Showing 721 items
matching pan
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Bendigo Historical Society Inc.
Domestic Object - CAST IRON HANGING GYPSY SKILLET PAN
Large cast iron hanging Gypsy skillet pan with handle and pouring spout.domestic equipment, food preparation, cooking pot, k34 -
National Vietnam Veterans Museum (NVVM)
Equipment - Equipment, Army, Ration Pans
Two aluminum ration pans for eating food from both with folding handlesration pans, mcphail collection -
Bendigo Historical Society Inc.
Document - CADBURY, BOURNEVILLE COCOA COLLECTORS CARD 'PETER PAN
'Peter Pan' Cadbury Bourneville Cocoa Card. Pencilled reverse, from M HerringIssued by Cadbury , Bourneville , Engcottage, miners -
Coal Creek Community Park & Museum
Bed pan
White sloping, triangular shaped tin bed pan with handle and dark blue trim. -
Stawell Historical Society Inc
Memorabilia - Realia
Bar Accessory. Miniature Turquoise Coloured Frying pan with hinged lid and wooden handle.stawell -
Upper Yarra Museum
Stove, Miniature
Story to be placed here - Available to publicMinature cast iron, Black Solid Wood Stove with miniature utensils. The stove is on legs with left hand extension for pots, right hand extension with holes, removeable hot plates [4 round 1 rectangle] tin chimney with folded join and seperate decorative cover with pot stands x2 , front door opens on hinges with internal gold pan with gold crescent logo. Frying pan, hot plate handle and "swan flat iron on stand. Solid fuel space with tin base. 2 screws and bolts used to assemble stove. 14 removeable parts.crescent, star, scrolls, wood, iron, tin, cast, stove, black, cast iron, star, solid, fuel, chimney, flat iron stand, flat, stand, hot plates, frying, pan, bolt, screws, legs, toy, miniature, crescent, made in taiwan, taiwan, wood box -
Robin Boyd Foundation
Functional object - Cookware, Revere Ware
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. During this time, the Boyds purchased this set of Revere kitchenware, which carries the prized "Process Patent" maker's mark on the thick copper bases. Mandie Boyd recalls: "I don’t remember a lot of cooking going on in them, if any, as they were a pain to clean but looked fabulous hanging on the wall absolutely gleaming. We would all check our hair and make up in them."A set of Revere Ware Saucepans and Frying Pans. A set of four Revere Ware copper clad, stainless steel saucepans with lids and black handles and hanging rings. A set of three Revere Ware copper clad, stainless steel pans with black handles and hanging rings. The largest flat one has no lid. Saucepans: largest 175mmx140mm, smallest 120mmx180mm. Frying Pans: largest 350mmx10mm, smallest 80mmx50mm.Revere Ware company engraving. Made under process patent #2363973. 'Revere Ware 1801' 'Patent # 22726091'revere, revereware, revere ware, cookware, walsh st kitchenware, robin boyd, ohm2022, ohm2022_10 -
Parks Victoria - Maldon State Battery
Pan, Berdan
A Berdan pan was a grinding pan. The circular pan was set at an angle, and as the pan revolved, a heavy iron ball rotated in the lowest point, grinding sand or mineral to a fine powder. It was frequently used to grind impurities out of amalgam (gold in mercury), and to grind batch-lots of heavy mineral. It is also known as a ball mill. Two strong wooden A frames supporting large iron pivotable bowl with a large iron ball inside the bowl. There are cogs underneath bowl which are connected to rotating belts extending from main battery shaft. The chute attached below the bowl is directed into a circular metal container. The frame is painted green. -
Orbost & District Historical Society
black and white photograph, 1890's
This item was found in the collection with no information recorded. On the back is a short message wishing a happy Christmas to Bessie and Jack from M.W. The photograph shows miners at Club Terrace.This item is a pictorial record of the gold mining history of East Gippsland.A yellowed black / white photograph on grey buff card. It is of men panning for gold and digging trenches.on front - " Club Terrace" on back - " To Bessie, Jack from M.W."club-terrace gold-mining gold-panning gold -
