Image copied from older postcard (c.1890-1900) showing horse drawn vehicles and a horse tram. Since then, the southern side of the street has been widened. Businesses identified in the photograph include the Ryan's Council Family Hotel, the Greyhound Hotel, the Clifton Hotel, the ES&A Bank and Jellis' Bakery. Black & white photograph of a postcard showing Main [High] Street, Kew looking south west showing horse drawn tram centre.Reverse - "High St Kew looking down from Post Office to Kew Junction"horse tram kew, clifton hotel - kew junction, ryan's council family hotel kew, horse tram - kew (vic), kew junction

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984B&W postcard. Photograph of Mr George Cox, an elderly fisherman sitting outside his hut, which was near the end of the Cowes Jetty (East).No Inscriptionslocal history, photography, photographs, postcards, local identities, black & white postcard copy, george cox, fisherman, jetties, cowes, phillip island

Original photograph by Rose Series Postcard P1711 with the original image held by the State Library of Victoria. Edited by Richard Conn. Purchased by the Museum.Provides information about the appearance of Bridge St during the 1920's, shows the tram tracks and overhead. Has in the view a number of road signs, shops, Super Spirit, Shell, Junction Service Station, motor vehicles, cyclists, Bon Marche, ladies with prams, a post box and Page's Bucks Head Hotel.Black & White copy photograph view A4 size, titled "Ballarat looking east along Bridge St from Grenville St c1920s", from a Rose Series Postcard, P1711. Original image held by the State Library of Victoria.ballarat, grenville st, bucks head hotel, bridge st, road signs, bon marche, tramways

Part of a collection of photographs donated by Bruce Bennett. Taken from different collections: Betty Kuc collection and Wal Steer. Most are photographs taken of postcards and photos.233-08. Black & White photograph of a postcard. Cowes Pier with shed, cranes and old Moonah tree in the foreground. 233-09. Black & White photograph of a postcard. Cowes Pier looking towards the east. Beach and foreshore in the foreground. 233-10. Black & White photograph reproduction of two young ladies in swimming costumes on Cowes Beach with pier in background. 233-11. Black & White photograph of a postcard. Cowes pier and Jetty shed, showing post and rail fence around entrance to pier. Tall Moonah tree near Jetty shed. 233-12. Black & White photograph reproduction of Genesta House with "Welcome Home" sign and Union Jack flags flying. Perhaps a welcome for local ment back home from the war?? 233-13. Black & White photograph reproduction of Genesta House in Cowes, Phillip Island. 233-14. Black & White photograph reproduction of Gullifer's Corner Store on the corner of Thompson Avenue & Chapel Street, Cowes Phillip Island. 233-15. Black & Whtie photograph of a gathering at the Cenotaph in Cowes, Phillip Island. 233-16. Black & White photograph reproduction of the Butcher Shop, Thompson Avenue, Cowes, near the old Shire Hall. 233-17. Black & White photograph reproduction of the lady on the rocks at Erehwon Point. Coastal vegetation behind the beach and two boats on the sand in the distance. 233-18. Black & White photograph reproduction of the Cowes Pier with masted ship and small boat at the pier. 233-19. Black & White photograph of the Garage Tea Rooms in Thompson Avenue, Cowes, with young cypresses which were planted circa 1915.233-08. The Rose Series P659. The Pier, Cowes, Phillip Is., Victoria. 233-09. The Rose Series P658. The Pier, Cowes, Phillip Is., Victoria. 233-11. The Rose Series P672. The Pier, Cowes, Phillip Is., Victoria. 233-16. Cowes - Jan. 1938 cowes pier phillip island, cenotaph cowes phillip island, gullifer's corner store cowes phillip island, garage tea rooms cowes phillip island, genesta house, genesta guesthouse, guesthouses cowes phillip island, erehwon point, cowes, a. smith garage tea rooms cowes phillip island, butcher shop cowes phillip island, bruce bennett, betty kuc collection, wal steer collection

