David Harris Prest (1931 - 2018) was brought up in Crystalbrook South Australia. He attended Prince Alfred College and was a resident at Lincoln Methodist College, taught in schools in South Australia, New South Wales and Cambridge United Kingdom before becoming head of Scotch College in Perth. He was Principal of Wesley College Melbourne 1972 - 1991. Head and shoulders photograph of David Prest c. 1970sPrest D.H.prest, david, wesley college

John Ward was a Senior Journalist with Church and Nation. Educated at Scotch College he joined the Sun News Pictorial as a cadet and graduated to senior rounds work. After ten years he joined industry as a public relations practitioner and advertising photographer eventually moving to freelance marketing consultancy. He holds an Associate Fellowship with the Australian Institute of Marketing.B & W head and shoulders photograph of John Ward "John Ward C&N 22/7/1987 page 3."ward, john

Reverend Voumard was an exit student in 1985.B & W head and shoulders photograph of Michael Voumard"C&N 30/1/1985 page 13."voumard, michael

Reverend Voumard was an exit student in 1985.B & W head and shoulders photograph of Michael Voumard "Michael Voumard"voumard, michael

The badge came from the Mitcham RSL Collection after the sub branch closed on 16/01/2014Worn on the shoulder of a soldierBrass badge worn on the shoulder of an Australian WWI soldier.Indistinctnumismatics, badges, military history, army

Khaki Army Jumper crew neck with reinforced shoulders.

Four metal pips to to worn on the shoulder to identify their rank.

This belt was part of the Allard collection.Brown leather Sam Browne belt with shoulder strapuniform, sam browne, belt

Shoulder board with title for Royal Australian Corps of Signals.

Small leather look handbag, with shoulder strap. Owned by Dawn Petts of Greenhills in the 1960s.Bone leather handbag with fabric lining, metal clasp and leather strap.purses, handbags

Married Dennis Flatman, died 14.3.1908 aged 75. Head and shoulders portrait photograph.sepia portrait, unmounted, original, good conditionJane Flatman (nee Webb) married Dennis Flatman Jane died 14-3-1908 75 years

Married William D Flatman, died 27.4.1908 aged 46. Head and shoulders photographsepia portrait, unmounted, original, good conditionElizabeth Flatman (nee Collings) married William D Flatman died 27-4-1908 46 years

The Rising Sun patch is worn on the left shoulder as part of the military uniform by Australian Army. Oval shaped dark brown patch. Around the outside of the patch is a machine embroidered khaki cotton border. The Australian Army Rising Sun has been machine embroidered centrally on the patch in black cotton thread.THE AUSTRALIAN ARMYrising sun, royal australian army, patch

Used by military persons to carry ammunition pouches, either around waist or over shoulderManufactured and distributed by Holden and FrostTan leather belt, holes both ends and in the middle brass adjustment tool in centre with holesHolden and Frost 1916,military, leather, belt

Large demijohn donated by Tomlinson, Connie Miss) daughter of Tomlinson, John (Mr) who worked in Temple's then Herbert's store, then his own business - very keen worker for starting Orbost Hospital. Father was also secretary of Loyal Orbost Lodge for 21 years.Miss Tomlinson owned Connort (now Moogji building) and worked as a secretary at the Orbost Shire Council.This item is an example of an early 20th century ceramic container. The Tomlinson family was a prominent Orbost family in the early to mid 20th century.Large cream-coloured demi-john with screw top lid with rubber seal. Cylindrical body with domed shoulder, screw stoneware stopper. Handle from shoulder to neck.NOXO Products Pty Ltd Melbournedemijohn tomlinson-connie container-commercial stoneware ceramics

Dress worn by Kathy in 1965 to a ballroom dancing championship. Made by her mother, Muriel. In 2000 the dress was worn by daughter, Meg for her year 7 formal.New scarf and gloves worn by Meg. Brooch worn with the dress in 1965.The dress spans three generations. Ballroom dancing was an important social activity at the timeOff the shoulder full length sheath sleeveless dress of more velvet shot with blue lurex. Worn with black chiffon scarf fixed with diamete bow-shaped brooch on shoulder. Shoulder length black stretch satin gloves with original packet. Four items make up the outfit Gloves: Dents one size made in Hong Kongsewing

This photograph shows workers posing for the camera - one with a pan and the other with a large rock on his shoulder..An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of black and white photograph, one of 30 photos of mining operations. Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery

Eldest child of William and Elizabeth Flatman, died 17.12.1952 aged 71. Head and shoulders photograph.sepia portrait, unmounted, original, good conditionEthel Clark (nee Flatman) Eldest child of William & Elizabth Flatman. Died 17-12-1952 aged 71 years

Made by Barbara Cornell for her 1938 wedding. Small bouquets worn at the waist, on the shoulder etc.Artificial handmade corsage - cream with rose and lily of the valley flowers.corsages

Cloth shoulder patch to indicate that the conductor of the tram was being trained as a conductor. To be confirmed that it was actually used.Demonstrates the method of indicating the conductor was being trained.Cloth badge or patch - made on brown cloth backing with the words "Trainee Conductor" stitched in yellow cotton. tramways, conductors, badges, mmtb, clothing, uniforms, training

Alan Mason collection, refer 3979.2.1).2) Shoulder Flashes, “Australia”, khaki colour, cotton, “Australia” sewn on seperate. .3).4) Shoulder Flashes, “Australia”, dark brown colour, “Australia” sewn into the backing.accessory, shoulder flashes, australia

Donor was sister of historian/teacher Mary Gilbert. She was the daughter of Jonathon Gilbert and Annie Cameron. Professional golfer.This item is an example of an early 20th century ceramic container.Stoneware demijohn, cylindrical body with domed shoulder, short narrow everted neck with cylindrical central hole, handle from shoulder to neck. Colour is two-toned - tan and cream. Front "Suddeth" smoke mixture, No1 poison Patented April 6th '08 No. 11205 Aus. Patented......N.Z. This mixture goes in bottle nearest to machine. F. Green, Patentee 102 Sussex St Sydneyceramic stoneware container demijohn

Blue Paper dust jacket cover. with print. Oval Portrait of a man's head.Lives of the Australian Chief Justices. (in capitals printed in background) Head and Shoulders oval portrait of Sir William Stawell. in the centre of cover.stawell law

Jacket and belt WW2 with colour patches to 8th Division Artillery rank badges showing rank of Lieutenant. Complete with shirt and tie. Also leather lanyard.Oval colour patches 8th Division Artillery. Officers pips. Small rising sun badges on lapels. Australian shoulder titles.

This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from an unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, Tall slim gallon style. Applied double collar lip; upper is straight, lower is flared. Lip has bumps around the top. Neck has slight taper towards shoulder, which has a shoulder seam from the mould. Body tapers inwards towards base. Push up base has a pontil mark. Base is embossed.Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable