Barking Owls are a nocturnal, medium sized bird of prey native to Australia, parts of Papua New Guinea, and the Moluccas. Average size ranges between 390-440mm in length. Females are generally slightly smaller than males and they are only one of a small number of owl species that do not exhibit marked sexual dimorphism. Barking Owls have characteristic vocalisations, ranging from a 'woof woof' barking dog sound, to shrill, human-like screams, which reportedly alarmed early European settlers to Australia. The Barking Owl's shrill and explosive vocalisation is sometimes associated with Bunyip mythology or referred to as 'the screaming woman call'. The female call is slightly higher in pitch than the male, and males and females often duet, contrasting low and high pitches. Barking Owls may be vulnerable in some parts of Australia due to woodland habitat loss. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Barking Owl is of an average size. It has brown, grey and white spots and vertical streaks. The face and breast are lighter in colour than the wings and the dorsal plumage. The glass eyes are large and dark in colour while the tarsi and toes are yellowish. This specimen stands on a wooden perch with identification tags attached to its leg. [torn] / 16. / Winking Owl / See catalogue Page, 4 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, barking owls, screaming woman call, yowing, woodland birds, birds of prey, australian owls, endangered, loss of habitat, woodland habitat, bunyip, australian early settler mythology

The Crimson Rosella is native to Australia and located in Queensland and South Australia. Australia has a diverse range of rosellas, but the crimson rosella is easily recognised by the red body and blue cheeks. These birds are friendly to humans and consume seeds, insects and some blossoms. They nest in high trees, preferably eucalyptus. Typically, a crimson rosella should have far brighter colours than the specimen collected. This specimen has also been documented as having a light blue or black beak. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Crimson Rosella has a red feathered chest and cape across the head and blue cheeks besides the bill. The tail and wing feathers are mostly black with blue around the edges. The head is angled slightly to the specimen's left. This specimen stands upon a wooden platform and has an identification tag tied around its leg.78a. / Rennauts Parakeet / See Catalogue, page 22 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, california, australian native bird, crimson rosella, rosella, reynell eveleigh johns, platycercus elegans

Invented in 1923 by Wilhelm Ritzerfeld. A Spirit duplicator' refers to the alcohols that were a major component of the solvents used in the machine.Limited number of copies one could make from an original along with the low cost and corresponding low quality of copying. Used to make multiple copies of a document eg. in office at a school for eg. a newsletterUsed at Bogong Primary SchoolFormerly UKV 048 Solid black, heavy, steel machine on 4 legs with flat tray at the front and roller at the back. The roller has a cover on the sides and front. From the top you can see the silver roller which is operated by a handle on the right side. There is a small lever and 2 knobs on the same side.In gold on the back "Fordigraph" and "The Nipper Fordigraph" with a blue circle made by 3 arcs with arrows. 2 labels on one side, screwed on. The labels have a silver background and black print. "Off" and "On"fordigraph machine, copying

Container for jewellery, glass cylindrical and metal tin framework, hinged lid with clip with three ornate leaf legs (one broken). Faded aqua coloured cloth inside. Object in three fragments 1) upper section, lid and broken glass 2) broken glass section (semi-circle) 3) standflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, container, jewellery, jewellery box

Cream coloured hand knitted woollen baby pants. Cream cotton ribbon tie at waist. Crocheted edge on legs. Stocking stitch on lower part with three pattern rows on top half back and front. This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby pants

Small, full length portrait of a man standing beside a pedestal. He has his left arm resting on the pedestal, his right hand inside the top of his jacket and his left leg crossed over his right. He is wearing a three piece suit which has a frock coat.photograph, portrait, male, portrait of a man

Hand written notes on plain cream paper for auction lots giving description and price for auction on 24th March 1927. Lots were various pieces of mine equipment including poppet legs, engine, steel, air compressor, winch and wire ropes. Sale by order of the Directors by Alex Bell & Co, Ballarat.mine, gold, carlisle, carlisle gold mine, alex bell & co., auction lots

Brown and yellow check patterned men's trousers with flared legs (30.5 cms at hem), 15 cm metal zip at front opening with 1 cm metal hook and eye at waist. Six X 3.5 cm belt keepers. Side pockets. One back pocket on RHS. See photograph 11400.673.Label on inside of back pocket ''PARKS TROUSERS MELBOURNE. Polyester and wool''. Small white tag 5 1/2.costume, male, flared check trousers

