A letter to the editor saying that the idea of a church hall being a memorial to Robin Boyd is an insult.A and date in red pen.walsh st library

Robin Boyd conceived the idea of a satellite city in Sunbury, formulated through the Royal Australian Institute of Architects, Victorian chapter.A and date in red pen.sunbury, walsh st library

This article contains excerpts of Robin Boyd's address at the University of New England gave the previous evening. The University conferred an honorary Doctorate of Letters to Robin Boyd on that day.A and date in red penwalsh st library

Opera House march details, written by Mandie, while she was waiting to start work at Farmer's Department Store in Sydney.Typed letter on foolscap paper with illustrationsIllustrations in blue pen

A document containing a speech by Colonel A. N. Kemsley, E.D. at a weekly luncheon at Legacy sometime in the early 1950s. He presented details of the initial building of the Shrine and the changes being made to commemorate the second world war, such as the forecourt and new cenotaph and flagpoles. He mentions the upcoming Anzac Day in 1953. After the first world war there was a decision made to create a memorial. Legatees were involved in the process at various times and capacities. In particular Legatee Kemsley was vocal in idea of a structure over a utilitarian memorial (such as a hospital or a park) - see letter at 01182. These notes include the resolution that passed at the Melbourne Town Hall at a public meeting: "That this meeting of citizens confirm the launching of an appeal by the Lord Mayor to establish a National War Memorial by means of a monument and that an executive committee with the Lord Mayor as Chairman with power to add and point sub-committees be formed to carry out the project." Also that 20 sites were selected for consideration in 1921. Although the St Kilda Road site was favoured early on, by 1926 there was pressure to change to a "provision of square" and Cenotaph at the intersection of Spring and Bourke Streets. Legacy Clubs voiced their opposition to this proposal by passing a resolution "That the Melbourne Legacy Club, representative of the returned soldiers in business in this city, whilst welcoming the Anzac Square Scheme as a city improvement, cannot support it as a War Memorial scheme and affirms its support for the Shrine of Remembrance in the Domain as the only War Memorial worthy of Victoria's unparalleled efforts in the Great War." The document was in an envelope with a letter dated 30 April 1971 (01182) that also outlines the efforts Legacy (especially L/- Kemsley) went through to promote the construction of the Shrine of Remembrance over a proposed square. The envelope says 'The Origin of the Shrine of Remembrance p/p Legatees Kemsley and Joynt'. And the initial 'JMBA'?. It was in a file with other documents concerning the Shrine and it's history.A record of the events that led to the construction of the Shrine of Remembrance as noted by a Legatee at the time. There was an effort to record historical events for the "Archive Committee" which collected this an other documents relating to the Shrine together in a file (see items 01181 - 01190, 01206 - 01212)White quarto paper x 8 pages of black type of a speech given by Legatee Kemsley.S6 in red penmemorial, speech, shrine of remembrance, kemsley

These cards were filled out to give the impression that everything was okay. Merton Charles WILLOUGHBY VX54056, 2nd AIF, POW. Refer Cat No 1115 for his service details.Postcards, Japanese paper material for Austrlian POWs. On the front are the prisoner's details and the recipients. On the rear is a description of the person's health and the date. Card is a yellowish colour with Japanese inscription and a date. Cards are re. MC Willoughby..1 Handwritten in pen "Parker 4" .2 Handwritten in pen "Parker 3"willoughby, pow, postcards

Blotting paper was traditionally used to blot excess ink from writing when pens and fountain pens were in common use. The paper is open weave and very absorbent. Many such as this were presented in the form of a booklet with a number of leaves inside and an appealing picture, drawing or advertising material on the front. A common item which would have been in use for many years. This particular one has visual appeal.A pale green card blotter with a picture of house surrounded by multi- coloured cottage garden. Verse is underneath the picture. The picture is on a separate piece of paper which is glued to the green card. It has a zig zag edge on the card and includes four sheets of blotting paper. Held with green cotton cord on the side.A gift Blotter for Mother. The sweetest sounds to mortals given are heard in Mother, Home and Garden. (William Goldsmith Brown)blotting paper, warrnambool

Hand drawn pen and ink sketches of fishermen fishing off Queenscliff pierRon Tandberg, Queenscliff resident artist and long time cartoonist for The Age newspaper presented these framed sketches as a gift to the QMM. Three framed sketches of fishermen fishing off a pier in QueenscliffTandberg, Queenscliff pier, 30/11/1995fishermen, queensclff, queenscliff pier, tandberg, sketch

Geographically situated on the coast Warrnambool has large tracts of sedimentary rock, some of which is sandstone. It therefore was a readily available material and as a relatively soft stone it was easily quarried and cut. By the 1880’s Warrnambool had been established for around forty years and was proving to be a settlement of some wealth. Hence the trend to build bigger and grander homes. There are numerous other commercial buildings which are built in sandstone and many of the original quarries are still visible around the Warrnambool area. Most of the properties are situated in the central part of Warrnambool. This collection of photographs is a good cross-section of some of the significant homes and buildings of Warrnambool. It also shows how they look 100 years after being built.A collection of 18 black and white photographs of sandstone houses, mounted on card and tied loosely with string. The addresses of each house are hand-written in black pen beside each photo. Title is written in black pen on cover page.Graeme Blake 1973 in bottom RH corner, Via * Fraser & Chris How in blue pencil.warrnambool, sandstone, sandstone houses, 1880 warrnambool

