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Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED, Full length portrait of Carl Herman Jess
Carl Herman Jess (Sir) CB, CMG, CBE, OBE, DSO had a long distinguished career. This is a very brief summary. Joined the Victorian Volunteer Cadets 1899 to 1906, joined the permanent Military Forces 1906 No 86 age 23 years 4 months and rose through the ranks to Captain when he enlisted in the AIF as a Capt in 4th INF Brigade HQ age 30 years on 23.9.1914, embark for Egypt 22.12.1914, embark for Gallipoli 22.12.1914, promoted to Major 23.5.1915 and transfers to 2nd INF Brigade, awarded MID 12.6.1915, promoted Lt Col and to Command 7th Batt, embark for France 13.4.1916, awarded MID 13.11.1916, awarded Order of the White Eagle (Serbian), he was Gassed but remained on duty at Pozieres, awarded DSO 1.1.1917, appointed Staff Officer HQ 1st Anzac Corps 12.3.1917 then T/Col, T/Brig General through to 7.10.1918, awarded MID and CMG, 1.10.1919 appointed Director General repatriation and demobilisation AIF, resigned appointed in England 21.3.1920. Post WW1 on return to Australia he served in many Military appointments including Honorary Colonel 7th and 38th Battalions.He was made a Knight Batchelor in 1935. On 3.9.1939 to 31.3.1946 No VP16098 during WW2 he served on the Australian Staff Corps, two of his main appointments being man power Dept Labour and national Service and the Women’s land Army, Awarded CB, he retired due to health reasons with the Rank of Lieut General.Framed Photograph. Black & White full length Portrait of Carl Herman Jess, 1884 - 1948. Commander 10th Infantry Brigade, Bendigo born. Frame - Moulded Timber, Painted Silver, glass front. Mount - dark grey cardboard with white inner mount.White print, left bottom corner of photograph "Carl Herman JESS/ 16 Feb 1884 - 16 June 1948" with brief synopsis of career. White print, right bottom corner of photograph, signature "Austin ???"history, photography, army, ww1 -
Federation University Historical Collection
Plan - Architectural Plans, Australian Natives' Association Ballarat Branch No 4 Architectural Plans
Percy Richards taught Architecture and Building Construction at The Ballarat Art School - a division of Ballarat School of Mines from 1918-1921. He was responsible for the design of a number of buildings in the district. This item is the "Specification of work required to be done and materiaals required for construction of the new A.N.A. Building at the corner of Sturt, Albert and Lewis Streets, Ballarat. Prepared by and to the satisfaction of P.S. Richards, A.R.V.I.A. Architect and subject to the General Conditions of Contract." "BALLARAT CITY A.N.A. BALLARAT, Wednesday — The Ballarat City branch, A.N.A., which was formed nearly 50 years ago, ranks fourth on the association records, but several of the members were prominent in establishing the association in Melbourne a year or two earlier. On the past half-year's operations the total funds increased by £1558/18/3 to £29.389/11/11. The membership now totals 949. The committee recommended that as the property at the corner of Sturt and Albert Streets, which had been intended as the site of a new hall, had been sold, steps should he taken to remodel the present hall, and bring It up to date. The report was adopted." (The Herald, 18 June 1924)Fourteen detailed drawings showing the specifications for each section of the new A.N.A. building for Ballarat. A 24 page document submitted to the Public Health Department, Victoria, received 15 January 1918 and a 3 page document related to Reinforced Concrete Particulars. All contained in a labelled black metal cylinder.A.N.A.4. PLANS painted on side and lid. Signature of P.S. Richards.ana, australian natives' association, architecture, percy richards, building specifications, ballarat, technical art school ballarat, materials, construction, p.s. richards, percival selwyn richards -
Bendigo Military Museum
Souvenir - SOUVENIR DARWIN, 1941
... on it in black with greetings from A.I.F Darwin 1941, Gold painted timber... on it in black with greetings from A.I.F Darwin 1941, Gold painted timber ...Item in the collection relating to William Leslie Tibbett VX28381 2/21st Batt. Refer 491.3P for his service history also 503P.Framed large leaf with aboriginal head painted on it in black with greetings from A.I.F Darwin 1941, Gold painted timber frame with stand."From Bill." - handwritten in black pen within framedarwin, framed, art -
Bendigo Military Museum
Accessory - PERSONAL EFFECTS, 1) Oakley et al, C.1990’s
