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Stawell Historical Society Inc
Photograph, Tyrie’s Farm at Greens Creek with Mr Charles Tyrie seated on the Horse Drawn Header c1930's
Tyrie’s Farm at Greens Creek c1930’s with Horse Drawn Header. Charles Tyrie is seated on machine. Bags of wheat in foreground.stawell -
Bendigo Military Museum
Book - BOOK, CHILDRENS, Kerry BROWN et al, "LEST WE FORGET", 2015
"LEST WE FORGET" "100/YEARS OF/ANZAC/ THE SPIRIT LIVES/ 2014-2018" THIS IS A STORY BOOK FOR CHILDREN.Hard cover book. Cover - cardboard with adhered white paper cover. Gold, blue, red and black print on front, spine and back. Illustrated, front in colour of elderly person with a child surrounded by red poppies. Back, elderly person seated in armchair with a child seated on his knee. No page numbers, cut, plain white paper. Illustrations in colour.books, anzac day, children -
Kiewa Valley Historical Society
Barber's Chair
The first factory manufactured chairs date to c1850. With a foot rest in 1878 and with a mechanically raised and lowered chair. Chairs have an adjustable height with foot operated jack or hand operated lever on the side. The chair can also rotate, or lean backwards (for hair washing and shaving) and has a head rest .Old Barber's chairs are made from metal and leather and are heavy. Mt Beauty township had a Barber's business during the construction of the Kiewa Hydro Electric Scheme and beyond. ""Sam The Barber" was an original Kiewa character. Probably for 45 years cut the hair of thousands of Kiewa workers with his scissors, hand clippers and cut throat razor." Ref. online: "The Mt Beauty & Murray connection"Brown leather padded seat, back rest, headrest and armrest. At the front of the arm rest is a wooden section (maybe for a cuppa?). The chair has a steel frame and foot rest. There is a large white enamel disc under the seat and a white enamel stand with a steel perimeter. A metal lever joins from the back of the footrest to the base enabling the chair to be tilted back.Embossed on foot rest: "Raynor"barber's chair, hair dressing, mt beauty shops, shaving -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED, C. 1917 - 18
JAMES MERVYN HARVEY (telegraphist by trade) No 14510 enlisted in the AIF on 1.16.1916 in Australian Wireless Sqd reinforcement 3 aged 21 years 8 months. Embarked for Basra (Iraq) via Bombay 25.7.1916. It appears he was invalided to India on 12.11.1916, does not state why. He joined the Wireless Signal Service Depot in Rawalpindi India on 2.12.1917. Embarked from Bombay to Basra 27.2.1918 as part of 1st Aust & NZ Wireless Signal Sqd and joined the unit near Baghdad on 6.4.1918. Discharged from the AIF on 7.8.1919 as medically unfit.Framed, black & white photo of SAPPER JAMES MERVYN HARVEY No 14510 1st Australian Wireless Squadron AIF. He is operating a morse key mounted on the rear of a specially equipped GS wagon that is unhitched from its horses. The hatless soldier is seated on a folding bench seat & is wearing headphones. Numerous articles of personal kit are draped over the wagon. Bottom centre: Is a bio of SAPPER JAMES MERVYN HARVEY No 14510 1st Australian Wireless Squadron AIF.wireless sqd aif, ww1 -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1932-33
A photo of the Taylor's Store and Cafe in Halls Gap. The car, a 1926 Buick, belonged to the donor's father and the photo was taken by the donor's parents.A photo mounted on white cardboard shows a store with Taylor's painted on the corrugated iron roof. A sign attached to the roof reads "Store & Cafe" and advertises availability of Kodak Supplies, Circulating Library, Soft Drinks and Tobacco. To the left of the photo, in front of the store, is an old car with the drivers side door open and a woman seated in the passenger seat looking towards the camera."Store - Halls Gap 1932-33" written on top of mount board.buildings, shops, transport, cars -
Flagstaff Hill Maritime Museum and Village
Ceramic - Lid, circa 1878
This ceramic lid is from a Holloway’s Ointment pot. It was retrieved from the wreckage of the LOCH ARD. The vessel was laden with an up-to-date, high-value cargo, including luxury items intended for the Melbourne International Exhibition in 1880. Britain exported her manufactures to the Australasian colonies and the Americas. Holloway’s Ointment was one nineteenth-century pharmaceutical product that was advertised in both these markets. The price of this particular jar and its contents was printed on the label as “2S 9D” (2 shillings and nine pence). This value calculated to the approximate price in 2014, would be £51.31 (UK pounds and decimal pence) or $85 AU ― quite an expensive ointment. The label also shows a picture of a stone