Sampler worked by Beverly Anne in 1988'Contentment is not the fulfilment of what you want but the realization of how much you already have. 1988handcrafts, embroidery

One of a series of photographs, taken by Edgar James Dower in the second decade of the twentieth century. Born and raised in Olinda, his family later moved to Surrey Hills. He worked as an adult as a clerk in the city office of the Metropolitan Gas Company, and in his role as a 'collector', he was able to photograph scenes including the construction of tramlines, railways and associated buildings in Kew, Hawthorn, Camberwell and Surrey Hills. Later he established a real estate agency with his brother - the E.J. Dower Real Estate Agency, Dandenong Office.The image is an historically significant record of the development of transport infrastructure which was used to connect Victorians in the first two decades of the twentieth century. This development resulted from increases in population and the consequent extension of Melbourne's suburbs. The photographs, both individually and collectively, richly detail the labour of workers and the tools and machinery used to create and extend Melbourne's public transport network in the years preceding and during World War 1.Digital copy of an original mounted photograph depicting workers regrading the Camberwell Railway line following the demolition of the original Camberwell Railway Station. The photographer noted the presence of a wheeled 'steam shovel' at left Verso: "1915 / Regrading Camberwell railway line taken just east of Camberwell Station / Note steam shovel at work / Taken by E.J.D."theme -- connecting victorians by transport and communications, theme - camberwell railway station, theme - travelling by train

This pair of hand crocheted white cotton gloves is an example of the style worn by women in the Shire of Moorabbin c1930 Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and these fine lace gloves were hand knitted and used by her family. 1 pair of lady's white cotton hand crafted fine lace gloves .

Alnis Ansons (1928-2015) was introduced to architect Kevin Knight in the lead-up to the opening of the Brighton Municipal Offices in 1961. The architect, on seeing some relief work in the artist’s home, asked Ansons if he would attempt an ambitious 70 square metre work within the council building which would wrap around the lift shaft of the three storey building. The tight deadlines and budgetary constraints imposed on the project impacted on the artist’s process but, in adapting to these limitations, Ansons developed a bold and original technique for producing commercial ceramic works. The mural, which symbolises the people of Brighton at work, worship and play, is constructed from hundreds of individual ceramic casts that have been treated with an engobe, similar to an underglaze, to produce a myriad of colours. The pieces were then fired only once, and grouted with copper grouting from top to bottom, creating a three-dimensional effect on the central column in the council chambers. Ansons was assisted during the installation by his future wife, Ralda, who was tasked with holding the pieces in position as they dried, to prevent them from sliding or shifting.Alnis Ansons, Brighton Council Chambers Mural 1961, ceramic. 750 x 595 cm. Bayside City Council Art and Heritage Collection. Commissioned c. 1960Circular ceramic relief mural around lift well in Brighton Council Chambers. The work begins on the ground floor of the Brighton Library, through to the mezzanine level up to the Chambers. mural, public art, alnis ansons, brighton council chambers, brighton library, ceramic, kevin knight, bayside chambers, bayside city council

This book provides a basic guide to best practice in every aspect of museum work from organisation, through collections management and conservation to marketing and security. The book is designed as a basis for training courses.This book provides a basic guide to best practice in every aspect of museum work from organisation, through collections management and conservation to marketing and security. The book is designed as a basis for training courses.Front Page : Susan Barnettmuseums, management, archives, educations and research establishments

6 coloured photos of the Rhyll Craft and Flower Display showing displays of plants, flower arrangements, crochet rugs, food and local peopleRhyll Craft and Flower Display Nov 1st 1986rhyll hall, craft, betty liddle, rhyll - local identities

Edith Alice Watson attended the Ballarat Technical Art School. Her mother was Edith Emma Watson (Nee Yung) was her mother, and Clara Emma Yung (nee Smith) was her grandmother.Seven hand crocheted doilies either by Clara Emma Yüng nee Smith or her daughter Edith Emma Watson nee Yüng.doily, doiley, crochet, edith alice watson, alice watson, embroidery, edith emma watson, edith emma yung, clara emma yung, clara emma smith

Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these familiesThe skill and craftsmanship shown in these infant's bibs, bonnet and bootees is an example of the clothing made by the pioneer settlers and market gardeners in Moorabbin Shire Baby's bibs, bootees and bonnet (i) booties crocheted silk (ii) 2 x embroidered bibs (iii) bonnet & bootees wool clothing, craftwork, knitting, crochetwork, moorabbin, cheltenham, early settlers, pioneers, market gardeners

