The subject leather leggings are associated with mounted troops known as the Australian Light Horse that served in the South African War from 1899 to 1902. After the war, Britain wanted to use fewer mounted troops and restructured its force around a style of combat that needed more infantry. But the defence of Australia still relied upon mounted military units as these were more mobile than infantry and could travel faster over long distances. Light Horse brigades in the Australian Imperial Force (AIF) mostly contained recruits who served in the Light Horse regiments of the Citizen Forces. Many young men from rural areas of Australia volunteered for the Light Horse regiments. They had to pass a riding test to join, this test was easier for men from the bush because horses were still the main method of transport on farms and in country towns. The army did not officially accept First Australians into the AIF until May 1917 when enlistment standards were relaxed to include 'half-castes' with a parent of European origin. Indigenous soldiers served as valuable members of the Light Horse and many possessed excellent horse handling skills and specialist tracking knowledge.The subject items are part of the uniform for the Light Horse Units that served in the Australian army from 1899 until 1918. These leggings were worn by soldiers on horseback and are significant as they represent a noteworthy time in Australia's early military history. It was a time when many young men gave their lives during the South African and First World Wars in the defence of the then British Empire as part of the Imperial Forces that were gathered from many British-controlled Colonial countries.A pair of two Leather Leggings used by Mounted Australian soldiers during the first world war. The leggings are dark tan in colour with stitching to attach buckles and fastener straps. The strap buckles are made of brass and the leather legging straps are of same leather as leggings. Noneflagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, leggings, leather leggings, protective leggings, protective clothing, australian mounted light horse units, military equipment

Clothing. Man's cotton swim suit.Fine interlock cotton. Sleeveless deep cut armholes, neckline, legs and overskirt trimmed with white band - 4 cms wide on skirt. Three button fastening on left shoulder. Skirt bodice extends to thigh length.The ''Hawkins''. One piece Canadian, Unshrinkable Surfer. Registered 532 (?)costume, male, swim suit

Metal Cupid figure standing on a circular base raised on four ornate filigree legs. Donated by Jennifer Armstrong 107 Therese Ave Mt Waverley 3149 reportedly left in the house of Louisa Amelia Poole (Weekley) when Thomas went to WA.New Amsterdam Silver Co Triple Plate 521ornaments, metal, statue

Pittock tools collection : four miscellaneous metal tools Four sharpened edge U-shaped metal tools, with patent numbers on one leg. Three large, one small items Items stored in Pittock coach builder's box, reference 13000.1.

Professor Kate Leslie was ANZCA President from 2010 - 2012. The portrait was commissioned by ANZCA to mark the presidential term of Professor Kate Leslie and was unveiled at the ANZCA staff Christmas event on the 15 November 2013. The artist, Robert Hannaford, is from South Australia and was a political catoonist. He has a long history of painting portraits of politicians and distinguished professionals in the field. Oil on canvas portrait of Professor Kate Leslie wearing the Presidential medal without the Presidential gown. She has her arms casually crossed in front with legs crossed, and is seated in front of a plain brown background. The painting is set in a wide timber frame.[lower RHS] HANNAFORD '13painting, leslie, kate, anzca president, hannaford, robert

John Meikeljohn was born in 1841 in Glasgow. He was educated at Glasgow University and U. P. Theological Hall and ordained at the Glasgow City Mission in 1872. His ministries included: 1874 Kirkmairhill U. O. Lankashire; 1888 south Melbourne Dorcas St.. In 1901 he became the first Moderator General for the Assembly of Australia and was the first Principal Emmnauel College Brisbane. The Rev Dr Meikelijohn died on 28/09/1915.Sepia toned studio portrait tipped on to textured beige coloured cardboard of Rev. Dr. John Meikeljohn who dressed in his formal attire of a moderator general. He is sitting in a chair with his legs crossed with his hands resting on the arms of the chair.Printed on the front: "Mendelssohn & Co" "SALON PANEL" "80 SWANSTON ST. MELBOURNE"emmanuel college brisbane, rev. dr. john meikeljohn, presbyterian moderator general

Tobacco Jar of Staffordshire China depicting King George III. Jar in two parts - top half has figure to waist - light brown coat and figured waistcoat. Hand holding pipe. Lower half has legs with patterned trousers and boots.ornaments, ceramics