tablet with the inscription "IN POTS AT 1/½, 2/9, 4/6,11/-, 22/- & 33/- EACH”, which is most likely the alternative prices that the ointment was available for in differently sized containers. Holloway’s claims for his “great remedy” included the cure of sores, wounds, ulcers and boils, gout, rheumatism, diphtheria, bronchitis, influenza, sore throats, coughs and colds, “all varieties of skin diseases”, scrofula, ringworm, scurvy, “dropsical swellings” and liver disease, piles, fistulas, and internal inflammation. The salve cream was said to penetrate the skin when rubbed on; purifying internal tissues and organs, cleansing all bodily fluids particularly the blood, and eradicating all disease from the body. Purchasers were assured that if Holloway’s Ointment alone did not affect immediate cure, then the combination of it and Holloway’s Pills (sold separately) most certainly would. Thomas Holloway began manufacturing and marketing his miraculous ointment from premises at 244 Strand in the 1840s, moving to the more prestigious address of 533 Oxford in the late 1860s. The London address was an important part of his promotional appeal and was displayed prominently on the packaging of his products. Holloway’s attention to marketing is also observed in the pseudo-Classical emblems that decorated his containers. The sign of a snake curled around a staff is a longstanding and commonly recognised symbol of the physician’s power to heal. Similar reference on this lid is also being made to an ancient goddess of healing and her healthy young offspring. History of the Loch Ard: The Loch Ard got its name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Lochard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Lochard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Lochard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Lochard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history. The ceramic lid off a Holloway’s Ointment container, retrieved from the wreckage of the LOCH ARD. The artefact is white with the pale blue image of a woman (seated) and a child (standing). The woman is draped in a soft white robe and her throne is beside a pillar that is entwined by a serpent. The child points to an inscribed stone tablet he is holding on the other side of seated woman. The front face of the lid, at the base of the woman on the throne, bears the label “HOLLOWAY’S OINTMENT”. Below this, in smaller letters, is written “TRADE MARK” and “2S.9D.” On the stone tablet pointed to by the child is inscribed “533 OXFORD ST. LONDON”, and beneath this, “IN POTS AT 1/½, 2/9, 4/6,11/-, 22/- & 33/- EACH”.flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, holloway’s ointment, ceramic lid, pot lid, nineteenth-century medicines, pharmaceutical marketing -
Bendigo Historical Society Inc.
Photograph - GROUP PORTRAIT, WOMEN AT TREFOIL AGM C1969
Black and white photo: four women, two standing two seated. On back of photo: Trefoil AGM about 1969, L to R, standing Gwen Jeffry ( mayoress) Betty Every. Seated Shirley Orr and Doris Moyle. Written on bottom LH of photo: Doris Moyle. Photo given to 'Advertiser' by Audrey McKenzie for the 'as you were' section of paper.cottage, miners, gwen jeffry ( mayoress) betty every. seated shirley orr and doris moyle. bendigo, trefoil agm. -
Bendigo Historical Society Inc.
Photograph - FAMILY PHOTO, 1890's ?
black and white photo: seated male and female with three girls ( daughters ? ) in foreground. Seated outside, in background paling fence, longish grass surrounds group. Male dressed in black coat, white shirt, bow tie. Female - long dark dress, hat, holding fern frond in hand. Three girls, dark dresses, large hats.Mac Korumburraperson, family -
Bendigo Historical Society Inc.
Photograph - EASTER 1908 - TWO FEMALES IN TALBOT CAR, 1908
Sepia? Photograph on green board of W Beebe's 8-10 Talbot Car, Easter 1908. Bendigo car is decorated with paper flowers and streamers. Two female figures seated in front seat. Photo on dark grey mount. Inscriptions: Hand printed below image 'W Beebe's 8-10 Talbot car. Easter 1908, Bendigo'W Vincent Kelly, Mitchell St., Bendigo.person, group, easter procession -
Churchill Island Heritage Farm
Functional object - Horse drawn grader
Yellow and red horse-drawn grader attached to an unpainted wooden pole. Four steel wheels connected into pairs by axles are linked through the long arched metal piece, where a seat, crank, and levers are attached for easy use. The grader itself sits directly below the seat, and consists of a length of metal perpendicular to the ground, designed to move and level the ground. farm, machinery, grader, road making, horse drawn, churchill island -
Bendigo Historical Society Inc.