Postcards with one photograph, all featuring the cable tram era, left to right, top to bottom: 1 - Parliament House and Treasury Melbourne 2 - Bourke St Melbourne from near Queen St looking east - has glitter added to the card surface. 3 - Spring St Melbourne 4 - Flinders Stand the Custom House Melbourne - part of the paper missing where a stamp has been removed. 5 - Cable tram set in a Parade, on a float, at the corner of Spring and Bourke Sts - early 1950s 6 - Elizabeth St Melbourne - looking south from Bourke St.Demonstrates a set of 6 postcards featuring Melbourne cable trams.Set of 5 mounted cable tram postcards and one photograph onto light weight boardtramways, spring st, bourke st, flinders st, cable trams, parades, elizabeth st

The souvenir packs of cards open up with various photographs inside. Five are published by Nucolorvue Productions, Mentone, Victoria. One set by Murray Views, Gympie, Queensland. Two sets by The Valentine Publishing Co. Pty.Ltd Melbourne. One set of Colour Photographs by Capt.Frank Hurley. The single postcard is by Valentine's "Mail Novelty" Post Card Copyright. One is addressed to 'Mrs. H. Ellis c/- Mr. E. M. Straw, Harcourt, Vic.'Nine packages of photo souvenir postcards from various Australian cities and towns and one single postcard of a Scottie dog peering out of a doorway. It has a lift up flap with mini folded photographs of Lakes Entrance underneath. Other phoyogtaph selected views and fold out photograph packets of: Sydney, Warrnambool, Mildura, Albury, Shepparton Murray Valley, Orbost Adelaide Hills. The Scottie dog card has handwritten in blue ballpoint pen on the back -' You owe me 5/-' All other sets have the publishing details and a description of the area on the back.postcards, photographic postcards, postal stationery

From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Postcard with a black and white photograph of a soldier in uniform. His right arm is resting on a wooden stand and he stands in front of a brick ivy covered wall. Handwritten message on the back.There is a small sign at the base of the stand that says "3251"album, photo album, newspaper clippings, postcard, wwi, photograph, soldier

One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area and in the late 1800's took many photographs of Marysville and its surrounds.One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area in and surrounding Marysville and in the late 1800's took many photographs of Marysville and its surrounds. N.J. Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 N.J. Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies and the mountains of south-eastern Victoria. POST CARD The Address to be written on this side This space may be used for Correspondence/ within the Commonwealth at 1d. rate./ Foreign, charged ordinary letter rate. St. Fillans/ Narbethong This is the/ little village we/ visited last week/ E.L. Mrs R.D. Cole/ Mozart Villa/ Bethanga One penny Victorian postage stamp Date Stamp/ Illegible Date Stamp/ JA 16/ 6/ VICTORIA/ Illegiblemarysville, victoria, nicholas john caire, postcard, souvenir

This postcard was found loose in the first of three albums compiled and owned by J W Allen, Secretary of New South Wales Grazier's, and is associated with the New South Wales Graziers Association world tour of sheep 1928-1929. The album contains photographs of travel, sheep, farms, stations, people and landscapes from around the world. Locations include Naples, Port Said, Suez, Birregurra (Vic), Alexandra (Vic), Ballangeich (Vic), Keith (SA), Mt Gambier (SA), Buckland Park (SA), Tasmania, Winton (QLD), Sydney Harbour, Canberra (ACT), Toowoomba (QLD), Rockhampton (QLD), Tocal (NSW), Deepwater (NSW), Glen Innes (NSW), Longreach (QLD), Moree (NSW), Barraba (NSW) and Mudgee (NSW). Properties depicted include Mooleric, Turkeith, Woolongoon, Minadale, Crower Station, Merrindie, Koomooloo Station, Cappeedee, Koonoona, Rathmore, Ellenthorpe, Camden Park Station, Glenlegh, Strathmore Station, Ilparran Station, Binneguy, Midkin, Terlings, Ashley, Bereen, Plumthorpe, Mayvale and Havilah. The album was found in a clean out at the Great Southern Agricultural Research Institute and donated to the National Wool Museum, along with other related material such as photographs, glass lantern slides and ephemera.Photograph postcard with a black and white image of a ram, and printed black text.Front: MERRINDIE DORSET STUD, 1927. / “Merrindie 166” sired by “Symondsbury 264,” imp. Champion Adelaide / Royal Show, 1925. Champion Melbourne Royal Show, 1925. Bred by and / the property of W. S. Kelly, “Merrindie,” Giles Corner, South Australia. / Pulford Photo, Adelaide. Back: POST CARD / CORRESPONDENCE / ADDRESS ONLY / KODAK / AUSTRALIA / KODAK / AUSTRALIAworld tour, sheep, graziers, photograph, agriculture, rams, stud, south australia, merrindie, giles corner, w s kelly, pulford