Eltham District Historical Society Inc
Photograph, George Coop, Open Day to view the Melbourne Underground Rail Loop (City Loop) construction, c.1980, 1983
Digital TIFF file Scan of 35mm Kodak Plus-X Pan black and white transparencycity loop, melbourne underground rail loop (murl), railway construction, tunnel -
Eltham District Historical Society Inc
Photograph, George Coop, Open Day to view the Melbourne Underground Rail Loop (City Loop) construction, c.1980, 1983
Digital TIFF file Scan of 35mm Kodak Plus-X Pan black and white transparencycity loop, melbourne underground rail loop (murl), railway construction, tunnel -
Eltham District Historical Society Inc
Photograph, George Coop, Open Day to view the Melbourne Underground Rail Loop (City Loop) construction, c.1980, 1983
Digital TIFF file Scan of 35mm Kodak Plus-X Pan black and white transparencycity loop, melbourne underground rail loop (murl), railway construction, tunnel -
Eltham District Historical Society Inc
Photograph, George Coop, Open Day to view the Melbourne Underground Rail Loop (City Loop) construction, c.1980, 1983
Digital TIFF file Scan of 35mm Kodak Plus-X Pan black and white transparencycity loop, melbourne underground rail loop (murl), railway construction, tunnel -
Eltham District Historical Society Inc
Photograph, George Coop, Flinders Street Railway yard, c.1980, 1983
Digital TIFF file Scan of 35mm Kodak Plus-X Pan black and white transparencyflinders street railway yard, harris (blue) train, tait train -
Eltham District Historical Society Inc
Photograph, George Coop, Flinders Street Railway yard, c.1980, 1983
Digital TIFF file Scan of 35mm Kodak Plus-X Pan black and white transparencyflinders street railway yard, harris (blue) train, tait train -
Glenelg Shire Council Cultural Collection
Film, 1950s
Displayed at History House.Exposed and un-developed VP120 film in box. Kodak Verichrome Pan Black and White FilmFront: - Back: - -
Bendigo Historical Society Inc.
Painting - ARTWORK NO 9 WASHING TAILINGS
Washing Tailings No 9. Coloured illustration of Chinese gold miners , panning, cradling, whim in background.Unknownartwork, print, mining -
Dutch Australian Heritage Centre Victoria
Pikelet pan (poffertjespan)
Souvenir brought out by Dutch migrants.Brass pan with seven shallow circular indentations. Wooden handle with eyelet at end for hanging on wall. -
Clunes Museum
Book, Griffin Press, GOLD! - The Fever that Forever Changed Australia, 2010
THE DISCOVERY OF GOLD AND IT'S EFFECTS ON AUSTRALIAPAPERBACK BOOK WITH COLOURED IMAGE OF PERSON PANNING FOR GOLD WITH A STORM CLOUD BACKGROUND. 497 pagesnon-fictionTHE DISCOVERY OF GOLD AND IT'S EFFECTS ON AUSTRALIAgold rush, gold 1851 -
Ballarat Heritage Services
Souvenir - Object, Ron Catternach, Daylesford and Hepburn Springs Plaque, 1980s
Ron CATTERNACH A sculptor who was living in Glenlyon when this work was produced. It may have been made for Confest, which was held in Glenlyon in 1981, 1982, 1986 and 1987, or for the Daylesford Spa Fest.The medallion was hand carved and then cast in cement fondue. Pan offering the godess a cup of mineral water?daylesford, hepburn springs, disc, ceramics, ron catternach -
Linton and District Historical Society Inc
Photograph, Paddy Craine Panning for Gold
Sepia photograph of a man wearing working clothes and hat, squatting at stream with a gold panning dish."Paddy Crane"paddy craine, gold panning -
Phillip Island and District Historical Society Inc.
Newspaper cutting, 19/12/1968
Articles from a collection of newspaper cuttings from October 1968 to July 1971Two articles. 1. Air Commodore R Burrage, of Cowes, is complaining about the gas cylinders near his property may be a danger. 2. The Shire of Phillip Island is needing to replace the rusting sanitary pans at an outlay of $1,000 for 500 new sanitary pans.phillip island, shire of phillip island, gas cylinders, sanitary pans, air commodore r burrage, cr a hamilton, mr s harris -
Bendigo Historical Society Inc.