Photograph - CORNISH COLLECTION: COPY OF PHOTOGRAPH -WEARNE FAMILY
COPY OF PHOTOGRAPH -WEARNE FAMILY - Four people are identified in the reproduction of this photograph of approximately 40 children and adults seated and standing in garden setting: ''Seated No 5 & 6 - John Wearne, Ann Catherine Penaluna; No 7 - William John Wearne; No 8 - Katherine Wearne, wife of William John Wearne''. (Identification in terms of attached handwritten note as above).person, family, wearne -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Bulmer H D, 1943
Also two larger copies, 11.5 x18 cm and 17 x 25.5 cm|Also an original in good order 02269.04|This is the before paired photograph used in the 150 year Lakes Entrance 1858-2008 display.|The after paired photograph number 02269.1|Also one 12 x 16 framed photograph used in room display.Black and white postcard of the timber lookout tower on Jemmys Point, Lakes Entrance, Victoria, showing the lookout between the old lookout tree, and the steel signal light tower. Below the lookout is a timber shed built during WW2 when tower was used by Kalimna Air Observors Corps. In foreground is a wooden seat replacing the old log shelter and seat.Jemmys Point Lakes Entrancenavigation, room display -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Conference of Australasian Chaplains, Melbourne, 1936, 1936
The photograph is a record of a historic conference of MTS representatives from Australia and New Zealand. , September 1-3 , 1936: Revd Wm Hoog (Brisbane) Revd W.H. Terry (Port Pirie) Revd H.C Cuthbertson (Adelaide) Revd W.R. Tyler (Melbourne) Mr J.W. Neill (Melbourne) Revd. F. J. Evans (Sydney) Revd Frank L. Oliver ( Melbourne MTS) F W Melbourne (Archbishop F W Head 1929- 1942) Mr J.C. Grahame (Hobart) Rev B.J. Williams ((Wellington NZ) Rev J.C. Clift (Fremantle) From the Argus (Melbourne, Vic. : 1848 - 1957), Saturday 5 September 1936, page 34: "For three days this week chaplains of missions to seamen in different ports of Australia and New Zealand met in conference in Melbourne. Bishop Stephen, chairman of the executive committee of the mission in Melbourne, presided over the conference, which was opened by Archbishop Head celebrating Holy Communion in the Chapel of St. Peter at the mission. Among the questions considered was the problem of foreign vessels, from which nothing is contributed toward the support of the missions. It was felt that there was great scope for work of an international character, and that every effort should be made by the chaplains to bring men from the ships of different countries together. The chaplains said that many thousands of men from foreign ships attended the mission institutes. Efforts will be made for more contact to be made with men on coastal ships, and commendation of men from one port to the next will ensure that the needs of men are cared for as well as possible. An ordained chaplain will be sent from London for a new mission at Geraldton (WA), and a new mission will also be opened at Port Kembla (N.SW.). The chaplains will endeavour to obtain police cooperation in keeping docks and wharves free from undesirable persons. It is hoped that an effort will be made to seek the co-operation of the port authorities in order to ensure the pos-sibility of ships being allowed to be alongside during week-ends and public holidays without having to face the full port charges. To avoid the heavy charges the ships now anchor in the bay during week-ends and public holidays. Melbourne was chosen as the central port for Australia for supplies for mis-sions to seamen, and it was decided that the conference should be held every three years, in Melbourne. The last was held 11 years ago." The photograph was published in the 1936 Annual ReportThis photograph is representative of the relationship between the Mission to Seafarers Victoria and the Anglican Church. Reverend Frank Oliver served as Chaplain at the Mission to Seafarers Victoria from 1930 - 1960. A gift of £20,000 for the rebuilding of the Port Melbourne institute, which was old and dilapidated, was announced at the conference. Black and white photograph mounted on cardboard with border detail on the front. The photograph is of eleven men, five standing behind six seated. Nine of the men are wearing clerical collars and two are in suit and ties. The photograph appears to have been taken in the courtyard of the Mission to Seafarers Victoria, at 717 Flinders St. Each of the people in the photograph appears to have hand inscribed their names/ signatures on the lower edge of the