3 stamps with rubber base. Rubber has perished and stamps not readable. Stamps have octagonal base Possibly Warrnambool City Council. Length 4�"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Brass wall gimbal with ring missing. Gimbal has square base Arms are bent and one is cracked. Overall width 7½" Base is 3½" squareflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, brass wall gimbal, wall gimbal, gimbal

colour snapshot, metal poppet legs, base section. 3 men standing near concrete base On back in grey lead pencil, 'Prince of Wales'organization, business, prince of wales mine

Silver plated - mounted on bakelite base. One engraved plate 6cmx3.5cm. Handles each side of cup. Cup with thin stem and 7 cm base.1962 Harlequins. 1963 T.P. Demons. Donated by Stanley Table tennis for AZ Group 1961.Won by Bruarong. Maker - Marquis 'MBM' p3.

Used by the donors grandchildren Xanthe and Michael.Wooden base with five uprights down centre painted yellow to hold coloured counting rings in five colours. A total of 16 items including the base.toys, general

Etched glass plaque. Circular design on oblong base. Etched Chinese writing in base. metalic logo and building featured inside glass circle/disc.

Used by Manning Chemist, Flinders Street Railway Station, Melbourne until 1984.Seven assorted avoirdupois metal weights, disc shaped with depression on top side marked with individual weight.218.1 : on top IMPERIAL . 2lbs . STANDARD, on base 'a crown' 8 VIC G57 218.2 : on top 8oz . IMPERIAL . STANDARD, on base 'a crown' (letters & numbers unclear) 218.3 : on top IMPERIAL 4oz ., on base 'a crown' (letters & numbers unclear) 218.4 : on top IMPERIAL 2oz ., on base marked (letters & numbers unclear) 218.5 : on top 1oz ., on base (letters & numbers unclear) 218.6 : on top 1/2oz . E 'a crown' 8 VIC, on base C57 C55 E53 218.7 : no details

This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections, bubble in glass. Bottle has foul smelling contents inside. Mouth has hard capped cork seal with black, hard rubber capped stopper. Side of mouth has ship or mark. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder has some diagonal creases and a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Base is uneven. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle

The kit bag was used by James Thomas Alfred Ralph, who was born in South Australia on 25 September 1897. He enlisted for service in the First World War on 17 May 1918 in Adelaide with the Australian Medical Corps General Reinforcements. He was allocated the service number 20568 and embarked from Adelaide on the HMT Gaika on 6 August 1918. He arrived in London, England on the 13 October 1918 and allocated to the Australian Army Medical Corps Training Depot. He transferred as a medical officer to the 1st Australian Hospital (Hayfield?) on 2 December 1918, and was attached to the 1st Australian Army Hospital (Sutton Vale?) in January 1919. He returned to Australia in Febuary 1920 on the Cape Verde as nursing staff. He was discharged from service in Adelaide on 17th March 1920.Tan coloured canvas kit bag used by a member of the Australian Army Medical Corps during World War 1. The tubular kit bag has 12 brass eyelets placed around its opening, and is reinforced with a second layer of canvas at its base. The kit bag has a side stitched seam, stiching around the base and top opening. A circular lightweight tan canvas flap is stitched to the top opening at the side seam.On the side if the kit bag is a red cross on a white background, surrounded by a circular yellow line. It also has the numbers 20568, with the words JAS.T. A. RALPH, A.A.M.C, A.I.F., AND 4.M.D. The base of the kit bag has a map of Australia in black ink, with 4.M.D printed in black ink above the map. "Sth. Aus." and numbers "20568" are printed in black ink over the map of Australia. The marking 'broad arrow' is printed in black ink on the inside of the top opening.world war one, kit bag

This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder has a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle

