No 40 the very last tram entering the depot building. After the tram entered the building, the doors closed and a sign saying "The End" was shown. Greg Triplett Taken on the last day of operation of the SEC Ballarat tramway system - 19-9-1971. Yields information about the last day of operation of the Ballarat SEC tramways.Digital image - 120 negative tramways, tramcars, ballarat, last day, closure, tram 40, last tram, ballarat depot

Newspaper cutting, undated, from Bendigo Advertiser (?) with a photo of a bogie car on the Eaglehawk route at Charing Cross, with the Alexandra Fountain in the foreground. Caption refers to the State Cabinet decision the previous day to close the Bendigo system, which would date the item as 19/7/1968. Item has been glued onto a sheet of foolscap paper - white.trams, tramways, bendigo, closure, charing cross

Newspaper clipping from The Age, 19/2/2016, written by Clay Lucas, titled "Call for $190m tram bridge at Docklands", about a report by Port Phillip Council, recommending a lifting bridge over the Yarra. Refers to a AECOMM report, increase in land values. The line would serve the Fisherman's bend area. Quotes the Councillor Mayor, Cr Vosstrams, tramways, bridges, docklands, fishermen's bend

Real estate advertisement for 2/3 Ridge Road Greensborough, a 3 bedroom townhouse. This house was sold on 14/12/2018 for $850,000. Previous sales: January 2017 for $800,000. 3 Ridge Road (vacant land) was sold 19/05/2012 for $390,000.Real estate advertisement black text and colour photographridge road greensborough

No 40 ready to depart Lydiard St Nth destination Sebastopol. This was last tram ex Lydiard St Nth to Sebastopol. Has conductor Lou Walker talking to the driver. Taken on the last day of operation of the SEC Ballarat tramway system - 19-9-1971. Yields information about the last day of operation of the Ballarat SEC tramways.Digital image - 120 negative tramways, tramcars, ballarat, last day, closure, tram 40, lydiard st north

Sepia Photograph. Man with white whiskers, in Masonic regalia of the Janitor in the Chapter degree, holding a Sword upright in his right hand, gloves in his left hand standing beside an ornate chair (part).Photograph is labelled by an embossed photgraphers name across the bottom. " Richards & Co 19 STURT STREET BALLARAT." Plus an ensignia (coat of alms) placed between the 'Co and the 19" janitor, freemasons, ballarat, circa 1900

Under the doona investigates the creative potential of observing the domestic environment and connecting with the local landscape within the restrictions of COVID-19 in 2020. The global pandemic is explored from a personal domestic and local position on Wurundjeri Country in Nillumbik in my 5km radius.Universally recognisable as a symbol of hygiene, the Chux cloth was discovered discarded and coated in Nillumbik’s infamous clay on my daily walk. Local Indigofera Australis was used to extract ‘Chux blue’ to botanically dye hand spun silk and Polwarth yarn. Not a scratchy synthetic Chux, my handwoven natural fibre soft cloth positions soothing touch as an all-important sense within the physical constraints of social distancing. My masked daughter holds her pet rooster. My son learns new card tricks using crackers. Family and local surrounds provide close and reassuring comfort. The project values intimacy, touch and local connectedness. On a global scale.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it

My paintings reflect upon the peculiar state of our existence in the pandemic ravaged world: a microscopic and invisible virus has wreaked havoc and revealed the fragility of the human race regardless of our technological and economic advancements. Overwhelmed by the hostile environment, our once arrogant bodies are depersonalized, suspended, fragmented, perplexed and isolated. Mixed with different races, colours and genders, the new bodily world is an imaginative vision of the post pandemic psyche. The lines and shapes delineate an space with new boundaries and depth, full of aching, longing, order less and distorted bodies forming an assemblage endlessly floating on the blue surface, gasping for air, emerging and submerging, shrinking and extending. COVID-19 is a wakeup call for us to rethink our relationship with technology and environment in order to create new control, purpose and identities, which we need to help future generations to survive. Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it

Isolation is something I am all too familiar with.In the middle of the last decade, for a period of three years, isolation became my way of living, as due to my health, I physically couldn’t leave the house, or even my bed very often. I would be so desperate to get out of the house at times that it was if I was a prisoner trying to escape the confines of Alcatraz. The isolation experience during the COVID-19 pandemic has brought back many emotions and memories of that time, some of which I would rather not remember.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it.

