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St Kilda Historical Society
Photograph, Donald McDonald, Inverleith, c.1872
Picture of late 19th century double storey mansion with central arcaded entry way with two symmetrical wings with arched portico to the side. Classical romanesque style. Part of Donald McDonald collection of images.J F McMullen. Backed, unmounted copy of black and white photo, good condition.Inverleith, Acland St, E side, residence of J F McMullen banker,photograph 1872, flats now stand on Acland St frontage' -
St Kilda Historical Society
Photograph, c.1964
... demolished and flats erected.' black and white photograph, mounted ...Typical example of replacement from mansions to flats. Three storey walk ups, by three buildings. In the modern style. Brick.black and white photograph, mounted in good condition.Flats Barkly Street, site of former St Margarets, 56 Barkly Street, taken in 1964. Old house demolished and flats erected.' -
St Kilda Historical Society
Photograph, Inveravon, c. 1960s
Demolished for flats c1970 black and white photograph, mounted, original, good condition"Inveravon" 31 Burnett St. Now converted into flats. Photo taken 1960s. See 1872 photograph when occupied by Dr Charles Lempriere. P0081 BURNE " Inveravon" c1964. PRIVATE Inveravon HOTEL. -
St Kilda Historical Society
Postcard, Brighton Rd (south west)
Photo shows two adults and four children with croquet sticks in hand in front of building black and white photograph, unmounted, copy, good conditionOn back: Brighton Road, w side Built for Emil Thoneman, Merchant. Demolished approx 1960. Flats now on the site in Wimbledon Avenue -
St Kilda Historical Society
Photograph, Herald Sun, Glenfern, 417 Inkerman St, St Kilda
Side aspect of the houseblack and white photograph, unmounted, copy, fair condition22-1-1952, In Sun News, Friday, 22-9-1950. Page 12. Chimmeys directly over the windows are a feature of this 100 year old home, it is at the corner of Hotham and Inkerman streets, St Kilda, Melbourne and was formerly the home of the late Mr Roy Ostberg. The house has now been split up into three flats. Copyright. Not for reproduction. Herald Sun. Picture Service. Melbourne Australia -
St Kilda Historical Society
Photograph, Alan and Ida Mickle
black and white photographAlan and Ida Mickle at their Brighton Road, St Kilda flat. Box 248/2. 110 -
St Kilda Historical Society
Photograph, Millar's Hotel, c. 1840 ?
black and white photograph mounted, fair conditionHand written on the back: Mooney's Royal Hotel, cnr Robe Street and Esplanade in the 1840s. Belvedere block of flats built 1929 (Hotel reads "Millar's Royal Hotel" on front of photograph) -
Puffing Billy Railway
Climax - Geared Steam Locomotive No. 1694, 1928
Climax geared locomotive No. 1694 in active service on special occasions - stored at Emerald Station A Miraculous Survivor Climax locomotive No.1694 is a miraculous survivor of a rare breed of steam locomotive. For about 100 years from the mid-1850s sawn timber was carted from Victorian sawmills to the nearest railway station by timber tramway. These tramways were generally very rough, steeply graded, sharply curved, and of narrow gauge. Many had wooden rails, and horses provided haulage. The better ones used steam locomotives. In all about fifty steam locomotives are known to have worked on Victorian timber tramways. These locomotives were usually somewhat peculiar - made to cope with arduous, rough conditions, rather than speed. Climax locomotive No.1694 is the only one of these locomotives to survive intact. It was built in 1928 by the Climax Manufacturing Company, Corry, Pennsylvania, USA, for the Forests Commission of Victoria. The distinctive feature of the Climax locomotive is that the cylinders do not directly connect to the driving wheels. Instead they drive a cross shaft near the centre of the locomotive. From there the drive is transmitted to the small driving wheels through rotating shafts, universal joints, and bevel gears. The driving wheels are mounted in two four-wheel bogies so that they can easily follow sharp curves in the track. None of these features are found in normal steam locomotives. The result is a locomotive that is extremely powerful for its size, and that will cope with sharp curves and steep grades with ease. But this is at the cost of speed, Climax locomotive No.1694 is just about flat-out at 13 km/h (8 mph). Climax Locomotive Built in 1928 for the Forests Commission of Victoria and painted all-over black with the name CLIMAX painted on the sides of the cab in white block letters, this locomotive was issued to the Tyers Valley tramway which branched off the Moe to Walhalla line at Collins Siding. This locomotive was withdrawn from service in 1949 following the closure of the tramway and in 1950 it travelled from Tyers Junction to Collins Siding to Erica where it remained stored until 1965. Loaned to the Puffing Billy Preservation Society for its Steam Museum, it was taken to Menzies Creek in 1965 where it remained until 1982 when the Emerald Tourist Railway Board bought it and transferred it to Belgrave for restoration. It was returned to service for special use on the Belgrave to Gembrook line in 1988 painted in its original all-over black livery, except that the word “Climax” on the sides of the cab was now painted in the style of the Climax Manufacturing Co., a style that this locomotive had never carried.Historical - Industrial railway - Forests Commission of Victoria, Timber Logging Climax Locomotive Climax geared Steam locomotive made of steel and wrought iron Climax 1694climax locomotive works, climax, geared steam locomotive, puffing billy, climax locomotive no. 1694, steam locomotive -
El Dorado Museum Association Inc.