An example of the innovative winged keel design based on the Australia 2 yacht (Americas Cup winner 1982). The Star Fin was a collaboration between Australian pro surfer, Cheyne Horan, and Australia 2 fin designer Ben Lexcen. Horan won 1984 Bells Beach surfing festival riding a board using this fin design. This fin design represents a radical departure from surfboard design thinking at that time (early 1980s) Most people were concentrating on multi fin designs Mark Richards with high performance twin fin designs, then Simon Anderson's 3 fin 'Thruster' design. Cheyne Horan employed the talents of innovative yachting designer Ben Lexcen (who designed the Americas Cup winning Australia 2) to design a unique Star Fin which would provide greater hold for a single fin at critical angles. Horan proved the effectiveness of this design by winning the 1984 Rip Curl Pro at Bells beach using a board mounted with one of the Star Fins. The Star fin represents an unusual (for surfing)scientific and innovative design approach. This is a rare and representative item signed by design instigator Cheyne Horan.Cheyne Horan Star Fin. Moulded polycarbonate red Star Fin. Fin is signed by Cheyne Horan with "HAVE A GOOD SURF FROM Cheyne Horan". Manufacturers and makers information embossed on base. Concept by Cheyne Horan Design by Ben Lexcen Patent Pending STAR FIN Made from Lexan Polycarbonate by Star Fin p/l PO Box 1293 Nth Syd Aust.red, star fin, cheyne horan, ben lexcen, winged keel, bells beach surf contest 1984

This is a German made figurine, attributed to Jaschke Pretzl. Loosely translated, the label text on the figurine says 'Gynaecologist' and 'Commit to the women tenderly!'. Stamp printed on underside of base says that this is a hand-carved figure.Carved wooden figurine. Depicts a man in a white coat, with grey trousers, a red vest, blue tie, and white shirt collar, standing with his right hand in his pocket. He is holding a document in front of his chest in his left hand. The figure is atop a small wooden base, one side of which carries handwriting that reads 'Frauenarzt/Kommit den Frauen zart entgegen! ' The underside of the plinth is printed with a stamp that reads 'Figur/Handgeschnitzt/hand-carved'. 'Frauenarzt/Kommit den Frauen zart entgegen!'obstetrics

Glass ornamental tower designed on The Pearl Tower in Shanghai, China. Presented to the SGSC from businessman Mr. Poo, Jinshan Community in China. The tower features a tall spire with two large faceted balls and three smaller balls fixed to a glass base. Chinese writing around the edge of base. Under the base is round mirror which creates a multicoloured effect through the base of the tower.

The BC-639A is a ground based AM VHF receiver covering the nominal frequency range of 100 -156 m/cs. The set was built for the U.S. Army Air Force in WW2 as part of a communication system to communicate with aircraft. A system of similar intent was built in Australia during WW2 by Radio Corporation of Victoria (ASTOR), with the addition of FM facilities. This system used the ARl7 receiver and ATl7 transmitter. Many of the sets had been modified after the war by the then Dept of Civil Aviation for use as monitoring receivers.This type was used at the AeradioThe BC-639A is a ground based AM VHF receiver covering the nominal frequency range of 100 -156 m/cs. The set was built for the U.S. Army Air Force in WW2 as part of a communication system to communicate with aircraft. Dark grey US Military colourradio receiver, bc 639, bc 639a, 639, aeradio

The chest was constructed to allowable dimensions for storage in the ship's hold. The sturdy watertight construction afforded protection for the chests contents. It can be imagined that these would be household utensils, items of clothing and the most treasured ornaments as space permitted. It is likely that the contents included some building tools and as well, implements which Christian Ziebell used in his trade as a butcher in Bruel, thereby enabling him to undertake profitable work on his arrival in Australia.This object is of primary significance. The Koffer was constructed to allowable dimensions for storage in the ship’s hold. The sturdy watertight construction afforded protection for the Koffer’s contents on the voyage aboard the Privislaw from Hamburg, Germany to Hobsons Bay, Australia in 1850. The Koffer held the precious necessities for life for Christian Ziebell's family at their new destination. It is likely that the contents included some building tools as well, implements that Christian used in his trade as a butcher in Bruel, thereby enabling him to undertake profitable work on arrival in Australia. The wooden Koffer was airtight, so if lost overboard it would be retrievable. Some were fixed to the ship’s deck. After they settled at Westgarthtown the Koffer continued to contain the precious documents through each generation. Only the current owners saw the contents in each generation, and the children always regarded it as a “treasure chest”, which was always locked and out of bounds for them. Large wooden trunk/koffer. Base is rectangular, and lid is rectancular to fit the base but curves between the front and back. Morticed corners; protruding base with beveled edge. Supported by profiled runners with four built-in feet. Handle for carrying on each end, and locking mechanism on front.'C. Ziebell' written in large font on back of chestpersonal effects, travel goods, pribislaw, johann christian ziebell, german migration, luggage

