Photograph taken by Alan Giles whilst on a joy flight over Linton. Shows oval, left top corner, Sussex St (Glenelg Highway) running from bottom RH corner.Colour photograph, aerial view of Linton township looking north."Linton township, Vic-1st September 1991".linton township

This is the program for the exhibitions and activities conducted by the Art Gallery of Ballarat in the winter of 2015. It includes the exhibition of the works of James Meek, of particular interest to Warrnambool as Meek was resident there for a number of years in the 19th century. The Ballarat Art Gallery is the largest and oldest regional art gallery in Australia, being established in 1884. The booklet is of interest as it shows the depth and variety of exhibitions and activities held at a regional art gallery. It includes the exhibition of the works of James Meek, a 19th resident of Warrnambool where he was well-known as a fishing company operator, a punt operator, a fisherman, a writer and lecturer and a gold prospector in the Otway Ranges. His calligraphy works are of great interest, both artistically and historically and one of his works belonging to the Warrnambool and District Historical Society was loaned to Ballarat for this exhibition. This is a booklet of 32 pages containing the program of the Art Gallery of Ballarat for Winter 2015. It contains logos of sponsors, a floor plan of the gallery, black and white and colour photographs and sketches and printed material on each exhibition. The cover has a reproduction of an image from Norma Redpath’s ‘Flight From Jerusalem’ art work. Front Cover: ‘Art Gallery of Ballarat, Winter 2015’art gallery of ballarat

Coloured print in a red timber, white background with a brass presentation strip at the bottom of the frame Inscription reads - RAAF Transport Flight Vietnam. 36 Squadron 1964-1972. Two flags - South Vietnam and the Vietnam Campagn. RAAF insignia above Caribou. First Squadron In - Last Out. Wallaby Airlines.Presented to Vietnam Vetrans Museum. on back - Affordable Trophies Michelton Phone 3354 1730caribou, wallaby airlines, 35 squadron

A black and white photograph of Commanding Officer Lt Col Butler of 6 RAR/NZ (ANZAC)on the Nui May Tao Mountain during Operation Marsden, 6RAR/NZ (ANZAC) dashes from a 161 (Independent) Recce Flight helicopter to be met by his Intelligence Office on the Nui May Tao Mountainphotograph, lt col butler, 6 rar/nz, 161 reconnaissance flight, operation marsden, nui may tao mountain, gibbons collection catalogue

A black and white photograph of the Squadron Sergeant Major, WO2 Brian Quee, and 2Lt Mike Meehan of 161 (Indep) Recce Flight with a Vietname Interpreter and his son wait, for the all clear from 5 RAR, to enter Xuyen Moc, to commence a civil affairs Medcap and food distribution in the relieved village.photograph, 2lt mike meehan, 161 reconnaissance flight, 5 rar, xuyen moc, gibbons collection catalogue, wo2 brian quee

A black and white photograph of 2Lt Mike Meehan of 161 (Indep) Recce Flight carrying out civil affairs duties at Xuyen Moc, after its releif from the VietCong, by the 5th Battalion, Royal Australian Regiment, attempts to entice a little Vietnamese girl to have a can of chilled chocolate milk.photograph, 161 reconnaissance flight, 2lt mike meehan, xuyen moc, vc, 5 rar, gibbons collection catalogue, vietnamese children, viet cong

A black and white photograph of Winston James DSC (Distinguished Service Cross), squatting in front of his car with "FLY NAVY" number plate Pilot, HMAS Melbourne, HMAS Sydney - 1965 and 1967, Dong Tam, September 1970 - June 1971. Service Number 01901, RAN Helicopter Flight Vietnambehind the wire, photograph, winston james dsc, ran, dong tam

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of 1st Australina Task Force Commander Brigadier Ron Hughes standing beside the Commanding Officer Captain Ken Rubin 'Pappy Rabbit' Playboy 16, 1st Platoon 334th Armed Helicopter, prior to going on a flight in the Huey 'Cobra' gunship (Oct 1967 - Oct 1968).photograph, brig ron hughes, 1st platoon, 334th armed helicopter coy, playboy platoon, huey 'cobra' helicopter, gibbons collection catalogue, denis gibbons, photographer, vietnam war, 1st australian task force, captain ken rubin, pappy rabbit, huey cobra

Ruth was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. the artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Ruth is in a seated position with a loosely draped dress.Ruthruth

Modesty was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Modesty standing with right arm folded over chest, robed and with veil over face.Modestymodesty

Susannah designed and carved by Charles Francis Summers and accompanies four statues in the Statuary Pavilion in the Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.The artwork is of historic and aesthetic significance to the people of Ballarat White marble statue, female seated with cloth draped over lower body.Susannahsusannah, summers

Ian Lyons being presented with a Bronze Star Medal by Colonel Sullivan. Part of Flight Lieutenant Ian A. 'Joe' Lyons MBE Collection. See Catalogue No. 5374P for details of his service record.Black and white photograph of an Army officer presenting a RAAF officer with a medal. Photograph is mounted on dark green coloured cardboard.Handwritten in pencil on the back: 'IAN ALFRED LYONS BEING PRESENTED WITH BRONZE STAR MEDAL BY COL. SULLIVAN'.bronze star medal, raaf, ian a. 'joe' lyons

