Gummed label printed in dark blue on a white background. Label has decorative border with leaves and flowers. Printed on the label is: The Favourite Shop - Hargreaves Street and Arcade, Bendigo. Warren's, Drapers and Clothiers. Space at the end to write in who sold it and the date.business, printers, cambridge press, cambridge press collection, warren's

A metal object that was discovered by QC Binks while he was out metal detecting for gold. A flat base supporting a decorative frame of scrolls. Something has broken off the tip. Engraving on the underside of the base is too small to make out clearly.bendigo, gold mining, qc binks, qc binks

Six small white china plates with decorative pierced edges and gilding around rim, centre of plates showing scenes of three female figures in Grecian style costumes, 3 plates showing figures with a musical instrument & 3 shown with fruits.domestic equipment, food consumption, plates

Photograph of a single storied stone shop front with a wide verandah over the wooden footpath. Above the verandah in raised lettering is ' Franc.s ( Francis) Brothers Beehive Stores, There are two decorative urns on each side of the parapet and in the middle is a stylized representation of a Beehive.Batchelderbuildings, commercial, beehive stores, francis brothers, beehive stores, pall mall

A studio photograph of a World War I soldier wearing uniform with a peaked cloth hat. There is an image of a garden and balustrade as a backdrop. Identified as A. Dench. It is mounted on fawn card with a fine brown border around the edge and a decorative oval mounting behind the photo.Yours truly / A. Dench / (handwritten)world war 1, soldiers, armed forces, hats, portraits, dench, a., kalma, photographers, george evans collection

Post card of Harriett Emily Membrey nee Heal with twins Raymond and Lillian Membrey. Post card sent 2.12.1910. Photographic post card. Studio photo of woman and two children formally dressed. The woman is seated in a long white dress beside the two children. The young boy is standing between the woman and the young girl who is seated in a decorative cane chair. Harriet Emily Membrey (nee Heal). Raymond & Lillian Membrey (twins) 2.12.1910. This information is written under the photo. Back of post card. "2-12-10 Here we come, what do you think of us, about the little dress, I will have it if it is nice". Post card is by W. J. Chapman, Stawell.stawell

Alfred (Alf) Bush & Rosina Agnes Bush ne Marshall. He was a butcher at Chaponnel. Bush and Allen. Lodge Master IOOF c 1893. Photographic copy of black & white image of Mr. Albert (Alf) & Mrs. Rosina Agnes Bush nee Marshall. Albert is dressed in a suit with a dark hat. Rosina has a long white formal dress with a decorative hat and carrying a purse & umbrella. stawell portrait clothing

This photograph is of a former Oriental Bank & previously Bank of Australasia, built by Terry & Oaken c 1884. Its address is 171 Main Street Stawell and now occupied by O’Driscoll W. D. Solicitor. Black & white photograph of a two story building, brick and concrete rendered with parapet. Security bars on window on the ground floor. Top floor at the base of each window there are decorative wrought iron screens. On the path out the front is a concrete & timber seat. stawell business

Charles Steedman was headmaster of Williamstown Grammar School from 1870-76 and 1885-90. In 1870, under agreement with school trustees, Sir George Verdon and John Courtis, he leased the school under a seven-year lease, effectively saving it from closure. Steedman had previously been manager of Sandridge Baths and a champion swimmer of Victoria. His 1867 book, 'Manual of Swimming', was the first major technical contribution to the sport of speed swimming and water safety, for which Steedman was inducted into the Sport Australia Hall of Fame in 2006. As headmaster of Williamstown Grammar, Steedman initiated a student produced school paper called 'The Schoolboy' (surviving editions can be accessed at the State Library of Victoria), added swimming lessons to the curriculum and opened enrolment to girls in 1885. The book contains nine illustration plates featuring line drawings of a human figure in the positions detailed by Steedman in his text. These drawings are attributed to O.R. Campbell. Oswald Rose Campbell is best known for his appointment (1876-1886) as drawing master of the School of Design, a department of the Public Library, Museums and National Gallery of Victoria. He taught (and famously disagreed with) the likes of celebrated Australian artists, Tom Roberts and Frederick McCubbin. O.R Campbell taught drawing and painting at Williamstown Grammar in the early 1870s.The book holds historic significance for Westbourne Grammar School, having been written by a former headmaster and very important figure in the history of the school. It evokes our early history as an emerging grammar school with links to prominent athletes, artists and gentry of colonial Melbourne. Blue cloth covered case-bound book, with debossed decorative scrollwork in each corner and in the centre of front cover, and gilt lettering on the spine. 270 numbered pages, nine illustration plates (one adjacent to title page, eight as end pages).On title page, handwritten inscriptions in brown coloured ink. Possibly ‘Joshua Saggs Esq. / With the authors compliments’ and below, in different handwriting and darker ink, ‘To dear Flossie from Grandma 1901’. williamstown, sandridge baths, swimming, colonial melbourne, art, williamstown grammar