One of the trams is a Sebastopol-type tram No 22. Has the large shelter in the background and another tram in the view. Taken c1913, following the introduction of the Sebastopol type tram. From a Rose Series postcard - Rose Number 1710. Note the Mechanics Institute advertising sign on their building advertising the institute rather than a company. The 8-hour monument at the end of the central median can be seen. See item 9012 for a printed illustration of this photograph,Yields information about the operation of ESCo trams in Sturt St and in particular the Sebastopol type.Black and white copy photograph of a postcard showing two ESCo trams at the Grenville St terminus, looking west along Sturt St.tramways, trams, ballarat, sturt st, esco, grenville st, sebastopol type, tram 22

This item is part of the ‘Jack’ collection. Photographs, negatives, slides, glass plates, stereographs, postcards, letters and other ephemera obtained from Tyaab Packing House Antique Centre in December 2013. All items collected by long-time collector and camera enthusiast Jack Russo. This item is part of the ‘Jack’ collection. Photographs, negatives, slides, glass plates, stereographs, postcards, letters and other ephemera obtained from Tyaab Packing House Antique Centre in December 2013. All items collected by long-time collector and camera enthusiast Jack Russo. suburbia; house; 1970's; wedding; pregnant; australia; r. owen; jack

The photographs show the Butter Factory at Orbost in 1892 and 1906. The postcard is addressed to Miss N. Cameron C/- Mrs H. Nixon of Picnic Point Bairnsdale. The Orbost Butter and Produce Co. Ltd was registered on June 1st 1893 and was an important source of income to the Orbost district. The first shipment in about 1893 to England went rank and was only good for axle grease on wagons and carts.The milk was brought to the factory by horse and dray.Most people would take the whey home for their pigs,which were abundant on the farms in the Orbost district. Mr John Gilbert is the man second from the left in 1250.1.Postcards form a vital part of social and historical records for researchers. These cards are photographs of the Orbost Butter Factory. The Orbost Butter and Produce Co. Ltd was registered on June 1st 1893 and was an important source of income to the Orbost district. Two photographs / postcards of the Orbost Butter Factory. 1250.1 is a a photograph of several horse-drawn wagons outside a large wooden building.There are several men on top of the wagons, seated and standing. 1250.2 is a postcard with a photograph of the butter factory taken from the north side showing the two storeys with a person standing at a door on each level. There are horse drawn carts behind a wooden fence and several men standing on the front verandah with one man at a top window. On the back of this postcard is a hand-written letter.1250.1 - on front - Orbost Butter Factory Ward Bros Sale 1250.2 - on front - Butter Factory Orbost on back - " 27/11/06 Dear Girls Yours to hand you should have had a letter from me yesterday. Glad you wrote to Miss Alexander. Hope ypou have a good time out there. ??? meeting a success, Mother"dairy-orbost orbost-butter-factory