.1) Goggles, black plastic frame, foam padding, black strap. Brand name Oakley. .2) Camouflage paint in plastic container, hinged lid with mirror inside. 3 divided sections with dark green, light green & brown used paint. .3) Patch, square, at top - yellow, middle - white above blue, bottom - bright light green. .4) Foot powder in dark green plastic container, twist lid with holes. .5) Container, dark green plastic cylinder, 11 matches, assorted. .6) Container lid, snap on, for .5). .7) Tube of army personal insect repellent. Dark green plastic tube with screw top lid, unnumbered. Instructions & warnings printed on back of tube. .8) Metal signalling plate, Polished steel signalling plate with small hole in center. Instructions printed on one side. .9) Vinyl sleeve for signalling plate, green. Dole K.1) Written on foam in black texta: DOLEY. .2) Austcam NSN 6850-36-130-0172. Military Sunscreen DDM↑ 0598. .4) Foot Powder, Colbar Pty Ltd, 50g net, B/C 5-98, Formula Salicylic Acid 3%, Starch 10%, Talc 87%. .7) NSN 6840-66-106-0247.military equipment, containers, preventative medicine, goggles -
Bendigo Military Museum
Certificate - CERTIFICATE, FRAMED, Welcome Home Certificate, Post1918
Item in the collection re Regt Sgt Major Edgar Frederick Dawson DCM, No 4472 57th Batt AIF. Refer Cat No 893, for his service history.Certificate from the Kangaroo Flat District Soldiers Memorial and Welcome Home League, presented to R.S.M E.F Dawson D.C.M Certificate: Black and dark brown print, background illustrated in colour with blue, red and white flags (Australian & British), and native flora. Frame: timber, mid brown stain with gold painted inner edge, decorative edge - glass front.Black printdocuments - certificates, name accessories, civic momentoes - presentation -
Bendigo Military Museum
Print - PRINT, FRAMED, Bomber Assault - 9 RAAR South Vietnam 1969
Framed print of an original oil painting by the Artist: Harold Lane 1987 of ""Bomber Assault, 9 RAR, South Vietnam 1969." Print of painting - coloured jungle scene depicting a "Bomber Assault"by the 9 RAR in South Vietnam 1969. Frame - timber, with light brown stain, gold trim paint, glass front. Mount - dark green coloured cardboard.Printed title in black ink below painting "BOMBER ASSAULT - 9 R.A.R. SOUTH VIETNAM 1969illustrations-oil, illustrations-watercolour, frame accessories -
Bendigo Military Museum
Print - PRINT, FRAMED
White information labels - black print ink. At top - HMAS Kanimbla crest with two lions. Printing: "HMS - HMAS/KANIMBLA/ Donated by the Kanimbla Association Inc/ Painted by Bob "Bluey" Paton ex crew member/and Ship's Artist "HMAS Kanimbla"HMAS Kanimbla, original painted by Bob "Bluey" Paton, ex crew member and ship's artist. Painting: colour oil painting of a ship at sea. Foreground - sea, background - sky and clouds, ship in camouflage colours. Signed bottom right corner by artist. Two white information labels - one front, one back. Handwriting on back.Artist signature, white paint "R. "BLUEY" PATON / EX KANIMBLA" Handwritten on back in black felt HP pen 'IAN S DIXON' Two white information labels - see context.framed painting, ships, navy -
Bendigo Military Museum
Headwear - HELMET - RAAF, c. WW2
Helmet issued to John Charles Dean No 144278 RAAF. He enlisted on 26.8.43 aged 18 years and was a LAC in 78 Sqd RAAF. He was discharged from the RAAF on 13.3.46.British designed steel helmet painted a khaki colour. The chin strap is made of light khaki coloured cotton webbing and is secured with an adjustable brass buckle. The liner is black coloured and coated canvas with rubber padding on the crown.On the underside of the rim in black handwriting: 'LAC Dean JC/144278/RAAF'uniforms - raaf, helmet, headwear -
Bendigo Military Museum
Souvenir - PENNANT, C.WW2
Pennant, brown felt, triangular rising sun motif = painted in gold red with inscriptions, 2 corps patches green over gold. made of felt & sewn on black over Green, two pairs of felt strips on LHS for suspending pennat on display.in blue paint "armoured/ division "Armed REGT"flags - military, pennants, armd corp -
Bendigo Military Museum
Photograph - WALLET & PHOTOGRAPHS, C. WW1 wallet, c.WW2 photos
Wilfred Davis Stanley BURNS No 56 enlisted in the AIF in HQ 1st Aust Division Provost Corp on 15.9.1914 age 21 years 9 months. Embark for Egypt 21.10.1914, landed Gallipoli 25.4.1915 and returned to Egypt 27.7.1915, posted to Anzac Police Corp 3.4.1916, promoted Cpl 22.5.1916, embark for England 3.8.1916, hospital 27.9.1916 (unclear), promoted Sgt 1.8.1918, discharged from the AIF 5.11.1919.Australian Comforts Fund Wallet. Bi-fold wallet, black leather, two pockets inside, two sepia photographs. .1) Man standing in garden (in uniform). .2) Two people standing on a dirt road.Photos. .1) "Tom in Garden at Kings Log Cabin, Marysville 1940". .2) "A picture no artist can paint, Marysville DEC 1940". On the wallet. “Australian Comforts Fund 1914 - 1918 Victorian Division No 56 W.D.S.Burns Provost Corps” photography-photographs, military history-army, personal effects-containers -
Bendigo Military Museum
Certificate - CERTIFICATE, FRAMED
