A collection of birds and beasts at home fiction stories for young children. Clem Thiele presumably owned the book indicated by the stamps inside with his name.Children's hardcover collection of Birds and Beasts at Home stories by W. Gilhespy. The cover has a coloured picture of a squirrel sitting on a branch of a tree and a mother bird feeding her babies in a nest. The title is printed in blue. The spine has the title and an illustration of a dovecote, along with the publisher Nelson written below. A coloured plate is at the front and throughout there are black and white illustrations. A child has stamped birds and other pictures here and there.Clem Thiele Doncaster is stamped four times on the endpaper at the front with stamps of a gentleman and his dog too.children's fiction, animal stories, bird stories

Published by Phonetic Depot. F. Pitman. Used in 1877. Belonged to H.T. Sebire (19/3/77)Green covered paperback book. By Sir Isaac Pitman. Has decorative border. Price Sixpence.pitman's shorthand

Red-brown marbelled cover with brown leather spine and corners, worn at extremities, gilt writing on spine. Discolouration and foxing. Loose & torn illustration page between pp 202-3. Illus. 416 pp. Fair condition.Front flyleaf, '126' red ink & underlined/Kilmore Mechanics Institute stamp. Title page, 'John D. [undecipherable]/4th April 1872' Crossed out.cassell's, british magazine, kilmore mechanics institute library.

Cardboard cover, paper pagesPrinted information and pictures.

ill, maps, p.15.non-fictionA brief history of the railways around Geraldton in Western Australiarailroad construction - western australia - history, railroad operations - western australia - history

index, ill, p.202.non-fictionDetails and history of railway lamps and station lighting on the Victorian Railways.railroad infrastructure - victoria, railway lamps and lighting - victoria - history

John Deason born 1829 on island of Tresco in the Scilly Isles. 1841 worked in Cornish tin mine. 1851 married Meg Davis, along with Richard Oates travelled to Bendigo Goldfields. By 1858 Meg and the four children were dead. John married Catherine McAndrew 28 October 1858. Left the Bendigo Goldfields for Bulldog Gully Moliagul. Discovered the Welcome Stranger nugget 5 February 1869. Newspaper article from The Bendigo Monthly October 2020 Page 25, Includes copies of photographs and other newspaper articles within the story. Story of John Deason, and the discovery of the Welcome Stranger Gold Nugget.

Joseph Harrison, born York UK 1810, convict sentenced seven years hard labour Van Diaeman's Land - Tasmania. Ticket of Leave August 1837. Arrived Williams Town (Port Phillip). 1840 worked as waterman. Married Margaret Barrett, relocated to Kilmore. Travelled to Bendigo Creek January 1853. By July 1853 had threatened to kill wife and eldest son William. Charged with attempted murder. He died 29 September 1854. Newspaper article from The Bendigo Monthly September 2020 Page 12, Includes copies of photographs and other newspaper articles within the story. Story of Joseph Harrison, convict on goldfields. Other place names and persons mentioned in article - Williams Town (Port Phillip), Kilmore, Bendigo Creek Sandhurst), Back Creek; William Harrison, Margaret Barrett, Matthew Welsh, Peter Parram, Anne Hayes, Sergeant James Simmonds, Police Magistrate Lachlan McLachlan, Ellen Robinson (nee Langam), Tasmasine Harrison, John Duggan (Corky Jack).

Anne Scott Wilson is a video and photography artist interested in memory, motion and the body. Her work often experiments with movement and light exposure over time. The images in Fly Rhythm series record landscapes from the Dandenong Ranges to Altona and were produced for an exhibition at the Wyndham Art Gallery called EXPERIMENT in 2012.australian art, photography, australian photography, female artist, landscape

Anne Scott Wilson is a video and photography artist interested in memory, motion and the body. Her work often experiments with movement and light exposure over time. The images in Fly Rhythm series record landscapes from the Dandenong Ranges to Altona and were produced for an exhibition at the Wyndham Art Gallery called EXPERIMENT in 2012.australian art, australian photography, female artist, photography, landscape

Anne Scott Wilson is a video and photography artist interested in memory, motion and the body. Her work often experiments with movement and light exposure over time. The images in Fly Rhythm series record landscapes from the Dandenong Ranges to Altona and were produced for an exhibition at the Wyndham Art Gallery called EXPERIMENT in 2012.australian art, australian photography, photography, female artist, landscape

Anne Scott Wilson is a video and photography artist interested in memory, motion and the body. Her work often experiments with movement and light exposure over time. The images in Fly Rhythm series record landscapes from the Dandenong Ranges to Altona and were produced for an exhibition at the Wyndham Art Gallery called EXPERIMENT in 2012.australian art, australian photography, photography, female artist, landscape

Penelope Davis was born and lives in Melbourne. Davis is primarily known as a post-photographic artist creating photographs without a camera. Using complicated sculptural techniques, Davis makes silicone moulds then resin casts of the now absent objects. Finally light is passed through the casts to expose photographic paper that is developed and printed. The result is an indexical trace of an object many steps removed from its origin. In doing so, the works record not only an image but a process - a chain of transformations and inversions - akin to the processes of photography itself but one that recasts photography in a new light. More recently Davis has been creating jellyfish forms from a collage of components in a similar way. Taking the detritus of contemporary technologies and combining these with organic source material such as leaves and seaweed, Davis makes casts in silicone, then uses these casts themselves as forms. The artist hand sews these ‘skins’ together to create delicate hybrid forms that resemble jellyfish. These works reflect on, and embody, a painstaking attempt to recuperate an appreciation for the natural world, our symbiotic relationship with it, and the necessity of our shared future. 9 x suspended silicone jellyfish sculpturesaustralian art, sculpture, female artist, climate art

