Showing 1950 items
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Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, FRAMED, c.1915 - 1918
James Joseph Kirkham Regt No 685. The “A” on the Colour patch denotes he was an “Anzac”. The Rosette was called the “Anzac leave Rosette” Issued in September 1918 for 1914 enlistee’s who were sent home for 6 months leave. Worn on the arm it was to show they were not “Shirking” their duty. The War ended so after. Refer 1281 for his service history also 1283P.Coloured portrait, enhanced painted portrait of WW1 Soldier displaying on left arm a coloured A Patch above a red, white & blue rosette. Large, light timber frame with moulded decorations, brown boarded, with glass front.Rear of frame: "Family Tree, Wife & Children. James Joseph Kirkham. 8th Battalion. 1st Pioneers. 1st AIF ANZAC" "Married Elizabeth Cornelia Blackley, Wonthaggi Elsie Edith Kirlkham - Connell Olive Winifred Kirkham - Rothberger - Jenner Francis James Kirkham" Myrtle Florence Kirkham - McGillvray Alma Gwenth Kirkham - Baker George Thomas Philip Kirkhamphotography, framed, portrait, ww1 -
Glenelg Shire Council Cultural Collection
Book, Maria Elizabeth Budden, Claudine, Or Humility the basis of All Virtues. A Swiss Tale, n.d
Red cloth binding over carboard covers, with title in gold at top edge. Black and white drawing depicting a girl and a boy seated on a part bench on the front cover, with floral decoration surrounding them. 177 pp.childrens fiction, fiction, women authors -
Glenelg Shire Council Cultural Collection
Certificate - Certificate - Town Criers Championship, 1995 (Syd Cuffe), 1995
Framed certificate under glass, cream, black print and decoration, wooden frame, tortoiseshell finish. Certificate of participation in the 4th Victorian open Town criers' championship at Echuca, 25 Feb 1995, awarded to Syd Cuffesyd cuffe, town crier, championships -
Glenelg Shire Council Cultural Collection
Ceremonial object - Ceremonial Trowel, c. 1863
Used by William Learmonth Esq., Chairman, Portland Municipal Council, to lay the foundation stone for the Portland Town Hall, 21st September 1863Silver Towel, engraved with decoration and inscription. Bone handle. In leather case, lined on the inner base with blue velvet, and inside the lid with cream silk. The leather case has two brass hinges and a small brass clasp.Engraved on face of trowel "PRESENTED / by the / MUNICIPAL COUNCIL / of / PORTLAND/ To / William Learmonth, Esq / their Chairman / on the occasion of his laying / the FOUNDATION STONE of / the / COUNCIL CHAMBER / 21st September, 1863". On reverse - 4 hallmarks, letter "BJ", number "551" and "(indeciperable maker's name) & Co / MELBOURNE"foundation stone, trowel, ceremonial, william learmonth, portland, town hall, municipal council -
Glenelg Shire Council Cultural Collection
Functional object - Stereoscope, Underwood & Underwood, New, York, n.d
Stereoscope, sililar to 7500. Lighter coloured wood, less decoration on face piece. 'MAN'F'D BY: UNDERWOOD &UNDERWOOD NEW YORK PATENTED JUNE 11 1901 FOREIGN PATENTS APPLIED FOR' stamped on metal plate, underside of viewer -
Learmonth and District Historical Society Inc.
Photo / Wedding, "Thornton" Studios Ballarat, Wedding of Alexander Paterson & Effie Hilda Long -1924, Circa late 1924
This photo is of the Wedding of Alexander Paterson to Effie Hilda Long. They were married at St Andrews Presbyterian Church Ballarat on the 30th August 1924, by the Rev. Robert Jones. The groom is the son of James and Emma Paterson of Miners Rest, and the bride is the daughter of William and May Long of Ballarat.Their attendants were, groomsman- Albert Robert Mathews, bridesmaid -Ruby Sarah Long, the name of the flowergirl is unknown,Depicting people of the Ballarat Shire area in the 1920'sPhoto is in dark brown wooden frame which has ornate carved decoration, mount is "kharkie" brown with dark sepia around photo. Photo is in sepia and depicts the Marriage of Alexander Paterson & Effie Hilda Long.in 1924.Wedding of Alexander Paterson & Eddie Hilda Long.At the bottom right hand corner is the name "Thornton" Studios Ballarat.paterson alexander, long effie hilda -
Bendigo Historical Society Inc.
