Showing 1814 items
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Blacksmith's Cottage and Forge
Piano
The piano has a serial number of 15931 which makes its birth date about 1868 - given the approximate figures from the 'Pierce Piano Atlas' of 13000 for 1865 and 19000 for 1870.Wood framed upright piano. Ornate turned legs, keyhold in lid (no key). Two moving brass candleholdes on upright attached by bracket - dragon like design. Gold inlay inside lid. Top has wooden - press knob to open. Wooden msic rach folds out.A Bord, Paris. Serial number is 15931furniture, domestic, piano, musical instruments, keyboard, candleholders, upright -
Federation University Historical Collection
Photograph - Black and White, Frank Wright, mid 1900's
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man dressed in a suit seated with his legs crossed and his arms folded. The slatted timber bench seat upon which he sits, runs along the enclosed railing of what appears to be the deck of a boat. In the background is a forested mountain. The man is Frank Wright.frank wright, timber bench seat, conductor -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Functional object - Kitchen Equipment, Coolgardie Safe, c1900
The invention of the Coolgardie Safe is credited to Arthur Patrick McCormick, a contractor in Coolgardie, and later the Mayor of Narrogin. Coolgardie is in the Eastern Goldfields region of Western Australia. Gold was first discovered there in 1892; the townsite became a municipality in 1894, and by 1898 its population of 15,000 made it the third largest town in Western Australia after Perth and Fremantle. In the last decade of the 19th century, Coolgardie was the capital of the West Australian goldfields. Being 180 kilometres from the nearest civilisation, food supplies were initially scarce and expensive. As fresh food was a valuable commodity there was incentive to preserve it, and keep it out of reach of scavengers such as birds, dingos, dogs, ants, and flies. It was in an effort to do this, in the extreme heat of the Australian Interior, that McCormick came up with his design for the Coolgardie Safe. McCormick noticed that a wet bag placed over a bottle cooled its contents. He further noted that if this bottle was placed in a breeze, the bag would dry out more quickly, but the bottle would get colder. What McCormick had discovered was the principle of evaporation: ‘to change any liquid into a gaseous state requires energy. This energy is taken in the form of heat from its surroundings.’ Employing this principle, McCormick made a box for his provisions which he covered with a wet hessian bag. He then placed a tray on top, into which he poured water twice daily. He hung strips of flannel from the tray so that water would drip down onto the hessian bag, keeping it damp. As the water evaporated, the heat dissipated, keeping the food stored inside cool and fresh. The success of McCormick’s invention would not have worked without a steady supply of water. Fresh water was scarce in the eastern goldfields at this time but the demand for water from a steadily growing population encouraged innovation. The solution was to condense salt water. Heating salt water in tanks produced steam that was condensed in tall cylinders, cooled and then collected in catchment trays. By 1898 there were six companies supplying condensed water to the goldfields, the largest company producing 100,000 gallons of water a day. In the early 20th century, Coolgardie Safes were also manufactured commercially. These safes incorporated shelving and a door, had metal or wooden frames and hessian bodies. The feet of the safe were usually placed in a tray of water to keep ants away. (MAV website) The early settlers of Moorabbin Shire depended on this type of Food Safe to protect their food from flies and vermin as they established market gardens in the fertile area around the notorious Elster Creek A metal framed, 4 sided structure standing on 4 legs with 2 hinged doors on one side, a metal tray at base of food safe and a metal cover over top. Ridges on which to rest trays carrying food are inside safe. The Safe is enclosed by fly-wire mesh.'...IN.....GEELONG' A manufacturer's oval metal plate is embossed on one side of Safe but it is illegible.elster creek, moorabbin, brighton, dendy's special survey 1841, market gardens, infant mortality, disease, cemeteries, fruit, vegetables, pioneers, coolgardie safe, mccormick arthur patrick, dendy henry, vaccination, jones martha, jones ethel may -
Bendigo Historical Society Inc.
Newspaper - LONG GULLY HISTORY GROUP COLLECTION: LANDSCAPE PHOTOS
Two pages of photocopies of photos, four of landscape photos and one of what looks like drums in a bunker. Two of the photos are scenes of mining areas, one has bush, buildings and poppet legs and one is a view of the town area taken from a lookout. There are two people leaning on the fence.bendigo, history, long gully history group, the long gully history group - landscape photos, mining areas -
Bendigo Historical Society Inc.
Photograph - LANSELL'S 222 MINE
Black and white photo: poppet head, mine buildings, chimney - square, with sharply pointed top. On back ' Lansell's 222 mine' Note Barnard ( Chum ) St., between poppet legs and engine house. Taken probably in the late 1880's. A. Richardson, 29 Harrison St., Bendigo.mine, gold, lansell's mine, bendigo, mines and mining, mines, mining, poppet head -
Bendigo Historical Society Inc.