Photograph - Digital Image
Replica of Reid's Hut.Digital image copied from a black and white photograph of a log hut on the back of a flat-bed truckhut, house, truck, ute, el dorado, eldorado, vehicle, transport -
Anglesea and District Historical Society
Scales, Salter's Postal Parcel Balance, Estimated late 1800's - early 1900's
Postal Parcel Balance Scales - circular face with weights and costs around circumference - encased in heavy metal frame with ornate pattern around the triangular foot - oblong flat tin tray balanced on top - painted white with black markings on the face - single black metal hand in centre to show weight etc.In centre of face: "POSTAL PARCEL BALANCE" / SALTER'S "Salter" over emblem showing arrow through knotted rope / 11 LB'S BY 1 OZscales, postal -
Wangaratta RSL Sub Branch
Memorabilia - Display Box, The Australian Army
Proudly worn by soldiers of the 1st and 2nd Australian Imperial Force in both World Wars, the 'Rising Sun' badge has become an integral part of the digger tradition. The distinctive shape of the badge, worn on the upturned side of a slouch hat, is commonly identified with the spirit of Anzac. There are seven patterns of the Rising Sun. The Rising Sun has evolved over time and today Australian Army soldiers wear the seventh pattern Rising Sun.The Rising Sun badge, also known as the General Service Badge or the Australian Army Badge, is the official insignia of the Australian Army and is mostly worn on the brim of a slouch hat or, less frequently, on the front of a peaked cap for Army personnel filling certain ceremonial appointments.Timber look laminate box with gold colour metal "rising sun" badge on front. The box opens out flat and contains seven metal " rising sun " badges mounted on black felt on the right side. The left side below an image of the rising sun contains a written history of all seven badges from 1902 to the present.The Australian Armyrising sun, badge, australian army, anzac -
Uniting Church Archives - Synod of Victoria
Plaque
Catherine Ritchie house was originally a holiday home at 10 Glamis Street, Mount Martha for Presbyterian Deaconesses. In 2014 the house and flat were available for ordained ministers of the Uniting Church, Uniting Church groups, lay people of the Uniting Church and external users. Oblong brass plaque with black text.'CATHERINE RITCHIE HOUSE WAS OFFICIALLY OPENED ON FEBRUARY 22ND 1992. AND DEDICATED BY THE MODERATOR OF THE VICTORIAN SYNOD. THE REV. JOHN BILLINGTON"catherine ritchie house mount martha, rev john billington -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, (captions for photographs), c1970
Captions for photographs in "Living in Australia"Original manuscript for the captions for "Living in Australia", Pergamon Press, 1970Typewritten (c copy), quarto, 16 pagesmccaughey court, lyons house, mcclune house, menzies college, shelmerdine house, john batman motor inn, black dolphin, marks house, lawrence house, boyd house, walsh st, baker house, troedal house, purves house, fletcher house, handfield house, kaye house, domain park flats, robin boyd, manuscript -
Robin Boyd Foundation
Functional object - Cookware, Revere Ware
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. During this time, the Boyds purchased this set of Revere kitchenware, which carries the prized "Process Patent" maker's mark on the thick copper bases. Mandie Boyd recalls: "I don’t remember a lot of cooking going on in them, if any, as they were a pain to clean but looked fabulous hanging on the wall absolutely gleaming. We would all check our hair and make up in them."A set of Revere Ware Saucepans and Frying Pans. A set of four Revere Ware copper clad, stainless steel saucepans with lids and black handles and hanging rings. A set of three Revere Ware copper clad, stainless steel pans with black handles and hanging rings. The largest flat one has no lid. Saucepans: largest 175mmx140mm, smallest 120mmx180mm. Frying Pans: largest 350mmx10mm, smallest 80mmx50mm.Revere Ware company engraving. Made under process patent #2363973. 'Revere Ware 1801' 'Patent # 22726091'revere, revereware, revere ware, cookware, walsh st kitchenware, robin boyd, ohm2022, ohm2022_10 -
Great Stupa of Universal Compassion
Container - Ornamental Teapot Inlaid with lapis, coral and turquoise
Teapot used to make butter tea which is the national beverage. It is ideal in the extreme climatic and geographical conditions of the Tibetan plateau due to its high butter content. Although butter tea is the most popular tea, black tea is also popular. Ornamental Teapot Inlaid with lapis, coral and turquoise everyday life, silver, gemstones -