Photograph - CASTLEMAINE GAS COMPANY COLLECTION: PHOTO PEOPLE
Several people sitting at tables with food and drinks and 3 more standing around the room. The room has Christmas decoration all around. A man centre foreground is wearing a blue shirt with the word Billabong in white and pink.Kodakperson, group, gas and fuel christmas lunch -
Bendigo Historical Society Inc.
Photograph - FERNIHURST ESTATE
black and white photo: rear of weatherboard house, brick building joined on left side of photo, with fish pond, and frog decoration in foreground. On back MP 98. On back, in pen, J. Evans, Fernihurst Estate, Fernihurst'place, building, fernihurst estate -
Bendigo Historical Society Inc.
Photograph - BENDIGO BUILDING SOCIETY: CHARING CROSS, 1995
Black and white photo: Bendigo building society, corner High and Mitchell St. with Christmas decorations ( later Bendigo Bank building ) City Family Hotel, centre rear. B 10 in black lead pencil on rear.Peter Hyatt, 1995buildings, commercial, bendigo building society -
Bendigo Historical Society Inc.
Accessory - QC BINKS COLLECTION: METAL BUCKLE
Metal object - possibly a badge or pin. Round metal disc with a pattern of trefoils around the border. A raised centre piece has remnants of a decoration. Reverse has remains of two lugs possibly for a pin. Item is rusted.bendigo, gold mining, qc binks, qc binks -
Dutch Australian Heritage Centre Victoria
Wall Tile (Tegel)
Tiles are formed using the using the same tools as four centuries ago, namely a knife and a wooden mould with little nails in the corners. Afterwards, the imprints of the nails remain visible as minute points in the glaze. After the first baking, the tile is glazed. The wet glaze is imprinted with a charcoal powder design. Then the painter redraws the lines with a fine paint brush and uses his own craftsmanship to color with paints that are in fact glazes colored by a metal oxide. The second baking blends these colors with the layer of tin glaze. The result is a unique and beautiful tile. Tile design, making and baking is a traditional Dutch craft and continues today. The province of Friesland has its own traditions in the field of which this tile is a sample.Off-white pottery tile with blue coloured proverb in the Frisian language. There are also some blue glaze decorations in the four corners. On the back the brand name Harlingen Holland forms part of an imprint. There is also a hook for hanging.The proverb reads: "Doch dyn plicht en lit de lju mar rabje." (Do your duty and just let people talk). -
National Vietnam Veterans Museum (NVVM)
Medal
Green and white bar times two. Ribbon and Star shaped Medal Banner attached to ribbon in Silver 1960- Gold, white and green with red enameled: All enclosed in navy blue leather with gold writing and decorationunited states of america, medal -
National Vietnam Veterans Museum (NVVM)
Photograph, Gibbons, Denis, Christmas Decorations
A black and white photograph of Diggers at 1st Australian Task Force Base Headquarters hang Christmas decorations in their recreation hut. The NVA/VietCong had just announced that there would be a cease fire for the traditional Western Christmas periodphotograph, 1st australian task force, nva/vc, christmas, gibbons collection catalogue -
Hume City Civic Collection
Badge, Red Cross, 1940s
Purchased by Susan Barnett in preparation for the Red Cross exhibition "Being There"Plastic coated cardboard badge for Red Cross Prisoner of War appeal for food parcels. Depicts foodstuffs and a red cross. Illustrations line drawings in black, black lettering with red decoration. Black lettering on neutral background."PRISONER OF WAR / APPEAL / SOUP / SUGAR / 1 LB / JAM / GINGER NUTS / BARLEY SUGAR / HELP SEND FOOD PARCELS"red cross, badge, wars, prisoners of war, soldiers, fundraising, george evans collection -
Whitehorse Historical Society Inc.
