Yields information about tram services on the Victoria St line and passengers.Negative and Digital images of the Wal Jack Ballarat Negative file of No. 35 inbound in Victoria St, at the King St loop picking up passengers at the tram stop. Tram has the destination of Gardens via Sturt St West. In the background is St Alipius church. mid 1950'strams, tramways, victoria st, king st, passengers, tram stop

Cardboard, punched out, folding model bus - VicRail (VR) Comeng Train 301M, gives specification details on the base of the model. Has assembly instructions. Produced by the Victorian Railways Board and Ministry of Transport mid 1970's. Has the VicRail - Teacup logo. Two copies held.trams, tramways, models, railway vehicle manufacture, railways

Arthur Henry Miers, pictured in the photograph played for cricket, football and baseball teams in Kew for a number of decades in the first half of the twentieth century. He was born on 22 November 1901, the son of Rodolph Theophilus Miers (1874-1951) and Margaret Frances (Margaretta) Fry (1875-1958). He had two brothers, Rodolph Cecil Miers (1904-80) and Charles Wilfred Miers (1906-88), and a sister Marjorie Elizabeth Miers (1911-84). Arthur Miers died in Kew on 25 January 1966, and after his body was cremated, his body was interred in the Mausoleum of Boroondara General (Kew) Cemetery.Rare early photograph of a Kew Baseball Club team in 1938 featuring Arthur Miers. Kew Baseball Club team photograph, mounted on cardDonor notes: C. MID 1930S" / BACK ROW: BOB LITTLEFIELD CENTRE / FRONT ROW ARTHUR MIERS 3RD FROM LEFT; DAD RICHARDS 4TH FROM LEFT; FRANK LITTLEFIELD 6TH FROM LEFTarthur miers, kew baseball club, baseball

Albert (Gus) Lines was a local architect, councillor, and Greensborough identity in the mid 20th century. This Christmas card is from a young Albert to his teacher Mr Partington. The Partington family were Greensborough pioneers. Connects two Greensborough families in the early 20th century.Coloured postcard depicting sheep on hillside near a track.On back of card: 'To his teacher Mr Partington from Albert Lines'partington family, a k gus lines

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photos show candid images from the Jenkins family's time on the Island.Black and white photograph showing two man (Ted Jenkins and Max Cummings) sitting on chairs gazing off-camera. Catalogue number written in pencil on reverse. 'Ted + Max Cumming c.1940' written in pencil on reverse 'Kodak print' Stamp on reverse. '3' and '47' stamped on reversephotograph, churchill island, jenkins, ted jenkins

Strings of beads were a common fashion accessory for women in the early to mid 20th century. They were usually made from glass beads but other natural item such as seeds or shells were also popular.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A short necklace of 60 uniform sized beads or possibly shrub seeds. They are strung on thick twine with a metal catch. The catch has worn over time.decorative items, fashion accessory, women's jewellery

The portrait was commissioned in 1884, near the end of Molesworth's term of office. The portrait was commissioned at the same time as those of Redmond Barry and Chief Justice Stawell. Robert Molesworth, like his contemporaries, Stawell and Barry, went to Trinity College, Dublin, and practiced at the Irish Bar before migrating to Australia in 1852. Molesworth quickly gained a large practice at the Bar. In 1853 he was acting Chief Justice and he later served as Solicitor-General in the early Victorian colonial administrations. Molesworth was appointed to the bench in 1856. He primarily worked in the Equity area, but his main contribution to Colonial administration was as the Chief Judge of the Court of Mines, establishing the basis of mining law in Australia.The portrait of Molesworth is significant because of whom it portrays and is the only known portrait of Molesworth.Full length portrait in oils of Sir Robert Molesworth. He is seated at a desk and dressed in Judicial robes. The frame is of 20th century originSigned with monogram and dated 1885 lower left. Plaque identifies sitter as The Hon. Sir Robert Molesworth Judge of the Supreme Court. 1856-1886courts, molesworth robert, a beckett edward

Bendigo Advertiser ''The way we were'' from 1999. Oil anyone?: workers operate a eucy still in the Whipstick forest at the turn of the century.newspaper, bendigo advertiser, the way we were