86 tram

86 tram

These stamps were issued by Australia Post in 1984 to commemorate the sport of skiing in Australia. This was the year of the Winter Olympics held in Sarajevo. The 1984 Australian Winter Olympics team at Sarajevo consisted of 10 athletes. They were;- Steven Lee competing in the Downhill and Giant Slalom Alistair Guss in the Downhill Marilla Guss in the Downhill and Giant Slalom Andrew Paul in the Biathlon over both 10 kilometres and 20 kilometres David Hislop in the 15, 30 and 50 kilometres X-Country events Chris Allen in the 15, 30 and 50 kilometres X-Country event Cameron Medhurst in Figure Skating Vicki Holland in Figure Skating Mike Richmond in the 500 metres, 1,000 metres and 1,500 metres speed skating Colin Coates in the 1,500 metres, 5,000 metres and 10,000 metres speed skating Colin Coates was the flag bearer at the Opening Ceremony in recognition of the Sarajevo Winter Olympics being his 5th Winter Olympics team. He went on to compete in his final Olympic Team at Calgary, Canada in 1988. These stamps are significant because they recognise the sport of snow skiing as an important and developing Australian national sport.A set of four coloured stamps featuring different styles of competition skiing. The stamps have been mounted in a white frame. australian postage stamps, skiing in australia stamp series

Jokulsarlon is a glacial lagoon on the south coast of Iceland. It is formed by ice breaking off the Breidamerkurjokull in the Vatnajokull National Park. The ice floats out to sea through a narrow channel and is often washed back onto the black lava sand beach by tides and storms. This area is frequently battered by wind and heavy rain and received a lot of ash and dust from the 2010 eruption. The images in this exhibition were taken over several visits: never in good weather. They are my interpretation of the wild beauty in this ever-changing landscape of rock and ice. australian photography, iceland, landscape

Jokulsarlon is a glacial lagoon on the south coast of Iceland. It is formed by ice breaking off the Breidamerkurjokull in the Vatnajokull National Park. The ice floats out to sea through a narrow channel and is often washed back onto the black lava sand beach by tides and storms. This area is frequently battered by wind and heavy rain and received a lot of ash and dust from the 2010 eruption. The images in this exhibition were taken over several visits: never in good weather. They are my interpretation of the wild beauty in this ever-changing landscape of rock and ice.

Jokulsarlon is a glacial lagoon on the south coast of Iceland. It is formed by ice breaking off the Breidamerkurjokull in the Vatnajokull National Park. The ice floats out to sea through a narrow channel and is often washed back onto the black lava sand beach by tides and storms. This area is frequently battered by wind and heavy rain and received a lot of ash and dust from the 2010 eruption. The images in this exhibition were taken over several visits: never in good weather. They are my interpretation of the wild beauty in this ever-changing landscape of rock and ice. australian photography, iceland, landscape

Jokulsarlon is a glacial lagoon on the south coast of Iceland. It is formed by ice breaking off the Breidamerkurjokull in the Vatnajokull National Park. The ice floats out to sea through a narrow channel and is often washed back onto the black lava sand beach by tides and storms. This area is frequently battered by wind and heavy rain and received a lot of ash and dust from the 2010 eruption. The images in this exhibition were taken over several visits: never in good weather. They are my interpretation of the wild beauty in this ever-changing landscape of rock and ice. australian photography, iceland, landscape

Jokulsarlon is a glacial lagoon on the south coast of Iceland. It is formed by ice breaking off the Breidamerkurjokull in the Vatnajokull National Park. The ice floats out to sea through a narrow channel and is often washed back onto the black lava sand beach by tides and storms. This area is frequently battered by wind and heavy rain and received a lot of ash and dust from the 2010 eruption. The images in this exhibition were taken over several visits: never in good weather. They are my interpretation of the wild beauty in this ever-changing landscape of rock and ice. australian photography, iceland, landscape

Jokulsarlon is a glacial lagoon on the south coast of Iceland. It is formed by ice breaking off the Breidamerkurjokull in the Vatnajokull National Park. The ice floats out to sea through a narrow channel and is often washed back onto the black lava sand beach by tides and storms. This area is frequently battered by wind and heavy rain and received a lot of ash and dust from the 2010 eruption. The images in this exhibition were taken over several visits: never in good weather. They are my interpretation of the wild beauty in this ever-changing landscape of rock and ice. australian photography, iceland, landscape

Jokulsarlon is a glacial lagoon on the south coast of Iceland. It is formed by ice breaking off the Breidamerkurjokull in the Vatnajokull National Park. The ice floats out to sea through a narrow channel and is often washed back onto the black lava sand beach by tides and storms. This area is frequently battered by wind and heavy rain and received a lot of ash and dust from the 2010 eruption. The images in this exhibition were taken over several visits: never in good weather. They are my interpretation of the wild beauty in this ever-changing landscape of rock and ice. australian photography, iceland, landscape

Jokulsarlon is a glacial lagoon on the south coast of Iceland. It is formed by ice breaking off the Breidamerkurjokull in the Vatnajokull National Park. The ice floats out to sea through a narrow channel and is often washed back onto the black lava sand beach by tides and storms. This area is frequently battered by wind and heavy rain and received a lot of ash and dust from the 2010 eruption. The images in this exhibition were taken over several visits: never in good weather. They are my interpretation of the wild beauty in this ever-changing landscape of rock and ice. australian photography, iceland, landscape