Digital image from the Wal Jack Ballarat Album of No. 15 at the intersection of Sturt and Doveton St with passengers boarding the tram. Tram has the destination of Gardens via Sturt St West, Murray Views No. 17 Postcard. Has Town Hall, Myer, Hoskins Stores?, Block Arcade, F. Gallagher and Stansfield and Smith buildings in the view. See image i2 for rear of photograph.Yields information about the early use of Ballarat's bogie trams and Sturt St through the medium of a postcard. Digital image of a postcard from an album compiled by Wal Jack, loaned to the Museum. Copy added 28-12-2021 - most likely a reproduction of the original as it does not have a postcard back. Printed on rear - Real Photograph Produced in Australia by Murray Views, Gympie Q" and places for stamp, dividing line and word "postcard" on rear of copy - "Ballarat No. 15 (later ) in Sturt St, eastwards from Cnr" and Keith Kings stamp.trams, tramways, doveton st, bogie trams, lydiard st, tram 15

Postcard written by Albury soldier, Reg Ryan, serving with 20th Field Artillery Battery AIF, to his sister Gertie. Miss Gertie Ryan was active in raising funds in Albury to support troops overseas during World War One.A good study of Australian soldiers in France during World War OneBlack and white photograph of group of 54 soldiersReverse of photograph used as postcard - Addressed ' Dear Gert " and signed " Reg "military, world war one, albury, artillery

An album of photographs with some postcards compiled by Wal Jack, a Ballarat tram and rail enthusiast of Bendigo and Geelong tram photographs. Some photographs are duplicated in the Museum's holdings.Has a strong association with Wal Jack and tramway developments until 1964. Given their extent are of particular significance to the Museum and the Provincial tramways. Features Bendigo and Geelong tramcars. Black binder cloth covered folder, two brass screw binders with grey paper inside covers holding some 40 grey colour foolscap size sheets of card on which photos have been mounted using photo corners so various types, captions in blue or black ink. Some 111 Bendigo and 94 Geelong black and white photographs with some postcards. For details of each photograph, layouts and BTM Reg Item Nos. see - Detail description of photos in Reg Item 5003 - listed.pdf trams, tramways, sec, tramcars, geelong, bendigo, wal jack

This postcard was produced as a black and white card titled, "Early 1900 - Bush Hut , Gippsland", in the early 20th century. The original card had a blank white rectangular strip on the right side of the photograph. This was for the message. There is little information with this item except for a note indicating that it was a hut at Newmerella. This is a pictorial record of a bark hut of the kind built by the early settlers of East Gippsland. Few early settlers could afford the time, or possessed the capital, to build any dwelling more impressive than a slab hut: Postcards form a vital part of social and historical records for researchers. A postcard showing a bearded man sitting on a stool outside a bark hut. There are various tools - a wheelbarrow and shovels, buckets, a panning dish and a saw hanging above him to the left. . It is in a bush setting and the photograph has been tinted.on back - POSTCARD - in red :"Essie & Ruby McKena. Emily Ville, Ascot Vale Road Flemington"dwelling-bush hut-bark

