AWARDED TO KATE EBERHARD OF CLUNES IN 1887.BLUE HARD COVERED BOOK TITLED 'THE QUIVER' . ILLUSRATED BOOK FOR SUNDAY AND GENERAL READING. PRINTED BY CASSELL & COMPANY LIMITED, LONDON, PARIS, NEW YORK & MELBOURNE 18862 nd.PRIZE. AWARDED TO KATE EBERHARD FOR ESSAY ON LIFE OF JESUS. G.F.S.. CLUNES. 25 th.AUGUST 1887local history, book, religion, eberhard

Article by Kate Jones about the work Julie Bailey did archiving the Ringwood collection and the need for people to know about it.Newspaper pages with article and photo promoting the Historical Society. Two bifold pages. +Additional Keywords: Bailey, Julie / Jones, KateArchived and within reach

238 page book whoch explored the violent and abusive nature of Stephen Donaldson's male protagonists.non-fictionstephen donaldson, fantasy, male protagonists, thomas covenant, staff author, federation university staff author

Report compiled by four students of Tourism at the Ballarat University College (later Federation University Australia).victorian tourism industry, tourism, alumni, ararat

HOPE & SAFE presents the material results of Kate Just’s two recent public banner projects in the UK and Melbourne responding to violence against women and current media coverage of this issue. Referencing and reviving moments in feminist history in which collective action and craftwork were deployed to enact change, HOPE & SAFE invokes a utopian reimagining of women’s safety and agency within the urban environment. In 2013, Just travelled around the UK with her KNIT HOPE Project. It involved an invitation to individuals and communities to publicly join her in knitting a night-reflective fluorescent yellow banner that spells the word HOPE in silver block letters. Later, various HOPE walks were taken in public at night with it. Bearing the artist’s daughter’s name, the resulting HOPE Banner manifests the artist’s wish for a brighter future for women broadly and for her own child specifically. Materially and conceptually, the banner entwines dualities of male and female, public and private, individual and collective. The uniquely patterned individual pieces refer to the work of many hands, joined together to form a seamless whole. The durability of the builder’s line and the high-vis reflective material, which is worn by construction workers, police and cyclists, imbues the banner with a level of visibility and authority. The singular large scale photograph HOPE Walk (Leeds) extends these complexities, documenting a moment in which police on horseback, donning coordinated yellow and silver jackets, asked if they could join the ‘protest.’ On return from the UK in early 2014, Just undertook the KNIT SAFE Project in Melbourne. It involved the communal crafting of a sister banner, a night reflective black and silver ‘blanket’ that spells SAFE. The more sombre SAFE Banner operates as a shield or soft monument constructed in the shadow of recent high profile violent deaths of women in Melbourne including Jill Meagher, Tracey Connelly and Fiona Warzywoda. The photograph SAFE Walk (Melbourne) captures a small group of banner holders quietly interacting with each other in the warm glow of a street lamp, projecting an almost fictional ideal of collective resistance to the harsh realities of the world. Also presented in the exhibition is the book HOPE SAFE, documenting the projects in their entirety and featuring an in-depth essay by art critic and historian Dr Juliette Peers. Photograph by Simon Strong. Wangaratta Art Gallery Collection. Winner of the Wangaratta Contemporary Textile Award 2015.A rectangular banner with a background made up of black yarn square panels that vary in shape and size with different knitted and crocheted designs, with lettering applicated onto the background using reflective nylon thread. A metal pole has been threaded through the top of the banner to enable it to be carried.wangaratta art gallery, wcta, textile, kate just

11p.; 30 cm.Supplement to Course for the training of feild officers. The coursework covers 10 units, covering communication, introduction to the law, the role of a field officer, Koories and the law, family law, children and the law, tenancy law, consumer law, and equal opportunity. Written in consultation with Jim Berg and Jan Muir from the Victorian Aboriginal Legal Service, and Alf Bamblett of the Victorian Aboriginal Education Association Incorporated.aboriginal australians -- legal status, laws, etc -- victoria. | legal aid -- victoria. | law -- study and teaching -- victoria. | legal services -- victoria.

History of the FIA from the early 20th century; has coverage of the steel industry that became significant through the first and second world wars. Relevant to union history in Australia and related industries.Paper; book. Front cover: yellow background, images of banners and other pictures; red and blue text.Front cover: author's name and title.btlc, ballarat trades hall, ballarat trades and labour council, unions, fia, federated ironworkers' association of australia, steel industry and trade, iron and steel workers, iron industries, balmain, mort's dock, wwi, wwii

About teacher unions in Australia: policy; industrial relations; politics. Industrial relations - historical value. Significant to understanding the role and history of trade unions in Australia and workplace relations. Therefore directly relevant to the modus operandi of Ballarat Trades Hall.Book; paper.Front cover: authors' names and title. btlc, ballarat trades and labour council, trade unions - education, australian education union - aeu, industrial relations

Synthetic polymer paint on canvas