Showing 973 items
matching grasses
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Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Document. Greeting Cards. White card with brown spine. Four spaced black vertical lines with gold leaves on each side. At the top the lines are broken and 'Greetings on Your Birthday!' is printed in black. A bay horse is pictured standing on green grass on the front. On the inside left at the top is part of a tree branch and at the bottom are two dogs, one red and one white standing in the grass. Card is unused and has envelope. Card and insert held together with a red ribbon.Murfett Publishersperson, greeting cards, malone collection, malone collection, greeting cards -
Glenelg Shire Council Cultural Collection
Print, D. Higgins, Clouds, 1975
NoneSeveral plate print. Background images are embossed, showing clouds and abstract water patterns. At centre left is an embossed women's head in profile. Central image is a man in what appears to be a monkey skin. He has a cap on his head and is spinning a barrel-shaped object with the fingers of his right hand. Below him is a light brown etching of grass. Below the grass is a blue etching of water ripples. Mounted in cream matt with blue edging. Wooden frame with glass.Front: "Clouds" 26/65 (centre left) D. Higgins '75 (centre right) (pencil) Back: (no inscriptions) -
Tatura Irrigation & Wartime Camps Museum
Book, Subterranean Clover, 1954
... grasses ...Journal of AgricultureMagazine type paper cover book. White Paper, black printA name is written in ink on top right handcorner in pen. Looks like "Stan Parfet"rural, tatura, grasses, books, history, local -
Ararat & District Historical Society (operating the Langi Morgala Museum)
Animal specimen - Sulphur-crested cockatoo, 1913
Full sized sulphur-crested cockatoo specimen, perched on wooden tree branch and surrounded by leaves and grasses. Mounted on a circular polished wooden base with blue rope supporting tall cylindrical glass dome. -
Whitehorse Historical Society Inc.
Vehicle - Superphosphate Spreader
Endgate seeders consisted of a hopper, feeding device, (early models had only one distributor - later models had two. Could sow seed up to 50 feet, however not very accurate due to wind aggravation. This type of seeder arrived in Australia from America and was soon manufactured in South Australia and Victoria.Flat tray,(wooden) two wheeled vehicle with spreader mounted at rear. It was pulled by a farm tractor. Spreader appears to be operated by mechanical (chain gearing) means. Also used for sowing grass & clover seed.F16A moulded into the spreader support.rural industry, orcharding -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Bulmer
Enlarged from Bulmer postcardBlack and white photograph of two Aboriginal men making fire by rubbing two sticks, man on right holding a bundle of grass on fire. Baskets and boomerangs in foreground Mission Station Lakes Tyers VictoriaFire makers Boomerang vendors Lake Tyersaboriginals -
Mt Dandenong & District Historical Society Inc.
Photograph, Pony Club Outside Olinda Garage 1960s, c1960
Olinda garage on corner of Range Road and Mt Dandenong Tourist Road. Pony Club with 4 horses on grass. ralph Jones was garage owner at this time. Dragster bike on road indicates early 1960s.pony club, olinda garage, garage, olinda, range road, mt dandenong tourist road, ralph jones -
Bendigo Historical Society Inc.