Photograph - LITTLE 180 MINE, 1920
black and white photo: street scene, blue stone gutter, wooden electricity pole, adult female standing on road, middle distance. In background, poppet legs, tall chimney, building At left. Striped pole in centre. On back of photo ' Main street Bendigo, leading to mine/1920 'cottage, miners -
Bendigo Historical Society Inc.
Photograph - MINERS OUTSIDE CLARENCE UNITED MINE BENDIGO, 4/8/1902
Sepia photo of mine workers outside Clarence United Mine Bendigo, mounted on white board ~70 Males. In Image on board in front of men 'Clarence United 4/8/02'. On Back Inscription: 'Clarence United 1902' Miss S Stephens Peg Leg Rd Eaglehawkplace, mining site, clarence united mine bendigo -
Bendigo Historical Society Inc.
Photograph - ALBERT RICHARDSON COLLECTION: NEW ST MUNGO EAST SHAFT
Black and white photograph. Image shows poppet head legs top left, winding machine in centre. Woman standing beside winding machine, wearing a hat and dress. Appears to be 1950's? Written on back of photo: Central Bendigo? Was the original New St. Mungo East Shaft'bendigo, mining, new st. mungo east shaft -
Bendigo Historical Society Inc.
Photograph - LYDIA CHANCELLOR COLLECTION; A CHILD ON A PONY
A hard backed black and white photograph of a child on a pony. The horse has a white mane and white legs. The child is formally dressed including a bonnet. In the background is a gate, front door entrance and stick fence. Behind the fence are ferns and other plants. The photographer is ? H. Smith, Photo., Kyneton.photograph, person, child and horse, lydia chancellor collection, collection, photography, photograph, photo, child, children, horse, animals, animal, costume, fashion, clothing -
National Vietnam Veterans Museum (NVVM)
Photograph, Gibbons. Denis, Wounded Vietnamese Boy
A black and white photograph of an American Hospital Orderly at 1st Air Cavalry Division Hospital, at Tuy Hoa, assists a Vietnamese boy in how to use crutches, needed after suffering a serious leg wound, caused by schrapnel from an artillery shell exploding close by his village home.photograph, 1st air cavalry division hospital, tuy hoa, gibbons collection catalogue, vietnamese children -
Anglesea and District Historical Society
Washing Machine, Estimated 1800's
Hand operated washing machine. Works on same principal as our model on display. Made of a metal drum with supporting metal legs. It includes a metal handle with an agitator. A piece of wood is bolted to the side of the washing machine for mounting a hand wringer. Such a machine was ideal for homes that did not have electricity. -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Photograph - 1975 - Third Year Nurses
August 1977 Third Year Photos - Six sepia photos- Nurses have red stripes on Cap this means finals passed but still time before RN captails worn. 6 Photos of Nurses in hospital environment in various activities6 Sepia Photos - 1st Nurses checking medication 2nd Group of Nurse some seated and some standing. 3rd Nurse with patient in bed with broken leg. 4th Nurse holding child. 5th Nurse standing over bed with equipment. 6th Nurse with patient in red robe. nursing history, nursing training -
Whitehorse Historical Society Inc.
Clothing - Negligee Set, 1948
Negligee set or Wedding trousseau for the marriage of Charlotte Edith (Tottie) Ryder (aunt of donor) to Alfred George Tooke (b 1898 England d 1998) held at Church of England, Thornbury on 13 March 19481948 negligee set comprises two pairs of knickers, camisole, bed jacket, petticoat, nightgown. All items are cream coloured satin with appliqued coffee coloured lace. One pair of knickers has appliqued coffee lace encircling each leg with a hand-worked buttonhole and is missing a button. Second pair of knickers has appliqued lace floral design on each leg with an elasticised waist band and a plain band on the legs. Camisole has coffee coloured lace along the top edge and rouleau style shoestring straps. Bedjacket is short with long sleeves and a front fastening with four self-covered buttons and rouleau fastenings. Coffee coloured hand appliqued lace is around the neck and along the bottom. The shoulders are padded. The petticoat has coffee coloured lace around the hem and yoke. It has rouleau style shoestring straps. The nightgown is long with a coffee coloured lace Vee front. Two satin ties attach to slightly gathered waist. See also Knickers NA4921, Wedding Dress NA4923, Horseshoes NA4924 and Wedding Veil NA4925trousseau, tooke, wyatt m, wedding -
The Beechworth Burke Museum
Animal specimen - Pacific Gull, Trustees of the Australian Museum, 1860-1880