Bendigo's Century a supplement to the Bendigo Advertiser volume three: 1920-1929. On the front a picture of the Duke and Duchess of York visit to Bendigo 1927.newspaper, bendigo advertiser, centenary supplements

Bendigo's century a supplement to the Bendigo Advertiser volume ten: 1990-1999. On the front a picture of a bag of crackers exploding during the Easter Parade.newspaper, bendigo advertiser, centenary supplements

Robin Boyd was invited to be a judge on the AIA-Sunset Western Home Awards Program (see correspondence item D416). Robin and Patricia Boyd travelled to California in July 1965. They also visited Japan.Colour slide in a mount. Century Plaza Hotel under construction (opened 1966), Los Angeles, California, USA. (Architect: Minoru Yamasaki.)Made in Australia / 16 / JUL 65Mcalifornia, slide, robin boyd

Robin Boyd was invited to be a judge on the AIA-Sunset Western Home Awards Program (see correspondence item D416). Robin and Patricia Boyd travelled to California in July 1965. They also visited Japan.Colour slide in a mount. Century Plaza Hotel under construction (opened 1966), Los Angeles, California, USA. (Architect: Minoru Yamasaki.)Made in Australia / 17 / ----- / Encircled 17 (Handwritten)slide, robin boyd

Newspaper cutting describing 18 Fellows street, Mitcham which was built in the early part of the century. Agent: Cody Real Estate. Photographfellows street, mitcham; no 18, auctions

Book: 'LADIES OF THE COURT: A CENTURY OF WOMEN AT WIMBLEDON'. Hardcover with dust jacket. First published 1984. Materials: Ink, Paper, Cardboard, Plastictennis

Sepia photograph, The Oak Farm Dairy premises with horse and milk carts on display along with employees. Probable date early 20th century.A M Pepper Photographer 113 Victoria Road Scarborohorse drawn vehicle, dairy, oak farm dairy, pattison, patterson

Black & White studio photograph. Portrait young male aged approx mid twenties. Shoulder length. Turned up collar with neck-tie. Badge on tie. Suede Jacket over buttoned vest. Printed on Front. Bartlett Bros Sandhurst. Blank reverse.Bartlett Brosphotograph, person, male

Black & White Studio photo of seated male aged approx mid thirties. Printed on front. Yeoman & Co , 47 Chapel Street, Prahran. Male holding cane with hat on knee. Turned down collar with neck-tie. Buttoned jacket not matching trousers.Yeoman & Cophotograph, person, male

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Late Victorian black silk damask outfit comprising a flared skirt and a short bodice. The high necked bodice reflects changing fashions at the turn of the 20th Century in that the silk fabric on the bosom is lightly gathered. The sleeves are pleated at the elbow. The skirt is lined with a black cotton lining. The neckline of the bodice includes a narrow band of pale cream lace. The outfit was owned by one of the donor's maternal ancestors.women's clothing, australian fashion - 1890s, mourning wear, micky ashton

Guide to services provided by Nillumbik Shire Council. Nillumbik Shire is located 25 kilometres north-east of Melbourne and the southern boundary is the Yarra River. The south of Nillumbik is predominantly urban, with commercial centres at Eltham and Diamond Creek. The north of the municipality includes significant natural features like Kinglake National Park and Sugarloaf ReservoirAnnual guide to services in Nillumbik76 pages, black and white illustrations. Cover has a collage of local children with title in white on mid-blue background.nillumbik shire council, handbooks

Frank Wright was a renoun resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died on 16 November 1970.Black and white studio photograph of the torso of a young man wearing a mid coloured suit and tie. The man is Frank Wright.frank wright, musician, brass band, composer

Copy of map of Diamond Hill area, with the Trig Station mid centre on map. Shafts, mines and geological features are marked.bendigo, mining, diamond hill

Mid sized soft cover book, black spine, off white front and back, black writing on back and frontnon-fictionland use, soil use, deakin irrigation area

"Terang" - 33 Ligar St. - Hans Mitchell's HouseB/W Photograph: weatherboard House with verandah mostly hidden by tree. Picket fence and Power pole in mid-distance.stawell residence homes, terang, mitchell

