This cropped halter top and palazzo pants outfit belonged to Meredith Lenné, a lifelong Brighton resident. Produced by Melbourne designer Leon Haskin in 1972, the design was also sold in colour combinations of gold-and-brown and white-and-blue. Meredith remembers being drawn to the outfit because she liked the colours, though she only wore it a couple of times to dinner parties.Cropped halter top and palazzo pants with a Pucci-style print of abstract patterns in red, pink, purple, orange and white. Top has a deep v-neck and secures with a fabric tie at the back.melbourne designers, meredith lenné, leon haskin, 1970s, flinders lane

Ironing is the use of a machine, usually a heated tool (an iron), to remove wrinkles from fabric. The heating is around 180–220 °Celsius, depending on the fabric type. Ironing works by loosening the bonds between the long-chain polymer molecules in the fibres of the material. While the molecules are hot, the fibres are straightened by the weight of the iron, and they hold their new shape as they cool. Some fabrics, such as cotton, require the addition of water to loosen the intermolecular bonds. Many modern fabrics developed in or after the mid-twentieth century require little or no ironing. Permanent press clothing was developed to reduce the ironing necessary by combining Wrinkle resistant polymers with cotton. The first known use of the iron for removing wrinkles in clothes is known to have occurred in China, and the electric iron was invented in 1882, by Henry W. Seeley. Seeley patented his "electric flat iron" on June 6, 1882 (U.S. Patent no. 259,054). On 15 February 1858 W. Vandenburg and J. Harvey patented an ironing table that facilitated pressing sleeves and pants legs. A truly portable folding ironing board was first patented in Canada in 1875 by John B. Porter. The invention also included a removable press board used for sleeves. In 1892 Sarah Boone obtained a patent in the United States for improvements to the ironing board, allowing for better quality ironing of shirt sleeves.A domestic item with an interesting history of development, significant as it shows the progress and the evolution of a domestic item designed to make housework more efficient.Wooden Ironing board with press board for sleeves, board is folding.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, flagstaff-hill-maritime-village, domestic item, ironing board, ironing, clothes, wrinkles in clothes, henry w. seeley, w. vandenburg and j. harvey

The first all transistor hearing aids appeared in 1953. They were created to replace vacuum tubes; they were small, required less battery power and had less distortion and heat than their predecessor. The vacuum tubes were typically hot and fragile, so the transistor was the ideal replacement. The size of these transistors led to developments in miniature, carbon microphones. These microphones could be mounted on various items. There were body hearing aids where the earpiece was connected to the hearing aid and battery pack worn on the body. Ear level hearing aids consisted of eyeglass, behind the ear (BTE), in the ear (ITE), and in the canal (ITC, CIC) hearing aids. Hearing aid with Pink and silver metal pack with attached wire to ear piece. Uses (A) battery. Ear piece moulded for wearer with dials for adjustments. In original box. Transitone and Universal Hearing Aids were manufactured by British Hearing Aids (Aust) P/L. Model 61T. NoV848 "TRANSITONE & UNIVERSAL/HEARING AIDS/BRITISH HEARING AIDS (AUST) P/L" printed on fabric inside lid of box. Inside battery compartment, label "MODEL 61T" ('T' handwritten) "V848" inscribed on hinge.

This photograph displays the car seat and trims of a Ford Motor vehicle, which were manufactured by Nylex Plastics in Mentone.Nylex Plastics was considered to be the largest manufacturing company in Australia and in the top 25 largest companies in the country and has its origins with the Australian Moulding Corporation founded by John Derham in Mentone in 1927Black and white photograph of a car interior, showing the two front seats, gearstick, steering wheel and dashboard. Stamped in red and green ink: NYLEX PHOTOGRAPHY FILE / DIVISION Fabrics [Handwritten in black ink] / CODE No 208B [Handwritten in black ink] / DATE 29/12/70 / DESCRIPTION Ford [Handwritten in black ink]cars, ford, nylex, nylex plastics, car interior

Red cloth large hardcover book. Title is written on the front cover and on spine in gold. Small gold circle pattern on front cover. The book contains 100 coloured plates, 32 b/w plates with images of peasant handicraft. The book includes table of content, index, bibliography and a library due date card inside back cover, it was borrowed by Donald Ferguson(an art lecturer)on 13 May 1957. Page numbers written in roman numerals. embroidery, europe, ceramics, ornaments, peasant art, h th bossert, folk art, embroideries, handicraft, decorative arts, textile fabrics

Over the centuries, the Malay Rulers were wearing fabric woven with silk tied up with various makeup in fur as garments. The shape of the bond (makeup) and its color are different from state to state. The cloth is called "Skull".Royal headdress worn by Malaysian royals, has a gold hat badge on the side. Presented to the University of Ballarat as part of Malaysian graduation celebration 2008.tengkolok diraja, royal headgear, royal headdress, university of ballarat, malaysian graduation celebration, souvenir