mountboard.Top edge of mountboard title of occasion and photo in Black ink all upper case: (see title details this record); Lwr edge first line corresponding to back row of group: 'REv Wm Hoog (Brisbane); Revd W.H. Terry (Port Pirie); Rev H.C Cuthbertson (Adelaide) ; Rev W.R. Tyler (Melbourne) ; Mr J.W. Neill (Melbourne) : / Lwr edge second line corresponding to front row seated: "Revd. F. J. Evans (Sydney) ; Revd Frank L. Oliver ( Melbourne MTS); F W Melbourne (Archbishop F W Head 1929- 1942); Mr J.C. Grahame (Hobart); Rev B.J. Williams ((wellington NZ).; Rev J.C. Clift (Fremantle); courtyard, chaplains, archbishop melbourne, mission to seafarers, flinders street, frank leslie oliver, conference, australasian chaplains, anglican church, reverends, australia, new zealand, 1936, seamen's mission, chaplains group, chaplain conferences -
Orbost & District Historical Society
black and white photograph, C1888 -1889
This is a photograph of the Saunders Family at Orbost 1888-89. It is Arthur and Agnes Saunders with their children, Beatrice, Cyril, Hilda and Vera. Arthur Scott Saunders was born 1864 in Orbost and died 3.12.1913 in Orbost where he is buried. He was the son of Son of Thomas Frederick Saunders and Lucy Beard Scott. He was a storekeeper at Orbost, a member of the early Show Committees, a Rechabite in 1893, and was a member of the Board of Guardians of the Church of England from 1894 to 1913 where he served as secretary and treasurer of the Board. His wife was Agnes Louisa Stuart Morriss who was born in 1862 and died 26-11-1938 at East Malvern and is buried in . Orbost cemetery. She sold the business in 1919 to Mr J. H, V. Dale. She left Orbost with her two daughters for East Malvern in April 1927. Saunders General Store was opened in 1900, overlapping part of the present Mensland and Coultons. The ―Melbourne Store‖ refers to it being a branch of their Melbourne store. The shop was burnt down in the early 1930‘s. ( info. from Saunders Family Newsletter by John Phillips)This is a pictorial record of a prominent early Orbost family and is a useful research item.A black / white photograph of a family group with the parents seated and their children standing around them. In the background is a wooden fence. It is on a beige coloured buff card.on front - "Saunders family at Orbost" on back - " Saunders family at orbost, 1888 - 1889"saunders-orbost -
Bendigo Military Museum
Photograph - POSTCARDS / PHOTOGRAPH WW1, c.1918
Photos relate to Sgt Michael Sydney Boyle No 3464, 21st and 60th Batt's AIF. Refer Cat No 2032.3P for his and his 2 brothers service history. .1) Postcard - Group of Sergeants in gardens .2) Postrcard - Group of 7 in uniform outside building .3) Photo - 2 nurses & a seated soldier.1) “ Syd Boyle 60th Btn, right rear” .2) “Sent from France, tall man at rear at Le Harve Convalescent Depot. Father of Mrs Trahair”photography - photographs, documents - postcards, boyle -
Phillip Island and District Historical Society Inc.
Photograph, Early 1900's
One of 23 photographs from the Jessie Smith Collection. Donated by Stan McFeeBlack & White photograph of a group or approximately 80 people seated and standing on lawn. Group from the Isle of Wight Hotel. Trees behind them.On back: "Group from Isle of Wight Hotel"isle of wight hotel patrons, phillip island, cowes phillip island, jessie smith collection, stan mcfee -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - CEMA Arts Centre Auditorium Portland, Victoria, 1990s
Coloured photo. Interior view of CEMA Arts Centre auditorium, taken from rear right. Orange seats, stage with baby grand piano -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Henty Beach, Portland, n.d
Black and white photo. Henty Beach, Battery Point and Fishermen's Breakwater in background. Second Baths on left, in disrepair, two bench seats on grass.Back: Handwritten letter to Mrs. Vivian, from Glad. at 'Kooringa'portland, henty beach, public baths, portland public baths -
Halls Gap & Grampians Historical Society
Photograph - Sepia, C 1909
Grampians halls Gap at Stoney Creek Dredge. The site of the Stoney Creek diggings was in the upper catchment area of the creek, beside Silverband Road. For further information see: 'Bridging the Gap' by Ida Stanton, p. 49 and 'Victoria's Wonderland' by Halls Gap and Grampians Historical Society, p. 41.Photo shows eight men seated, two standing, 3 tents in background. 2nd right Alfred D'Alton 4th Right James Oliverwater supplies, d'alton, water supplies, channels -
Halls Gap & Grampians Historical Society
Photograph - B/W, C ?