On a small slip of paper is a note re general history of this edition of the English Reader 'Advanced Reader' published in England in 1873 and used by the Victorian Education Department until it began publication of its own 'Grade Readers' in the 1920s.Small book - Linen on board - binding dark red and embossed decorative border on front cover. Some gilt tooling and lettering. Cream colour lining. 400 pages, organised into five sections includes poetry and prose. Introduction by Sydney Smith.books, school/educational

One of the items which would have been presented to a relative of the donor when he was visiting Rutherglen Scotland in 1974.Decorative certificate, printed in blue and gold on textured paper, from the President, Councillors & Ratepayers of the Shire of Rutherglen. Space for the name of the recipient of the "Honorary Citizenship of the Township and Shire of Rutherglen" has been left blank as has the month and day of 1973 for the presentation.At the bottom of the certificate, there is an illegible signature above the words "Accredited Citizen of the Township and Shire of Rutherglen", along with a small red seal. rutherglen scotland, royal burgh of rutherglen

Black and white photograph of the home of Isabella and Joseph Coate showing a dwelling with tiled gable roof, two chimneys with double pots, verandah at the front and sides topped with decorative frieze, seven workmen standing at front, on the Esplanade Lakes Entrance Victoria.genealogy

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of architectural elements used in the decorative scheme on the exterior of Studley House in Nolan Avenue, Kew. The POV is of the rendered and painted Doric columns forming the ground floor colonnade. Note the Victorian tessellated tiles used on the floor of the verandah.dorothy rogers, studley house -- nolan avenue (kew), xavier preparatory school

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of architectural elements used in the decorative scheme on the exterior of Studley House in Nolan Avenue, Kew. The POV is of the two storey rendered and painted colonnade featuring Doric columns o the ground floor and Ionic columns on the first floor.dorothy rogers, studley house -- nolan avenue (kew), xavier preparatory school

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Full-length decorative, spotted cream voile pinafore, designed to be worn over a full long dress. The pinafore has ruffled shoulder straps. This is one of two pinafores in the Weir Collection. This example, in contrast to the other pinafore, does not include a bodice.pinafores, weir collection, edith mary weir, women's clothing, aprons, protective wear

Large wooden chest of drawers, four drawers, on four feet. Front two turned, back two square. Lock in each drawer, front centre - screw on decorative keyhole surrounds. Drawers all of different sizes, rounded front corners.furniture, domestic, chest, drawer, timber, varnished

To recognise the efforts made towards to the successful running of the Association for the Blind, certificates were awarded bestowing Life Governorships on individuals who had made significant contributions such as George Ronald Rose became a Life Governor on 22nd August 1967 for his invaluable contributions to the Bendigo Mirridong home, particularly securing the support of the Lions Club in the building of the home in 1957. This certificate is signed by President H. M. Lightfoot and Secretary J. W. Wilson.1 cream coloured sheet with decorative border on top right hand side and lower right hand corner, and the black and white symbol of the Association in the lower right hand corner consisting of a half circle with a flame and another half circle in blackAssociation for the Blind Life Governor This is certify that ... was elected a Life Governor on the ... day of ... 19..association for the blind, george rose