"W.J. BERTUCH" - Service details - Refer Cat No. 1664.2Letter - beige colour paper with black and blue print business letterhead, black ink type written letter and blue ink pen, handwritten signature. Letter has been folded. This is a "To Whom it May Concern" letter written on behalf of W.J. Bertuch, supporting his late arrival at camp after leave.Letterhead with black and blue print. "GEO. R. INNES & SONS/ 411-417 HARGREAVES STREET, BENDIGO TELEPHONE 3 0574 (3 lines) P.O. BOX 74/ AUTOMOTIVE REPAIR SPECIALISTS NEW & USED CARS" Signature in blue ink pen "C.T. Blake" .correspondence, letter, w j bertuch

These photos were taken at Training Camps in Australia, Shepparton, Royal Park, Darby Camp, Balcombe, Alice Springs, NT, Larrakeyah, Darwin, Bombing of Darwin, Alice Springs, Adelaide River, New Guinea. There is several interesting photos of damage to Darwin Hotels by AIF units disgruntled at not being sent overseas. Allen Edward Malone VX46797 enlisted in the AIF on 13.7.1940, allotted to 8th Division, transferred to 2/4th Australian Field Workshops 8.2.1941, Moved to the NT arriving 8.5.1941, unit renamed 23rd Independant Group Ordnance W/Shops, moved to QLD 4.6.1943, posted to 2/137 Brigade W/Shops, promoted A/Cpl 26.6.1943, embark 12.7.1943 for New Guinea, detached for duty with 6th Aust Field Ambulance (Had previously done this with prior unit as a medical Orderly) Promoted Cpl 8.12.1943, Leave to Victoria 5.11.1944, embark at Townsville for New Britain 2.2.1945, disembark Brisbane 5.6.1945, discharged from the AIF 28.11.1945.1) Cover for Album, cardboard with a buckram finish, all black colours. .2) Album black covers, black pages with white glassien tissue sheets between each page, rear cover page has a envelope for a disc. Pasted on inside front cover is an A4 sheet typed with the service details re the owner and when taken, 20 pages have photos on with photo corners, photos have details written in white pen under them.On first page in white pen, "A.E. Malone Photo Album - photos taken during War service 1940 - 1945. Many of the photos were taken and developed by A.E. Malone"album ww2, malone collection

Charles Henry [Carl] Grove died on 17/4/1938 at Box Hill at the age of 88 and was buried in Orbost. Prior to coming to the Snowy River district, Carl worked as overseer on Buchan Station. In 1880, he selected land at Newmerella after first coming here in 1874 with early selector James A Robertson. He married Annie Robertson in 1876. Carl was a farmer, hop and seed grower and nurseryman. He was an elected Councillor of the newly formed Tambo Shire in 1882, and then in 1892 to the Orbost Shire where he served for many years filling various public roles. In 1911, he shifted to Queensland, but later returned to Victoria and died at Box Hill. (info. Newsletter 113)Two black / white photographs of a woman in a pen feeding two emus and some chickens.grove-annie grove-carl

Black and white photograph of pall mall with the cenotaph. At the bottom in blue pen: Bendigo 1959.bendigo, streetscape, pall mall

Document: black pen engineering drawing. On top ' Box Girder' on bottom : A. Richardson, Section A'Alf Richardsonperson, alf richardson, engineering drawing, bendigo, engineering, alf richardson, mining

Born in Estonia and immigrated to Australia after WW2, Gunnar Neeme is widely known around the world for his artistic abilities winning many awards in Australia, Germany, and Estonia, he is also a well-known writer. Neeme was a prominent figure in the Estonian society of Australia.Rural City of Wangaratta Collection. Gift of Verner Kentmann, Chief Clerk 1951-69.An illustration of a pastoral harvest scene in Estonia painted in watercolour and then overlaid with a black marking pen.Obverse: GNEEME/ 1965/ (bottom left corner) Gunter Neeme/ "RAY STOOKS IN ESTONIA'/ PRESENTED BY/ V. KENTMANN/ CHIEF CLERK 1951-69/ (plaque mounted on frame)wangaratta art gallery, gunner neeme, estonia, illustration, landscape, pastoral, haystacks

Pewter ink well stand - large round base with centrepiece for inkwell and holes for pens. domestic items, writing equipment

Bette McPhee CollectionRectangular mulga base with depression for a chrome ink well and two metal stands for pens.Fist Quality Genuine Australian Mulga - Southern Series.domestic items, writing equipment

From the Betty McPhee writing equipment collectionSmall clear glass ink bottle. It has a grove on either side to rest pen.commerce, office equipment / stationery, domestic items, writing equipment

This is a reference written by Robin Boyd for Miss Pamela Clark who was a private secretary to one of the principals at Romberg and Boyd, Architects.On Romberg and Boyd letterhead, original and signed in pen by Robin Boyd. The envelope is not the original one.

Lists for each tram a summary of work done to the vehicle for 1969 by the SEC Ballarat depot. To be read in conjunction with item 8287. Was located within item 8287.Yields information about the Ballarat Workshop work for each tram during 1969.Hand written notes, blue pen on off white sheets, some both sides.ballarat, tramcars, workshop records, workshops, maintenance

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 67 Walpole Street, Kew by Margaret Picken.WOODARDS HAWTHORN / MARGARET PICKEN ~96 / 67 WALPOLE ST., KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 67 walpole street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 6 Yarra Street, Kew by Margaret Picken.6 YARRA ST., KEW / MARGARET PICKEN ~99 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 6 yarra street -- kew (vic.)