The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This telescope belonged to Louis Haeusler (b.1878) and is one of the many objects in the Haeusler Collection that represent home and social life in early twentieth century Wodonga. It was manufactured by The Union Mfg [manufacturing], & Agency Co. in Melbourne. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Australian made telescope covered with a faux shagreen paper. Extends to three and a half feet long, with a five to ten mile sight range. On front of paper booklet: "TELESCOPE TALK/SOMETHING TO LOOK THROUGH/The Union Mfg, & Agency Co./299 ELIZABETH STREET,/MELBOURNE"telescope, recreation, family, haeusler collection, haeusler, wodonga

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This photographic equipment belonged to Louis Haeusler (b.1878) and is one of the many objects in the Haeusler Collection that represent home and social life in early twentieth century Wodonga.This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. Black box shaped camera with carry handle from the early twentieth centuryOn front of camera "FILM & PLATE CAMERA AUSTRALIA"/On adjustable settings "5 8 11 16 22 32"/BAKER & ROUSE PTY.LTD AUSTRALIA"photography, photos, photographic, photographs, family photos, family photography, darkroom photography, dark room photography, wodonga, haeusler collection, haeusler

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The photographic equipment in the Haeusler Collection belonged to Louis Haeusler (b.1878). Louis’ photographic equipment is among the many objects in the Haeusler Collection that represent home and social life in early twentieth century Wodonga.This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A photographic exposure record book with a green cover. Inside are pages for recording exposure information, an exposure calculator and various black and white photographs. The record is signed with the names of two owners. On inner front page "L. Alf Haeusler/Wodonga"/"W.R. Steele/High Street/ Croxton".photograph, photographs, photography, exposure, haeusler collection, wodonga

A brown leather wallet containing a copy of the Australian Soldiers' Pocket Book. This book was given to soldiers and other servicemen during WW2. This pocket book has a bright red cover and contains details of relevant information considered useful to serving service personnel.non-fictionThe Australian Soldier's Pocket Book was a small publication with a red cover. It was designed to offer useful information to Australian Soldiers, serving at home and abroad during World War 2. The book was a gift from the A.C.F. (Australian Comforts Fund) and was revised several times during the war. It contained approximately 125 pages of facts and helpful hints. The Australian Soldier's Pocket Book was originally compiled and issued in Victoria by the Victorian R.S.L. War Service Fund. It's contents included 'rules and regulations' and other content which varied according to the date of print. For example, this edition contained articles titled "The Laws And Customs Of War" and "Things a Soldier Should Know". world war 11, soldiers' handbook, australian comfort fund (acf)

Sad irons, also called flat irons or smoothing irons, are shaped pieces of metal that are flat and polished on one side and have a handle attached to the other, created for the purpose of ironing fabric. “Sad” is an Old English word for “solid,” and the term “sad iron” is often used to distinguish the largest and heaviest of flat irons. They often had a trivet on which to rest the hot iron. These irons are representative of domestic appliances used prior to the advent of electricity in the home.A pair of triangular flat irons. They are made of solid cast iron with hollow iron handles. Flat irons were commonly heated on trivets in front of open fires, or on the tops of closed ranges. They were made in numbered series which related to their size, but there did not appear to be any standardisation in the series between manufacturers.domestic appliances, flat irons, sad irons

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. A timber house with a corrugated iron roof. Two dogs standing at the front. The house is typical of pioneer homes in the Wodonga district Circa 1910.wodonga pioneers, haeusler family, glass negatives, dry plate photography, pioneer housing wodonga

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. Parker Family - Samuel Skelton Parker, Jack Parker’s father, migrated to Australia from Ballymena, Country Antrim, Ireland in 1884. He married Bridget Cusack from County Clare in 1883. They had children William, James, Jack, Samuel and Rachel. After working on a station in northern NSW, they moved to Barnawartha and set up a butchery and later a bakery. In 1890 the family moved to Wodonga, buying a property in West Wodonga, which he called “Park Hall” after his home in Ireland. The property is now the location of the Wodonga Golf Club in Parkers Road, West Wodonga.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. Jack Parker and his pony in the centre front of the image. Jack taught this pony to perform several tricks. The Parker family home and some outbuildings are visible in the background. This is a substantial brick house with corrugated iron roof.wodonga pioneers, haeusler family, glass negatives, dry plate photography, parker family wodonga

