One end of the peg hammer’s head had a wedge-shaped tapered end, which was referred to as the peg poll and was used for hammering in pegs or bolts. The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings. You can see Laurie’s inscription on the tool called a ‘bevel’. Laurie worked for Ports and Harbours, Melbourne, for over 50 years, beginning in the early 1960s. He and a fellow shipwright inscribed their names on a wheelhouse they built in 1965; the inscription was discovered many decades later during a repair of the plumbing. Many decades later Laurie worked on the Yarra moving barges up and down the river and was fondly given the title ‘Riverboat Man’ His interest in maritime history led him to volunteer with the Maritime Trust of Australia’s project to restore and preserve the historic WWII 1942 Corvette, the minesweeper HMAS Castlemaine, which is a sister ship to the HMAS Warrnambool J202. Laurie Dilks donated two handmade displays of some of his tools in the late 1970s to early-1980s. The varnished timber boards displayed the tools below together with brass plaques. During the upgrade of the Great Circle Gallery Laurie’s tools were transferred to the new display you see there today. He also donated tools to Queenscliffe Maritime Museum and Clunes Museum.The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright at Ports and Harbours in Melbourne in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings.Pin hammer; Wooden handle and steel head, thick heavy rounded end on one side, tapered wedge shape end on the other side. It once belonged to shipwright Laurie Dinks.flagstaff hill, warrnambool, great ocean road, shipwreck coast, maritime museum, maritime village, shipwright, carpenter, shipbuilding, ship repairs, hand tool, equipment, ship maintenance, cooper, tool, marine technology, hammer, shipwright's hammer, pin hammer, laurie dilks, l dilks, port and harbours melbourne

Negative and Digital images of the Wal Jack Geelong Negative file of two trams including No. 27 at the intersection of Ryrie and Moorabool streets, with shoppers and cars. No. 27 has the destination of West. In the background is Donald Chemist. Note the set of bar traffic lights at this location. Photo mid to late 1940's. trams, tramways, geelong, ryrie st, moorabool st, traffic lights, tram 27

Negative and Digital images of the Wal Jack Geelong Negative file of Geelong 17 at West terminus in Pakington St. Note the shelter and phone box that appear in Reg Item 7829. On the left is the Telegraph Hotel building and in the background is a shop advertising Robur Tea. Photo mid to late 1940's. trams, tramways, geelong, west, pakington st, tram 17

Demonstrates a sales item produced by the museum.Metal lapel badge - image of Victorian Railways tram No. 50 - stamped metal badge with a clip on rear, nickel plated finish, with hand painted green, cream, grey and black paint infilling the detail. Possibly made Travis Jeffrey, not thought to be a BTM produced badge - mid 1900's.tramways, trams, badges, lapel badge, btm, victorian railways

Metal lapel badge - image of MMTB Z class No. 10 - stamped metal badge with a clip on rear, nickel plated finish, with hand painted orange, cream, light and dark brown paint infilling the detail. Possibly made for the TMSV, not thought to be a BTM produced badge - mid 1900's.tramways, trams, badges, lapel badge, btm, tmsv, z class trams

Demonstrates a sales item that the museum has produced over many years. Metal lapel badge - image of Ballarat tram No. 27, with a BTM "Tram rides" sign - stamped metal badge with a clip on rear, nickel plated finish, with hand painted green, yellow and white paint infilling the detail. Made by R. E. V Gomm the BTM, mid 2000's.tramways, trams, badges, lapel badge, btm

Black and white print of Geelong No. 40, in Moorabool St, just south of Malop St. with the destination of North. Appears the driver is board the tram. Has the Solomons building in the background and a small safety zone stop portable sign alongside the tram. Photo mid 1950's. Printed on AGFA paper.On rear in ink PMTT=MMTB E40 = Geelong 40 = Ball 43"trams, tramways, geelong, moorabool st, tram 40

Negative and Digital images of the Wal Jack Geelong Negative file of Geelong No. 24 rounding the double track curve from Glenleith Ave Geelong into Melbourne Road. On the corner is V. H. Rodgers Butchers building remains in 2020. The tram has the destination of North Photo mid 1940's. trams, tramways, geelong, melbourne road, glenleith ave, north, tram 24