The photograph printed on this postcard comes from the collection of the Mitchell Library in Sydney. It is sepia in tone and depicts seven men standing and sitting around a mine shaft in the Beechworth region. The photograph has been dated to approximately 1872. This period in history post-dates the Victorian gold rushes which occurred 1852-1853 in Ballarat, Bendigo and Beechworth. During this period, in the 1870s, the surface alluvial gold had been discovered and removed from location. Therefore, in order to reach the deeper and less accessible alluvial gold, diggers began to dig shafts into the earth. These shafts sunk below the ground level by 20 to 30 feet and required timber structures around the entrance and winches to bring the paydirt to the top. The top of this wooden structure is visible behind the man standing in the upper right of the image. This type of mining was highly dangerous as mines often caved in which injured the minors and often resulted in death. Thus, following this period, in the early 1900s, miners opted instead for hydrolic slucing which cut away the earth without the devastating consequences of a mine cave in. This particular group of miners appear to have been unable to afford a horse (then worth around 50 pounds) which were generally used at mines like this to help pull buckets attached to ropes up and down the mine. Instead, this group brought the buckets up and down by windlass. The windlass was a wooden structure mounted over the mining shaft and fitted with a hand-cranked winch which enabled the bucket attached to the rope to be brought up and down.Gold was first discovered in Beechworth in Spring and Reid's Creek in the summer of 1852-1853. At its popularity, this region had approximately 8000 people on the gold fields searching for gold on the banks of these creeks. These periods did not require the use of heavy machinery or the digging of deep mining shafts like the one depicted in this image. Therefore, this image has important connotations for the technologies associated with mining during the approximated 1870s when gold was harder to access. This is a later period in gold history which does not fit into the "gold rush" period. Instead, it occurred after the surface gold had disappeared and therefore, is essential for researchers who are investigating the mining techniques and structures used to reach the alluvial gold which was located deeper under ground in the 1870s. This period predates the use of big heavy machinery used to mine in the 1900s which include dredges. Images such as this one can also impart essential information as to the wardrobe and fashion of men during this period. It also imparts knowledge about the landscape of Beechworth which is useful for people researching the environment and impact of gold mining in the north-east region of Victoria. In addition, since this image is a postcard reproduction of an early Australian image which may date to approximately 1990 it can impart knowledge as to the interests of people during this time period when there may have been an increase into Australian history.A sepia tone facsimile of an early Australian photograph (circa 1872) printed as a postcard.Obverse: BEECHWORTH / Victoria, Australia / Reverse: GM 2 3275 / CORRESPONDENCE / AUSTRALIAN / YESTERYEAR / CARDS / ADDRESS / Published by George Symons (057) 65 3240 / THE MINEHEAD C. 1872 / The easily gleaned gold of the early fields did / not last very long. In order to reach less / accessible alluvial gold diggers began sinking shafts as much as twenty to thirty feet down / and the mines required timbering and winches / to bring the paydirt to the top. / This syndicate has been unable to afford the / luxury of a horse (about 50 pounds) and so everything / must go up and down by windlass and rawhide / bucket. / Photo: Mitchell Library, Sydney / A sepia tone facsimile of / an early Australian photographmining album, gold mine, beechworth, burke museum, mine shaft, postcard, australian yesteryear cards, george symons, the minehead, gold fields, alluvial gold, early australia, c.1872, 1872, gold diggers, north east victoria

This original photograph is printed on Kodak photo postcard paper dating from 1908-1914. It belonged to the Anthony family who sent six children to Williamstown Grammar. The eldest, Queenie Anthony, commenced in 1908. In 1914, when the original building was gifted to the Education Department to establish Williamstown High School, Queenie and her siblings remained with Mabel Molland, moving to Holy Trinity Hall, to complete their primary school years. The teacher seated at the right is not Mabel Molland, who commenced in 1911. This is possibly Miss Molland's predecessor, Miss Towl. Research is underway to identify students in the photograph.Black and white photograph of a group of students in four rows with Denis Gerity standing at the left and a woman seated at the right. A board is placed before the front row with the letter 'WGS'. The photograph is printed onto postcard stock branded Kodak Austral.Handwritten inscriptions on the back include the word 'Anthony' three times (one in the top half, two in the bottom half) and a large smudge in the bottom right corner - all in light blue ink. Also possibly 'Old Grammar School Pupils of Mr. Gerity' and 'Mrs' in black ink. There is name and address inscribed in dark blue writing ink along the left edge. A number '14' in graphite in the stamp box and a further number '1' encircled and underlined in dark blue ink in the bottom right corner.

Selection of 6 photographs and postcards of The Nobbies, A Seal and the SS Killara, donated by D Reid.A selection of postcards and photograph Black & White and Coloured of The Nobbies, a Seal and the SS Killara. Photo 1. View of the Nobbies with two people in the foreground. Photo 2. View of the Nobbies with a Horse and jinker in the foreground. Photo 3. A Seal resting on the rocks at Seal Rocks Phillip Island Photo 4. The Ferry steamer S. S. Killara arriving at Cowes Photo 5. Coloured view of the Nobbies looking across breakers on the rocks. Photo 6. Coloured coastal view looking towards the Nobbies in the distance.Inscriptions on the front of postcards Photo 2. The Rose Series. P 666. Looking to The Nobbies, Phillip Island, Victoria Photo 3. The Rose Series. P 747. A Seal on the rocks, Phillip Island, Victoria Photo 4. The Ferry Steamer S. S. "Killara" arrives at Cowes. Photo 5. The Nobbies, Cowes Photo 6. Coastal Scene Cowes. Nobbies in Distance.the nobbies phillip island, wildlife - seals, seal at seal rocks, ss killara, ferries