Letter from , R D Croll, Eagley Mills Pty Ltd, Collingwood 1952 to W.R. Lang, Gordon Institute of Technology, Geelong re. the use of bottle bobbins and the supply of a bottle winder and fabric knitting machine.knitting textile mills - history textile mills - staff, eagley mills pty ltd, lang, dr w. roy, knitting, textile mills - history, textile mills - staff

1870s women's fashion placed an emphasis on the back of the skirt, with long trains and fabric draped up into bustles with an abundance of flounces and ruching. The waist was lower in the 1870s than the 1860s, with an elongated and tight bodice and a flat fronted skirt. Beige coloured silk top with narrow mauve stripes. The top has a piped mandarin collar. The top has satin trimming. women's clothing, fashion - melbourne - 1870s, bodices

This light woollen evening dress is made from Peppinella, a new fabric Norma Tullo introduced into her range in 1973. The fabric was used exclusively by Tullo, and came from the wool of Peppin Merino (first introduced into Australia in 1858 by the Peppin brothers). According to the papers of the day Tullo’s 1973 winter collection featured ‘St. Trinian’s styles to garments dripping lace, in bold plain colours to floral prints.” Shirley Lyle designed the floral fabric. Norma Tullo (1935-2019) was one of the leading fashion designers of her time, establishing her label in 1956. After establishing a business the Old Metropole Arcade in Melbourne in 1956, with three sewing machines, Tullo's ready to wear fashions for young women became sought after, and her business flourished. In 1966 the Japanese department store chain Isetan Co Ltd began to mass-produce her garments for their stores across Japan. Tullo closed her label in 1977, and later worked for Fletcher Jones. Ann Carew, 2020The dress is historically significant as a dress designed by Norma Tullo, a leading fashion designer of the 1960s and 1970s. During this period the Australian Wool Industry strove to promote wool, and to develop light woollen fabrics to compete with new synthetic fibres such as rayon. The garment is historically significant for the use of a merino wool showcasing its versatility for dress fabrics. Full length woman's dress with full skirt and long sleeves, collared with open neck and pleat work on bodice. Material is predominately red with a repeated pattern featuring posie of blue and mauve flowers.Inscribed, black label on back neck left of zip, 'TULLO/IN/PEPPINELLA/AUSTRALIA MERINO WOOL'; Inscribed, white satin label on back neck right of zip, 'DRY CLEAN ONLY'; Inscribed, white satin label underneath above label, 'SIZE 12/To Fit Bust 34"/To Fit Waistwool, rmit design archives, rmit university, woman's dress, textile design, australian fashion

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this in 2012 at an auction of vintage clothing from the private collection of prominent Sydney fashion designer Lisa Ho, part of a wider sale of assets after Ho's business fell into deep debt. Ho began collecting vintage clothing and fabrics at the age of fifteen and her collection featured significant clothing items collected from around the world. For many years she drew on it as a source of design inspiration, particularly for print, in her highly successful fashion business. Di later wished she had purchased more at the auction!A full length slim fitting gown of gold metal thread and black thread self wave design fabric. The dress features a shawl collar, vertical pleat bodice, three panel, peaked front skirt. The dress secures with press studs at the centre front for modesty with a full left side opening secured by press studs. The sleeve features a front and back seam creating a squared shoulder head with fullness that is pleated in centre on the arm. the sleeve length is above the elbow. lisa ho, lisa ho collection, di reidie, vintage clothing, 1930s

Uniform issued to "LOCKYER" 114493.Jacket - khaki colour wool/polyester fabric. Service dress style, gold colour plastic buttons with metal shank and split ring. Buttons have raised emblem of Queens crown, crossed swords and Kangaroo. Royal Australian Army. Collar, shoulder epaulettes, four front pockets, top two with button and two metal studs on flap, lower button down flap. Green colour polyester fabric lining with white cotton manufacturers labels inside right.Manufacturers information on labels - black ink print faded to light grey/blue. "RUSS JOHNSTON/ -TAILOR- /VIC^ 1989/90/ DEN 8405-66-019-8188/ DRYCLEAN ONLY/ REPRESS USING IRON AND DAMP CLOTH/ OR MEDIUM TO HOT STEAM IRON/ CREASE UPPER HALF OF LAPELS ONLY" "REGIMENTAL NO./NAME" Handwritten, blue ink pen "LOCKYER". uniform, army, service dress, lockyer

Trousers - green colour cotton twill fabric, plastic buttons. Four button fly with two straps with metal buckles at waist. Two side pockets, two back pockets with button down flaps. Left leg pocket with button down flap. Button down belt loops. Waist and pocket lining green cotton twill fabric. Army work dress trousers commonly called "GREENS". Green cotton manufacturers label inside back waist band.Cotton label information - black ink print. "C.G.C.F/ VICTORIA 1968/ ^ / 8405.66.012.3406/ SIZE 21/ ARMY NO./ NAME".uniform, army, workdress trousers