FERRET BOX made from old liquor box/ crate. Rectangular shaped box with lid. Lid has been hinged, with leather strap for fastening lid down and has sliding metal piece used as a door to the cage. Stands on four legs.[on 2 sides]: "OAKLEY, ADAMS/ AUSTRALIAN WINE MERCHANTS/ MELBOURNE", [ONE END]: "G MU SHERRY WHITE PORT"

Metal, arched shape with geometrical "diamond" design throughout the arch, has a decorative handle at the flat end and is supported by 3 legs Iron with wooden handle and black hollow body. Body has a lid to place charcoal inside. Handle is attached to the lidhousekeeping, clothes, laundry, washing, trivet, ironing

This nursing chair is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Hilda Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable. An ornately hand carved dark wooden heavy nursing chair with a carved figure of a child and gargoyles on the front of the back rest. The seat is highly patterned too. The back and front legs are carved in one enclosed piece of wood with a gargoyle face and spirals on them.chairs, nursery furniture, nursing chairs, seating furniture

The cabinet is currently used to display vintage postcards, greeting cards and photo albums.A tall wooden English Oak vintage display cabinet with an ornately carved top with four filials on each corner and decorative shaped legs. It has six glass shelves and a side door opening on the right. It has a lock on the side door, but the key is missing.display cabinets, storage and display furniture

The Great Spotted Woodpecker is found throughout Europe and Asia. They are generally solitary birds and do not migrate unless found in northern climates. They are omnivorous and can extend their tongue when feeding on insects, insect larvae, and seeds, among other things. They generally only stay with the same mating partner for one season and are extremely territorial. The Great Spotted Woodpecker generally has red eyes and a deep red lower belly. The males have a red nape, whereas the females do not. They have a white upper chest and white and black head, back, tail feathers, and wings. Juveniles are less vibrant in colour and their undertails and lower bellies are a dirty pink or brown. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Great Spotted Woodpecker specimen is a juvenile female. The undertail is a faint pink while the head and neck is black and white. The tail feathers and wings are a faded grey-brown and the underbelly is white. This specimen is standing on a wooden mount with a swing tag attached to its leg.Swing tag: 2e(?). / Great-Spotted Woodpecker / Catalogue page, 66 / Metal tag: 4304 / torn swing tag: (?)s ma(?)- / q. / Nord- Deu(?)- / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, great spotted woodpecker, woodpecker

This flying suit would have been worn by a pilot of the Royal Australian Air Force. It is a drill suit and most likely was not used in active service. This flying suit dates to 1988. It is no longer manufactured and is an historically significant article of military clothing. It is also in good condition.Olive drab coloured overalls. Full length sleeves and full length legs. Two pockets on the front of each leg. One zip at the front of each leg with extra fabric in the interior for fabric width enhancement. One access zip on each hip. Two diagonal breast pockets, either side of chest. One small pocket on each arm. All pockets are fastened with metallic brass colour zips. Another pocket on the left upper arm with stitched sections for storing pens. A silver coloured metallic pen holder is clipped and stitched into this section. One epaulet on each shoulder, each fastened with a brass coloured metallic stud. Regular shirt collar. One long zip at the front from the groin to the collar. This has two zip handles, each with a thin piece of leather attached to aid zipping. A patch with inscriptions machine stitched to nape of neck interior. Three brass coloured metallic studs, with a small piece of size adjustment fabric (and the clipping stud attached to this) on each sleeve. Three brass coloured metallic studs, with a small piece of size adjustment fabric (and the clipping stud attached to this) on each side of the waist. One rectangular leather clip attached to the upper right leg pocket. Patch stitched to nape of neck interior has the following inscriptions: A.G.C.F. VIC 1988 (symbol of broad arrow) SIZE.3 8415.66.013.1557 NO NAMEflying suit, royal australian air force

