt 9000) and added later by artist. Karl Duldig 1921 incised on back -
Ballarat Tramway Museum
Ephemera - Ticket/s, Chicago . 1933 Exposition ticket - Wal Jack Collection, 1933
Entry ticket for a "A century of Progress, International Exposition Chicago", "Good for one admission to Fort Dearborn or Lama Temple" - No. E529376, 1933. Colours - orange, black, blue, (dark and light) and white. Rear - light green, Front - smooth finish. Rear - corrugated finish longitudinally.On rear in ink - "Ticket we used"trams, tramways, chicago, tickets, international exposition -
Glenelg Shire Council Cultural Collection
Award - Trophy - Best Kept Rural Residential Garden Glenelg Shire, c. 2002
Medium Density Fibreboard Trophy, dark blue marbled finish. Banner shaped brass plaques top and bottom.Top - 'Best Kept Rural Residential Garden in the Glenelg Shire' - engraved' Bottom - 'Donated by Francis plants' - engraved. Small brass plaques with winners names. -
Flagstaff Hill Maritime Museum and Village
Pen Rack
Double sided Pen Rack, with three rod inserts. Holds seven pens. Made in England. Varnished finish.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Tatura Irrigation & Wartime Camps Museum
Knife - pocket
Mother of pearl finish on pocket knife blade. Shoe button hook, cork screw, spike and small loop.knife, pocket knife tatura -
Whitehorse Historical Society Inc.
Tool - Sickle
Curved steel blade with serrated edges finishing in a fine tip. Wooden handle. Used for cutting grass and hay.Makers Mark|4rural industry, agriculture -
Rutherglen Historical Society
Photograph - Image, Corowa Photographic Centre, September 1958
Original photograph loaned by Sister de Sales of Presentation Sisters in 1988, together with a typed up history of the Sisters in Rutherglen. Father Lawless (later Monsignor) was Priest at St Mary's Rutherglen from 1923 until his death in September 1958. He is buried in Carlyle Cemetery. Father Woods was a local curate and is second from the left at the altar below the bishops.Photograph of the interior of St Marys Church Rutherglen, with a congregation of priests at a requiem mass. Black and white, sateen finish.On back: "The Old Church St Marys Rutherglen | Fr Woods at Mons Lawless's Requiem"st marys church, woods, lawless -
Tennis Australia
Name badge, Circa 1990s
Plastic name badge with name 'Peter Johnston' and Tennis Australia logo. Gold finish. Materials: Plastic, Inktennis -
Tennis Australia
Name badge, Circa 1990s
Plastic name badge with name 'Peter Johnston' and Tennis Australia logo. Gold finish. Materials: Plastic, Inktennis -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Print - Framed print, A Fair Field and No Favor
The original lithograph by American artist John Cameron was published by Currier & Ives around 1891.Large monochrome print in guild framed reproduction of John Cameron artwork depicting a harness racing finish in America.A Fair Field and No Favorgraydon, trotting, historic print, america, john cameron -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Photograph - Framed photo finish, Croughton & Ward, Grand Voyage, Paddy Glasheen, 1921 Flying Handicap, Epping, NSW, 1 November 1921
Hall of Fame Trotter Gnad Voyage winning at Epping, NSWLarge rectangular black and white photo of harness race finish mounted on brown paper and framed in wooden frame.Top centered written in black ink: 2nd Div. Flying Handicap, 1 Ml. 1 Fur. Epping, 1/11/1921 Bottom centered written in black ink: P.B.Glasheen's Grand Voyage (1) / Yard On (2) / Peal (3) (PB Glasheen) Won by 7 lengths. Time 2.31 1/4 Botton right corner: Croughton & Ward (nb?) King St, Sydneygrand voyage, paddy glasheen, trotting, epping nsw -
Ballarat Tramway Museum
Badge - MMTB Inspector, Stokes & Sons Melbourne, 1940's?
Stamped metal uniform badge for MMTB Inspectors. Tramways Board logo at top of badge in silver finish, the words "INSPECTOR" and the scroll outline in brass or gold colour. The area where the inspector's number has been painted on is in brass/gold finish. The number "103" has been painted on in royal blue colour. The enamel finish within the scroll work also finished in royal blue. On rear badge in brass/gold finish, with word "STOKES" stamped into. Two metal rings have been soldered onto the rear of the badge and a spring steel clip provided to enable the badge to be clipped to a hat. Assumed was Les Denmead's badge when employed by the MMTB.tramways, trams, mmtb, inspectors, badges, uniforms -
Sunbury Family History and Heritage Society Inc.
Photograph, Sack race, c1994
The photograph was taken when Bulla Primary School held a sports day at the school for all the students. Parents participated in the day's activities. Events in the program included exercises and sporting activities that were included in the school curriculum.A coloured photograph of a little girl competing in a sack race, reaching the finishing line. A smaller child kneeling on a small chair is looking on, while another competitor is to the left of the images. Discarded sacks from previous races are scattered on the ground behind the finishing line. The photograph was taken with a film camera.sports day, bulla primary school, sack races -
Warrnambool and District Historical Society Inc.
