Produced as a souvenir for domestic use. The coasters feature: Z3 class - 1980 - has a Stephen Daly trademark logo on the rear. W2 class - 1927 A class - 1910 - 11 R Class - 1266 (Melburne cable tram) - 1885 (The R class refers to MMTB drawing number R1266) X class - 1924 T class - 1917Demonstrates a range of souvenirs about Melbourne's trams.Set of 6 drink coasters, with a felt back silver plastic front with an impression of a Melbourne tram contained within a black finished cardboard box. Each coaster has the imprint of the MMTB emblem.tramcars, souvenirs, melbourne, coasters, btm

This photograph was taken at Wooragee Hall on the Friday 27th February, 2004 as part of an event called Foxy Night Out. This event was about sharing awareness about the impacts of foxes in rural areas and discussing methods to control their populations. There were two mains speakers at this event, the first; Camille Veselsky, a specialist in fox behaviour who worked for the Hume Rural lands Protection Board on pest animal control, and the second; Leanne Wheaton, a nature conservationist. Pictured in this photograph is Camille Veselsky giving his presentation. Regional areas like Wooragee are susceptible to fox attacks due to the availability of food such as rubbish, scraps, native wildlife and livestock. Foxes can have a huge impact on native wildlife and domestic life as they are known to chew through irrigation systems, dig-up and defecate in gardens, raid rubbish bins and harass other domestic animals.This photo is a record of the events that Wooragee Landcare organises in order to raise awareness and educate about environmental conservation issues in the area. It shows practical solutions that have been considered in fox controlLandscape coloured photograph printed on gloss paperReverse: WAN NA 0A2A0N0 NNN+ 1 6329 / [PRINTED] (No.6A) / 495 Camille Veselsky / Foxy Night out / 27/2/04foxy night out, wooragee hall, wooragee landcare group, wooragee landcare's collection, camille veselsky

This purse or coin bag is in pristine condition. It has been handmade from soft brown leather. A strong leather loop has bee added to the top side edge, perhaps for attaching a tie or hook. The ring is used as a closure by folding the edges of the opening together and sliding the loop over the top. It is believed to be a handmade one-off item for domestic use. This purse or money bag is representative of an everyday item similar to those used through the centuries for the convenience of carrying coins and other small, personal effects. Similar items were used by both men and women. The leather fabric is a readily available, strong and long lasting material.Coin purse or bag; brown leather, rectangular shape, with metal ring closure and leather loop near the top. Part of the Chamberlain Dale Less collection.flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, purse, leather, money bag, coin purse, pouch, money, change purse

A copy of the rules and principles of Legacy what were adopted in principle at Newcastle Conference in 1947, then amended in Perth 1948, revised in Hobart 1949. Issued by the Legacy Co-ordinating Council, Melbourne 1952. "The application of these principles and rules to the domestic policy and constitution of clubs is not obligatory, but in order to ensure uniformity and continuity of policy, should be adopted, except in special circumstances".The principles and rules in the booklet are adopted policy of Legacy, determined by resolutions of the annual conference.White paper booklet with black type x 24 pages of the rules and principles of Legacy and 3 sheets of quarto, loose, pencil notes inside front cover.Top RH corner in pencil W.W. Cooper Printed text: Legacy Code of Conduct Legacy Principles and Rules for Guidance for general application The Constitution of Legacy Co-Ordinating Council Issued by Legacy Co-ordinating Council Melbourne 1950. 1950+1952 (hand written in black ink).regulations, rules, procedures

The fireplace was the main heating source for small houses before 1900, so a bellows to coax a flame from a dying fire was important. They would also be used to keep the fire going in a woodfire oven for cooking. In later cooking ranges, domestic water supply was also heated through the cooking range so bellows helped to maintaing a supply of hot water.An item of local and social signifance throughout Australia, bellows were usedin homes to coax a domestic fire into flame for heating and cooking purposes. It was probably used in late 19th to early 20th century homes.A small set of wooden and canvas bellows with metal tip commonly used in households in the 19th and early 20th centuries.bellows, domestic tools

Typical of the mass produced small items manufactured in the late nineteenth and early twentieth century for domestic use along with clothes irons, boot scrapers and griddle irons, these beetle-style boot jacks were usually located in the vestibule near the door to wedge the booted foot into and pull, removing the boot before stepping into the house with any detritus on the boot.