John Stanley HOWLETT, refer Cat No 41 for his service history. James Rueben HOWLETT No 3043 enlisted in the AIF in the 5th Field Coy Engineers as a driver on 19.8.1915 age 22 years 10 months. Embarked for Eygpt 24.11.1915, hospital 31.1.1916 with Gastro Enteritis, embark for France 17.3.1916, hospital 26.4.1916 with PUO, rejoin unit 30.4.1916, hospital 21.1.1917 with Gastritis, reclassified as Nephritis severe 4.2.1917, Died of Disease (DOD) England 2.6.1917 classed as Nephritis Uraemia. Buried Harefield Parish Churchyard Anzac section 5.6.1917.Frame. Tan wooden, glass front, white cardboard backing. Certificate: Coloured, painted with photo of each brother featured - PRIVATE S HOWLETT 1916 PRIVATE P R HOWLETT 1915On front: TWO MEN WENT FORTH FROM THIS HOME PRIVATE S HOWLETT 1916 PRIVATE P R HOWLETT 1915 To fight for Australia in the 1914 - 1918 World War On rear in black texta: Mrs R Cheynedocuments - certificates, frame accessories -
Bendigo Military Museum
Certificate - CERTIFICATE, FRAMED, c.1964
FRANK THOMAS DUNPHY No 4485 enlisted in the AIF on 12.7.1915 in 14th reinforcements to 6th Batt age 22 years. Embarked for Egypt 28.1.1916, embarked for France 29.3.1916, hospitalised 7.9.1916 with varicose veins, while recovering was hospitalised again with mumps. Returned to unit 19.2.1917, WIA 5.10.1917 with GSW’s chest & right arm - severe, returned to Australia and discharged medically unfit on 1.10.1918.Frame. Timber, cream painted with glass front. Certificate. Black, white, blue, red & yellow ink, hand written certificate on beige paper. Battalion colour patch at the top & RSL badge at bottom with printed blue ink: 28th Day of October 1964. "From 6th Battalion AIF Social Club Bendigo - To Frank Thomas Dunphy Esq" Signed in black ink bottom RH: "Les Bennetts- R C Wright - W Green"documents - certificates, frame accessories, military history -
Bendigo Military Museum
Memorabilia - COLLAGE, FRAMED, c.1942 - 1945
Certificate of Discharge of Sapper Reginald T Rosewall. Frame. Grey painted metal frame with dark green mount & glass front. Collage. LS black & white photograph, soldiers in uniform, informal group from the Mouth Organ Band, an Australian Military Force Demobilization Procedure Book & Members Personal Equipment Card & page of book showing Soldier's Name and Description on Enlistment. RS certificate black print on cream paper: Certificate of Discharge.Certificate of Discharge of Sapper Reginald T Rosewall. Handwritten in black ink & typed in black on 2 documents, enlistment & discharge information.documents - certificates, frame accessories, r.t.rosewall -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW2, FRAMED, C.1940
... Hard painted label in black ink in frame "Cpl. F. DYBING... Passchendaele barracks trust Hard painted label in black ink in frame ...Black and white photograph mounted on coloured cardboard mount. Timber frame, beige painted. Two men training exercise. Corporal F. Dibing and Major A. V. Palmer. Hard painted label in black ink in frame "Cpl. F. DYBING, Maj. A.V. PALMER, training Exercise Puckapunyal 1940"photography-photographs/frame accessories, military history, passchendaele barracks trust -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW2, FRAMED, C.WW2
... . Frame timber metallic paint decoration edge, black and white... paint decoration edge, black and white photograph on fawn ...21st Anti Tank Regiment staff photograph WWII Queensland. Frame timber metallic paint decoration edge, black and white photograph on fawn cardboard backing, cream mount. Type written label lists 14 names of 21st Anti Tank Regiment WW2 Queensland.Hand written on cardboard backing faded blue ink "with love from Noel" "Queensland" - below photograph.photography-photographs/frame accessories, military history, anti tank -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A digital copy of a colour photograph of The Corner Cupboard Cafe in Marysville in Victoria.A digital copy of a colour photograph of The Corner Cupboard Cafe in Marysville in Victoria. This building, along with most of the other buildings in Marysville, was destroyed in the 2009 Black Saturday bushfires.the corner cupboard cafe, marysville, victoria, photograph, 2009 black saturday bushfires -
Federation University Historical Collection
Book, Notebooks belionging to Richard Squire with mine notes
Richard Squire was a student at Ballarat School of Mines In 1905 Richard Squire was manager of the West Berry Consols at Allendale, and developed an improved system of mine ventilation, which was supported in "The Age."He was successful in combating and remedying the gas and ventilation troubles of the Deep Mines of Creswick and Allendale Districts after all had failed. MINE MANAGERS’ ASSOCIATION. Ballarat Branch. ... Mr R. B. Squire, manager of the West Berry Consols, at Allendale, submitted a paper detailing what he had done tor the betterment of ventilation in the alluvial mines of Smeaton and Mary borough districts- Members gave Mr Squire every credit for the results that he claimed to have effected; the adoption of his ideas had testified to their value to mine-owners. It was painted out, however, that for want