BLACK AND WHITE ORIGINAL UNFRAMED THOTOGRAPH OF THREE LADIES, TWO WEARING LIGHT CLOTHING AND ONE IN DARK FROCK WITH A WHITE CROCHET JABOT.local history, photography, photographs, unidentified photograph

Donated by Margaret ScarlettWhite cotton pillow slip. 'Baby' embroidered in white on left hand corner with green flowers on stem. Spoke stitched and crocheted on edges.toys, dolls' accessories

Child's white cotton half petticoat. Wide waist band with 3 buttonholes. 5 layers of pin tucking and crochet lace at hem.costume, children's underwear

White cotton Nightdress with short sleeves. White crochet lace in six rows forming pattern at neck. Lace inset in sleeves and on edging.costume, female nightwear

White patterned damask apron with bib and pocket trimmed in hand made crochet . Buttoned at back with loop for extension. Bib has no straps.costume, female working

The Fashion & Textiles collections of Kew Historical Society include a number of art or household textiles manufactured or created in the United Kingdom as well as in Australia. As other cultures opened to Australian travellers in the 20th century, members began collecting and donating textiles produced in a number of other countries.White circular embroidered doily with crocheted lace edging. Three violet pansies with white leaves. Possible Semco kit. Punctured holes. household textiles, doilys

Small square cotton embroidered doily with brown, green, blue, pink, white and navy cross stitch pattern. Crocheted scalloped edging.doilies

Georg Chodziesner made this chanukiah in Hay Camp in 1940. It was made to celebrate the Jewish festival of Chanukah. Georg was born in 1900 in Berlin to a prominent Jewish advocate Justizrat, Ludwig and wife Elise. Fearing arrest at the outbreak of war, Georg fled Germany to the United Kingdom. His wife, Dorothea, and son, Wolfgang Benno, emigrated to Chile. Like many German Jewish men, Georg found himself on board the HMT Dunera, bound for interment at Tatura. On release, Georg joined the Australian Army 8th Employment Company in which he served for the remainder of the war. Georg sought permission for his son to join him in Australia, and the pair were reunited in Melbourne in May 1945. Dorothea had passed away from illness in 1943. After settling in Australia, Georg worked as a Patent Attorney and remained working at the same firm until his death in 1981.This Chanukiah was cut from a kerosene tin using nail scissors and mounted on a wood block base. Medium: Wood, tin and ink The Chanukiah is embossed with a Magen David, the Star of David, and the wooden base has a poker work inscription: "Hay 5701 / 1940".dunera, wwii, internment, jewish history & people

The Bellevue Convention Centre and Maranui Restaurant was opened 15 April 1993. Work commenced on the 3 August 1992Black and white photograph of two workmen from H N Olvers, Builders, commencing work, on the second stage of the Bellevue complex on the site of the Maranui Motel. The Uniting Church is seen in the background of the image. Lakes Entrance, Victoriabuildings, building industry, construction

Bugle, copper with pale old coloured mouthpiece & braided green lanyard, tied around tubing.Stamped on flare with decorative line work above & below: “London Made”musical instruments - wind, metalcraft - copperware, military history - army, bugle

This is a draft of the initial letter to the Victorian Minister of Education from the School Councils of Watsonia Tech and Watsonia High Schools to form a ‘new’ council for the proposed Greensborough Secondary College, formed as a result of the merger of the two Watsonia schools. The letter outlines the proposed duties of the new council.Greensborough Secondary College was formed following the merger of Watsonia High and Watsonia Technical School. This letter is significant as an example of community involvement in the schools10 pages, typed. Written on front page in pen “LIBRARY (Work room) Draft#2”watsonia high school, watsonia technical school, greensborough secondary college

39 Main Street: Mr Tom Healy did boot & shoe repairs from shop at front of house.Colour Photgraph. Brick home with brick fence. Small brick building opening onto footpathOn reverse: Shop where Tom Healy worked in Lower Main Streetbusiness, tom healy

General display potentialBritish pattern 1897 Infantry officers sword, chromeplated and leather scabbard with steel endOn blade scroll work with Crown and Coat of Arms. Handguard Scroll with " GR "military, weapon, infantry, officer

Colour print of Peter Perry heat gunning the paint from the side panels of No. 40 in the depot on 27/9/2004. Photo taken by Austin Brehaut, on Kodak Royal Paper with a label giving details on the rear.On a label fixed to the top of the photograph. "Peter Perry at work on no. 40 27.9.04."depot, btm, tramcar preservation, tram 40