‘Relax, We’re Doing Great’ explores the mixed messages and lottery of language we have been exposed to during COVID19. Sourced from local and global leaders, warning signs and public messages, the text ranges from instructional to in-denial; to even epidemiologically dangerous rhetoric.These works connect into the hand-made, digital and 24/7 news cycles - key coping mechanisms for fears and uncertainty - of this pandemic period. The power and importance of language is highlighted when experienced en masse. The repetition of the layout of these works also allows for the creation of GIFs – mimicking the flickering of LED signage.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it.

Leaving Isolation is play on words; a pun. It is a joke shared with new imaginary friends found while living alone, in isolation. Processing emotions, sanitising theories, engaging in shadow play; these works show individual native leaves that resemble expressive faces collected on permitted daily walks. 30 small, 15 x 21 cm still life studies in ink and watercolour are hung to reference a calendar month during COVID-19. The work considers the nature of ecology in the anthropocene while confronting emergent psychological myth-scapes during Lockdown.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it.

Score for Multi-Species Partnerships is a participatory performance and moving image assemblage. The score offers a guided framework to become reacquainted with the everyday, queering notions of community and care through meditative movement practice. Inter-species collaborators partake in a series of propositions which facilitate a ‘becoming-with’, deepening their sense of place and comfort with one another and their environment.Seeking alternative forms of connection during isolation, this global project uses embodied praxis and visualisation to bring together artists and non-artists, humans and non-humans, to consider how we co-exist and affect one another through material and energetic transference. Initiated in April 2020 following the COVID-19 outbreak, participants chose whether to practise anonymously or document their experience and contribute to the visual archive. The private becomes public as intimate encounters in domestic settings are shared, speaking to cultures of performativity and voyeurism in the digital age. Artist/Director: Luigi Vescio. Performers: Adina Kraus, Anna McDermott, Claudia Lomoschitz, Josh Freedman, Luigi Vescio, Martin Lee, Maximilian Bishop, Melanie Cobham, Nathan Dubber, Niharika Senapati, Omar Felix Faber, Pia Lauritz, Rachel Jessie-Rae O’Connor, Shamira Stone, Will Hall, Yuiko Masukawa.Many thanks also to those who chose to participate in private.This project was also supported by Creative Victoria through the Sustaining Creative Workers initiative.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it. Video

1 photo of number 19, a large single storey Edwardian house with conical tower room at front cornercaulfield north, wanda st, houses, edwardian house, o’donnell, jenny

This report details the program of a Natural Resources and Operations Seminar for the Victorian T.A.F.E. Off-Campus Network, hosted by the Victorian School of Forestry in Creswick. Thirty-one participants were in attendance. The program was conducted from the 6th to the 8th of April, 1983 and excursions were made to the You Yangs Forest Park, the Serendip Wildlife Research Station and Werribee Gorge National Park.A ring bound booklet of 19 pages and clear laminate covers. Includes a map of the Victorian School of Forestry, Creswick.natural resources, seminar, school of mines ballarat, ballarat school of mines, victorian t.a.f.e off-campus network, school of forestry, creswick, victorian school of forestry

Newspaper Clipping from The Mail, 19-3-96, P 5. Councils unite to improve our roads.Maroondah Councilwill push for road improvements in the north eastern suburbs through a strategy group backed by Vicroads and five other councils. The municipalities of Banyule, Nillumbik, Manningham, Whitehorse and Yarra Ranges are also members of North East Metropolitan Regional Roads Strategy Group.

Newspaper article by Jack Perry published 19/11/1999. Depressing days of drought and depression part 8.bendigo, history, depression

The Era of the R Class Locomotives of the Victorian Railways, 19 pages with black and white photographs, technical information and diagrams.S.Watson & A.Cameronbooks, technical, railways

Black and white photograph of greyhound.19/5/94. Greyhounds maturity stakes. keith Connell with Super Impact.clubs and associations, sport, greyhound racing

This exhibition featured 17 paintings by Arthur Boyd, all in the bride series. Robin and Patricia Boyd were in London at the time of the opening, as indicated by the inscription and Clippings. Boyd also indicates the nine paintings which were sold and the two under offer.Exhibition catalogue for Zwemmer Gallery, London 19 July-20 August 1960. 63 works by Arthur Boyd.Pencil writing of Robin Boyd, and inclusion of five London newspaper Clippings with reviews in July 1960. Robin Boyd writes on list of paintings" We saw this only 4 days after the opening'. arthur boyd, australian painting, walsh st library

Document, Bert Graham Collection, Bendigo East Progress Carpet Bowls Association Constitution 19/3/63bendigo, clubs, bendigo east progress carpet bowls