The photograph is of members of the Governing Council of Greek Women in Melbourne in 1917. A number of the women were from Ithaca. The organisation was created to offer social interaction for Greek women who had settled in Australia in the early years of the twentieth century and was part of the Greek Orthodox Community of Melbourne and Victoria. Back row L-R: Mrs. A Raftopoulou, Miss Sigala, Mrs. E. Peppa. Middle row L-R: Miss E. Nomikou, Mrs. K. Kyriazopoulou, (President), Mrs. K Mavrokefalou (Vice-president), Mrs. N. Mari. Front: Mrs. B. Zografou. A black and white portrait style photograph of eight young women. The translated caption is printed below the photograph in Greek: THE GOVERNING COUNCIL OF GREEK WOMEN, MELBOURNE 1917 gocv, committee, auxilliary

The Classic Restaurant, located in Swanson Street next to Young and Jacksons Hotel, was one of the many businesses owned by Ithacans in Melbourne's CBD. Nakis Raftopoulos ran the business during the 70 & 80s up until the property was sold and became a fast food chain outlet. The building has since been demolished as part of Melbourne's Metro Tunnel project. Many Ithacans who settled in Melbourne in the early years of the twentieth century opened restaurants In the CBD. From the 1950s onwards the number of these Ithacan owned businesses gradually declined and by the 1970s very few remained. The Classic Restaurant was one of the last remaining establishments in the CBD owned and operated by an Ithacan. A black and white photograph of the Classic Restaurant. It is a two storey building large printed letters spelling out the name of the business on the first floor of the building. Three sedans are in front of the building and two people are standing at the tram stop opposite the building.Painted on the second storey of the building: CLASSIC RESTAURANT/ GROUND FLOOR/ COFFEE LOUNGE.

Prior to the advent of the ferry service Ithacans who wished to travel to the mainland sailed by ship. The 'Angelika', photographed in Ithaca's port harbour of Vathi, transported most of the post WWII Ithacan migrants to the main Greek port of Piraeus to embark for their journey to Australia. Migration from Ithaca to Australia ceased during the second world war years. A second wave commenced in the post war years, particular following the 1953 earthquakes which caused catastrophic damage to the island. Today travel between Ithaca and the mainland is by ferry boats. Ships and ferry boats no longer enter the harbour at Vathi, but rather dock at Piso Aetos. A black and white photograph with a thin white border of a ship steaming out of a harbour with smaller craft in the water. People are standing on the wharf watching the boat depart; behind them are buildings and mountains across the skyline.

The annual picnic organised by the Ithacan Philanthropic Society has been a popular event on the club's calendar every year since its inception in 1916. It was a chance for families and friends to meet together in a relaxed atmosphere where races were also organised for all age groups. The picnics were held at recreation grounds on Melbourne's rural fringe and for many years Bacchus Marsh was a popular venue.A black and white photograph of eight men, seven ladies and three children sitting around a picnic table laid out for a meal in a large outdoor area. There are large trees in the background.

The photograph was taken at an Ithacan picnic held at Mentone Racecourse in 1935. Members of the IPS Committee are pictured with their families together with two official guests, Father Theophylaktos Papathanasopoulos from the Melbourne Orthodox Parish, and Father Timotheos Evangelimides, the Archbishop of the Greek Church in Australia, both pictured standing in the centre of the group. Vicki Raftopoulos(Black) is seated 3rd from the left and Arthur Raftopoulos is standing 3rd from right and Stathi Trohoulas is standing far right. Melbourne's first Greek Orthodox Church 'Evangelismos' in Victoria Parade East Melbourne was consecrated in 1901. Ithacans, as members of the Greek Orthodox Community, were directly involved in its establishment. A.J.Lucas the founding president of the Ithacan Philanthropic Society was one of a number of prominent Greeks who advanced funds to help with the purchase of the East Melbourne site upon which the church was built. The building of the church was financed through the contributions of funds from the local Greek community.A black and white photograph mounted on grey board of a picnic group sitting and standing around a table set out with food and drinks under trees. A bus is parked and just visible behind the group. Detail of the people in the photograph and other information is written in Greek on the back of the pghotograph.