Memorabilia - Book Mark, 1945
Book Mark with cream background with cream decoration. Picture of a cottage with colourful garden around it. '1945 Calendar and Book Mark' printed in pink.Red silk tie on top.1945 Calendar is on a separate card at back of Book Mark.books, bookmark -
Kilmore Historical Society
History of Civilisation in England, History of Civilisation in England, Vol.1 of 3, 1867
Brown cloth-bound hardcover book. Small embossed central decoration on front and back covers. Faded & worn spine, marks/ stains on back & front covers. Some foxing. 505 pp. Fair - good condition.Flyleaf, Kilmore Mechanics Institute stamp. First title page '110', crossed out/'142' in red ink & underlined.history, kilmore mechanics institute library. -
Bendigo Military Museum
Badge - BADGES, GERMAN, WW1
1. Badge awarded to soldiers wounded in action during WW2. 2. Honour Cross or Hindenburg Cross created in 1934 to commemorate service of German people during WW1. Under Hitler was the only official service decoration to be worn.1. Original egg shaped WW2 wound badge. Edges have flower garland. In middle is a German Infantry helmet with a Swastika over two crossed swords. Dark grey metal and pin on back. 2. Replica of WW1 German Honour Cross. Brown metallic badge with two crossed swords over a cross (Hindenburg Cross). A ring on top to hang on a ribbon 1914-1918. In centre of Circle of flowers.1. Nil other than a Swastika on a hat. 2. "1914", "1918" on front. honour cross, wound badge, german, ww2/ww1 -
Whitehorse Historical Society Inc.
Photograph, Bundoora Park Homestead
In 1900, Mr J. V. Smith, the owner of Bundoora Park, organised a public competition for a design, in the Queen Ann style, for a mansion to be situated on the property. Australian Tesselated Tile Co. of Mitcham supplied many of the tiles and decorations for the building.Coloured photograph showing the detail on the roof and chimneys at Bundoora Park Homestead, Bundoorabundoora park homestead, australian tesselated tile co. pty ltd, tiles -
Woodend RSL
Knife sheath
This knife and scabbard belongs to Lindsay Fankhouser, who wore it on his ankle when he served as an engineer/ crewman in the RAAF (Iroquois and Hercules) during the Vietnam war. He used this knife many times a day while he was serving. It is a brown leather knife sheath, with a decorative front and two canvas straps attached at the back. The shorter strap is located at the bottom of the sheath and the longer strap is located just below the belt loop. Both straps are fixed in place with stitching. The top strap has a square of stitching, while the bottom strap has two lines of stitching that follows the stitching of the sheath. The belt loop is at the top of sheath and is a fixed flap of leather that is folded across the top and also holds the handle of the knife in place using a circular hole that fits around the butt of the knife. The bottom canvas strap has three adjustable brass male press studs on the left side as well as the fixed female one on the right. The top canvas strap has four adjustable brass male press studs on the right side as well as as the fixed female one on the right. The sheath is held together by stitching and five iron rivets. There is one on the point of the sheath, two on either side of the top, and two more 51mm below the top two. 46mm above the sheath, there are another two iron rivets on either side. Above that on the holding flap, there are two iron rivets just above the circular hole on either side. On the flap, around the hole there are three brass flat-headed split pins, one on either side and one on the front. At the top of the sheath, above the decorative embossing, there is a dark brown jagged cut strip of fixed leather. All the leather