Photograph - CASLEY COLLECTION: GROUP OF MEN IN ARMY UNIFORM
Black and white photograph . Group of men, some in normal clothes and in army uniform, some men are carrying buckets and pans. To the right a tent and 2 stoves and lots of buckets and pans. On back of photo: 21st October, 1912. World War 1 camp site.W.H. Robinsonorganization, military, casley collection. army personnel. -
Eltham District Historical Society Inc
Photograph, George Coop, Fire damaged Wilhelmsen Line ship Tomar at Victoria Dock, Melbourne, Jan. 1968
When George Coop and wife Helen following several years teaching in Canada, they bought a passage aboard the Wilhelmsen line cargo ship, Tomar departing Oslo, Norway for Melbourne, Australia. Whilst crossing the Bass Strait near Robe, South Australia, a generator in the engine room caught fire threatening the ship's fuel oil tanks, forcing the Captain to order the 43 crew and 8 passengers to abandon ship. They spent many hours in a lifeboat before being rescued. This photo was taken when the ship was brought up to Victoria Docks (No. 26 South Wharf) where George and other passengers were allowed to retrieve their luggage. The ship was then taken to Kaohsiung, Taiwan for scrapping. See also https://www.shipsnostalgia.com/media/tomar.450919/ http://www.shipspotting.com/gallery/photo.php?lid=2726028 http://www.shipspotting.com/gallery/photo.php?lid=2961287 https://www.flickr.com/photos/wheelhouseno/8131145299Digital TIFF file Scan of 35mm Kodak Plus-X Pan black and white negative transparencygeorge coop collection, tomar (ship), victoria docks, wilhelmsen line -
Eltham District Historical Society Inc
Photograph, George Coop, Fire damaged Wilhelmsen Line ship Tomar at Victoria Dock, Melbourne, Jan. 1968
When George Coop and wife Helen following several years teaching in Canada, they bought a passage aboard the Wilhelmsen line cargo ship, Tomar departing Oslo, Norway for Melbourne, Australia. Whilst crossing the Bass Strait near Robe, South Australia, a generator in the engine room caught fire threatening the ship's fuel oil tanks, forcing the Captain to order the 43 crew and 8 passengers to abandon ship. They spent many hours in a lifeboat before being rescued. This photo was taken when the ship was brought up to Victoria Docks (No. 26 South Wharf) where George and other passengers were allowed to retrieve their luggage. The ship was then taken to Kaohsiung, Taiwan for scrapping. See also https://www.shipsnostalgia.com/media/tomar.450919/ http://www.shipspotting.com/gallery/photo.php?lid=2726028 http://www.shipspotting.com/gallery/photo.php?lid=2961287 https://www.flickr.com/photos/wheelhouseno/8131145299Digital TIFF file Scan of 35mm Kodak Plus-X Pan black and white negative transparencygeorge coop collection, tomar (ship), victoria docks, wilhelmsen line -
Stawell Historical Society Inc
Memorabilia - Realia
Ceramic Slipper Bed Pan (Ex Imbros Private Hospital Stawell) run by Sister M Chapmanstawell -
National Wool Museum
Textile - Children's Jumper, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Children’s moss green knitted jumper with a peter pan collar, centre back zip and raglan sleeves.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
Port Fairy Historical Society Museum and Archives
Postcard - Photograph, Seacombe House Port Fairy
Seacombe House Formerly named The Stag Cnr Sackville and Cox Streets Port Fairy John Sanders (Saunders) first came to Port Fairy in charge of the "Sally Ann" owned by the Henty family of Portland. He left the sea behind in 1844 and established the "Sally Ann Inn" named for his old ship, on the site of the present day Star of the West hotel. After selling the Sally Ann Inn to John Taylor he acquired the land on the South west corner of Sackville Street and erected a detached cottage facing Sackville Street for which he obtained a licence to sell alcohol and named the premises The Stag Inn. He died in 1850 and his wife leased the Inn to John Mason. By 1852 a large two story rendered bluestone building had been constructed on the corner site. The second un rendered section was probably added in 1854. Abijah John Brown became licencee in 1855 and made the Stag the centre of entertainment for the district, with many balls, dinners and concerts taking place there. It boasted "a billiard room and a twenty stall stables and coach house". By 1861 Abijah Brown had left The Stag and Lennox Trew was now owner and licencee. It came up for sale in 1869 but failed to sell. After Trew's death in 1886 it was sold to a syndicate and opened as a boarding school. It later became a Coffee Palace and Accomodation house named Seacombe House, and in the 1950's a motel was built on the old stable site. It is still a Hotel Motel and a restaurant which has revived the old name of "The Stag". Black and white Photograph of 2 story rendered building with multi paned windows and power pole on cornerhotel, lennox trew, abijah brown, john sanders, john saunders, john mason., sackville street, cox street, stag inn, stag hotel, seacombe house, coffee palace -
Canterbury History Group
Ephemera - Canterbury Mansions Redevelopment Proposal
Copy of Redevelopment Proposal for Canterbury Mansions distributed to residents by The Town Panners ( Collective Design Pty Ltd)canterbury, canterbury road, maling road, wattle valley road, canterbury mansions, collective design pty ltd, town planning -
Nhill & District Historical Society Inc.
Clothing - 1938 Wedding dress of Clara Maud Field, 24 August 1938
Clare Maud Field married George Thomas Magrath, 24th August 19381938 cream wedding gown, long sleeves, small train, roulette trim on peter pan collarwedding dress, clare maud field, george thomas magrath, 1938, marriage, nhill