This type of folded postcards was popular with tourists in the 1940s, 50s, and 60s and often kept by them for many years afterwards. The views of Warrnambool here, taken about the 1950s, were typical of the Warrnambool postcards available at the time and were mass-produced as many examples survive today. They include photographs of Hopkins Falls, the beach and harbour, Liebig Street, Hopkins River, coastal scenery and the Botanical Gardens. These postcards are of some historical interest, though the photographs appear frequently in many publications. They also have a social significance showing what tourists bought 60 or more years ago.This is a packet in envelope form containing 12 coloured postcards of views of Warrnambool about the 1950s. The photographs are printed on buff-coloured paper and fold up to envelope size so that they can be sent by post. The front cover includes three dotted lines for the address and the back cover has a space to include the name of the sender. One page gives some general information on Warrnambool. Front cover: ‘A Souvenir of Beautiful Warrnambool’, ’12 Specially Selected Views in Full Color’ Back cover: ‘From…’ , ‘Published by Nucolorvue Productions, Elwood, Victoria’ tourism, warrnambool

The photograph on the front of the postcard depicts a game of billiards being played in the Billiard Room of the Mission to Seafarers Melbourne. The Flinders Street extension building opened for use in 1917 after relocating from Australia Wharf. The billiard pool was likely made by the Alcock company.The scene on the postcard shows the typical use of the Billiard Room at the Mission to Seafarers Melbourne as well as what is presumably the original layout of the room and gives an insight into men's fashion of the time.Sepia toned postcard with photograph of a man in shirt sleeves taking a shot on the billiard table with a second man standing to the left and rear wearing a hat and watching the shot. There are two seated men to the right of the photograph. The man on the left is wearing a suit including hat, the man on the right is wearing a cap and sitting with his arms crossed. There are three pendant lights above the billiard table and bench seating in front of the window.Printed on the bottom of the front of the postcard: "IN THE BILLIARD ROOM. SEAMEN'S MISSION. MELBOURNE, VICTORIA. REAL PHOTO SERIES M.826" Printer's logo on rear of postcard: "VALENTINES/REAL PHOTO SERIES POSTCARD" Printed sideways on left hand rear of postcard: "Published by the Valentine & Sons Publishing Co. Ltd/Melbourne, Sydney & Brisbane" Printed in right hand corner rear of postcard: "BRANCHES/SYDNEY/LONDON/DUNDEE/DUBLIN/CAPETOWN/MONTREAL/TORONTO" postcard, windows, floorboards, valentine-and-sons-publishing-co-ltd, billiard room, pool table, billiard table, billiard cue, seamen's mission, mission to seafarers, melbourne, flinders street, bench seat, pendant lighting, bentwood chairs, coat rack, valentines postcards, real series postcards, real photo series, m.826, vienna chairs

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.Photograph postcardMiddle row, 4th from left school photo; postcard; west sydney; australia; suburbia; grade 3

Historic view of the river with old bridge in the backgroundSignificant as it shows the old Peterborough bridge, moored boats in the foreground and shoreline of the estuary at the time.Photograph of a postcardCurdies River, Peterborough Vicpeterborough 3270, curdies river, peterborough old bridge, vintage postcards, great ocean road, bridges

Postcards and photographs

The photo is James Daniel Williams No 3502, enlisted on 17.7.1915 in the 11th reinforcements 7th Bn AIF age 30 years 6 months, embarked for Eygpt 11.10.1915. No more details are available at this point.Post card photo sepia tone portrait of a soldier i peak hat, back ground is one colour, inscription on rear in black pen.On rear, “Lance Corporal J.D.Williams 11th of the 7th Rfts A.I.F”postcards, photographs, 7th bn