on the object is a reddish-brown, while the canvas and stitching is light beige. The end stitching on the canvas straps is dark grey. The front of the sheath is polished leather, while the back is rough.On back of belt loop flap, there is an embossd manufactuing patent number; PATENT Nr152.463 On face of the sheaf there embossed decoration. It depicts a lion with stylised decorative foliage and above the lion there is a fleur de lise. Above that it reads Soallingen Norge.norway, norge, soallingen, knife, small knife, hunting, scabbard, sheath, vietnam, lindsay fankhouser, raaf -
Ballarat Heritage Services
Photograph - Colour, Sign, Greenwich Chapel and Museum, England
The picture on the sign shows the door surround, St James's Palace. the portcullis decoration on the top right hand corner is very similar to the spandrel stone excavated at Greenwich. Top shows the stone coping at the base of a crenel opening in a crenellated battlement wall, excavated in 1971 in the grand square; the middle shows the window spandrel, possibly from a two light window similar to the reconstructed window excavated in 2005/6 in the Queen Anne car park; and the bottom shows the tudor portcullis heraldic decoration, carved into an arched spandrel stone formng part of an archway over a door. This was excavated in 1971 in the Grand Square. greenwich, stone, museum, chapel -
Ballarat Heritage Services
Photograph - Colour, Greenwich Chapel and Museum, England
The picture on the sign shows the door surround, St James's Palace. the portcullis decoration on the top right hand corner is very similar to the spandrel stone excavated at Greenwich. Top shows the stone coping at the base of a crenel opening in a crenellated battlement wall, excavated in 1971 in the grand square; the middle shows the window spandrel, possibly from a two light window similar to the reconstructed window excavated in 2005/6 in the Queen Anne car park; and the bottom shows the tudor portcullis heraldic decoration, carved into an arched spandrel stone formng part of an archway over a door. This was excavated in 1971 in the Grand Square. greenwich, stone, museum, chapel -
Ballarat Heritage Services
Photograph - Colour, Greenwich Chapel and Museum, England
The picture on the sign shows the door surround, St James's Palace. the portcullis decoration on the top right hand corner is very similar to the spandrel stone excavated at Greenwich. Top shows the stone coping at the base of a crenel opening in a crenellated battlement wall, excavated in 1971 in the grand square; the middle shows the window spandrel, possibly from a two light window similar to the reconstructed window excavated in 2005/6 in the Queen Anne car park; and the bottom shows the tudor portcullis heraldic decoration, carved into an arched spandrel stone formng part of an archway over a door. This was excavated in 1971 in the Grand Square. greenwich, stone, museum, chapel -
Ballarat Heritage Services
Photograph - Colour, Greenwich Chapel and Museum, England
The picture on the sign shows the door surround, St James's Palace. the portcullis decoration on the top right hand corner is very similar to the spandrel stone excavated at Greenwich. Top shows the stone coping at the base of a crenel opening in a crenellated battlement wall, excavated in 1971 in the grand square; the middle shows the window spandrel, possibly from a two light window similar to the reconstructed window excavated in 2005/6 in the Queen Anne car park; and the bottom shows the tudor portcullis heraldic decoration, carved into an arched spandrel stone formng part of an archway over a door. This was excavated in 1971 in the Grand Square. greenwich, stone, museum, chapel -
Warrnambool and District Historical Society Inc.