A brown wooden award with the words 'The Arthur Nothing Trophy' and 'Victoria v South Australia' inscribed on the base. A table tennis player sits on top of the award, with the sole winner's name and score inscribed below it '1978 Victoria 61-20'.Wooden upright rectangle with two shoulders, curved mid-section topped by gold coloured person with table tennis batThe Arthur Nothling trophy Victoria v. South Australiaassociation for the blind, awards

Eulogy of Margaret Lydia Archer (1926-2021) mentioning her becoming the proprietor of a haberdashery shop in Blackburn in the mid sixties.non-fictionEulogy of Margaret Lydia Archer (1926-2021), mentioning her becoming the proprietor of a haberdashery shop in Blackburn in the mid sixties.archer margaret lydia, haberdashery, blackburn, mercy maternity hospital

The double bevel gauge is used as a drawing tool, to measure, set angles and transfer angles. The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings. You can see Laurie’s inscription on the tool called a ‘bevel’. Laurie worked for Ports and Harbours, Melbourne, for over 50 years, beginning in the early 1960s. He and a fellow shipwright inscribed their names on a wheelhouse they built in 1965; the inscription was discovered many decades later during a repair of the plumbing. Many decades later Laurie worked on the Yarra moving barges up and down the river and was fondly given the title ‘Riverboat Man’ His interest in maritime history led him to volunteer with the Maritime Trust of Australia’s project to restore and preserve the historic WWII 1942 Corvette, the minesweeper HMAS Castlemaine, which is a sister ship to the HMAS Warrnambool J202. Laurie Dilks donated two handmade displays of some of his tools in the late 1970s to early-1980s. The varnished timber boards displayed the tools below together with brass plaques. During the upgrade of the Great Circle Gallery Laurie’s tools were transferred to the new display you see there today. He also donated tools to Queenscliffe Maritime Museum and Clunes Museum.The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright at Ports and Harbours in Melbourne in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings.This double bevel gauge has three lengths of flat brass that swivel at the joints. The long piece has curved ends and indented arcs, one on each side, along the length. The short pieces have diagonal ends. The centre length has a hole through the middle. The short pieces have a screw with its head above the flat brass. The tool has an inscription. It once belonged to shipwright Laurie Dinks.Bevel marked "L DILKS" "G. M."flagstaff hill, warrnambool, great ocean road, shipwreck coast, maritime museum, maritime village, shipwright, carpenter, shipbuilding, ship repairs, hand tool, equipment, ship maintenance, cooper, tool, marine technology, bevel, drawing tool, measuring tool, laurie dilks, l dilks, port and harbours melbourne

A broad axe is used for the initial cutting and shaping of a log to prepare it for the piece to be made. The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings. You can see Laurie’s inscription on the tool called a ‘bevel’. Laurie worked for Ports and Harbours, Melbourne, for over 50 years, beginning in the early 1960s. He and a fellow shipwright inscribed their names on a wheelhouse they built in 1965; the inscription was discovered many decades later during a repair of the plumbing. Many decades later Laurie worked on the Yarra moving barges up and down the river and was fondly given the title ‘Riverboat Man’ His interest in maritime history led him to volunteer with the Maritime Trust of Australia’s project to restore and preserve the historic WWII 1942 Corvette, the minesweeper HMAS Castlemaine, which is a sister ship to the HMAS Warrnambool J202. Laurie Dilks donated two handmade displays of some of his tools in the late 1970s to early-1980s. The varnished timber boards displayed the tools below together with brass plaques. During the upgrade of the Great Circle Gallery Laurie’s tools were transferred to the new display you see there today. He also donated tools to Queenscliffe Maritime Museum and Clunes Museum.The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright at Ports and Harbours in Melbourne in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings.Broad axe; a wooden handle with a round metal wedge-shaped head, reinforced with a metal plate on at the back of the handle. There is a hole in the handle about halfway along its length. It once belonged to shipwright Laurie Dinks.flagstaff hill, maritime museum, maritime village, warrnambool, shipwreck coast, great ocean road, shipwright, carpenter, shipbuilding, ship repairs, hand tool, equipment, caulking, ship maintenance, cooper, shipwright’s tools, shipwrights’ tools, tools, maritime trade, broad axe, caulking iron, laurie dilks, l dilks, port and harbours melbourne