Photograph - BERT GRAHAM COLLECTION: GROUP PICNIC
Colour photograph, Bert Graham Collection, A big group of people watching other young people in a piggyback race on a grassed area. Possibly members of the Bendigo East Swimming Club, enjoying 'picnic' races.bendigo, clubs, bendigo east swimming club -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: RUINS OF BUILDINGS
Colour Photograph. Ruins of two buildings. Rendered bricks. Corrugated Iron rooves. Long grass. Man leaning on post with sign reading: National Trust H B C and Tourists Piss Offphotograph, building, ruins -
National Wool Museum
Booklet - Pattern Booklet, Cleckheaton Design 0051, Cleckheaton, 1980s
Four page fold out knitting pattern booklet featuring a colour image on the cover of a man crouching in the grass with a bow and arrow. The man is wearing a green knitted jumper, blue pants and gum boots.front: [printed] Cleckheaton / 8/12 PLY / Design 0051 / 8 Ply Sizes: 89 - 119 cm / 12 Ply Sizes: 86 - 107 cmknitting, pattern, fashion, knitwear, cleckheaton -
National Wool Museum
Booklet - Pattern Booklet, Cleckheaton Design 0050, Cleckheaton, 1980s
Four page fold out knitting pattern booklet featuring a colour image on the cover of a man crouching in the grass with a bow and arrow. The man is wearing a green knitted jumper, blue pants and gum boots.front: [printed] Cleckheaton / 8/12 PLY / Design 0050 / Sizes: 86 - 112 cmknitting, pattern, fashion, knitwear, cleckheaton -
Parks Victoria - Gabo Island Lightstation
Handrail
Steel hand rail from stone steps at house 3/4 recovered from grass near "Eastern Landing" in 2000.Steel tube shaped length bent at middle and curved at one end. 12 metal dowells attached to this rail, but unattached at end. Varying lengths. Rusted with some white paint residue. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Tools, metal scythe, c1880
A scythe is an agricultural hand tool for mowing grass or reaping crops. It was largely replaced by horse-drawn and then tractor machinery. A scythe consists of a wooden shaft and a long, curved blade is mounted at the lower end, perpendicular. Scythes always have the blade projecting from the left side when in use. Mowing is done by holding the handle , with the arms straight, the blade parallel to the ground and very close to it, and the body twisted to the right. The body is then twisted steadily to the left, moving the scythe blade along its length in a long arc from right to left, ending in front of the mower, thus depositing the cut grass to the left. Mowing proceeds with a steady rhythm, stopping at frequent intervals to sharpen the blade. The correct technique has a slicing action on the grass, cutting a narrow strip with each stroke Mowing grass is easier when it is damp, and so hay-making traditionally began at dawn and often stopped early, the heat of the day being spent raking and carting the hay cut on previous daysEarly settlers and market gardeners used these scythes as they established their farms in Moorabbin Shire c1880A large metal scythe with a wooden handle x 2early settlers, pioneers, market gardeners, moorabbin, bentleigh, brighton, cheltenham, tools, blacksmiths -
National Wool Museum
Book, Kings in grass castles
"Kings in grass castles by Mary Durack, 1968", history of the Durack family, pastoralists, from the emigration of Darby Durack from Ireland in 1949.agriculture wool - history pastoral industry - history, agriculture, wool - history, pastoral industry - history -
Bialik College
Photograph (Item) - Students in costume, c. 1960s, 1960s
Students in costume, sitting outside on the grass, c. 1960s. Possibly during Purim. Please contact [email protected] to request access to this record.1960s, purim -
Arapiles Historical Society
Leather forming dies, 1870
Three generations back in Webb family. Colin Webb from Grass Flat's Great Grandfather's. Used for making flowers and decorate leatherwork.Four wooden dies, turned, with holes in the top of varying sizes. Four matching wooden stcks with round ends of varying sizes. -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Weedy Sea Dragon Portland Bay, Victoria, n.d
Coloured postcard. Photo of weedy sea-dragon amongst sea grass. White border on bottom. 'Weedy Sea-Dragon Portland Bay - Victoria' in blue print, in border. Reverse has brief description of photo. -
Halls Gap & Grampians Historical Society
Postcard - B/W
No. P4892 in the "Rose Series" of postcards. For information on Grampian House, refer to "Victoria's Wonderland" pp. 69-75. For information on the Wonderland Range refer to pp.41, 70, 73, 77, 84, 145-146 of "Victoria's Wonderland".Photo of the entrance to Grampian House. There is a grass are and a wire fence in the foreground. A track leads back into a bush area , there is a sign saying "Grampian House" attached to a tree. The peaks of a rocky range (the Wonderland Range) are visible behind.accommodation, guesthouses, scenery, wonderland range -
Federation University Historical Collection
Photograph - Black and White, Brit Archibald, Frank Wright and Roy Archibald, 1922, 23/11/1922
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men standing on a grassed area at Newlyn, with trees in the background and the edge of a building on the left side. They are both dressed in long pants, jackets and scarves. The men are Roy Archibald and Frank WrightWritten in pen on back - Roy Archibald 21, Frank Wright 21, Taken, while on a couple of days visit to Newlyn, by Brit Archibald, 23/11/22frank wright, cornet, conductor, ballarat, roy archibald, brit archibald, newlyn -
Churchill Island Heritage Farm
Photograph of two men lying in a paddock, c.1890s
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and white reprint of a photograph from the late nineteenth century showing two men resting in a paddock with a line of trees dividing the field from the water. One man is reclining on the grass while another stands.Catalogue number written in pencil on reverse. amess house, samuel amess, churchill island, photograph, cannon -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 2000
Colour photograph of boats at Bank Jetty, includes sailing vessel Alathea in foreground, seven other fishing vessels, two identified as Melas Star, Charisma, and sand and grass along foreshore. Lakes Entrance Victoriafishing industry, tourism, jetties -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Scarce, Keith, 1975 c
Second photograph showing part of Bullock Island and the entrance.Colour photograph of Bullock Island, after establishment of Pecks Factory and Fishermans Co-op, shows marram grass plantings to stabilise dumped sand. Rough surf breaking on offshore bar. Lakes Entrance Victoriawaterfront, boats and boating -
Sunbury Family History and Heritage Society Inc.