of a thorough debate of the subject with experienced men the author had unwittingly included some general statements that required modifying in some points and extending in others, in justice to other workers among the earlier and the present day managers of mines. It was decided to invite the author to meet a sub-committee on this subject!Little black books with handwritten notes on the mines of Richard Squire .1 1916 Deliveries, Accounts, Invoices etc. .2 1911 & 1912 Notes to pay costs, equipment etc. .3 South Berry Coy. Notes from 1909 ( 2book stuck together) .4 Leigh River Time Book ( 2book stuck together) .5 Single page of Notes .6 Notes on supplies etc. 1919 .7 Leigh River Notes Dec 1920 to March 1921 ( 2book stuck together) .8 Hut Book .9 Notebook August 8th 1927 .10 6 Books stuck together various mine notes 1912 .11 Notebooks bagged because of potential mould .12 Notebooks bagged because of potential mould richard squire, notebooks, deliveries, leigh river time book, leigh river, supplies -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED, HMAS MANOORA, Post 1945
Requisitioned by the RAN on 11.10.39 and outfitted as an Armed Merchant Cruiser. Commissioned 12.12.39 and Decommissioned 6.12.47 and refitted back to original use. Battle Honours, Indian Ocean 1941-42, Pacific 1942-45, New Guinea 1944, Leyte Gulf 1944, Lingayen Gulf 1945, Borneo 1945. Framed photo of "H.M.A.S. Manoora" Black and white photo of full length of ship. Sydney Harbour Bridge is in the background. The frame has stylised branch and leaves. Heavily printed over with cream paint.Marked on rear of frame, "L. SCHILLING" On front states HMAS MANOORA, armed merchant cruiser. 1939 - 1945.photography, hmas ran -
Frankston RSL Sub Branch
Container
c World War IIA tinplated steel container originally used to transport and store loose black tea leaves. This container has a tight fitted lid. The container exterior is painted with a golden colour varnish. This container originally stored 6 pounds of loose tea leaves.Imperial Pure Tea 6 pounds net Packed by Henry Berry & Co (Australasia) Ltd Melbourne Australia Defence Wilson Bros Pty Ltd Melbtea, tin, henry berry -
Frankston RSL Sub Branch
Ration, Special Flying, Circa 1942 - 1945 for similar packs
A military dark green painted steel container which is empty. This was a sealed container with rations for RAAF aircrew undertaking long duration flights. Khaki painted metal tin which contains rations, for use in aircraft. Printed in black on top of the detachable metal cover, which would have been taped down on top of the ring-pull lid, is; 'D^D / Made in Australia / Packed by MacROBERTSON'S / SPECIAL FLYING RATION / To be consumed by Air Crew carrying / out flights of 4 hour duration or longer. / List of contents on inside of lid / KEEP PACK INTACT / R.A.A.F / A Gadsden Container'. Printed on the top of the ring-pull lid is 'D^D D^D Contents believed to be (obtained from similar "Special Flying Ration") / Nuts. (Shelled) 4 ozs / Barley Sugar 3 ozs / Raisins 4 ozs / Chocolate ozs / Chewing Gum 3 pkts / Fruit Juice 8 ozs'. -
Frankston RSL Sub Branch
Cream, Face Paint
Small container of AUSTCAM camouflague face paint supplied by the Australian Department of Defence during the Vietnam conflict. The plastic container is Army jungle green and in the form of a small rectangular resealable container with a tight fitting lid. The container has a mirror on the inside of the lid and is divided into three sections. The face paint is coloured dark green, light olive green and brown and all are unused. The container has the following printed in black ink "WARNING KEEP OUT OF EYES", "AUSTCAM", PAINT FACE CAMOUFLAGUE", "NSN 6850-66-130-0172", "MILITARY SUNSCREEN" -
J. Ward Museum Complex
Functional object - Vaginal Insufflator for Silver Picrate, 1940's
The medical instrument is used for the treatment of Trichomonas Vaginitis. Insufflation has been a medical practice since the early nineteenth century, the earliest mention of it appearing in 1823. There are descriptions of its therapeutic and diagnostic purposes in connection with almost every cavity of the body. Despite being used widely across many Victorian health institutions, insufflation has not been regarded as a dangerous procedure.The object is significant because it is representative of medical treatments used to cure sexually transmitted diseases in Aradale Mental Hospital in the 1940's. Black leatherette covered wooden box with a metal latch on the front and 2 hinges at the rear. "Wyeth Vaginal insufflator for silver picrate" printed on inside of lid. Blue, painted wood, custom made interior. Contains: Four canisters of Silver Pictrate [Sealed] One canister of Silver Pictrate [attached to Insufflator] One canister of Silver Pictrate [Open but covered with a plastic top] One Vaginal Insufflator (Holmspray) Each bottle has a white paper label with blue banners at the top and bottom and blue text which reads in part reads "5 GMS Wyeth's compound silver picrate 1% powder" A receipt of sale dated 18 February 1944 is included in the box. Manufactured by John Wyeth & Bros Inc, Sydney, Australiamedical history, silver pictrate, trichomonas vaginitis, ararat mental hospital -