This gull specimen is a young Herring Gull (Larus argentatus). It is a large gull and one of the most well known of the gulls. This particular species can be found in Northern Europe, Western Europe, Central Europe, Eastern Europe, Scandinavia and the Baltic States. Juvenile and first-winter Herring Gulls are a brown colour with some darker streaks with a bark bill and dark eyes. These colours identifies this particular specimen as a juvenile bird. These birds are commonly seen near the seaside and are omnivores who scavenge from garbage dumps, landfill sites and sewage outflows. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen is a juvenile Herring Gull with pale cream and brown coloured plumage. It has a dark bill and dark legs with webbed toes. The eyes are small and are made of glass. They are a pale brown and black colour. The feathers on on the lower back and tail are a darker brown colour compared to the pale plumage on the rest of the bird.Paper Tag: "2yd variega[ted]... Catelogu[e]..." Paper Tag: "Larus argentatus" Metal Tag: "1511"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, gull, pacific gull -
Kiewa Valley Historical Society
Stretcher
Stretchers were used to transport injured or sick people to receive treatment. Usually they were carried by two people, one at each end. Used in the Kiewa Valley.Orange material (canvas) held by studs attached to two wooden beams on each long side. The beams extend to form handles at each of the 4 corners. The stretcher can be altered to fold towards the middle of the length. The legs are made of stainless steel and the mechanism (stay) to fold it is also of stainless steel.stretcher, first aid -
Glenelg Shire Council Cultural Collection
Leisure object - Mechanical Horse and Cart Toy, n.d
Wooden horse and cart, painted red, slat sides, metal axle, moveable wheels, attached to horse by metal rods. Horse originally covered with paper painted with horse's features and accoutrements. Most of the paper is missing. Horse has metal legs, which can be moved manually, leather reinstoy, childhood, mechianical toy -
Kiewa Valley Historical Society
Pot - Cast Iron, c1900
Cattlemen on the High Plains used this cooking pot.This circular cast iron pot has three legs. The pot has straight sides, 13 cms high and a diameter of 36 cms. The handle is in two pieces joined with a hinged pin with hooks on the ends. These hooks go through the cast iron protruding "eyes" on each side near the top.Albion Stove Works, Maryborough.cast iron. cooking pot. albion stove works. maryborough. -
Flagstaff Hill Maritime Museum and Village
Clothing - Bodice, 1900's
This bodice is stiffened by what is commonly referred to as natural whalebone, but is actually baleen, which was in use from the 18th century through to the Edwardian era. It was hand sewn in Warrnambool in the 1900's.The bodice is significant for demonstrating the use of historical whalebone, or technically baleen, for its stays. This practice was used from the 18th century through to the Edwardian era.The bodice is made of gold cotton over the whalebone stays at the waistline. It is trimmed in brown fabric and has twenty-two buttons down the front from top to bottom. The sleeves are Leg-o'-mutton style. The bodice has pin tucks down the front. It was hand sewn in Warrnambool in 1900's.flagstaff hill, warrnambool, bodice, ladies clothes, whalebone stays, baleen stays, women's clothing, corsetry, corset boning, female adult, hand sewn -
Bendigo Historical Society Inc.
Photograph - PRINCE OF WALES VISIT 1920, 1920
black and white photo: collage of images relating to the visit to Bendigo of The Prince of Wales in 1920. Prince of Wales, Prime Minister Billy Hughes, Poppet legs, soldiers. In image - across top printed ' around the famous Golden city Bendigo. On back ' Bendigo Vic., the Prince of Wales at Bendigo 1920'person, group -
Bendigo Historical Society Inc.
Photograph - NORTH DEBORAH MINE, 1951
Black and white photograph. Poppet head, tubular steel legs, 2 landings, overhead tramway to storage bins, 2 sheds, sky shaft + plate mans cubby on 1st landing. Inscription: (On upper landing: North Deborah gold mining coy N.L.), (On back: 1951/North Deborah).mining, surface equipment, north deborah mine, bendigo, mines and mining, mines, mining, poppet head, mining sheds -
Bendigo Historical Society Inc.
Document - DEBORAH MINE - DEBORAH MINE MACHINERY & EQUIPMENT
Hand written notes on machinery and equipment at the Deborah Mine. Reference: Mining & Geological Journal July 1938, pages 28 & 29. Items mentioned include: Poppet Legs, winding engines, boiler, suction gas plant, electricity, battery and surface plant. J. J. Caldwell name on the paper.mine, gold, deborah mine, deborah mine, deborah mine machinery & equipment -
National Vietnam Veterans Museum (NVVM)
Film - Film, Video, Private Errol Noack 15/9/1988 (Copy 1)
1x30 sec video. B/w photos of Private Errol Noack & a loud message stating that there is no Vietnam National Memorial & that there should be one. Also mentions that AC Bob Hepe lost the use of both of his legs in Vietnam. The cassette is contained in its black plastic case with its label.noack, errol, noack collection -
National Vietnam Veterans Museum (NVVM)
Film - Film, Video, Australian Vietnam Forces National Memorial Compilation. (Copy 2)
1x30 sec video. B/w photos of Private Errol Noack & a loud message stating that there is no Vietnam National Memorial & that there should be one. Also mentions that AC Bob Hepe lost the use of both of his legs in Vietnam. The cassette is contained in its black plastic case with its label.noack collection, noack, errol -
Bendigo Historical Society Inc.
