Yields information about Sturt and Armstrong Streets with a toast rack tram and Snows Buildings on the left.Black and white historic photograph downloaded from a picture resource website within a decorative frame. Printed with an inkjet printer. Titled "Looking down Lydiard Street North Ballarat, circa:" shows a view looking north along the street from outside the Mining Exchange. Shows the centre poles in the street, the Federal Hotel, Cobb & Co building, blue stone gutters, gutter crossings and telephone wires. Original photo from a postcard - not currently (June 2010) in Museum's collection.trams, tramways, lydiard st north, horse drawn vehicle

Beech Forest was the principal despatch centre for split timber and mining laths in 1906, most of which was carried to the railway yards by bullock wagons, or a horse-hauled wooden tramline along the Olangolah Road to the east of the town. At the yards it awaited trans-shipment by rail.B/w. 190mm x 265mm. Timber stacked in the Beech Forest railway yard. Four roads passing. A goods shed in the background. beech forest; railways;

A Booklet of 12 views of Bendigo posted to NSW . A 3d stamp of King george VI. Photo 1 Entering Bendigo from the North. - Photo 2 Overlooking a Section of Bendigo - Photo 3 Baths and Park Bendigo - Photo 4 Garden and Post Office Bendigo - Photo 5 A Typical Mining Scene - Photo 6 Rosalind Park - Photo 7 Pall Mall - Photo 8 Law Courts and Conservatory - Photo 9 One of Bendigo Many fine Churches - Photo 10 Overlooking Portion of Bendigo - Photo 11 Charing Cross and Pall Mall - Photo 12 Section of Conservatorypostcard, photograph, bendigo

Photograph.Bird's eye view from St. Paul's. Showing Bendigo Railway Station. Mining chimney, B.Fiitterer bamboo art wicker worker shop on Mitchell Street, plus various buildings on Mitchell Street.

Diggers & Mining. Getting the Gold. Slide: This very old photograph - it was taken in the 1850s shows diggers at Mount Alexander working deep shafts. Photo shows how close the mining sites were. Markings: 41 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. Getting the Gold. Slide: and the whim. (This photograph, taken in the 1860's, gives a close-up view of a whim.) Markings: 30 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Joan O'Shea Collection. Central Deborah Gold Mine Bendigo. Promotional material. Chronological History, Poppet legs and shaft, Change Room, Caretakers or rag pickers room, Drying room, first aid room, carbide light room, Underground, carpenters shed, ore bins and loading bays, stamper battery, wilfley table, berdan pans, laboratory, display room, boiler, stroke hold, winding engine, boiler feed pump, electric driven compressor, steam driven compressor, blacksmith's shop.Photograph Courtesy Philip Beer.mining, marketing, central deborah mine.

Diggers & Mining. The Chinese on the Gold Fields. Slide: Shows stage coach overloaded with people and their belongings. Wording: This photograph shows a diggings party on a Cobb & Co. coach near Newstead c. 1870. Note European dress. Markings: 14. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining: The Diggers. Slide with four images, All four images are on one slide. A: In the Light Horse Lines, b: Enjoining a morning wash, c: A Machine-Gun Corps., d: Ready for any Emergency. Image b: is photographed by Fraser and Vallance. All images black and white. Markings: VISAR COPYRIGHT SET - THE DIGGERS, 2. Used as a teaching aid.Visaireducation, tertiary, war

The Life Savings Awards Research Society Journal No.85 March 2016 contains article on Joseph Davies award, soft cover 82 pages with black and white & colour photographs. Some information and photographs of memorabilia for the article were supplied by the Bendigo Historical Society.book, bendigo, mining

BHS CollectionWorking on the Goldfields. Three men with shovels on the RHS, two horses and drays centrally positioned; and men building a building frame, which appears to have animal carcasses hang up. goldfields, surface mining activity

Old Tom mine included quartz mining and open cut mining. Today the remains of the battery site, cyanide plant, hydrolic sluicing and a 1930's puddler can be seen. It was operating in August 1874 and was taken over in 1897 by an English syndicate, J. R. Syndicate. By 1899 the mine had reached 500 feet in depth . The mine closed c. 1901.8529 Sand mining at Old Tom mine the Whipstick, Eaglehawk. O'Halloran's team of nine men and two horses and carts. Two men with horse and carts; and seven men on top of the sand deposit. A4 copy of 1513 Box 25sand mining, whipstick, old tom mine