This photo has been copied from an article in the Weekly Times. The falls were in the Roses Gap area and there was once a track leading there. It is probable that the group went there by horse drawn vehicle.The photo shows a group of adults seated on a rocky outcrop at the base of a waterfall, in bushland beside a running creek (at left of photo). All are dressed formally.scenery, waterfalls -
Victoria Police Museum
Photograph (uniform, female)
Back row (l to r): Ellen Jagoe, Selma Snell, Jean Coutts, Flo Miles. Front row (l to r): Jane Ford-Lloyd, Elva Carr, Chief Commissioner Duncan, Anne Palmer, Jessie ArnottGraduation photograph from 1950 showing the full complement of uniform of Victorian women police. Chief Commissioner Duncan is seated in the centre of the front row.police women, uniform, duncan, chief commissioner, carr, elva, graduation -
Victoria Police Museum
Photograph (police car)
A Wireless Patrol car with driver inside Studebaker outside a brick house with a picket fence. Two young boys are standing to the right and an unidentified person is sitting in the driver's seat. Circa 1964police vehicles; wireless patrol; motor transport branch; motor transport section; studebaker car -
Orbost & District Historical Society
chair
Editor's chair. Used by Mr Billy Ross, proprietor of "Snowy River Mail". Donated by Mr George Hollins, later proprietor of "Snowy River Mail". William Ross (1868-1957) was editor of S.R.M. for many years. He was also a talented musician, Presbyterian church organist. Married Jessie Gray. Brought up Jean,Les, Dave, Keith Gray.Since 1890 the Snowy River Mail has been the local newspaper of the Orbost district.This local paper has been the means by which readers in Orbost were able to learn about newsworthy events and issues in their local community for over a centuryLarge round carved wood and leather arm chair on metal swivel. Wooden leg supports. Padded seat - probably horsehair. Spring suspension.On back of head rest - cut out 3.chair chair-wooden billy-ross snowy-river-mail -
Flagstaff Hill Maritime Museum and Village
Chair
Chair, bentwood, painted black, inner back is curled loop, Under rim of chair seat area is remnant of paper label "2 9" Remnant of paper label under chair "2 9"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bentwood chair -
Federation University Historical Collection
Photograph - Black and White, Frank Wright in Academic Gown, 7/6/1919
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photographic postcard of a seated man in academic gown and cap. The man is holding a cornet in his right hand. The man is Frank Wright.Handwritten in pen on front - Frank Wright 7/6/1919. On Back - Stamped - Richards & Co, Photo, Ballarat; Post Card - Handwritten - Frank Wright A.L.C.M. (Pupil of Percy Code) Passes A.L.C.M. Exam 7th June 1919 with 98 out of a possible 100. Awarded Gold Medal for the highest number of marks in the British Colonies At the age of 17 years.frank wright, academic gown, cornet, percy code, ballarat -
Federation University Historical Collection
Photograph - Photograph - Handcoloured, Laura Ricthie and child at "Laura Villa"
Laura Ritchie was the sister of Frank Wright who was a renown resident of Smeaton, She was a gifted viola player and won the Australian Violin Championship. They lived at Laura Villa, and attended Smeaton State School. Frank's father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. Hand coloured photograph of a woman with a baby on her lap, seated on a path in front of a cottage with a picket fence. The woman is Laura Ritchie nee Wright.frank wright, cornet, conductor, ballarat, laura ritchie -
Federation University Historical Collection
Photograph - Photograph - black and white, Bawden, Photographer, Clunes, Studio portrait by Bawden, photographer, Clunes
Black and white photograph glued onto card showing a seated man holding two young children. Probably members of the Pickford Family, Cluneschatham-holmes collection, clunes, children, bawden, pickford family -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - William Sweetland, K. S. Anderson and Theo Jarrett, William Sweetland, K. S. Anderson and Theo Jarrett, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: PHT + PPA/ Chairmen (blue pen, centre left) Bill Sweetland/ KS Anderson/ Theo Jarrett (blue pen, centre)port of portland authority archives -
Bendigo Historical Society Inc.
Photograph - SMALL PHOTOGRAPH OF 3 CHILDREN
Small sepia photograph of 3 children, gender unknown, 2 standing 1 seated on chair, photographer unknown. Initials MB in ink on back.photograph, portrait, group -
Port Melbourne Historical & Preservation Society
Photograph - Unidentified couple, Australian Photographic Coy, Morrison and Perrot
Sepia photograph of an unidentified couple. Woman in dark dress with white collar is seated. Man standing with hand on back of chair has a beard and moustacheMorrison & Perrott (in script). Market buildings - Bay street - Port Melbournefamilies, business and traders, morrison & perrott, market buildings