Leisure object - TABLE TOP MODEL OF A PIANO
Wooden model of a table top piano. Seventeen white keys. One missing key. Twelve black keys. Turned legs. Lift up top with brass hinges, reveals two fabric covered openings 18 cm x 5 cm. Top attached by piece of green string. -
National Vietnam Veterans Museum (NVVM)
Photograph, Wounded War Correspondent
A black and white photograph of Horst Faas, Bureau Chief at American Associated Press visits the 1st Australian Field Hospital, Vung Tau, South vietnam, to farewell one of his war correspondents Graham McInerny from Adelaide, South Australia. McInerny had been severly wounded in the legs,photograph, 1st australian field hospital, horst faas, american associated press, gibbons collection catalogue, bureau chief, vung tau, graham mcinerny -
Tatura Irrigation & Wartime Camps Museum
Photograph
Captain Maddigan and his family were at Camp 4.Black and white photograph of Captain Maddigan, peak cap, kneeling with his 5 year old daughter standing, straddled across his left leg. Behind is a bushy tree and the Australian flag. 2/3 in the photograph an Army hut, right of picture, with hedge and a man behind Captain Maddigan.madigan, captain, 1944, camp 4 garrison -
Clunes Museum
Photograph, 1865
VIEW IN TOWNSHIP CLUNES, SOUTH EAST. PERIOD 1865. TAKEN FROM HILLSIDE BELOW CAMP PARADE, VICINITY MR. SWANTON'S HOUSE PHOTOGRAPH OF TOWNSHIP OF CLUNES, SOUTH EAST .1 SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD. .2 BLACK AND WHITE PRINT .3 SEPIA PHOTO PRINT .4 BLACK AND WHITE PHOTO PRINT .5 BLACK AND WHITE PHOTO PRINT HOUSES SURROUNDED BY PICKET FENCES, POPPET LEGS AND CHIMNEY STACK.VIEW IN TOWNSHIP CLUNES. SOUTH EAST.local history, photography, photographs, clunes township -
Ambulance Victoria Museum
Chart, medical, human body, right leg fracture
Rectangular medical chart made from printed and coated paper laid on white fabric (?cotton) and showing a fracture to the right leg. The chart is attached to two wooden batons with masking tape. The top baton is moulded while the lower baton is circular in cross-section. Both batons are stained black. Printed on the RHS front face of the chart at bottom edge are the words 'All rights reserved'. Printed on the LHS front face of the chart at bottom edge are the words 'RUDDIMAN, JOHNSTON & CO., Ltd., LONDON'medical chart, human body -
Bendigo Historical Society Inc.
Photograph - JOHN JONES COLLECTION: GOLD MONUMENT
Photo with a brown tinge of the Gold Monument next to the Black Swan Hotel in McCrae Street. Street surface looks like gravel. There are horse drawn vehicles in the picture and on the right side of the photo is a tram with No. 6 painted on the back. Behind the statue is a poppet leg structure and a row of trees around the Hotel.bendigo, streetscape, general street views, john jones collection - gold monument, black swan hotel -
The Beechworth Burke Museum
Animal specimen - Common Starling, Trustees of the Australian Museum, 1860-1861
Common Starlings are a noisy bird that typically inhabit urban and rural areas, especially those with short grass for easy foraging, though can occasionally be found in open forests or along costal areas. They are native to a wide area of Eurasia and the North of Africa, though have been introduced to North America, some nations in South America, Fiji, South Africa, Australia, and New Zealand. They live in large flocks that fly together in strong unison, and have a range of loud calls. Male Common Starlings usually have brown eyes, in contrast to the light coloured eyes of the taxidermy mount. Otherwise, the specimen bears a reasonable resemblance to a typical Common Starlings. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Common Starling is covered in black feathers that each have a metallic orange edge. This gives the appearance of small dots across its head and neck, larger dots along its underbelly and back, and lines along the outer feathers of the wings. Its beak is yellow and its eyes are a light blue with a black pupil. The bird is stretched tall with its head turned towards the left and slightly tilted right. The specimen stands on a brown, wooden perch with a circular bar, curved stand, and circular base. The left leg has a metal tag and a swing-tag tied around it and the right leg has two swing-tags tied around it, one of which is torn.Metal Tag: 4256 Swing-Tag 1: Sturnus vulga[illegible]is / male, adult / 25 January 1861 / near Leiden / Swing-Tag 2: Tris grey-brown / Feet black - brown / Bill brown / 4256 / Swing-Tag 3 (torn): ng / e Page 58taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, starling, european starling, common starling, european bird