Footscray Community Arts
Oh Matise, Jo Darvall, (exact); 2006
MEDIUM: Acrylic on canvas. DESCRIPTION: Blue and black, no external frame. A figurative nude, the close up takes most of the canvas. It sits on a dark background in undefined surroundings. The blue woman sits flat as many of Matisse’s works do, favouring this style over the illusionistic depth to achieve his aim, here we see this replicated. Matisse is also noted for his use of colour as a means of expression rather than description. Here we have a woman painted all in blue, with this knowledge we could say the artist has painted his subject as someone who has been captured in a very relaxed, very calm version of herself, an ocean onto herself, mysterious and captivating in this moment. Her arm slung confidently above and around her head, her view directly facing the viewer provocatively. The only other colour on her other than the thick black lines which outline and shadow her contours, is the circular red of her earring -mirroring the generous sweeping curves of the work. The presence of visible brushstrokes produces a sense of movement and energy as well as providing a decorative quality to the painting.Signed and dated on bottom proper left of center of image (on reverse of canvas).acrylic, darvall, matisse -
Flagstaff Hill Maritime Museum and Village
Furniture - Chair, 1897-1921
These cane chairs are one of many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940. Heywood & Wakefield Furniture Co: The Heywood-Wakefield Company is an American furniture manufacturer established in 1897. It went on to become a major presence in the US. Its older products are considered collectibles and have been featured on television antique programs. The Heywood brothers established themselves in 1826, as furniture makers and the Wakefield Company began in 1855 as a separate company. Both firms produced wicker and rattan furniture, and as these products became increasingly popular towards the end of the century, they became serious rivals. In 1897 the companies merged as Heywood Brothers & Wakefield Company (this name was changed to Heywood-Wakefield Company in 1921), purchasing Washburn-Heywood Chair Company in 1916, Oregon Chair Company in 1920, and Lloyd Manufacturing Company in 1921. While its wooden furniture plant in Gardner, Massachusetts closed in 1979, a branch in Menominee, Michigan continued to manufacture metal outdoor seats, auditorium seats, and school furniture. The Heywood-Wakefield Company Complex in Gardner was added to the National Historic Register in 1983. The South Beach Furniture Company acquired the rights to the name in 1994 and reproduces its wooden furniture. Both founding companies produced wicker and rattan furniture in the late 19th century. The wicker styles drew on the Aesthetic Movement and Japanese influences simpler designs arose in the wake of the Arts and Crafts Movement. The merged entity stayed abreast of wicker furniture trends by hiring designers such as Paul Frankl and Donald Deskey during the 1920s. Its furniture was exhibited at the 1933 Century of Progress exhibition and the 1964 New York World's Fair. During the 1930s and 1940s, Heywood-Wakefield began producing furniture using sleek designs based on French Art Deco.The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the village and Museum was established. The wicker furniture is a fine example of late 19th and early 20th century light weight domestic furniture that are today very collectible items and quite rare and valuable.Pair of wicker armchairs, painted dark brown. The open wicker weave pattern extends from the seat up to the armrests and completely over the backrest, plus across the front of the chair below the seat. The seat is very firmly woven and fitted into a timber frame. A reinforcing pattern of wicker work covers the top edges of the armrests and backrest in one piece and folds around to the underside, referred to as ‘rolled serpentine arms and back’. The hollow ends of the armrests are filled with a circular knob of wicker work. The back legs are also completed with decorative wicker knobs. One chair base (3788.01) has been strengthened with metal bracing. The other chair (3788.02) has the remnants of an orange manufacture’s tag fixed to the base. The chairs were made 1897-1921 by Heywood Brothers & Wakefield Company, USA. These chairs are part of the Giles Collection.Printed in black on an orange tag “MANUFA - Heywood B – GARDNE”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, great ocean road, giles collection, giles family, henry and mary jane giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century furniture, wicker armchairs, rolled serpentine wicker work, cane armchair, classic wicker furniture, victorian style furniture, domestic furniture late 19th century, heywood-wakefield company -