The Spot Cafe was in Elizabeth Street, Melbourne and owned by Athanasios Raftopoulos, Michalis Mavrokefalos and Anastasios Flocas. It was one of the many cafes owned and run by Ithacans in Melbourne's CBD in the 1930s and 1940s. Arthur Raftopoulos and Hector Andrews are standing 2nd and 3rd left in the photograph. Many Ithacans established businesses throughout the CBD and inner suburbs. These establishments also provided employment for other family members and friends as during the first half of the twentieth century migrants from Southern Europe were often unable to find employment in the wider Australian community.A black and white photograph mounted on grey board with a darker grey border of the interior of a restaurant. Tables set out with white tablecloths are in the foreground with four men standing behind them and a man and two ladies are standing in curtained cubicles in the background.ithacan businesses.

The print, a reproduction of an etching of the port of Vathi in Ithaca as it would have appeared in the nineteenth century, when the island was a British protectorate. A variety of sea vessels are depicted in the print, including the large sailing ship. The smaller boat could be a caique used for fishing or transporting people and goods between the islands. The soldiers appear to be in the British uniform worn during the 1800s.A reproduction print of a black and white etching of a harbour scene. Four larger sailing ships are in a bay with a smaller craft in the foreground near the shore. At the water's edge there are soldiers and other people looking out to the ships in the harbour. Mountains loom up in the background.

From its earliest days, the Ithacan Philanthropic Society has conducted an annual family picnic held at country towns on Melbourne's urban fringe. For many years Bacchus Marsh was a popular venue where this picnic group was photographed. Women would prepare delicious traditional Greek food and families would group together to enjoy a wonderful picnic spread. The annual Ithacan Picnic has been a very important event on the society's social calendar. In the early days, as many of the families ran family businesses such as fruit shops, fish shops and cafes, Sunday was the only break they had away from their work. The picnic gave them a chance to relax and to catch up with extended family and friends. Today the picnic continues to be an extremely popular day for the members where generations of Australian Ithacans get the opportunity to reunite. A black and white photograph of a large group at a picnic standing and sitting around and enjoying a picnic meal which has been spread out on the ground. Three cars are parked in the background under the trees.

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show images from daily life while the Island was owned by the Jenkins family from 1936 - 63. Black and white photograph of Valda Treadwall - woman in bathing suit, with hair secured in a towel. Posing in front of closed gate.Catalogue number in pencil on reverse. In pencil on reverse: “VALDA TREADWELL Has been in the (*’the’ is crossed out) by dam swimming” In pencil on reverse from later date: “C. 1940” Stamp on reverse: “KODAK PRINT” Faded numerical stamp on reverse. “1 78” still visible. “.VELOX.” stamps over reverse. photograph, jenkins, valda treadwell, churchill island

Black and white copy of an artist's drawing showing a man ploughing a field with two horses. One in a series of three. Appears to be a print-out on thin card. Has been cut out along printed lines.Hand written on front: "Ploughman 1875" Artist's signature on front bottom left: "M. Caccianiga."ploughman, historical, farm machinery

Black and White image showing a McKay sunshine harvester being drawn by a team of five horses with a man sitting at the front of the harvester. Appears to be a print-out on thin card. Has been cut out along printed lines.Handwritten on front: "McKay Sunshine Harvester 1920" Artists signature on bottom left "M. Caccianiga"farm machinery, mckay sunshine harvester

Black and white drawing printed on thin card showing a Sundercut stump jump plough being worked with a team of six horses. A man sits on the plough, looking at the viewer. Appears to be a print-out on thin card. Has been cut out along printed lines.Handwritten on front bottom: 'Sundercut Stump Jump Plough 1925" Artists' signature under rear wheel on drawing: 'M. Caccianiga"stump jump plough, farm machinery

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This photograph shows the previous owner's son, Ted Jenkins, who lived on the Island for a decade.Black and White photograph of Ted Jenkins in a wheelchair holding a rifle. A woman stands half out of frame.Catalogue number written on reverse in pencil. churchill island, farmland, ted jenkins

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. Black and White photograph of three men pushing a rowboat out.Catalogue number written on reverse in pencil. '7' in pencil on reverse.churchill island, farmland

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. Black and white photograph printed out on paper and cut out. Grainy image showing a punt boat loading/unloading and tied up onto the shoreline. According to register entry, it may have been taken from a newspaper article.Catalogue number written on reverse in pencilphotograph, churchill island, punt

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and White photograph taken from the late nineteenth century showing groups of people standing out the front of Amess House. There is a covered cannon on the right hand side of the frame and an immature Norfolk Pine in the background. Catalogue number written on reverse in pencil. Written on reverse in pencil 'Department of Agriculture' Stamp on reverse 'Photograph by Information Branch Victorian Dept. of Agriculture Ref. No 1978(541-24)samuel amess, churchill island, amess house, norfolk pine, cannon