The Main Street of Sassafras c1952 showing Mechanics Institute at left under snow. Note the hedge around the area that is now the Village Green. At the time of the photo the land belonged to Eva Shugg where she ran holiday flats called St Annes. Eva Shugg sold her house to Max Dower to extend his nursery in the 1970s and built a new home around the corner on Mountain Highway. At this time she donated part of her remaining land to form a Village Green. Eva Shugg lived to the age of 106 and died in 2007.Black and white photograph with serrated edge showing the Main Street of Sassafras under snow c1952. Mechanics' Institute is on LHS with cars parked outside the site of Sassafras House.On reverse written in pencil 'Main Street, Sassafras"sassafras, snow, mechanics' institute, mechanics' hall, village green, eva shugg, max dower

On September 23, 1925 the State Goverment gazetted a transfer of land in Raleigh Street, Prahran to RVIB. This was used to establish a hostel for women apprentices and workers, and building commenced in 1926 and was completed in 1927, at a cost of 3500 pounds. Demand for accommodation was strong and in 1929 a hostel for men was completed. The building were used as hostels for many years, but as demand decreased, the Institution found other ways to utilise the buildings. In 1972, a plant nursery was established on the site and other departments temporarily used the site. In 1994 the Employment Services team moved out of the building and the site was sold to developers.17 col. images of the partially demolished house at Raleigh Street, Prahranroyal victorian institute for the blind, raleigh street hostel

Articles in the annual report include: death of General Manager Ian Burnet, expenditure exceeding income, need to sell Woolahra (Helen Keller hostel) property, goal of opening 20 new Day centres by the end of 1975, plans to establish Occupational Therapy Training unit, review of aging hostels and restructure workshop, growth of Mitchell Street Theatre, increase of children with more than sight loss at nursery, decision to establish reading competition in memorial to Barbara Rutherford and awarding of Churchill Fellowship to Joan Ledermann for a review of Braille production units overseas.1 volume of text and imagesroyal blind society of new south wales, corporation records

The 4 bottom photographs used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 52 and also used in the Centennial Display mounted on board. The espaliered fruit tree was located in the old nursery trained by George Russ. Top right orchard spraying. Bottom left View of Pavilion showing Luffmann's pond and a Pinus radiata planted in the 1860's. Bottom right A.W. Jessep (Principal) and E.E. Pescott (Lecturer). outside Principal's Residence. E.B. Littlejohn.See detailed description in paper catalogue and B91.404 for Journal Article.Colour photograph of part of the cover of , "The Australian Garden Lover," Vol. 2 No. 7 October, 1926, entitled, " 'An Australian Horticultural School.' Enterprise at Burnley, Vic." ella chalmers (née fry), green grows our garden, a.p. winzenried, centennial display, a.w. jessep, principal, e.e. pescott, lecturer, principal's residence, e.b. littlejohn, espaliered fruit tree, old nursery, george russ, orchard spraying, pavilion, pinus radiata, ponds., lily ponds, luffmann ponds

William Watts arrived in Bacchus Marsh in 1862 and for many years conducted a boot and shoe makers business in Main Street. This building, known as ‘Kentbury’ was built about 1858, and was formerly the premises of Bastings, cordwainer. The premises were enlarged in 1876 and occupied by Weaver. The building was demolished c.1960. Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image depicts the frontage of a boot and shoe makers premises.Signage on the upper part of the building reads 'Boot and Shoe Maker - Importer - Watts - Leather - Grindery'. The left hand side of the building appears to be a domestic dwelling, with a central door and two windows, one on either side. To the right there is a large shop display window and door. Both doors open directly onto the footpath. A post, probably a hitching post, stands on the footpath.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, boot makers, shoe shops