Flagstaff Hill Maritime Museum and Village
Craft - Ship Model, Portuguese Carvel, 1999
The Mahogany Ship is today regarded as a legend and refers to an ancient wreck that is purported to lie beneath the sand beside Armstrong Bay, several kilometres west of Warrnambool, Its location is currently unknown. For well over a century the mystery of this ship has fascinated Australians because the existence of such a vessel could throw a different light on the earliest phases of exploration of eastern Australia by Europeans. The story is that in January 1836 a party of whalers from Port Fairy travelled to the mouth of the Hopkins River in search of seals. Their boat overturned and one man was drowned. The three survivors were walking the 30 kilometres back to Port Fairy along the coast when, about halfway along, they discovered the wrecked ship in the dunes. It is said that Captain John Mills, who was in charge of the whaling station at Port Fairy promptly visited the wreck with several of his men, including Hugh Donnelly. Donnelly who was the originator of that version of events is now regarded as unreliable. Local history researcher Joan Fawcett believes Donnelly could not have visited the wreck in 1836 because he did not arrive in Victoria until 1841. The "mahogany" description can be traced to a letter from Port Fairy builder, architect and surveyor John Mason and published in the Melbourne Argus in 1876. He said he had seen the hull in 1846 and it "had the appearance of either cedar or mahogany." In 1884 Argus journalist `The Vagabond' wrote that the hull was built of "Spanish mahogany" and six years later Mason wrote another letter saying it might not have been mahogany but red gum or ironbark from New South Wales. He was too late with this new description as the wrecks mahogany tag was here to stay all through the hull was not visible as it had disappeared beneath the shifting sands by 1880. A more reliable account was later presented by the former editor of the Warrnambool Examiner, historian Richard Osburne, who wrote about the wreck in his book History of Warrnambool (published 1887). In it the author remembers to have noticed a wreck in the hummocks between Belfast and Warrnambool, in 1847 or 1848; he stated it was much nearer Warrnambool than Belfast, now known as Port Fairy, going on to state “in fact, it was only two or three miles from the former place, to the west of the big hummock which was supposed to fill Warrnambool Bay with drift sand washed by the Merri River before the cutting was made.” Osburne followed up with a letter to the Port Fairy Gazette on June 25, 1876, during a period of heightened interest in the wreck, although he was unsure of the provenance of the ship he went on to state in his letter. “The old wreck was, in fact, miles away from the Port Fairy beach, and only about four miles from Warrnambool. In the years 1847 and 1848. I have often seen the wreck and I regret to say I do not believe she was a foreign ship at all.”The ship model is significant for its association with the Warrnambool story of what is now referred to as the Mahogany Ship, an ancient shipwreck. The model is significant as it is an interpretation of a Portuguese caravel and possibly associated with the early history and exploration of Southern Australia. The model is a fine example of a hand crafted ship made from plans, not from a kit. Some of the materials used for the model are significant to the Gembrook community in that the timber used is a portion from a 30-meter pine tree that fell onto and destroyed the 120-year-old Gembrook church building. The model is also a dedication to Edward Kermond, who grew up in Warrnambool and claimed to have seen the shipwreck in the dunes when he was a lad in the late 19th century. (See note section of this document for further information on the creator and donation of the subject item).Ship model, an interpretation of a mahogany Portuguese carvel vessel in a glass display case with wood frame and a description plaque. Model is made from dark stained wood. The three masted vessel is fully rigged, with a Portuguese-like flag on mast. Plaque is rectangular, free standing on a pedestal. The model was handmade by Joe Hilder (Senior) in 1999 from flooring obtained from the Gembrook Uniting Church in Victoria. Inscriptions, hand written, under base of case and on plaque.Under base, black felt tip pen “Ship & Case made From / Flooring from Gembrook uniting Church, Flattened in 1999 / By Large Pine Tree.” On plaque, white paint "This interpretation of the Fabled Mahogany Ship was made by Joe Hilder, Gembrook Vic. is displayed in the memory of the late Edward Kermond (Ted) 1887-1973, a Warrnambool son who claimed to have seen the original ship as a child." flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ship model, mahogany ship, mahogany ship story, portuguese caravel, joe hilder, edward kermond, ted kermond, gembrook uniting church, gembrook storm 1999, port fairy whalers, belfast whalers -