Photograph, Sunbury Asylum Boiler House
The building in the photograph is the Boiler House which was part of the former Sunbury Asylum. It was built in the 1920s to replace an older boiler. Coal and/or briquettes were burned to produce hot water and steam which was used to heat and supply hot water for the Asylum buildings. Steam attendants monitored and maintained the furnace and boiler seven days a week. It ceased production in October 1992 and since then has served as an Arts and Cultural complex for the local community. A non-digital black and white photograph of a large brick building with a tall chimney overlooking open rural countryside with two women sitting on the grass in the foreground. The image has been photographed from an earlier photograph. sunbury asylum, boiler house, arts and cultural complex, performing arts -
Warrnambool and District Historical Society Inc.
Functional object - note wallet, late 19th century
This note wallet has no known local provenance but apparently dates back to the late 19th century.This wallet is retained because of its condition and novelty.This is a note wallet which appears to be made of woven grass. It has two small rectangular bags open at the top , with one fitting into the other to hold paper money. One bag is slightly torn at one edge.vintage accessory -
Stawell Historical Society Inc
Book, Keith Boyd, Rhymney Reef - Glimpses of the Past from Shea's Flat in 1865, 1991
This is a grass roots history of the Rhymney district with its major emphasis on the people who have resided here for some time since first settlement.white Card cover with brown writing and photograph of a poppet head and wooden building Rhymney Reef Glimpses of the Past from Shea's Flat in 1865stawell ararat -
Glenelg Shire Council Cultural Collection
Painting - Painting (Henty Street Casterton), Untitled, 1995
The watercolour painting depicts a street scene with a grass hill in the background. The street forms the centre of the foreground and features a row of buildings and cars on both sides of the street. Long shadows extend from the buildings and trees with yellow leaves frame both edges of the work. Across the middle of the work green trees are used to separate the street from the hill in the background. The large grass hill features an outlined shape (Scout symbol) on the side and a building surrounded by trees on top. The work is mounted and framed in a brown and gold frame with glass.Front: Mervyn Hill/95 Back: Framing by W.D. & C.M. Davis RMB 1256 Casterton 3311 Phone (055) 75 3290 -
Greensborough Historical Society
Photograph - Digital image, Hooper (nee Roy), 1930c
This photograph shows a member of the Roy/Hooper family sitting in the grass in the gully behind Main Street. This is now the site of Watermarc (previously Greensborough Pool site).Digital copy of black and white photograph.hooper family, roy family, greensborough pool, watermarc -
Kiewa Valley Historical Society
Ploughshare
The ploughshare cuts grass and soil loosening or turning the soil before sowing seed or planting. Ploughs were drawn by oxen and horses. Now drawn by tractors.Farmers in the Kiewa Valley used ploughs before tractors became available.Formerly KV 060. Made of steel and a component of a plough. It is the cutting or leading edge of a mouldboard which closely follows the coulter wen ploughing. Attached picture shows the ploughshare as part of a plough. Ref. Farmyard Relics by Ken Arnold Page 49ploughshare, agriculture, farming crops -
Glenelg Shire Council Cultural Collection
Souvenir - Trivet, n.d
Silver coloured metal, octagonal trivet with enamelled badge in centre, Henty memorial in silver, light blue sky, green grass, dark blue bottom section with 'PORTLAND' in silver. 'HENTY MEMORIAL' in silver, top edge. -
Halls Gap & Grampians Historical Society
Photograph - Coloured
Originally owned by a Warren family, being the local baker. Warren's daughter, Ida, married Robert Greer, who continued with the bakery until retirement.Side view of cream cottage. Veranda with broken railing. Red iron roof,dark chimney and small 4-paned window on side. small tin fence at side. Autumnal tree in background. Expanse of grass in foreground. Greer's Holiday cottage (rental) c1990's. written in pencil on back.buildings, houses