A black and white photograph of an American Red Cross girl commonly called 'Doughnut Dollies' bu American G.I's talks to a crippled Vietnamese street child. The boy walked on his knees aith the aid of crutches as his legs were permanently bent behind him, yet he was quite a jovial characterphotograph, american red cross, doughnut dollies, gibbons collection catalogue, vietnamese children, american g.i's

Reproduced for Centenary of Federation 1901-2001Tea Towel. Reproduction of a World War I poster titled 'A Call from the Dardanelles' featuring a uniformed soldier with the words 'Coo-ee-Won't YOU Come?' Across the landscape behind his legs 'Gulf of Saro Sea of Marmara'. Across the bottom 'ENLIST NOW'. Colours are predominantly blue, green and khaki.(C) Australian War Memorial 2001manchester, work cloths, domestic items, cleaning

White cotton pantaloons, open down front, tape around neck, scoop neck line and one button down front, completely open down to the knees - front and back. Broderie Anglaise trim around bottom of legs. Trimmed from neckline with a set of five pin tucks and the two pin tucks???costume, female underwear

Colour photograph of a group of people after having caught a snapper at Rosebud in 1960. Seven people are standing in a row on the sand with one of them holding the snapper that's almost as long as their legs. A boy on the right has his hands to his mouth, whilst everyone else's heads have been cropped off.

Small catalogue for an auction sale at the New Garfield Gold Mine at Chewton, Vic. Auction of Mining Plant, Buildings and Equipment was held on 19th March 1947 by Order of the Mine's Department. J. H. Curnow & Son Pty Ltd. Were the auctioneers. Contains description of machinery, poppet legs and steel smoke stack.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - new garfield gold mine, mine's department, j h curnow & son pty ltd, prahran telegraph printing co

White cotton drawers with fine crochet and needlework lace on the legs. Lace edging 15 cms wide. The waistband fastens at the back with two buttons. A gathered section is detachable and fastens to the waistband with two buttons. This section has a machined center seam. At the front two darts are placed on either side of the central seam.cotton drawers, bloomers, early underwear, vintage underwear

Winter Olympics, Innsbruck, Austria. This uniform was donated to the Falls Creek Historical Society by Dr. Howard W. Farrow who was appointed as a Medical Officer for the Australian Olympic Games Team of 1976. Dr. Farrow's father, Dr. Claude Farrow was a founding member of the Edelweiss Ski Club of Australia which was formed in 1947. He was also the Founding President of the Federation of Victorian Ski Clubs (F.O.V.S.C) which produced the Ski-Horizon journal. Dr. Howard Farrow reported that "the Europeans laughed at us and called us the prisoners". Australia sent a team of eight athletes to Innsbruck, five men and three women. The team consisted of alpine skiers Kim Clifford, David Griff, Robert McIntyre, Joanne Henke and Sally Rodd; figure skaters Billy Schober and Sharon Burley and speed skater Colin Coates, who was competing in his third Winter Olympics. This uniform was designed by famous fashion designer Pru Acton OAM, in response to a request by athletes for a more colourful uniform than the standard green blazer previously worn by the Australian team at the Opening and Closing Ceremonies of the Games.This uniform is significant because it was a modern development of Australian Winter Olympic team uniforms created by a famous Australian fashion designer.The Australian Ski Suit for the 1976 Winter Olympic Games. It has patches of big bold black and white stripes, set horizontally and vertically, with panels of yellow. The Australian emblem of Olympic circles and a kangaroo are placed on the back and front of the jacket and on the arm and leg. A bib-and-brace overall in matching stripes was worn under the jacket.1976 winter olympics, australian winter olympics uniforms, pru acton, dr. howard farrow

John Fawcett Shawe No 1190 enlisted in the 8th Batt AIF on 17.9.1914 age 32 years. Embarked for Eygpt 22.12.1914, embark for Gallipoli 5.4.1915, WIA 25.4.15 GSW right leg, rejoin unit 31.5.1915, WIA 12.7.1915, GSW's, records state both thighs, sides then finally chest. Return to Australia 17.3.1916, discharged from the AIF 6.8.1916. (The medal was previously used to show awards in a different context, Shawe did not win a MID) Medal, court mounted, (1) re J F SHAWE. Victory medal with metal oak leaf MID.1190 PTE J F SHAWE 8 BN AIFmedals, military, history, passchendaele barracks trust