Instruction or policy document - printed in green ink on yellow A4 paper titled "South Melbourne Depot Policy", advising of the dos and don'ts work practices, stemming from the Award, Depot Resolutions, Association Branch policy. Very detailed. mid 1980's, refers to a depot resolution of 1984.trams, tramways, south melbourne depot, unions, personnel

Postcard titled "Melbourne's City Circle Trams" with a photographic based image of a City Circle tram No 728 in Latrobe Street at the intersection with Swanston Street. On the rear lists the City Circle trams then in use, their class and construction date Possibly produced mid 2005, by Driver John Stewart of Southbank Depot.trams, tramways, city circle, latrobe st, lists, sw5 class, swanston st, tram 728

Mirranatwa Gap was originally known as Yarram Gap The name later given to the adjacent gap in the Mt William Range sometime in the mid 20th century. This is an early touring car, claimed to be the first , crossing Mirranatwa gapPhoto shows car on road with man standing beside it. Road unsealed Trees on left side of road have been felled. access routes, roads, yarram gap

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This photograph shows the previous owner's son, Ted Jenkins, who lived on the Island for a decade.Black and White photograph of Ted Jenkins in a wheelchair holding a rifle. A woman stands half out of frame.Catalogue number written on reverse in pencil. churchill island, farmland, ted jenkins

For public meeting of Elwood and South St Kilda Progress Association on land and housing reform. The full date is not given. The Association met on Tuesday nights in the Methodist School Room, Elwood in the early - mid 20th century.White paper, discoloured by age,, printed one side in blackelwood and south st kilda progress association, housing reform

The Royal Doulton company began as a partnership between John Doulton, Martha Jones, and John Watt was an English ceramic and home accessories manufacturer founded in 1815. Operating originally in Vauxhall, London, later moving to Lambeth, in 1882 it opened a factory in Burslem, Stoke-on-Trent, in the centre of English pottery. The business was specialised in making salt-glazed stoneware articles, including utilitarian or decorative bottles, jugs and jars, much of it intended for inns and pubs. The backbone of the business was a wide range of utilitarian wares, mostly stonewares, including storage jars, tankards and the like, and later extending to pipes for drains, lavatories and other bathroom ceramics. From 1853 to 1902 its wares were marked Doulton & Co., then from 1902, when a royal warrant was given, Royal Doulton. The company always made some more decorative items, initially still mostly stoneware, and from the 1860s the firm made considerable efforts to get a reputation for design, in which it was largely successful, as one of the first British makers of art pottery. Initially, this was done through artistic stoneware's made in Lambeth, but in 1882 the firm bought a Burslem factory, which was mainly intended for making bone China table wares and decorative items. An early utilitarian stoneware item made by a well-known company that specialised in making salt-glazed items that later earned a reputation for making stoneware art objects. This ink well is historically significant as it represents the method of hand written communication that was still common up until the mid-20th century, before fountain pens and ballpoint pens took over in popularity and convenience.Ceramic, salt-glazed, mid-brown ink bottle. It has a small round mouth, rounded lip that extends past neck, wide shoulders, straight sides, flat base. Handmade. The surface is matt. there are flecks of dark brown in the clay. The bottle has marks on the side.Noneflagstaff hill, warrnambool, shipwreck coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, shipwreck artefact, writing equipment, writing accessory, office equipment, stationery, domestic, stoneware, clay, ceramic, pottery, inkwell, penny ink well, nib pen, dip pen, ink, hand writing, record keeping, household, business, vintage, blotting paper, ink bottle, dwarf ink, salt glazed

Brown grained leather. Decorative stitching and punching over toe with some scuffing of colour. Fine machine stitching on body of shoe. Leather pull up strap on back of foot well. 2 button hooks at top each side of instep. 4 shoe lace eyelets down each side instep with 2 pairs of short brown cotton laces on each instep. Nailed leather sole and built up heel slightly scuffed. Grained leather inner soleSize 5 stamped on sole near toe. Stamped circle with "ALL LEATHER .IHM(in calligraphy font) on mid sole.