To recognise the efforts made towards to the successful running of the Association for the Blind, certificates were awarded bestowing Life Governorships on individuals who had made significant contributions such as Katharine Margaret Rose became a Life Governor on 27th August 1963 for her invaluable contributions in supporting blind people around Bendigo since 1939. The certificate is signed by President H. M. Lightfoot and Secretary J. W. Wilson.1 cream coloured sheet with decorative border on top right hand side and lower right hand corner, and the black and white symbol of the Association in the lower right hand corner consisting of a half circle with a flame and another half circle in blackAssociation for the Blind Life Governor This is certify that ... was elected a Life Governor on the ... day of ... 19..association for the blind, katharine (kitty) rose

To recognise the efforts made towards to the successful running of the Association for the Blind, certificates were awarded bestowing Life Governorships on individuals who had made significant contributions such as Mae Palmer of East Hawthorn became a Life Governor on 24th March 1969 for her contributions. This certificate is signed by President H. M. Lightfoot and Secretary J. W. Wilson.1 cream coloured sheet with decorative border on top right hand side and lower right hand corner, and the black and white symbol of the Association in the lower right hand corner consisting of a half circle with a flame and another half circle in blackAssociation for the Blind Life Governor This is certify that ... was elected a Life Governor on the ... day of ... 19..association for the blind, mae palmer

The Australian premiere of the film The Dam Busters was screened at the Windsor Theatre on 2nd of May 1956. It was attended by the Governor of Victoria, General Sir Dallas Brooks and his wife, Lady Brooks. Proceeds from the evening was donated to Melbourne Legacy and The Air Force Association.A record that Legacy used film screenings for a fundraising event. It was attended by the Governor who was patron of Legacy.Printed programme of a film premiere in aid of Legacy, cover has the 617 squadron emblem. Black and white photos and advertising inside. A glossy card cover and paper pages, with a decorative ribbon in the side. Also a ticket wallet with a Lancaster bomber image.fundraising, governor of victoria, gala performance

Ada Lyon, nee Apted (1898-1962) was a member of the Eltham War Memorial Trust which in 1945 decided that a WW2 memorial in Eltham should include a baby health centre, a children's library and a pre-school centre. Ada Lyon worked tirelessley as a member of the women's auxiliary to raise funds for the memorial. The third and final stage of the Memorial was opened in November 1961. Following her death the following year; a memorial sundial was erected in recogintion of her work for the War Memorial Trust. Words on the plaque read: "To the memory of Mrs Ada Lyon in recognition of her work for this Trust".The sundial recognising the local contribution of Ada Lyon is of local historical significance in not only recognising a woman for her contributions during an era when women were generally unrecognised publically but is also a reminder to current generations of her work and that of her peers to iniate the war memorial in honour of local enlistments in WW2.Roll of 35mm colour negative film, 10 strips. Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity.Kodak Gold 100-5ada lyon, eltham war memorial, sundial

c1900 These white metal buttons could be attached to a dress or jacket to possibly match or enhance decorative silver, pewter or brass buckles that were attached by ribbons or straps to plain shoes for evening and special occasions . These buttons were worn by a lady in the family of Ailsa Hunt in Moorabbin Shire These decorative white metal buttons were a common accessory for early settler women in Moorabbin Shire c19006x square white metal buttons with filigree design and attachment loop at backdetachable silver buttons, footwear, shoes, buckles, clothing, silver, pewter, brass, white metal, victorian fashion, edwardian fashion, market gardeners, early settlers, moorabbin shire, bentleigh, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample: ‘Larkspur’ pattern, Foliate design with flowers, red on a paler red background. Original design by Morris in 1872; revised by Morris in 1875. Sample is a later Morris-style wallpaper block reproduction from the 1970s. Pattern No. 133400.Stamped on verso: 133400CI / MADE IN ENGLAND. Inscribed in ink on verso: W. MORRIS / LARKSPUR / 133400 / $7.60decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a dado pattern. Three colour, repeat pattern of facing squirrels in brown on a green ground, bordered top and bottom in a brown on yellow design. Sample is a later Morris-style wallpaper block reproduction from the 1970s. Inscribed verso: No.14decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history, wallpapers -- dados

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of a front facing bird contained in a roundel in pale grey on a darker grey ground, regularly interspersed on a geometric design. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of fleur de lys in green on a paler green ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of birds and flowers in brown on a paler pink ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of inward and outward storks surrounding a Celtic knot in dark blue on a paler blue ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of lions and rose bushes above the letters SS in a knot design in burgundy on a red ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history