Artefact, Pipes x 4, Mid 20th century
These pipes came from the Warrnambool firm of Peter Hand Tobacco Company Pty Ltd and were typical of the pipes sold by that firm. The Peter Hand Tobacco Company commenced in 1958 and was a wholesale distributor of tobacco and cigarettes throughout the Western District until early in the 21st century when tobacco smoking was no longer a widespread habit in any community in Australia. The retail shop was at 97 Liebig Street Warrnambool. These pipes are of interest as they came from the Peter Hand Tobacco Company, a prominent business in Warrnambool for 50 years. They are also a memento of the times when pipe-smoking amongst men was prevalent. These are briar pipes with black Bakelite mouth pieces. All appear to be unused. .1 A brown briar pipe with an indented pattern .2 A brown briar pipe with a polished wood .3 A light brown briar pipe with a mottled pattern finish .4 A brown briar pipe with a smooth polished finish1 ‘Seville Special’ .2 ‘Real Briar’ .3 ‘Nording Danmark N 118’ .4 ‘Vavrs VZ’ (?) peter hand tobacco company (warrnambool), history of warrnambool -
National Wool Museum
Sample, Cloth
Sample of fabric produced by Collins Bros Mill for use in Physician brand blankets, c.1930s.TRADE MARK / PHYSICIAN / REG NO 16997 / SPOTLESS FINISH / FREE FROM FILLING / GUARANTEED PURE VIRGIN WOOL "PHYSICIAN" Regd.textile production, collins bros mill pty ltd -
National Wool Museum
Sample, Cloth
Sample of fabric produced by Collins Bros Mill for use in Physician brand blankets, c.1930s.TRADE MARK / PHYSICIAN / REG NO 16997 / SPOTLESS FINISH / FREE FROM FILLING / GUARANTEED PURE VIRGIN WOOL "PHYSICIAN" Regd.textile production, collins bros mill pty ltd -
Clunes Museum
Plant specimen - WOODEN BLOCK
Block of wood (hemlock), the top half is "dressed" to show how timber is prepared. Typically, the flitch beam is made up of a vertical steel plate sandwiched between two wood beams, the three layers being held together with bolts. Typed onto cardboard pinned onto wooden block; Hemlock Bought in flitches Milled Clunes Sawmills Used for building finisheshemlock, clunes sawmills, flitch, sample -
Bendigo Military Museum
Photograph - PHOTOGRAPH, BOARD MOUNTED
"Group portrait of the surviving members of D Company/ 7th Battalion after the Battle of Krithia, Ottoman Empire:/ Turkey, Marmara, Chanak, Gallipoli Peninsula/1915"Photograph - black and white photograph on paper, group portrait of 27 soldiers. Board mounted photograph on timber with satin finish.photograph, mounted, 7th battalion, ww1 -
Marysville & District Historical Society
Postcard (item) - Black and white photographs, Valentine Publishing Co. Pty. Ltd, Valentine's Snapshots MARYSVILLE, Victoria, 1923-1963
This collection of photographs shows various scenes around Marysville and surrounds such as waterfalls and rivers. Valentines snapshots were done of many places world wide, and packaged in a convenient size to be posted.An envelope with 6 black and white photographs of scenic attractions taken in and around Marysville in Victoria.VALENTINE'S/ SNAPSHOTS/ 6 REAL PHOTOGRAPHS/ FOR YOUR/ ALBUM/ MARYSVILLE, Victoria/ Published by The VALENTINE PUBLISHING CO.,/ PTY., LTD., Melbourne. To From Design 539/ PRINTED IN GT BRITAINtaggerty river (image 1), acheron way (image 2), nicholl's lookout (image 3), main street marysville (image 4), stevensons falls (image 5), cora lynn falls (image 6), valentine publishing co, marysville, victoria, souvenir -
Port Melbourne Historical & Preservation Society
Audio - Oral History, Lionel Layfield, truck driver, J Kitchen & Sons, 8 Jul 2014
Lionel Layfield discusses his 44 years as a truck driver for John Kitchen and Sons commencing in 1967 and finishing 2011industry, manufacturing, transport - motor vehicles, j kitchen & sons pty ltd, lionel layfield -
The Ed Muirhead Physics Museum
Ratio Arm, Hartmann & Braun
Assembled, hand built, cast, forged, moulded. Coated, polished, printed, incised, burnished. Surface finish: coated, polished. Inscribed on upper face: “Hartmann & Braun A.G./ Frankfurt a.M./ No 13882” Label adhered to upper face in front left corner: “Part 2-W B 4” On base (stamped in ink): “24 JULL 1929” Inscribed into the underside, wooden base: \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\"774 X\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\" -
Tatura Irrigation & Wartime Camps Museum
Tray - wood, 1940,s
Made by German POW in Camp 13Glass covered inlaid parquetry tray mounted on masonite featuring a sailing ship. Wooden handles covered with a veneer finishtatura, handcrafts, parquetry -
Whitehorse Historical Society Inc.
Photograph, Stanley Works Pty Ltd, C1970
In 1970 Stanley Works took over Turner Industries in Nunawading. They manufactured hardware for doors and windows, lawnmowers and tools.Black and white photograph of a man standing to the left of a large machine called a vibratory finisher. Stanley Works Pty Ltdstanley works pty ltd tools machinery