Label, Rosebrook Cheese and Butter Factory, Early 20th century
The Rosebrook Cheese and Butter Factory was opened in November 1888 by Messrs Lydiard &T F Rutledge & was a cooperative factory managed by Mr. Goldie. It operated out of the former Rosebrook Flour Mill which was built on the banks of the Moyne River near the Rosebrook bridge in the late 1840s. In 1896 the factory commenced the production of the condensation of milk. The company closed in 1911. The building and machinery were sold in 1917. Rosebrook is situated about 20 kilometres from Warrnambool on the Princes Highway. This label is of some local significance as the Rosebrook Cheese and Butter factory operated for 30 years Rectangular dark blue and white label featuring text and a trade mark. The latter is circular with three cows pictured. There are decorations of flowers and leaves. The central area of the label is white with three lines. The label is adhered to a piece of pink card.FROM THE Rosebrook Cheese & Butter Factory Company Limited, MANUFACTURERS OF "PURUS BRAND CONCENTRATED MILK Rosebrook, Port Fairy. "PURUS" TRADE MARK FOR CONCENTRATED MILKrosebrook, cheese and butter, concentrated milk, lydiard, rosebrook butter factory -
Ballarat Clarendon College
Book, The poetical works of Mrs. F. Hemans, Prior to the book prize presented on Christmas, 1884
This book was awarded to Anne E. Thomas as second prize for Geography in the Fifth form. Anne entered Ballarat College girls' school in 1883 at the age of 14. Graeme McDonald (BC1946py) donated the book from his father's personal collection in August 2003.Historic significance for its connection with one of the few female students of Ballarat College prior to 1900 and its expression of the value of classical education of its time.Bound in half calf with gilt edging, gilt lettering and decoration on the front and spine. Six raised bands on spine with gold lettering on second compartment; College crest embossed on back cover; black and white illustrated, 584 p.Book plate inside front cover: school crest / Geography/Second prize/ Fifth Form/ Awarded to/ A. Thomas/ Christmas, 1884. "CHAS. McDONALD" stamped on second page. anne-e-thomas, ballarat-college, 1884, girls'-school. -
Glenelg Shire Council Cultural Collection
Card - Memorial Card - Edward Henry Vivian died 21 August 1905, c. 1905
Memorial card. Black cardboard, gold edging, gold decoration and description of the deceased, Edward Henry Vivian died 21 August, 1905, aged 22. Includes a black and white photo of Edward Vivian and an eight line verse.edward henry vivian -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - 'Netherby', Portland, n.d
Black and white photo of 'Netherby', North Portland. Bluestone house, full length verandah, metal verandah posts with wrought iron decoration. Several people on verandah, partly obscured by garden, two in garden; bird in cage on verandahBack: 'Netherby' North Portland Phyl Storer (Kerr)' - handwritten, red biro, top right cornernetherby, bluestone building, historic homestead -
Flagstaff Hill Maritime Museum and Village
Ceremonial object - Ciborium and Lid, Before 1855
Ciborium is the ancient Greek word for the cup-shaped seed vessel of the Egyptian water lily "nelumbium speciosum" and came to describe a drinking cup made from that seed casing. These vessels were particularly common in ancient Egypt and the Greek East. The word "'ciborium'" was also used in classical Latin to describe such cups. In medieval Latin, and in English, "Ciborium" more commonly refers to a covered container used in Roman Catholic, Anglican, Lutheran and related churches to store the consecrated hosts of the sacrament of Holy Communion. It resembles the shape of a chalice but its bowl is more round than conical and takes its name from its cover, surmounted by a cross or other sacred design. This ciborium is part of a Communion Set that was recovered from the wreck of the Schomberg in 1975 after 120 years in the sea. Five years later during the cleaning of the ciborium, a diamond ring was found secreted in the underside of the ciborium's lid. This ring has since come to be called the Schomberg Diamond and is also on display as part of the Flagstaff Hill Museums Schomberg collection. In 1975, divers from Flagstaff Hill (Peter Ronald, former Director of Flagstaff Hill, Colin Goodall and Gary Hayden), found an ornate communion set at the Schomberg wreck site. The set comprised a jug, the ciborium, a chalice and a plate. The ciborium remained untouched for a number of years before restoration began and the marine growth was removed. In 1980 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery at Flagstaff Hill. The collection also holds ship fittings and equipment, personal effects, a lithograph, tickets as well as photographs from the Schomberg. ABOUT THE SCHOMBERG (October 6 to December 27, 