William Frank Rouden Budge "ED"No VX48105 enlisted in the 2nd AIF on 23.7.40. He served in the Seige of Tobruk and El Alamein where he was the Commanding Officer of his Battalion during its early days. He was WIA twice , at Tobruk then Alamein losing his left leg. At discharge from the Army on 7.1.47 he was a Major in 2/24th Aust Infantry Battalion. During his service he was awarded an (MID) Mention in Despatches.Medal set, court mounted, set of (8) Re W F BUDGE .1) 1939 - 45 star .2) Africa Star .3) Defence Medal .4) War Medal 1939 - 45 with clasp "MID" .5) Australian Service Medal .6) Elizabeth 11 coronation medal 1953 .7) Efficiency Medal with clasp "Australia". .8) Tobruk Commemorative medal "VX 48105 W F R BUDGE"medals, military, history, bravery, passchendaele barracks trust

Photograph of a Legacy event in Melbourne City Square in 1993. President John Stevenson is presenting a runner with a Legacy plaque for his efforts. It was part of the RAAF 70th Anniversary "Legs for Legacy" run down the eastern coast of Australia with the money going to Legacy. Melbourne Legacy received a portion of the funds raised. The run took 21 days and covered 5,000 kms, by 31 RAAF personnel. The Legacy banner behind says Legacy Caring for Australia's Biggest Family.A record of an event organised by the RAAF for promoting Legacy.Black and white photo of a Legacy event in Melbourne City Square and 2 articles in The Answer.Handwritten in blue pen "B Pg 3 / 23"legacy promotion, answer, raaf, adf personnel

The Golden Whistler is native to coastal areas of Australia, from Queensland around to Southern Western Australia, including Tasmania. It usually lives in dense forested areas. The males have bright yellow plumage, whilst the females have only pale yellow plumage. The males and females work together to build the nest and raise chicks. They eat spiders and insects. The taxidermy specimen is not a good example of a Golden Whistler. Its feathers are very faded and ruffled. There looks to be some damage on the throat of the specimen. The Golden Whistler has usually vibrant colours, whilst this one is almost white. The colour markings on the bird indicate that it is male; the specimen should be a bright yellow. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This male Golden Whistler has a black head and stripe on chest, brown-grey wings and tail and white patches on throat and neck. The belly is a white-yellow, though significantly faded. Its feathers are quite ruffled and there is sign of damage to the throat. The specimen stands on a wooden stand and has an identification tag attached to its leg. Label: 24a / white throated Thickhead / See catalogue, page 11taxidermy mount, taxidermy, golden whistler, beechworth, burke museum, australian bird

Ural Owls are one of the largest nocturnal birds of prey and are distributed across Northern hemisphere land masses from Scandinavia in the west, across Russia and China to Japan in the east. They average between 500-640mm in length, have large ears, a very long tail, and wing spans up to 1340mm. Ural Owls display reverse sexual dimorphism. They have a range of calls and sounds that vary between regions and among subspecies. Ural Owls prefer mature primary forest habitats that are not too dense, but adapt to a range of environments, including damp heathland and high elevation mountain forests. The species is considered nocturnal but may be more correctly described as ‘cathemeral’, due to frequent daylight activity in the taiga zone. Ural Owls are non-migratory and highly territorial. They prefer to hunt from a perch into open areas of forest, seeking small mammal prey, such as voles, as well as birds, amphibians, and invertebrates. Ural Owls have a broad, rounded head and a well-developed round facial disc with a small V-shaped indentation. They tend to be plain greyish-brown to whitish overall, though some subspecies display darker colour variation. The underparts are pale cream to grey-brown and boldly overlaid with dark brown streaking. Ural Owls lack the richer colour tones of other Strix owls. Their flight style gives the appearance of a large bird. The eyes are dark brown and relatively small, and the bill is yellowish. Tarsi and toes are feathered grey and the talons are yellowish brown with darker tips. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Ural Owl is an average sized specimen with a broad, rounded head and characteristic V-shaped facial marking between the eyes. Overall plumage is plain and consistent in colour and pattern, with white, brown and grey streaks. The eyes are large and the bill is small and yellow. This specimen stands on a wooden perch with identification tags attached to its leg.Swing tag: Strix noctua / Athene noctua, [illegible] / near leiden / 26 Mai 1860. / Holland / Other tag: N38 / Strix noctua / Holland. / Metal tag: 4062 /taxidermy, taxidermy mount, burke museum, australian museum, owls, birds of prey, heart-shaped faced owl, nocturnal birds, predator birds, carnivore, territorial owl, animalia, large owl, long-tailed owls, ural mountains, taiga zone owls, cathemeral, monogamous, iucn red list, strix, wood owl, attacking owl, long-tailed owl, large-eared owl, owls with facial disc