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show candid pictures taken by previous residents of the Island.Black and white photograph of Amess House, the Norfolk Pine, and the cannon. Taken from downhill on the main path looking up to the house.Catalogue number written in pencil on reverse. Hand written in pen: 'Amess (crossed out) Jenkins Era/ Source - Historic Places 1999' 'Churchill Island/Main patch leading up to the house' Stamped on paper diagonally repeating on reverse: 'Kodak Professional Paper - Papier - Paper'churchill island, harry jenkins, cannon, amess house

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in December 1939.black and white photograph with white border showing a man wearing suspenders and hat sitting on the ground in front of a line of rocks, gazing out towards the left of the frame. A line of pine trees are visible in the background. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white landscape photograph of a cove taken from the shelter of trees.Catalogue number written in pencil on reverse. On reverse in pen '1939 Tide out from below the big dam looking towards north point'churchill island

Churchill Island has a large photograph collection dating from the nineteenth century. This series consists of candid photographs of everyday life taken by previous residents of the island.Black and White photograph of a man sitting on a horse on a large pasture.Catalogue number written on reverse in pencil. Handwritten in pen on reverse: '1940. SELF. LOOKING TOWARDS MANGROVE AREA. NOTE TIDE - WELL OUT'churchill island

Churchill Island has a large photograph collection dating from the nineteenth century. This series consists of candid photographs of everyday life taken by previous residents of the island.Black and White photograph of two people sitting on a daybed out the front of Amess House. Ken Stott leans over the table, while Valda Treadwell sits next to him.Catalogue number written on reverse in pencil. Handwritten in pen on reverse: '1940. Ken Stott and Valda Treadwell'churchill island

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present. Black and White photograph of a wheelbarrow overflowing with vegetables grown in the Churchill Island vegetable garden. Photo taken outside of Rogers Cottage.Catalogue number written in pencil on reverse. Handwritten in pen on reverse 'A BARROW LOAD OF PRODUCE OUT OF THE VEGETABLE GARDEN OUTSIDE ROGERS COTTAGE'churchill island

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present.Black and white photograph of three men gathered around the cannon out the front of Amess House. From left: Mal McCartney, Guy Evans, Gid Ashley.Catalogue number written in pencil on the reverse. Handwritten on reverse in pen '1940. The 'cannon' left to right Mal McCartney (amateur radio friend of TEDS) Guy Evans (MY BROTHER) SHOT DOWN OVER TIMOR IN A LIBERATOR BOMBER IN THE RAAF IN 1944 GID ASHLEY (ONE OF THE 'GANG' FRIENDS OF TED!) NOTE THE CANNON BALLS' In another hand 'Amateur radio friend of Teds'churchill island, cannon

Black and white photo: two Poor Clare sisters in process of making altar bread. One sister standing, holding mould for making circular communion bread, the other feeding the mould into a 'press' like machine, presumably to stamp out the communion bread. Sisters dressed in full robes and veils. The Poor Clare convent is situated in Edwards Road, Kennington, 3555.church, diocese of bendigo, poor clare order

Printed coloured postcard with wedding artwork against a multicoloured background. Image depicts a wreath of white flowers supporting four gold bells, a horseshoe and two bluebirds are amongst the flowers. The words Ring out ye bells and tell the joy, We wish these two fond hearts to-day, Peal out and say we wish them luck And happiness their whole life's way are printed in black. On reverse, card is addressed to Miss G H Dean St Heliers 4 Andrew St Windsor. A one penny stamp is affixed and the words Series 1779 Printed in Saxony are printed along the bottom left hand edge.Series 1779 Printed in Saxonypostcard

Clothing. Twelve shaped panels form the body of the jacket, which is dramatically ''shaped in'' at the waistline, and flared out toward the hipline. Four black fabric covered buttons form the closure, with hand-stitched button holes, all ''hidden away'' under an overlay of the beaded velvet, of which the jacket is made. The long sleeves, narrow at the elbow, flair out to an embroidered and beaded cuff, 35 cm in circumference. Sleeves are gathered at the shoulderline, giving fullness, and featuring an elaborate ribbon, cord, and beaded embroidery. The embroidery is repeated around the revere collar, and on the right-hand side of the bodice, and the full length of the back of the garment, and around the hemline, and also trims the opening edge of the left-front bodice. Lined with black silk. It feels as if there is extra to support beaded areas.GEORGE STIRLING & SONS, THE RICHMONDcostume, female, black velvet long sleeved jacket