1855)- When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Baine’s Black Ball Line had commissioned her for their fleet of passenger liners. The Aberdeen builders designed her to sail faster than the clippers designed the three-masted wooden clipper ship to be fast. The timber used for the diagonal planking was British oak with layers of Scottish larch. This luxury emigrant vessel was designed for superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first-class passengers. The master for Schomberg’s maiden voyage was Captain ‘Bully’ Forbes. He drunkenly predicted at her launch that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons of cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The poor winds slowed Schomberg’s sail across the equator. She was 78 days out of Liverpool when she ran aground on a sand spit near Peterborough, Victoria, on 27 December; the sand spit and currents were not marked on Forbes’s map. The ship’s Chief Officer spotted the coastal steamer SS Queen at dawn and sent a signal. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers safely disembarked.This ciborium is significant as an example of an item in common use in the mid-19th century that is still in use today. It is also important for it relationship with the famous Schomberg Diamond that was discovered by accident, hidden inside it. The ciborium is particularly significant in that along with other items from the wreck helped in part to have the legislation changed to protect shipwrecks, with far tighter controls being employed to oversee the salvaging of wreck sites around our coast. This salvaged item forms part of the Schomberg collection at Flagstaff Hill maritime museum. The collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered Schomberg shipwreck (VHR S 612). The collection is of additional significance because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes from society at the time of the wreck.Silver engraved Ciborium or chalice with lid, part of the five-piece Communion Set. The chalice is a round cup with a long stem and a floral-shaped base with embossed decoration. It has a matching round lid that comes to a rounded apex on top. Engravings on chalice feature flowers and a Fleur-de-lis pattern.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, schomberg, 1855, clipper ship, james baines & co, black ball line, luxury ship, emigrant ship, captain forbes, bully forbes, ss queen, peterborough shipwreck, communion set, religious service, communion service, ceremonial service, mass, ciborium, chalice, schomberg diamond -
Blacksmith's Cottage and Forge
Mug, Shaving
A shaving scuttle and shaving mug were developed around the 19th century with the first patent for a shaving mug dating to 1867.[8] As hot water was not common in many households, one way to provide hot lather was to use a scuttle or mug. A traditional scuttle resembles a teapot with a wide spout where hot water is poured in, and this is where it differs from a shaving mug, which has no spout. Both shaving scuttles and mugs usually have a handle, but some have none. Shaving mugs often look like a standard mug, however, some also have a built in brush rest, so the brush does not sit in lather. Modern versions of the scuttle are in limited production, usually by independent potters working in small volumes.[9] At the top of the scuttle or mug is a soap holder. Traditionally, it was used with a hard block of shaving soap (rather than soft soap or cream) and therefore had drain holes at the bottom. Later scuttles and mugs do not include the holes, and thus can be used with creams and soft soaps. Some scuttles and mugs have concentric circles on the bottom, which retain some water thus helping to build lather.[9] In use, the shaving brush is dunked into the wide spout, allowing it to soak into the water and heat up. The soap is placed in the soap holder. When needed, one can take the brush and brush it against the soap, bringing up a layer of lather; excess water is drained back. This allows conservation of water and soap, whilst retaining enough heat to ensure a long shave. Source: www.wikipedia.org Local social historyOrnate white china mug with handle. Cup side to hold brush and saucer shaped top with 3 drainage holes. Gold painted decoration and flower garland of pink and yellow roses. Mother of pearl effect over sides.Made in Germanyshaving, item, china, mug, bathroom, men, personal, toiletry -
Blacksmith's Cottage and Forge
Tin, pile ointment, and box, W.B. Cartwright Ltd. Rawdon (England), Sydney and Melbourne
Part of the domestic medicine chest.LocalIntact tin of pile ointment within cardboard box. Gold colour tin with blue paint and yellow decoration and white lettering/ cream paint with blue lettering. Box is similar, with directions for use. All in good condition. Unused.Cartwright's Pile Ointment. Directions for use. Price:1/9d.