Sinai desert Asia Minor Feb 13th. Dear mother, just a card in answer to your ever welcome letter I received today. Sorry to hear Dad in not to well. I wrote a long note to him this week. Send it onto Ella to see. I had a letter from Jack to day. He is getting better. I had a letter from Tom yesterday. I heven’t been getting his letters lately. We are both well. Roy had no word from you, wondering what’s the matter. Going on patrol duty 4 in the morning, no fighting here yet. All for this time, goodbye, best love to all from Bill. Remember me to the boys. Collection re Mrs May Burns.Postcard photo, B & W, pyramids - several trees in foreground. The rear has a hand written letter in pencil.Top right: Cairo - Pyramidsdocuments, photographs, postcards

Lex Brown, 27.3.1918 Possibly New Zealand ServicemanRectangular postcard, sepia tone photo of WWI Soldier.passchendaele barracks trust, postcards, photographs

The card relates to Robert Thomas Heard No 5105, KIA (standing on the right) Refer 1893.2P for his service history and other collection items. The other soldier is George Lyonel Henson No 4823 enlisted in the AIF on 8..7.1915 in the 14th reinforcements 6th Batt age 19 years 2 months. Embarked for Egypt 7.3.1916, transfers to 58th Batt 19.5.1916, embarks for France 21.6.1916, promoted to Sgt 3.7.1916, transfers to 57th Batt 29.8.1916. During 1918 he attends Musketry and Corps school totalling 5 weeks. WIA 28.9.1918 GSW’s multiple and DOW’s the same day. His name and Heards is remembered on the Soldiers Memorial Institute Roll Bendigo.Photo postcard, sepia tone showing two soldiers in uniform standing. Writing on rear in purple pencil.“Dear sister, this is a photo of us both, pretty poor photo. If you have time you might call on George’s mother in Queen St, Mrs Henson 170 Queen St Bendigo”. photographs, postcards, heard

.1) H.N.Cummin. Harold Nesbit Cummin had prior Military service (unclear) to joining the AIF. No 1239 he enlisted on 17.8.1915 in the 6th reinforcements to the 11th Light Horse Regt age 20 years. Embark for Egypt 27.10.1915, hospital 3.1.1916 with Bronvhitis, rejoin unit 15.1.1916, over some 7 months from 4.4.1916 he transfers 4 times until 2.11.1916 and listed as 4th Australian Camel Regt, by 16.2.1917 he is classed as being with 11th Coy 3rd Anzac Batt 1st Camel Brigade, WIA 1.12.1917 GSW’s, DOW’s at 2nd L.H.Brigade Field Ambulance 1.12.1917 in Jaffa. Refer 2535P re his brother Alexander Norman. The photo obviously refers to his previous service as the photo is dated “Oct 1914”. The Germans are possibly people interned after outbreak of the war. .1) Photo of 4 armed Australian Soldiers with 6 civilians, verso postcard has hand written description. .2) Generic postcard from Egypt to a brother, verso letter from Harold to Norman. .3) Photo of 2 WWI German Servicemen with no headgear, verso addressed to a German lady - see Inscriptions & Markings. .1) SGT LOCK (Tamworth), CPL H N CUMMIN & PTES CHAPMAN & YOUNG (Tenterfield) in charge of German prisoners, Infantry Camp, Newcastle, NSW, October 1914. Address: To Norman with best wishes from his loving brother Harold. .2) Dated 5.10.1917 Dear Norman, .... 17 lines .... Your loving brother Harold. .3) To Frau A Muxfeldt Niendorf (Kr Tinneberg) Gaustedterueg No 19, Gesebrieben d 18 Juli 1918. Absender Hugu Muxfeldt No 252 15 Prisoner of War Coy France C/o GPO London Englandpostcards, photographs, 38th