This iron was used by women, in their domestic role, to press the clothes from the mid 19th century. Coal embers were put inside, heating the base of the iron, to press the family's clothes and linen. Small bellows were used to fire up the embers to keep the iron hot. In the Kiewa Valley the embers would have been from the local hard wood growing on the farms.Ron White worked for the SEC on the Kiewa Hydro Electric Scheme. The iron belonged to his mother. Ron remembers being a boy of approximately 8 years of age, watching his mother do her ironing with this charcoal iron in the c1920s.This iron is made of cast iron. It has a hinged lid so that coal embers can be put inside for heat. The lid has a curved funnel. Bellows are used to blow air into the iron and keep the coals burning. It has a wooden handle and a lever (also with a wooden handle) to open the lid. There is a 2 and a half centimetre hole at the back of the iron to check the coals. The hole has a swivel cover.There is an embossed "S" on the swivel cover.iron, laudry, household, charcoal, antique, domestic, pressing clothes

This salt cellar is typical of the ones used extensively for cooking or for table use at mealtime in households of the 19th and 20th centuries (popular up to about the 1970s). These were the times when salt was used more so than today in households to preserve and to add to the flavour of food. Today an item such as this may still be in a domestic kitchen cupboard but the salt would be used more sparingly.This item is retained as an example of a domestic item used extensively in the past.This is a clear glass salt cellar with a round moulded bowl with fluted edges. The bowl is on a glass stand, also with fluted edges.vintage domestic items, glass salt cellar

Circa early 1900s. Flour was a staple ingredient of bread, as well as being used for general cooking. This 7lb bag of flour would have been purchased for domestic use by a housewife living in the Moorabbin district. Used bags were often made into shade blinds, underwear, sleepwear, aprons by the industrious early settlers who could not afford to waste any material.This flour bag is typical of the type that would have been found in every housewives' kitchen in the Moorabbin district. It recalls the fact that flour was being made in Melbourne. Unbleached, cotton bag., with faded black lettering. Bag held 7lbs of flour.A.F.BROCKOFFS / 7 LBS / coat of arms – spread eagle with flags - /Trade mark / SELF FLOURS/ RAISING/ FACTORIES / MELBOURNE / SYDNEY AND FREMANTLE flour, cooking, kitchen, moorabbin, housewife, housewives.

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This porcelain [CONFIRM] tea set is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. DATED? This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.Teacup, sauce and cake plate set with pink glaze and cherry blossom design.No makers markhousehold, porcelain, tableware, social history

Lisa Green and Lisa Morcom of Ballarat College of Advanced Educatiion contributed to this report.275 page landscape study of Ballarat including Trees in the Victorian Landscape; Plant sources early Ballarat nurseries, Botanical Gardens, Lake Wendouree, Fairy Gardens, Victoria Park, Ballaarat Old Cemetery, Eastern Oval, City Oval, Ballarat East Town Hall Gardens, Eureka Stockade, Observatory, Yarrowee, Black Hill, Sovereign Hill, Cheek Channels, Canadian Creek, Poverty Point Reserve, Goldmining Relics, Woah Hawp, Buninyong, street plantings, Russell, Victoria, Bridge Mall, Sturt Street Gardens, Avenue of Honour, Webster, Elms, ballarat, trees, nursery, r.u. nicholls, francis moss, ballarat botanical gardens, victoria park, lake wendouree, ballaarat old cemetery, eastern oval, ballarat east town hall gardens, ballarat school of mines botanical gardens, eureka stckade recreation reserve, ballarat observatory, yarrowee creek, black hill reserve, sovereign hill, ballarat avenue of honour, victoria street plantings, bridge mall plantings, george longley