Part of the "Kevin John Herdman" No. 397661 Collection. See Cat No. 5942P for details of his service.Polyester full length Khaki trousers. Metal zippered fly. Belt loops around waist. Two side pockets, one fob pocket and one button down hip pocket on RHS. On the inside under the belt section is a white towelling band. White calico manufacturers and name label sewn onto the hip pocket lining. Care instructions also on manufacturers label. Plastic buttons.Printed on Manufacturer's label: "CONWAY BROS. PTY LTD S.AUST, ^ 1971. Size 33RB, Waist 33, IN LEG 30 1/2 8405-66-018-5520, ARMY NO. NAME' Handwritten on Manufacturers label: "Herdman". Stamped in black on manufacturer's label: 'MO 21020" .uniform, trousers, kevin john herdman

Albert Gilhooley No 890, enlisted 26.1.1916 age 21 years 5 months in C Coy 38th Bn, embarked for England 20.6.1916, appointed L/Cpl 12.9.1916, embark for France 22.11.1916, WIA 13.1.1917 GSW to left leg severe, rejoin unit 2.9.1917, appointed L/Sgt 18.12.1917, reverts to Cpl rank 17.2.1918, KIA 31.8.1918.Photo sepia tone rectangular shape, portrait of a soldier in uniform, no hat, Cpl stripes on arm.Hand written on rear, “Albert Gilhooley 890 38th Bn”photographs, 38th bn, c coy,

Stanley Stewart Scott enlisted in the 10th reinforcements 8th Batt AIF on 20.7.15. He transferred to the 57th Batt on 15.3.16. WIA, Shell shock 10.9.16. Hospital with Back Strain on 14.10.16. WIA 28.1.17, Shell wounds face and right arm. WIA 3rd occasion 26.9.17, GSW right leg severe. Discharged from the AIF on 25.4.18. Medal set, court mounted, set of (3) re S.S Scott. 1. 1919-15 Star. 2. War Medal 1914-19, replica not engraved. 3. Victory Medal, replica not engraved. "3142 Pte S.S Scott 8 Bn AIF"numismatics - medals - military, metalcraft

The Yellow Wattlebird is Australia's largest Honey-eater. This species is only found in Tasmania and is also known as the Tasmanian Wattlebird. The birds are active, noisy and conspicuous especially when the birds congregate in flocks. It lays two or three pinkish white eggs with light brown speckles. This particular Wattlebird specimen has been mounted in an accurate but stylised fashion by the taxidermist. When calling, this bird throws its head backwards to such an extent that the feathers on its crown may actually touch those on the bird's back. It then suddenly jerks its head forwards while releasing the call. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Yellow Wattlebird's has a distinct yellow belly and yellow-orange wattles on the sides of the head. The wattlebird's chest is white streaked with brown. The head, back and wings are brown. This specimen stands upon a wooden mount and has an identification tag tied around its leg.Swing-tag: 58a. / Wattled - Honeyeater / See catalogue page 18taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, yellow wattlebird, tasmanian wattlebird, anthochaera paradoxa, australian birds, wattlebird

The Snowy owl is a large and powerful bird. It is one of the largest species of owl, and in North America, it is on average the heaviest owl species. The adult male is virtually pure white, but females and young birds have some dark spots; the young are heavily barred, and dark spotting may even predominate. Thick plumage, heavily feathered taloned feet, and coloration render the Snowy owl well-adapted for life north of the Arctic Circle. This Snowy Owl example is slightly discoloured and in real life the Snowy Owl displays much more brilliant white feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Snowy Owl adult male is virtually pure white with brown spot markings and a pale brownish wash. It has thick plumage and heavily feathered taloned feet. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing tag: [torn] snowy owl / See catalogue, page 54 / Metal tag: 4054 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, snowy owl, arctic circle

This chair has no maker's marks. The studs still on the seat, and the ventilation holes in the wooden seat, seem to indicate that the seat once had an upholstered cushion. Chair, wooden, with carved backrest and carved second horizontal back support.Seat has holes in a pattern, also studs around its perimiter. Legs and bracing ring are bentwood. Top of uprights for backrest have slight indentation design. Bemnants of dark colour stain, flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, 19th or early 20th century chair, victorian furniture, kitchen furniture, dining furniture