Named after Thomas Hustler who purchased the lease in 1854. It was an opencut mine at this stage and Hustler patented a quartz crushing machine. HE later sold the mine to the Hustlers Reef Mining and drainage Co. and by 1865 the Great Extended Hustler's was operating 31 levels at a depth of 1053meters. The mine ceased operation in 1921.A4 copy of an original photograph, sepia toned print. View of hustler's Mine facing Barnard Street, Bendigohustler's, barnard street, james brierley

BHS CollectionSouvenir booklet detaining many Bendigo buildings, parks and reserves, mining and streetscapes (notably of Charing Cross and Pall Mall). The booklet was presented to visiting American Fleet on 2 Sept.1908. Cover printed in colour to highlight the American flag and Australian Naval flag. Body of the booklet contains one-page photographs of buildings and streetscapes of Bendigo.bendigo buildings, parks and reserves, mining and streetscapes

The Monument Hill Gold Mine was at the corner of Old Violet Street and Olive Street. It operated until 1947. The shaft was capped, the poppet legs and mullock removed. A house now occupies the site. The Monument Hill Gold mine depth was over 1200 ft. The donor of the photograph is the grandson of Albert Dunstan, and he recalls that 'the mine was fully operational in the 1940's and I was often able to see my Grandfather at work and watched as men stepped into cages to be lowered to their awful occupation'. Donor's great, great grandfather was John Perry Dunstan, a well respected mine manager on the Bendigo goldfield.Two black and white copies of original photograph. Image shows Albert Ernest Dunstan working in the engine room of the Monument Hill Gold Mine, Bendigo. Albert is at the controls of the engine, lowering and raising the mining cage; he is leaning on the support railing around the elevated platform he is standing on. Letter accompanying images describes the donor's family connection to John Perry Dunstan and Albert Ernest Dunstan, he writes that ' the mine was fully operational in the 1940's and I was often able to see my Grandfather at work and watched as men stepped into cages to be lowered to their awful occupation. I was very surprised that today there is a home sitting above what was once a very deep mine'.monument hill gold mine, albert dunstan, old violet street, olive street, engine room, mining cage

"Fentongove" is situated at 3 Staley Street, California Gully. The home was built in 1867 for Mr Richard Williams who was the mine manager for the Johnsons Reef Mining Company for 36 years.10563.1a Fentongove, California Gully, former home of Long serving Cornish Mine Manager Richard Williams. Residence under restoration (date unknown). 10563.1b photocopy of Mr. Richard Williams, former mine manager and owner of Fentongove, California Gullyrichard williams, mine manager, fentongrove, california gully

This home "Crambourne" was designed by architect, Mr William Beebe and built around 1875 for Mr and Mrs Ambrose Dunstan, in Creeth Street, Long Gully.Cambourne, home of Ambrose Dunstan, who was owner of the Long Gully store. The house is named after the Cornish Mining District. Poor photocopy of Mr. Ambrose Dunstan, taken when he was mayor (not dated). Photocopies of originals, undated photographs.home and portrait of ambrose dunstan, ambrose dunstan mayor, cambourne, long gully

Photo of the 1901 demonstration electric railway at the Bendigo Gold Jubilee Exhibition. Page 80 of Keith Kings book "The Bendigo Tramways" describes the photo and its purpose; a mine locomotive. Notes that it is from the P W Duckett collection.Yields information about a demonstration electric railway in Bendigo in 1901.Black and white photograph of Narrow gauge demonstration electric railway Bendigo 1901Has description and source information on the rear.bendigo, railway, demonstration, gold jubilee, electric railway, mining

Set of two photographs showing the Darling Street extension of the Eaglehawk line. This section of the route fell out of use when mining decreased (See Keith Kings, Bendigo Tramways). Both photos by Peter Duckett about 1950.Yields information about the Darling St extension of the Eaglehawk line.Set of two Black and white photographs by Peter Duckett.Details the image on the rear of the print in ink.bendigo, tramcars, bendigo tramways, eaglehawk, darling st

De Soza park was developed as a public amenity from the early 1980s. The poppet head and Chilean wheel sculpture are representative of the gold mining origins of the town.The park, located centrally in Buninyong is of social and historic significance.Original B/W photograph of streetscape of De Soza park frontage to Warrenheip St., Buninyong, with poppet head, rotunda and Chilean Wheel sculpture, former post office in background. Large eucalypt tree present behind rotunda, large cypress tree to north of park.buninyong, de soza, park, rotunda, poppet head, sculpture, chilean wheel, post office, warrenheip st, streetscape