Flagstaff Hill Maritime Museum and Village
Photograph - Vessel, H.M.A.S. Warrnambool J202, Between 1941-1947
This photograph is connected to the first HMAS Warrnambool (J202), which was one of 60 Bathurst class corvette vessels built during World War II by Mort's Dock & Engineering Co Ltd of Sydney under the commission of the Royal Australian Navy (RAN). It was the namesake of the City of Warrnambool in Victoria. The armed minesweeper was 57 metres long and could had a complement of 85 personnel. Its armament included 1 × 4 inch Mk XIX gun, 1 × 40 mm Bofors AA gun (installed later), 3 × 20 mm Oerlikon guns (1 later removed), machine guns and depth charge chutes and throwers. It was launched in Sydney in May, 1941. The HMAS Warrnambool began service with patrols off Bass Strait in 1941. In December the ship docked in Warrnambool Harbour and the crew marched in a parade along Timor Street. The ship’s crew received a donation of 110 books from the Warrnambool Patriotic Fund, and a plaque of the City of Warrnambool’s Coat of Arms presented by the Mayor, Cr. John R Astbury. In September 1942 a Dutch East Indies family, Samuel and Annie Jacob and seven of their eight children, was rescued by the HMAS Warrnambool and evacuated to Darwin. The family settled in Melbourne, then in 1944 Samuel tragically died. After the war ended the family was threatened with deportation under Australia’s Immigration Restriction Act 1901 (known also as the White Australia policy). Annie married her landlord, John O’Keefe but was still issued a deportation order in 1949. The family appealed to the High Court and the case became famous for being the first successful legal challenge to the Act. The HMAS Warrnambool was in Darwin during the time it was bombed, attacked by the Japanese while rescuing 73 crew from a merchant vessel that had also been attacked. The ship was involved in several other rescues and carried troops to New Guinea. Other events included escort and patrol duties on Australia's east coast, then at Fremantle and back to Darwin. When the Japanese surrendered on September 11, 1945, at the end of World War II, the ship was at Timor. It performed mine clearance work around the Solomon Islands and New Guinea after the war. On 13th September 1947 the ship was sent to lead a flotilla at the Great Barrier Reef, off the Queensland coast. The mission was to clear the defensive British mines that were laid during1941-43 to protect Australia’s boarders. The HMAS Warrnambool hit a mine near Cockburn Reef, exploded and sank shortly afterwards. One of the 70 or so men on board was killed at the time and thirty-two men were badly injured; three of these also lost their lives. The four deceased were Victorian seamen. The wounded men were transferred by boats to the nearby HMAS Swan II, where the Swan’s and the Warrnambool’s doctors cared for them. The HMAS Swan II took the survivors to Cairns, and from there the men were flown by RAAF to either Brisbane or Sydney hospitals. The HMAS Warrnambool was the only RAN ship to be sunk by a mine, and the four who lost their livers were the last naval casualties from World War II. The ship’s wartime service was recognised by three honours. In May 1948 a number of items were recovered by Navy divers from the wreck of HMAS Warrnambool. The items included the ship’s bell (inscribed HMAS Warrnambool 1941) and the round plaque with the Seal of the Warrnambool City Council. In 1949 the plaque was returned to the Council, and the bell was donated to the Australian War Memorial. Further objects were recovered by the new owners of the wreck, Southern Cross Diving and Salvage, in 1972-75. A memorial plaque, honouring the memories of all those who served on the HMAS Warrnambool until is sunk on September 13 1947, was erected in Warrnambool on September 13, 1995. NOTE: (1)- The second HMAS Warrnambool (FCPB204), also the namesake of the City of Warrnambool, was built in 1980 in Cairns, one of fifteen Fremantle Class Patrol Boats ordered by the RAN. It was just over 41 metres long with a compliment of 22 personnel. It patrolled Australia’s northern waters for illegal fishing vessels. This vessel was decommissioned in 2005. (2)- There was also a steam and sail ship named the S.S. Warrnambool, built in 1892 in London and broken up in 1926.This photograph is significant for its association with Royal Australian Navy and its vessel, HMAS Warrnambool (j202). The HMAS Warrnambool played a nationally significant role in overturning Australia’s Immigration Restriction Act 1901 (colloquially known as the White Australia policy). The ship rescued, and brought to Australia, Samuel and Annie Jacob and their family after they evacuated Dutch East India. The family was threatened with