Hume City Civic Collection
Photograph
The aerial photograph shows the market garden situated on the river bend and flat of the Deep Creek at Bulla. In the 19th Century a hotel occupied the site. After World War II the property was owned by the Hughes family, who grew flowers. In 1971 Andrew Vlass purchased the property and it became a market garden until the Vlass family sold it in 1990.A black and white aerial photograph of the river bend and river flat of the Deep Creek at Bulla.scale - 170 feet = 1 inchdeep creek, market gardens, sunbury road, bulla, horticulture, hughes family, vlass, andrew, hotels, george evans collection -
Forests Commission Retired Personnel Association (FCRPA)
Pulpwood billet hook
Pulpwood was often split by hand or with black powder splitting guns into more manageable sizes and cut into 8 foot lengths (or billets). Billets were first stacked endwise to drain the sap and lighten the load before they were loaded by hand onto flat bed trucks for transport to the mills. This long length metal hook was used to pull and manoeuvre the pulpwood billets onto the truck. The advent of excavators in logging operations in the 1970s led to the loading and carting pulpwood in long tree lengths.Long steel tool with handle on one end and hook on the other. -
Hume City Civic Collection
Container - Bottle, wine, 1985
The bottle was donated to the Council by Hedley Elliott for an exhibition in the Art Gallery (George Evans Museum). Note that Goonawarra is misspelt on the label.Green glass bottle used for 1975 claret and bottled for the first Sunbury Fair. The label is printed in brown and cream and features a sketch of the Goonawarra Winery and surrounding area. There is a brief statement on the back about the winery and the background to production of the wine. On the back is a hand-written label, stuck on with clear tape giving an account of the origin of the bottle of wine, its donor and storage instructions. It has a black metal cap and miscellaneous markings on the flat bottom."Sunbury Fair / Goonawarra Vineyard (above) was established / in Sunbury in 1858 by the / Hon. J. G. Francis, former Premier of Victoria. / This 1975 Claret from the Stanley Wine Co. / was bottled by Emerald Wines especially / for the Sunbury Fair / WINE PRODUCED IN AUSTRALIA F100 750ml". The hand-written label is signed by John McKerrow in 1985.sunbury fair, wines, goonawarra vineyard, stanley wine company, emerald wines, elliott, hedley, mckerrow, john, festivals and celebrations, francis, j.g. (hon.), george evans collection, 1970s -
Hume City Civic Collection
Mattress Cover
The mattress cover was used on bedding at Sunbury Asylum (Caloola) prior to closing in 1992Heavy cotton mattress cover flat seam in centre. Six thin red strips running lengthwise. Numerous stain marks. Patch on one edge and two holes in diagonal corners. Hemmed at ends. Off white colour."F1" stencilled in black in centre. "F7" painted in corner.sunbury asylum, caloola training centre, george evans collection -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1/09/1933 12:00:00 AM
Also three other similar photographs taken at same time 05197.1 showing cave house in distance. and 05197.2 and .3Black and white photograph showing view of Buchan flats from Gelantipy Road with children June and Rex Fish standing by fence Buchan Victoriabridges, township, waterways -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Mrs Vic Fish, 1950
Duloe Park later known as SunnysideBlack and white photograph of unknown workman taken in the driveway of Duloe Flats and Camp Park in Roadknight Street Lakes Entrance Victoriacelebrations -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, 1910 c
Black and white postcard showing view of Reeves channel looking west toward Metung west end of Rigby and Fraser Islands mouth of Maringa creek lower right with neat mill workers cottages on flat Lakes Entrance Victoriatownship -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1900 c
Also a second back and white photograph of a bullock team towing a timber building on a trailer along a road cutting in GippslandBlack and white photograph showing a bullock team transporting a building through a waterway under the watchful eye of two men one on horse back while an older man looks on, flat terrain East Gippsland Victoriasettlement, transport, primary industry -
Stawell Historical Society Inc
Headwear - Costume and Accessories, c1930
Black Shiny Straw Hat. Grosgrain Ribbon edged with Straw rhinestone ornamentation. Shallow crown flat brim. Price Tag attached. McClure familystawell clothing material -
Clunes Museum
Photograph, 1868