An e.21st century digital print on canvas, of an original l.19th century sepia photographic print. Image features a group of men, women and children, sitting on, around, or standing above a flight of steps, in front of a large mansion. Most of the participants are holding tennis racquets. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

An e.21st century digital print on canvas, of an original e.20th century black and white photographic print. Image features a game of Men's Doubles tennis being played on a lawn court, surrounded by spectators. This image possibly depicts a tournament being played at Devonshire, England. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

An e.21st century digital print on canvas, of an original e.20th century sepia photographic print. Image features an informal group portrait of men, women, and children. The teenaged boys wear blazers, and are holding tennis racquets, whilst the younger boys wear sailor suits. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

This kettle would have been used on top of a wood stove to boil water to make tea and other beverages and to use for other household purposes. It would have been a common household item in Australian homes from the beginning of European settlement up about the mid 20th century when wood stoves, although still in use in many country areas, were largely superseded by gas or electric stoves in most households. The kettle was made of durable material as it usually remained on the top of the stove for most of the day so that hot water was readily available. This kettle is retained as an example of an essential household item used in the past. It will be useful for display.This is a circular-shaped black iron kettle with a handle and a spout. The lid is circular. The kettle is rusting inside. vintage household items, history of warrnambool

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man dressed in a suit standing leaning against the entrance surround of an ornate stone door of a church. Above the door is the lower part of a four sectioned stained glass window. The man is Frank Wright and the place is St. Andrew's Parish Church in Plymouth.Written in pencil on the back - Frank Wright 32, outside St Andrew's Parish Church (13th Century), Plymouth 19-6-34frank wright, conductor, st andrew's parish church, plymouth, church door

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s.This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of the social history of early twentieth century Wodonga. Early 20th century rupee from British Ceylon (Sri Lanka), and interwar era livre from Greater Lebanon (Lebanon and Syria). The livre were issued during the French League of Nations mandate period. Collection of savings bank passbooks from the Savings Bank Wodonga. Text on letters, money and bank passbookshaeusler collection, wodonga, money, notes, bank notes, banking, currency, syria, lebanon, ceylon, sri lanka

Postcard - Black and White - Rose Series P14228, titled "Beautiful St Kilda Road, Melbourne Vic" - looking south with the Shrine of Remembrance in the background. Has a W2 northbound. Has a number of vehicles in the view - mid late 1950 Holdens. On the rear - has a divided back, and "A Real Photograph" " & Produced in Australia"On the rear has the stamp of Graeme S Breydon - see image i2.trams, tramways, melbourne, st kilda rd, shrine of remembrance

Faye recounts stories about growing up in the Partington home "Alwyn" in the mid 20th century. At this time agriculture played an important role in the Greensborough district and the land around Alwyn was used for poultry, vegetables and cut flowers.A primary source recollection of Greensborough in the mid-20th century.2 typed pages. partington family, greensborough, alwyn, alan partington, farming

Letter head used by the "Melbourne and Metropolitan Transit Band" with The Met logo on top of the sheet, mid 1980sDemonstrates the letterhead of the Transit Band during The Met era.Letterhead - A4 sheet printed on yellow paper.the met, transit band, bands, letterhead

The kerosene lamp is a type of lighting device that uses kerosene as a fuel. Kerosene lamps have a wick or mantle as light source, protected by a glass chimney or globe; lamps may be used on a table, or hand-held lanterns may used for portable lighting. There are three types of kerosene lamp: traditional flat wick, central draught (tubular round wick), and mantle lamp. The side screws adjust the length of the wick and hence the strength of the flame/light produced. Prior to the introduction of gas and electricity these lamps were used for lighting in all households after sunsetPioneers and early settlers relied on kerosene lamps for lighting their homes after sunset.A 19th Century kerosene chamber lamp, with clear, plain glass shade and reservoir, circular metal base and 1 side screw for adjusting the flameearly settlers, pioneers, market gardeners, moorabbin, brighton, bentleigh, ormond, cheltenham, candles, lights, lamps, kerosene, paraffin, oil

Steam tram No. 2 with carriage, showing sign Bendigo Tramways Co. Inscription on bottom front: Bendigo's steam tramway at the close of last century.person, individual, basil miller

Cannon ball, surface very pitted. Information with cannon ball states:' Circa 19th Century, discovered at Williamstown in Victoria during excavations 1960'military, army, cannon ball