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Car No. 32 and single trucker 22, Moorabool St. No. 32 has the destination of North, No. 22 Belmont. In the background is the Bank of New South Wales, Geelong Nursery Nook, McGills, Hotel Cullen. Photo May 1949. No details on photographer though there is an initial on the photograph. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 27/6/2020.On rear in pencil "Geelong May 1949, 32 and 22 new and old, 8 wheeler and 4 wheeler, North & Belmont, Coming and Going / Moorabool St / Ryrie St in the foreground."trams, tramways, geelong, ryrie st, moorabool st, bogie trams, tram 32, tram 22

4 photographs with a note attached to Kevin (Blaze?), (Lecturer) from Joss Tonkin (Archivist) dated 12 August 1998 asking him to identify them. (1) "Still-for making distilled water. Decommissioned about 8 years ago still in situ PSL 2." (2)"Dissecting microscope with light source. Part of the closed-circuit TV system. PSL 2 Current." (3) Drafting table in Lanscape Graphics Room (MB?) Current." (4) "Nursery Office-about 3+ yrs old. It's a computer! Role ? Ask Jeremy Wallace."kevin blaze, lecturer, joss tonkin, archivist, distilled water, dissecting microscope, drafting table, lanscape graphics room, nursery office, jeremy wallace

1. "Hockey 1969 R. Hamley Foreground" Jul 69. 2-5. "Clearing Tech Block Site" Jul 69. 6. Garden view Dec 75. 7. "Nursery Block from College Building" (roof) Mar 77. 13-14 slides garden beds in front of Administration Building Sep 81. Garden view Feb 87.23. "Wide World of Gardening' display Mar 86. 17-19 View towards Plant Research Institute. 15-16, 21-22 Construction New Library. hockey, 1969, r. hamley, tech block site, garden views, garden beds, administration building, nursery block, wide world of gardening display, construction new library, plant research institute

The banana bottle is often referred to as the hygienic bottle, and is aptly named. It was the saviour of many hand reared babies in early 20th C. It's ease of cleaning was a major breakthrough in nursery hygiene. The basic design was around for about 50 years. It first made its appearance around the mid 1880's. The first true banana feeder with a teat and valve was invented in 1894 by Allen and Hanbury's. In the next 15 years the model was modified over a series of four slightly different models. In 1910 the final design, The Allenbury Feeder was to remain unchanged for the next 50 years.A clear glass Felgrim Banana bottle (valve and teat) for feeding babies by hand. The brand is stamped in large ornate lettering inside an oval shape on the wide front of the bottle. It has two open ends for attaching teats. 8oz measurements are marked on one side and 16 tablespoons on the other. 'Felgrim' brand and 'Made in England Free from arsenic and lead'baby bottles, baby equipment, babies, domestic objects

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). This textile is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.Hand made white cotton doily with hand stitched cotton fringe c.1919-1928textiles, sewing, handiwork, women's history, domestic, craft, family, wodonga, haeusler collection, haeusler

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). This textile is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.Hand embroidered doily with floral design and word "CAKE" stitched around outer rim of fabric "CAKE"textiles, sewing, handiwork, women's history, domestic, craft

The Wodonga Historical Society collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). This doily is one of several domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. It was made using the broderie anglaise needlework technique that incorporates embroidery, cutwork and needle lace. This technique originated in sixteenth century Europe and became popular in England in the nineteenth century. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.A handmade white broderie anglaise doily c.1920sneedlework, textiles, sewing, handiwork, women's history, domestic, craft, family