This item comes from the estate of Dorothy and Agnes Ardlie of Warrnambool. Dorothy Ardlie (1910-1993) and Agnes Ardlie (1915-1993) were the daughters of Arthur and Ethel Ardlie of Warrnambool, the granddaughters of the prominent Warrnambool lawyer, William Ardlie and his wife Mary and the great granddaughters of John and Mary Ardlie, pioneer settlers in Warrnambool. The trophy was won by Agnes Ardlie in 1950. The Warrnambool Golf Club was established in the late 19th century and the game was played by both men and women at Albert Park until 1929 when it shifted to its present day course in what was once part of the old Western Reserve. This trophy is of interest as a mid 20th century memento of a member of a prominent family in Warrnambool, Miss Agnes Ardlie and of the Warrnambool Golf Club.This is an electro-plated nickel silver mug with a circular base, a tapering body and a handle. It is much stained. There is an inscription on one side of the mug and a maker’s name on the base but this is not decipherable. Warrnambool Golf Club ‘B’ Grade Scratch Event 1950 Miss A.M. Ardlieardlie family, history of warrnambool

Trophy awarded 1969 - 1986 to the winners of the annual Ballarat College Firsts XVIII versus old collegians football matchLarge silver cup with double handles and narrow stem on a brown melamine base; engraved on face of cup and shled-shaped plaques around base denoting winnersEngraved on face of cup: The / JOHN T RICHARDSON / PERPETUAL CUP / BALLARAT COLLEGE FIRST XVIII / v / OLD COLLEGIANSold-collegians

Carnival glass is moulded or pressed glass, always with a pattern and always with a shiny, metallic, 'iridescent' surface shimmer. Carnival glass gets its iridescent sheen from the application of metallic salts while the glass is still hot from the pressing. A final firing of the glass brings out the iridescent properties of the salts, giving carnival glass the distinct shine it is known for. (ref. Wikipedia) This bowl belonged to Mrs Edith May Hanrahan (nee Whitford), a WW1 war bride, who came to Orbost around 1920 on the Orcades. Oliver ( a farm hand) and Edith Hanrahan lived at 37 Gladstone Street, Orbost.This item is an excellent example of amber / orange carnival glass.A bronze / apricot glass sweets bowl. It is orange carnival glass with flowers cut into the base and scalloped edges. It has a small handle on each side. the base is flat. carnival-glass bowl hanrahan-edith

The small tubes were used to hold lipstick which could be carried in the handbag or small evening bag.A small grey and silver lipstick container. The grey cover slips over the silver base. There is a small lever at the side of the base which released the lipstick up the tube.PAUL / DUVALcosmetics, make-up, paul duval, duval, paul, personal effects, george evans collection

The Yarrawonga Mulwala Tennis Association consisted of Mulwala, Railway Blue, Railway White, Roseneath, maybe St Andrews and St MarysTypical trophy coupon a stand with two handles. Six plaques attached to base naming winning teams. The base is decorated with fluting and an embroidered edge. Very tarnished.1949 - 1950 to 1955 - 1960

German manufactured in Magdeburg.2 pc - Lid & Base. Made from shell case. 3 British 303 bullets on lid & 3 British 303 bullets (parts thereof) on base.collectables, ballarat rsl, ballarat

A pewter sculpture of male figure with tennis racquet mounted on a square base. Figure is in action of serving ball. 'KAYSER' imprinted in base. Materials: Pewter/Metal compositetennis

The "Jack Be Nimble" competition was run as part of Maryborough's annual Wattle Festival.The competition for which the trophy was presented is based on the traditional game of knucklebones or "Jack - Be - Nimble". The now defunct Wattle Festival was a significant feature of the town's cultural life for many years. Varnished wood two- layer base with central pillar, topped with gold coloured knucklebone. Metal plaque on upper layer of base and metal shields on lower level.Jack Be Nimble competition (main plaque) Individual competition winners noted on shields (Betty Briggs (1984), Isa Stewart (1985), Frank O'Connor (1986, 1987, 1988, 1989), Susan Crouch (1990), Vicki-Lee Rush (1992/3).trophy festival

Ornate embossed lidded silver teapot on three footed stand with a spirit burner on base. Silver pins on chains on both sides of base top for securing teapot.No 4, Badger and shoe symbols, large comma, symbol,l A1, 6305teapots, stands