WW2 Royal Australian Air Force. Also see statement of Signifiance.Example of WW2 Officers Pants. Tunic material can determine which country the tunic came from, Dark Blue- Australia, Light Blue-England, in between, South Africa, Canada and New Zealand.RAAF Officers Pants Dark Blue Wool Serge, multiple moth holes both legs. High waist 6 x buttons for suspenders, 6 buttons to fly, 2 pockets, striped material to waist, lable MTX along with indelable pen CRA.Label MTX and indelible pen CRAraaf, officers uniform

During the years 1869-1935 there were well over 250 registered bamboo furniture producers in Britain. The earliest recorded firm was Hubert Bill of 14 Little Camden St, London N.W., who claimed to have been established in (1869) while Daniel Jacobs & Sons of Hackney Road, London, were still in business in 1915, after 45 years of production. Design, quality, price and methods of construction were fairly consistent throughout the whole period, but it was the imaginative and often eccentric choice of subject matter that marked differentiation between the various firms. While most produced standard tables, stands and fire-screens, the more adventurous offered for sale items such as corner shelve units, charcoal barbecue grills and musical tea tables. Shelves were often covered with embossed leather paper designs, at first imported from Japan and then later produced in England. Some firms incorporated the knobbly roots of the bamboo stems into their designs, generally to form feet. Occasionally handles to drawers and cupboards were made with these roots although they were more commonly carved as imitations. Handles were mostly of cheap metal or brass. The ends of the bamboo canes were capped with stamped metal or turned bone, ivory or wooden discs. Methods of construction fell into three categories. First and most common is that of pegging. Bamboo stems being hollow, thick dowels can easily be glued into the joints. Some firms farmed out this work of `plugging' the ends of the canes to part-time workers at home. The second method, that of pinning, was far less satisfactory as bamboo tends to split lengthwise and therefore the jointed pieces eventually disintegrated. The most efficient method was that patented in 1888 (patent No 2383) by the firm of W. F. Needham in Birmingham. It consisted of metal shoes and covers for all joints which were made by wrapping a metal strip around the stems and soldering the overlapping ends. Some joints were further strengthened by a small pin or screw. Needham was by far the largest and most successful manufacturer and their individual and superior method of construction undoubtedly gained them their reputation. A. Englander & Searle of 34 Gt Eastern St and 31 Mare St, Hackney, London, were a firm particularly concerned with methods of construction. Although they seem to have entered the bamboo furniture market at a comparatively late date, about 1898, they produced inexpensive' bamboo, aimed particularly at the export trade. Stating in their catalogue that bamboo furniture “can be exported in one piece or it can be exported in pieces and put together again. The fixing up is much facilitated by a system of marking and numbering. Further, no glue is required for putting together as the screw system only is applied”. This method of construction best fits the Etagere and this item in the flagstaff collection and it is believed to have been made by A Englander & Searle, exported in a knock down form to Australia, purchased in kit form from a dealer here and put together by the purchaser. The bamboo plant stand is a significant item as it highlight furniture fashion of the late Victorian era. This item was highly sort after in its time and although mass produced, not many examples remain because the item is so fragile so this example is a valuable addition to the Flagstaff collection. It is believed,the construction method used is by a notable and respected maker in England of bamboo furniture that was aimed specifically at the export market and probably came to Australia in kit form to be assembled by the purchaser.Bamboo plant stand with octagonal top edged with tortoise shell bamboo the top is of wood and supported by four tortoise shell bamboo legs joined at the base by a square cane covered shelf. The tortoise shell appearance is brown lacquer. Item is part of the Giles Collection. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, furniture, plant stand, bamboo furniture, etagere, victorian furniture, simulated bamboo, tortise shell, a englander & searle, domestic furniture, giles collection, henry giles, cooramook, mailor’s flat, wangoom, 19th century household goods

Table wooden with 4 turned wooden turned legs and dark grey inlay on top, 2 small drawers & 1 large drawer in centre all with locks & knobs on each, centre drawer has missing knob. 1420mmL x 1010mmW x 760mmHflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

The boat has grey body and black bottom stands on two legs base. The control room is half of the deck. It has 1 soldier at the front, 1 soldier in the cockpit and 2 soldiers controlling the stiring wheel. At the back of the boat, a soldier controls a machine gun.SWIFT BOAT Used for Inland water operations By "Brown Water Navy"model boat, swift boat, brown water navy