1. Jacket - Khaki colour cotton twill fabric, brown colour, Bakelite shank buttons with raised map of Australia and lettering with metal cotter pins. Collar with two attached metal Rising Sun Badges; shoulder epaulettes with three officer's pips being "Captain" and "Australia" badge. Four front pockets with button down flap. 2. Belt - Khaki colour cotton twill fabric, metal buckle, plastic button and leather belt keepers. No Manufacturers information.uniform, army, ww2

1. Coat - dark blue colour wool fabric RAAF overcoat. Collar, shoulder epaulettes with grey colour embroidered lettering - "RAAF", double breasted, gold colour plastic buttons with shank and raised emblem, Queens crown and wings - RAAF. Inset side pockets. Blue colour cotton lining with concealed pocket. White cotton manufacturers label. Inside back below collar. 2. Belt - fabric as coat with gold colour plastic slide buckle.Manufacturers Information - blue and black ink print. 1. Blue ink print "DAVID KLEIN/ PTY LTD/ 22 PATRICK ST. MEL/ 32 3771/ NAME/ DATE/ PURE WOOL" Black ink print - "DAVID KLEIN PTY LTD/ VICTORIA / 1966/ ^/"uniform, raaf, overcoat

The purpose and contents of the case are unknown. However, the word "Kwairobai" has been used in a group of words listed as solid fuels - coal, coke, fire wood, charcoal and spunk and ‘Kwairobai’ - in a 1939 book 'Consular Reports Issue 31' in reference to the publication of Japanese Trade-marks. This particular Trade-mark, No. 53, is a "cross in a triangle". the maker was To. Jinjudo of Osaka, Japan. This case belonged to Dr William Roy Angus and is now part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus, 1901-1970, surgeon and oculist. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) and Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Force. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This case is an example of objects belonging to Dr. W. R. Angus, 1901-1970, surgeon and oculist. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800s.Case, a rectangular brass case neatly covered in brown velvet fabric with a paper label attached. It has a long sliding cover with three rows of cutout stars with a red background, and a decorative brass thumb grip at one end that has three Japanese characters on it. Inside are three cylindrical rolls of white fabric with unknown contents. The label has English and Japanese text, and a logo with three Japanese characters. It was made by To. Jimjudo in Osaka Japan. This object is part of the W. R. Angus Collection.On the label and thumb grip; [unknown] Japanese characters On the label; “KWAIROBAI / KIMIGASODE / MANUFACTURED BY TO. JINJUDO / OSAKA JAPAN”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, flagstaff hill maritime museum and village, dr w r angus, dr ryan, w.r. angus collection, metal case, velvet covered case, kwairobai, kimigasode, to. jinjudo, osaka jap

Blue and white checked gingham waisted girl's school uniform dress. White fabric collar. Short sleeves with fabric cuffs. Skirt has six gored panels. Bodice has front opening with three white plastic buttons. Yoke across front and back. Inverted pleat at centre back. Two pleats on either side of front opening.Matching belt, 11400.261. Two belt keepers at sides.Original cloth label and swing label with care and washing instructions.Inside collar ''Buxwear rgd Quality school wear, Norman W. Buck P/L 12''. Cardboard label stapled to clothing label ''The Beehive'' DC AE 587 $23.99. Blue and white swing tag ''Buxwear Drip dry finish 12 Norman Buck elo P/l.costume, female, gir'ls school uniform dress

Clothing. Lace trimmed, white cotton fabric, collar with square back, and long peaked 'lapel' type front. Neckline edge is finished with a fine one cm wide lace band. The cotton fabric is scalloped, also edged with the above lace band, which extends into a 5.5 cm band of cotton lace. The 'lapel' shape extends into a wider 'lapel' type circular motif. The lace has a semi-circular shaped design, featuring a five petalled flower in each semi-circle.costume accessories, female, white cotton lace collar

Clothing, cream coloured silk child's pants. Part of a two piece suit (see 11401.7Jacket ).Fully lined with white cotton fabric. Buttons attached at waist for braces. 4 X 1.6 cm evenly spaced across the front. 2 X 1.6 cm at centre back on either side of centre seam.5 cm opening 3 cm above the crotch. Separate piece of fabric stitched inside opening as a covering flap. Old box 524.costume, children's, pants.