This photograph depicts people attending the 'Spotlight on Fox' event watching a demonstration. The event was conducted as part of an awareness campaign highlighting damage done to farm and domestic animals and native wildlife in April 2004. This date is suggested by the photograph's position in the 2004-2005 Wooragee Landcare Group Coordinator's Report folder. A note accompanying the item suggests an alternative date of February 2004, however. This event raised awareness about the impacts of foxes in rural areas and provided practical training in techniques to control their populations. Flyers contained in the parent folder suggest that baiting may have been agreed as a method of fox control as the event depicted was followed by a two week baiting campaign a fortnight later. Pictured in this photograph, left to right: unknown; Sue Berwick ; Jerry Alexander; rest unidentified. A note accompanying the items suggests the photograph may have been taken by Karen Bowley or Maree Missen. Regional areas like Wooragee are susceptible to fox attacks due to the availability of food such as rubbish, scraps, native wildlife and livestock. Foxes can have a huge impact on native wildlife and domestic life as they are known to chew through irrigation systems, dig-up and defecate in gardens, raid rubbish bins and harass other domestic animals. Ground-dwelling native species are particularly susceptible to predation by foxes, which when combined with loss of habitat can endanger these species. Affected species include Speckled Warblers, Plovers, Diamond Firetails, Spotted Quail-Thrushes, Turquoise Parrots, Dunnarts, Bandicoots, Phascogales, skinks, geckos and legless lizards. This photograph is significant as an example of awareness raising and threat control programs undertaken by Wooragee Landcare Group in the 2000s in Indigo Shire.Landscape coloured photograph printed on gloss paperReverse: WAN NA 0ANA2N0 NNN 0 8743 / [PRINTED] (No. 13) / 259wooragee, wooragee landcare, indigo shire, north-east victoria, foxes, fox, pest control, vermin, conservation, baiting, trapping, events, 2004, wildlife, speckled warbler, plovers, diamond firetails, spotted quail-thrush, turquoise parrots, dunnarts, bandicoots, phascogales, skinks, geckos, legless lizards, farming, chickens, ducks, guinea-pigs

This pin cushion was in use when home spun "fashion" clothing was manufactured or altered. When this item was used it was in a period when distances from haberdashery stores was too far and mail ordered clothing would take weeks to arrive.The ability to make and alter clothing for families within the Kiewa Valley and its regions was a domestic requirement up until the later period(1960's onwards)This pin cushion, although rarely used in the 21st Century, with the availability of "cheap" throw away clothes, was very important to a well run rural household. The emphasis for girls to be able to sew and repair clothing was generated by mothers and continued at high schools. Part of the role of women(in this time frame) within the family was to manufacture children's clothing and adjust the growing waistline of their men folk. This item is very significant to the rural households in the Kiewa Valley because of the relative isolation of the region and the amount of wear and tear that clothes go through in a typical rural environment.This pin cushion is "home" made, circular and covered in a blue floral material, encircled with a light blue ribbon (glued on) for extra adhesion. The material encloses a padded surface(allows pins to be safely inserted for storage(future use).sewing, pin-cushion, haberdashery

Winner of "Expressions 2006: The Wool Quilt Prize". Artist statement: 'Dressed in Memories IV is my continued exploration into contemporary quilting by looking back to the history of women, the quilts they made and the memories their work holds. Layered on the wagga of recycled materials is embroidered a dress that my mother made when she was in her teens. This contemporary quilt celebrates women's domestic work through the generations in Australia.'W7183 'Dressed in Memories IV' Detail of 'Dressed in Memories IV' (full photo in W7183textilefibreforumarticle2007.pdf) CV of Michele Eastwood Article 'Stitched and Bound' by Alvena Hall in "Textile Fibre Forum, vol. 21, issue 1, No. 65 2002. Article 'What is a Contemporary Art Quilt?' from "Popular Patchwork, April 2002, England. Article 'Quilt winner dressed for success' from "The Weekly Times", January 3, 2007 Article 'Expressions 2006: The Wool Quilt Prize' from "Textile Fibre Forum" no 85, 2007 Catalogue worksheet page 1 Catalogueworksheet page 2Dressed in Memories IVquilting textile art wagga, eastwood, ms michele, quilting, textile art, wagga