deportation and made the first successful appeal to High Court regarding that Act. The HMAS Warrnambool has - Local significance for being the namesake of the City of Warrnambool - Local significance, having docked in Warrnambool Harbour - Local significance, the crew having paraded in Timor Street, Warrnambool - State significance for its first patrol being in Bass Strait. - National significance, being present in Timor at the Japanese surrender - National significance as part of Australia’s defence force history, being one of only four Bathurst class corvettes lost while in Australian service, the only Bathurst class corvette lost after World War II, the only RAN vessel to be sunk by a mine, and associated with the last four Navy deaths of WWIIBlack and white photograph of vessel H.M.A.S. Warrnambool J202 on an open sea. The identifying number is painted on the hull. The ship is flying a white ensign. A lifeboat is suspended near the centre of the ship. Figures can be seen on deck. Hand written inscription on the reverse side. On ship's hull "J202" On reverse of photo "From P.O. FRED MATTHEWS. 23378. R.A.N." "MARIBYRNONG MAIDSTON RSL" "H.M.A.S. WARRNAMBOOL"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, h.m.a.s. warrnambool, maritime village, maritime museum, shipwreck coast, mort's dock & engineering co ltd, hmas warrnambool, hmas warrnambool i, hmas warrnambool j202, hmas swan ii, j202, world war ii, bathurst class corvette, royal australian navy, ran, sydney built ship, bass strait patrol, sea mine patrol, mine sweeper, mine clearance, navy divers, great barrier reef, cockburn reef, southern cross diving and salvage, warrnambool city council, cr j r astbury, mayor j r astbury, warrnambool patriotic fund, seal, coat of arms, ship’s bell, hmas warrnambool 1941, shipwreck by sea mine 1947, sea rescue, life saving, lifesaving, sinking ship, sunk ship, immigration restrictions act 1901, white australia policy, samuel and annie jacob, john o'keere, minesweeper -
Flagstaff Hill Maritime Museum and Village
Photograph - Military
Photograph; black and White group photograph of the Volunteer Corps and Band in dress uniform with white pith helmets, the the band members wearing caps. Band instruments are in the foreground on the ground. There is a hut on the right with the word GENERAL painted on the door. There is a road and some buildings on the left, another road on the right with tall posts, and hills in the background. One of the instruments is a Rope Tensioned Bass Drum. 3488.1 is unmounted, and has two stamps on the back 3488.2 is a copy of a mounted photograph, with impressed inscriptions below Painted on the building "GENERAL" (3488.1) Stamp, purple ink; "Flagstaff Hill Maritime Village" (3488.2) Impressed below the copy and photographed with the copy: Coat of Arms in centre [Lion and Unicorn], pulse impressed script on the left and impressed text on the right.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, volunteer corps band -
Mission to Seafarers Victoria
Letter - Framed letter, Princess Anne, Buckingham Palace, Letter from HRH Anne, the Princess Royal, 2007 - 2008
The author of the letter the Princess Royal is patron of the Mission to Seafarers in Australia. The letter marks the centenary in 2007 of the establishment of the Seafarers Service in Australia. Letter, signed, on Buckingham Palace letterhead mounted and housed in gilt painted frame, glazed . Fitted with single twist hanging wire, and 4 felt stoppers; Core flute backing with Brown paper tape to seal. Signature bottom right in Black ink "Anne" / Conservation Framer's label initials in black ink : "E LH 22/2/08"mission to seafarers, commemorations, princess anne, princess royal, letter, 2007, centenary, seafarers service -
Phillip Island and District Historical Society Inc.
Photograph, circa 1900
Section of home frontage, single storey brick building. Elaborately decorated verandah roofing with lace wrought iron. Corrugated section painted in grey and white stripes. Mosaic style flooring of verandah in front of and to sides of lace curtained windows. Four figures of family, mother seated, son standing with hands on back of chair. Two daughters one standing and one kneeling in front.Partial exterior of family on verandah of home.local history, photography, photographs, slides, film, houses, black & white photograph, miss elms san remo -
Glenelg Shire Council Cultural Collection
Painting, James McLear, Untitled, 1990
A depiction of a seascape with six large rocky outcrops emerging from the ocean. The rocks are painted in horizontal layers of red, yellow and blue. The sea is indigo with highlights in white and darker areas of near black. Sky depicts a dawn or dusk view, with lower half washed in apricot and yellow with touches of red/orange. Upper half of sky is blue. In faun matt and framed under glass in wooden frame with gold edging.Front: McL 90 (lower right) (white paint) Back: (no inscriptions)