Textiles, pink cotton fabric handkerchief bag. Front has an overlay of cream coloured tapestry fabric embroidered with cross stitch and lines of pattern. One corner is turned down to represent at purse flap to form a 17 cm opening. Bag has a 4 cm frilled lace edge (cream coloured) on three sides plus around the turned down flaps. 2 cm pink ribbon bows on three corners plus on turned down flap. Hand made.textiles, domestic, handkerchief bag

Girl's green silk organza dress with round neckline. Opening on left shoulder seam fastened with two press-studs. Decorative bow of pink satin ribbon attached between press-studs and falling from left shoulder seam. Short sleeves edged with two frills (2 cm) of gathered silk organza fabric. Dropped waistline with vertical rows of shirred stitching above the waistline front and back. Skirt with three layers of gathered fabric. Waistline finished with narrow casing.costume, children's, girl's green dress

24 June 1883 is recognised as the establishment of St John Ambulance in Australia. St John Ambulance is a community-driven organisation with a 140-year history of providing First Aid in Australia.St John's Ambulance Association triangular fabric bandage with a number of illustrations of entire bodies or faces, showing how this bandage could be used in the event of injuries to various body parts. The fabric is labelled (black capital letters) BASE / ENDX / SIDEx2? POINT and two drawings of face and body read "FRONT VIEW and BACK VIEW. Numerals indicate different bandaging techniques and full figure or partial figure drawings that show how these bandages are applied to injured limbs or torso.Symbol of St John's Ambulance Association in dark black on top point of bandage.first aid, bandage, st john's ambulance

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Pale blue shot silk dress, comprised of a separate pale blue silk bodice and a wide flaring skirt of the same fabric. The bodice features silk embroidery in the same colour as the dress and wide bands of brown lace at the neck, on the front of the bodice and on the sleeves. Blue silk fabric tabs extend across the lace at the front with gold buttons at either end. The bodice has an attached blue silk belt. As part of the ensemble, there are also pale blue silk stockings, of the period. edith mary weir (nee betteridge), women's clothing, dresses, fashion -- 1900s, weir collection

Joseph Butterworth COOMBS (1842-1901), was an accountant who founded a successful mercantile trading company. At the time of his marriage to Caroline Mary MICHEL in 1869, Coombs had already purchased ten acres of Studley Park. The acreage included land on the west of Fenwick Street that extended along lower Stawell Street to the corner of Yarra Street, all of it connected directly to the Yarra environs. A right of way to Studley Park Road was on the title, though Coombs went on to purchase more land, some of which faced Studley Park Road. In addition to owning the Studley Park acreage, Coombs later acquired 1,201 acres of land abutting the Acheron River. While retaining the Kew property he became a Taggerty Councillor and was Shire President for a time. J.B. Coombs died at Acheron Station in 1901 (aged 59 years). A few months after, tenders were called to repair the Kew dwelling, the Fenwick Street property now appearing in records with the name ‘Hope Mansell’. Caroline Coombs remained at Hope Mansell until she died in 1924, survived by three sons and five daughters. Not long after her death, advertisements appeared for the sale of the Studley Park land. The sale seems to have been a mechanism for distribution of the Estate, as the following year the original ten acre holding was transferred to members of the family. The eldest daughter Mabel married William Younger who, with his brother Alexander, developed Younger and Mackie Courts, both south of Studley Park Road. [Research: Kerry Fairbank]In 1961, the granddaughter of Joseph and Caroline Coombs, Mabel Isola (Younger) Grattan, donated ten 19th century dresses and parasols to the Kew Historical Society. The costumes, now known as the 'Coombs Collection', are the earliest recorded items of clothing to enter the Society's collection. Each of the items in the Coombs Collection, of which this item forms a part, is historically, aesthetically and socially significant. As a collection, the costumes includes outstanding examples of morning wear, day dresses, wedding dresses, and clothing accessories, providing evidence of outstanding dressmaker skills in Victoria during the mid to late Victorian period. Two-piece royal blue heavy silk dress comprised of a tightly waisted top that extends below the waist at the front and the back, and a floor-length skirt. The full skirt and the sculpted fabric that is part of the top are designed to cover a bustle. The elaborately styled bodice is joined with fabric-covered buttons at centre front. The bodice is distinctively styled with the use silk velvet banding and tassles that extend the woven silk webbing. The outfit is in excellent condition apart from some wear on the velvet and the buttons.women's clothing, australian fashion, dresses, costumes, fashion & design, outerware

These strong riveted and sealed iron boxes were made in England in the 1930s to ensure overseas cargoes such as china, pottery, fabrics, tea and sugar were not damaged by sea water. Clever Australians later converted them to water tanks.An early example of the modern shipping container concept. Container used for transport of goods [early shipping container concept]shipping container

"From Galleons Reach 1850-1936". Printed in England by Charley & Pickersgill Ltd of Leeds, and describes in words and drawings the machines built by Tomlinsons (Rochdale) Ltd., Soho Works, Rochdale, England. These include raising machines for woollen fabrics.textile industry, tomlinsons (rochdale) ltd