The Australian White Ibis is commonly known by the colloquial names "bin chicken" and "tip turkey" in Australian culture. These nicknames have arisen based on the presence of this bird at garbage locations where it is often seen rummaging through the waste. The Yindjibarndi people of the central and western Pilbara call this species mardungurra. This bird is located throughout the wetlands of eastern, northern and south-western Australia. Initially, it was not seen in urban areas, however, the species has been able to adapt and reduce fear of humans due to the lure of food found in human garbage. They commonly feed on terrestrial and aquatic invertebrates alongside human scraps. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Australian White Ibis has white and cream plumage on its body and a black neck, head, bill and legs/feet. The bill on this particular species has a distinctive long shape which is down-curved. It is a fairly large variety of the Ibis species. This specimen has been stylised in a standing position and is positioned on a wooden platform. 5 C. / White Ibis / See catalogue / Page 32 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ibis, bin chicken, white ibis, australian birds, australian white ibis

This item of underclothing, called a "combination" is one of several linen and clothing items belonging to the deceased estate of Susan Henry OAM (nee Vedmore 1944 - 2021) that was donated to Flagstaff Hill Maritime Museum and Village. Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up in 2010 to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community. Combination undergarments combined the chemise and drawers into one garment. The combination is divided, or bifurcated, from the waist to the crotch for easier urinating. This one-piece type of underwear was worn by females from the 1860s and into the early 1900s. The 19th Century garments had front button closures like this one, and those made in the 1900s more often had back closures. Combination underwear was popular because the all-in-one design had far fewer gathers and bulk, making the other clothing look much smoother. Their primary use was to protect clothing from perspiration and because they were made with cotton or linen, were easy to wash. This particular item is made with lawn (a very lightweight fabric) and is sleeveless, making it suitable for hot weather. Although they were worn under the corset next to the skin (and therefore not meant to be seen), they were often decorated with lace or embroidery. This item is an example of the needlework skills of women in the late 19th century - using machine stitching and lace to personalise and embellish a practical item of clothing. It is also significant as an example of a practical solution to the difficulties that women of this era faced with regard to the washing of clothes and household linens.Lady’s white lawn and lace all-In-one combination undergarment. The handmade underwear is a combined chemise and bloomers. It has four buttons in the front and is trimmed with lace on the neckline, armholes, bodice (in a diagonal design) and legs. The left and right sides are divided from the waist to the crutch. The back of the garment is plain with a gathered section at the lower back.flagstaff hill maritime museum and village, great ocean road, combinations, lady's combinations, undergarment, lingerie, handsewn, underwear, clothing, victorian era undergarments, lady's garment, susan henry oam, vedmore foundation

black and white photo: collapsed wooden poppet head of the Ironbark Mine, four men on the left hand side., with engine holding down bolts in the right foreground. 'Old Ironbark, New Chum Reef ?' 26.11.1999 Previous mng 39 In pen - Ironbark legs looking from the tram track and sand heap behind it.organization, business, ironbark mine

Brass Food Warmer With Lid (Methylated Spirits) three twist legs Cast Iron base under central conical tapered hole in centre of warmer approx. 15 cm diameter entire item 40 cm wide. Previous Catalogue Number 104 Accompanying tag reads ' Wilson Art Panel Art'.domestic equipment, food consumption, brass food warmer

Document: 2 copies of complimentary guide to the Central Deborah Gold Mine. Details information about poppet legs and shaft, change room, drying room, first aid room, ore bins, boiler, stoke hold, winding engine, boiler feed pump, electric compressor, dteam driven compressor and blacksmith's shop.Central Deborah Gold Mine NLorganization, business, central deborah gold mine, mccoll, rankin & stanistreet collection: central deborah gold mine nl, goldmining

Two red covered auction catalogues for an auction held at the Gold Mine, Clunes on 15 March, 1941. Sale comprised of Winches, boilers, pumps, wire ropes, piping, rails, poppet legs, cages, tanks, trucks and tools, etc. Contains descriptions of the larger machinery. J. H. Curnow & Son were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - gold mines - clunes, clunes goldfields (1931) limited, j h curnow & son, j l jamieson, the cambridge press

Two red covered auction catalogues for a sale at the Guilford Plateau Gold Mines N. L. on 20 November, 1940. For sale was mining machinery, buildings, plant, tools, tubular steel poppet legs, pumps and piping. Contains description of some of the bigger machinery, etc. Auctioneers were J. H. Curnow & Son.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - guilford plateau gold mines n. l., mr e a arnold, j h curnow & son, the cambridge press