The Gold King Festival was an important community event for Buninyong incorporating historical, sporting, social and commercial activities for a number of years between 1991 and the early 2000sThe Gold King Festival was a popular community event celebrating Buninyong's gold mining history.Colour photograph of the 1991 Gold King Festival with Bill Griggs of Wallace and his Clydesdales in the lead representing Buninyong and District Historical Society. View of the parade and spectators from Warrenheip Street, Old National Bank and roundabout in the background.Buninyong and District Historical Society leads the 1991 Festival. Bill Grigg of Wallace with his Clydesdales.buninyong and district historical society, gold king festival, procession, events, celebrations

MiningB/W copies of photo of Lewis Gold Mine, near Elaine c. 1859, miners and horses around wooden hut and Whimelaine, whim, lweis gold mine

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.These shoes are significant as they are part of a 30-piece collection of women’s clothing owned by Edith Mary Weir (nee Betteridge), who was born in Clare, South Australia in 1867 and who died in Kew at the age of 81 in 1948. The items of clothing in the collection date from the 1880s to the 1940s and constitute outstanding examples of dressmaker’s skills from each of these decades. The collection includes day dresses, evening dresses, evening coats, capes, shoes and undergarments. As the wife of a mining engineer, and later mine manager, Edith Weir’s clothing has historic significance as examples of clothing worn by upper middle class Australian women in domestic circumstances and at social and civic events. The costumes in the collection represent the periods when Edith Weir lived in Broken Hill, New South Wales, and in Kew, Melbourne. A number of the costumes from the 1920s to the 1940s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by the granddaughter of Edith Weir. Pair of ivory silk shoes, worn by Edith Mary Betteridge at her marriage to George Weir in Broken Hill in 1891. The shoes were worn with her ivory silk wedding dress.edith mary (betteridge) weir, 84 princess street (kew), footwear, women's shoes, wedding shoes

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This scarf is part of a 30-piece collection of women’s clothing owned by Edith Mary Weir (nee Betteridge), who was born in Clare, South Australia in 1867 and who died in Kew at the age of 81 in 1948. The items of clothing in the collection date from the 1880s to the 1940s and constitute outstanding examples of dressmaker’s skills from each of these decades. The collection includes day dresses, evening dresses, evening coats, capes, shoes and undergarments. As the wife of a mining engineer, and later mine manager, Edith Weir’s clothing has historic significance as examples of clothing worn by upper middle class Australian women in domestic circumstances and at social and civic events. The costumes in the collection represent the periods when Edith Weir lived in Broken Hill, New South Wales, and in Kew, Melbourne. A number of the costumes from the 1920s to the 1940s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by the granddaughter of Edith Weir in 2017Very long, doubled chiffon evening scarf with a silk tassle at one end and multicoloured hand embroidered flowers at the other. The scarf was owned by Edith Mary Weir.edith mary (betteridge) weir, 84 princess street -kew, australian fashion, scarfs

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is significant as it is part of 25-piece collection of women’s clothing owned by Edith Mary Weir (nee Betteridge), who was born in Clare, South Australia in 1867 and who died in Kew at the age of 81 in 1948. The items of clothing in the collection date from the 1880s to the 1940s and constitute outstanding examples of dressmaker’s skills from each of these decades. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife of a mining engineer, and later mine manager, Edith Weir’s clothing has historic significance as examples of clothing worn by upper middle class Australian women in domestic circumstances and at social and civic events. The costumes in the collection represent the periods when Edith Weir lived in Broken Hill, New South Wales, and in Kew, Melbourne. A number of the costumes from the 1920s to the 1940s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by the granddaughter of Edith Weir. An Edwardian slik, net and broderie anglaise bed jacket, bought by and worn by Edith Mary (Betteridge) Weir. Given the date of the item, the jacket was initially worn in Broken Hill where the Weir's lived, when her husband was Manager of the North Broken Hill Mine and later brought to Kew, ca. 1917 when the Weirs moved to Princess Street, Kew. The jacket was gifted by Edith Weir's grandaughter. It forms part of the Society's Weir Collection.edith mary weir (nee betteridge), 84 princes street (kew), costumes, fashion & design collection - kew historical society, women's clothing, weir collection