This hat belongs is part of the uniform of the 1954-1968 era. It was donated along with other items by Shirley Boles who was a flight hostess between 1956-1974. Shirley became Sister Shirley Boles.This item is part of many item belonging to a former staff member.Khaki hostess brimmed hat by Nivek Headwear. Black inside lining. Grosgrain sweatband. Hat size tag 21 inches. Label with donator's name: Shirley Boles.Shirley Boles/21 inches.uniform, hat, khaki, hostess, stewardess, flight attendants, nivek headwear

A book of poems written by Tarlton Rayment at end of WW2.94 Page book of Poems and Drawings. Black writing on cover and faded picture of an eagle in flight. Book faded cream colour with front and back having a red outline. Inside the front cover a message of appreciation and then 7 pages of subscribers. Contents include a detailed prelude and then a series of poems, some with accompanying illustrations.Titled "Eagles and Earthlings - a metrical tribute to Aircrews in War". Tarlton Rayment (Author).poems, aircrews, book

Refers to the service of LAC Lance & Percy Coates.This is a booklet with a light cardboard cover, fastened with 2 staples. On the front is an underside view of a spitfire in flight. (Probably an MK1). It has RAF roundels. The phrase "Whose plane is that?" is printed in red ink. The phrase "Aircraft Identification" is in white ink. Inside are 53 pages of Aircraft photos, data and charts of the various warring nations. The front cover has a rubber stamp of McGills Agency, Melbourne.ww2, aircraft

Emerald Football Club in actionB/W photograph of five footballers around a ball in flight, possibly just after a ruck, as one has upraised fist. He is being high-tackled from behind. Two others, on left, in readiness to catch the ball. Another standing back, in foreground, watching. Several other footballers in the distant background.Rear (handwritten): Emerald Football Club Darien(?) Lunt going for the ball Mul Moss (back right) No 11 Anthony Clark " 14 Danny Thomasemerald football club

A black and white photograph of 2Lt Tom 'Rockets' Guivarra Mid, a fixed wing pilot with 161 (Indep) Recce Flt receives a mission brief from Bombadier Allan 'Bomber' Harris DFC, in the 161 (indep) Recce Flight prior to a mission in Phuoc Tuy Province, South Vietnam (circa Apr 1967)photograph, 2lt tom "rockets" guivarra, bombadier allan "bomber" harris, 161 recon flt, gibbons collection catalogue, phuoc tuy province

A black and white photograph of 2Lt Tom 'Rockets' Guivarra MID, a fixed wing pilot with 161 (Indep) Recce Flight at the controls of his Cessna fixed wing aircraf,t as he carries out yet another mission over the jungle of Phuoc Tuy Province searching for signs of NVA/VietCong operations.photograph, 2lt tom "rockets" guivarra, 161 recon flt, cessna, phuoc tuy province, nva/vc, gibbons collection catalogue

One sheet of paper containing a compilation of photographs of the Bendigo Deutscher Verein 1903, the Masquerade Ball given by the German Turn Verein 1881, the Flights City Band 1903, a programme from the German Mask Ball 1901 and the transcript of a newspaper article from the Bendigo Advertiser 7/8/1901 describing the ball. bendigo deutscher verein, flights city band bendigo, emu creek bush band

A Wilson, Mary Hardwick Flight tennis racquet. Base of head features Wilson logo. Throat features decal of stylised gold crown. Lower shaft and plastic butt cap features 'W' trademark. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, Paint, Plastic, Plastictennis

About the author: Born in Melbourne, David Crotty has worked in museums since 1984. He has a long-standing interest in aviation history and has worked as a curator with the Australian War Memorial and the RAAF Museum. He is currently (2010) a curator in the History and Technology Department of Museum Victoria. Story of John Robertson Duigan and his flying creer, from his early years as a Melbourne school boy to his heroic activities as a pilot on the Western Front in World War One. He was the first Australian to fly a powered Australian-made aeroplane in Australia.Front cover: Top - Duigan's aeroplane in flight, Spring Plains Station, Mia Mia, Victoria, in 1911. Below - John Duigan at the controls of his aircraft at Spring Plains Station, Mia Mia, Victoria, in 1911.

W. C. ATKINSON RAAF No. 147081.1. Book - Heavy khaki coloured cardboard covers with black tape on left side and tied together with black shoe laces. 235 pages of cream paper. 2. Book - Grey, black, green, cream print on light cardboard cover. 64 pages, cream paper.1. RAAF 21324 FITTERS 11.A, Carpenter Riggers, Flight Riggers, Course Notes, Engineering School. Issue 4, 1942. 2. German Monoplanes, Aircraft Identification. Part Two 2nd Ed. 2/-.books, raaf, aircraft identification, course notes fitters

Olive drab tin containing rations for two aircrewDepartment of Defence Packed by MacROBERTSONS SPECIAL FLYING RATION To be consumed by Air Crew carrying out flights of 4 hours' duration or longer Sufficient for 2 men KEEP PACK INTACT RAAF A Gadsden Containera19

Limited edition 20th Century commemorative badge in the shape of the first RSL 1919 badge. Part of the Flight Lieutenant Ian A. 'Joe' Lyons MBE Collection. See Catalogue No. 5374P for his service record.Gold plated metal resin coated badge in the shape of the first RSL Badge. Pin and fastener on the back.On the front: 'Returned Sailors Soldiers Imperial League Australia 1919'. On the back: 'MADE IN AUSTRALIA'.ww1, rsl badge, ian a. 'joe' lyons