.1 SEPIA PHOTOGRAPH AND POSTCARD OF CLUNES DETACHMENT CRESWICK VOLUNTEER RIFLE. CLUNES LANDSCAPE IN BACKGROUND. .2 POSTCARD SIZE BLACK AND WHITE IMAGE OF THE ABOVEMrs? C Wilkinson, Station Flat, Clunes The photo was taken in 1868, find your uncle and fatherlocal history, photographs, volunteer rifle detachment -
Nillumbik Shire Council
Painting: Jan MURRAY, Window onto the World (Orange), 1999
Murray is an artist with a renowned reputation within contemporary art practice. This painting was exhibitied in the 1999 Nillumbik Art Award. Oil on linen abstract painting. A painting within a painting. A stretched orange canvas with its back (black wooden support and brace) facing the viewer. It is resting on a pink floor and against a blue wall. Style is quite graphic with strong lines and flat colour. Not signed and not dated. ek prac 2015 -
Nillumbik Shire Council
Ceramic: Clifton PUGH, technician: Geoffrey DAVIDSON, Leda and the Emu, c. 1975
... Flat red background, black foliage. Leda is naked... and international reputation. Signed 'II Clifton' Flat red background, black ...Geoff Davidson arrived at Dunmoochin around 1968 and began living and working as an apprentice to the potter Robert Main, who was working in a studio rented to him by Clifton Pugh on the Dunmoochin property. When Robert left, Geoff moved into the studio and began collaborating with Clifton Pugh on many projects for a period of 25 years whereby Clifton would decorate pots made by Geoff. Geoff produce the ceramic panels for Leda and the Emu. He mixed and identified the glazes for Clifton, then fired the panels once he had finished painting. Three or four murals were produced in this way, one of which was purchased by Don Dunston (ex-Premier of South Australia) as a gift to his dying wife.Dunmoochin derives its cultural and artistic heritage from the collaborative efforts of a group of artists who purchased land in Cottles Bridge in the early 1950’s. These artists (Pugh) pioneered one of the first artistic communes in Australia and created a lasting vision of how a community can gain knowledge and inspiration from living in a close relationship with nature. Pugh had explored the ‘Leda and the Swan’ mythological themes previously during the sixties in etchings and paintings, although he was more interested in referencing the original myth as allusions to other truths. Pugh was drawn to the Greek myth ‘Leda and the Swan’ in which Zeus transforms into a swan to seduce Leda. Pugh Australianised the myth so that Zeus transformed into an Emu rather than a Swan, and makes a gentle satirical comment on the sexual behaviour of the Australian male, whereby he sees a parallel between this and the proud yet awkward movements and naivety of our national bird. This particular theme was prevalent in Pugh's work right through the 60s and 70s. Leda and the Emu is a work by two prominent local artists (Clifton Pugh and Geoff Davidson) with a national and international reputation.Flat red background, black foliage. Leda is naked and sleeping with head resting in hand. Emu is to the left watching Leda. Drawing style is typical of Pugh’s work: linear, flat and gestural.Signed 'II Clifton' -
National Wool Museum
Mat cutter
Purchased in Illinois, USA, in the 1950s. Comes with instruction manual and additional blades, all of which appear unused. Made by Logan brand who are still in operation today. This is model 401 which is not manufactured currently.Black plastic and yellow plastic box with white foam-core base and side walls. Mat cutter is a black metal base/frame with horizontal ruler attached within. Steel handle at front with mounting area for blade. Blade is stored flat within base but can be turned to protrude through the bottom of the frame which allows it to cut carpet. 4 additional unused blades stored in small brown paper envelopes. Faded cream coloured single page paper folded instruction manual. -
Stawell Historical Society Inc
Domestic object - Realia, Flat Iron with Kerosine Burner
Used for camping? to iron clothes or in home if not heatedRusty Flat Iron Size 3. 1X Primus Kerosine - Rusty. Both held in cut down vacuum oil tin made in Australia. In Black Paint "Laudel" 2 prickers for Primus - cleaning pipes when clogged.Illegible inscription until co Ltd.domestic -
Stawell Historical Society Inc
Functional object - Realia, New National Treadle Sewing Machine
Treadle home Sewing machine - pre-electric. Rusted partsBlack "pre-electric treadle sewing machine with "fly wheel" "New national"Gold leaf floral design on machine and flat greyhound trademark inside floral circle, fastened to wooden lid of tableclothing manufacture