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. Parker Family - Samuel Skelton Parker, Jack Parker’s father, migrated to Australia from Ballymena, Country Antrim, Ireland in 1884. He married Bridget Cusack from County Clare in 1883. They had children William, James, Jack, Samuel and Rachel. After working on a station in northern NSW, they moved to Barnawartha and set up a butchery and later a bakery. In 1890 the family moved to Wodonga, buying a property in West Wodonga, which he called “Park Hall” after his home in Ireland. The property is now the location of the Wodonga Golf Club in Parkers Road, West Wodonga.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. Two men in front of a haystack, working on the Parker family farm in Wodonga West. C. 1910wodonga pioneers, haeusler family, glass negatives, dry plate photography, parkers wodonga

Stonleigh is one of Wodonga’s earliest buildings and stands on land granted to Daniel Rhodes in 1854, in one of the first land sales conducted in Wodonga. The building commenced soon after with the stone walls being 18 inches (46cm) thick. It was a four-room granite rubble stone building with central door and a window on either side, with a separate kitchen, as was typical of the worker's cottage of the day. The original roof would have been shingles but it was replaced with corrugated iron. It passed through several owners including Paul Huon in 1858. Peter Tenner, a farmer and vigneron took over in 1866 when it was described as “built of stone and having a cellar and a detached kitchen plus outside toilet, and a shed or two.” In the late 1880’s it was owned by William Smith who had come to Wodonga as a missionary for the Presbyterian Church and who, together with John Whan, storekeeper, was instrumental in building the Presbyterian Church nearby. Between 1890 and 1910 further buildings were added, consisting of double brick walls, two bedrooms, kitchen, laundry with brick and copper, bathroom and side verandah. William Smith established Wodonga Cordage Works in the Stonleigh buildings. The front room of the house was the display room for the business which manufactured and sold fishing lines, various types of cordage and water bags, the latter being of hand-sewn canvas. After 1954 Stonleigh became a bottle depot and bottle museum under ownership of Ramon Porta. At one stage he had over 50,000 bottles on display. In 1991 it was purchased by Mark Fraser, a cabinet maker, who made extensive renovations at the rear of the premises and internally, but left the façade untouched. Over recent times, Stonleigh was the home of several business including a florist, a patchwork maker and a café. Stonleigh was sold in 2021 and is now a private residence.These images capture one of Wodonga's oldest buildings.A series of photos, both colour and black and white, showing the building "Stonleigh' at different periodsstonleigh wodonga, old buildings wodonga, wodonga businesses, wodonga pioneers

Henry Richardson came from England in 1852 and this was his home from 1871 to 1888. His son Henry, better known as Harry, managed the property from 1888 until his death in 1926. The property was sold in 1932 and has been known as Old Barnawartha for over 140 years. The homestead exhibited no particular style, it looked like a Cornish Miner’s cottage, and appeared as if pieces were added on as the need arose. The property is well known for topping both sheep and cattle sales at Newmarket.This item is significant because it depicts the home of an early Wodonga District pioneerA black and white image of an old homestead. There is a white picket fence across the front of the building.old barnawartha, early settlement, wodonga and district

From 1870 onwards discussions took place in Wodonga concerning the best location for a building to house and reorganise the holdings of the Wodonga Literary Institute and Free Library. The Literary Institute, originally the Belvoir Literary Group, had been formed prior to 1861 and changed its name with the renaming of the town in 1869. In 1873 a meeting was held to consider the re-organising of the Wodonga Literary Institute and Free Library as “there were a goodly number of valuable books and other property belonging to the Institution but they were not used, and it was a pity to see such valuable works and sketches shut up in a back store getting spoiled”. In October 1885 the Wodonga and Towong Sentinel reported that the Wodonga Athenaeum and Free Library committee were seeking a grant of £200 to add to the £200 already paid to purchase Hellerman’s buildings. In October 1886 the Wodonga Athenaeum in Hume Street was officially opened. It was designed by Gordon and Gordon, architects, and built by Stewart Bros. This building continued to house the Atheneum and its collection until 1915 when the new library in High Street was built. In 1916 the Athenaeum building was moved on drays drawn by Clydesdale horses, to 153 Lawrence Street and used as a private home since. The building is heritage listed. This image is one of a collection of glass negatives taken by Robert Prentice. The negatives are clearly identified as he inscribed in the glass a back-to-front capital R (Я) on to which was joined a capital P creating his mark ЯР. On the glass he would also scratch the name Prentice where he could, in this case along the bottom of the picket fence.This image is significant because it housed the Wodonga Literary Group and Free Library, the first library building in Wodonga.Black and white image of old wooden house with tin roof. Trees and a picket fence are at the front of the house.Written below picket fence: Atheneum Wodonga, Prenticewodonga literary institute and free library, atheneum wodonga, belvoir literary group, robert prentice

Image 1: "de KERILLEAU" - Alongside Wodonga, home of the Watson family, was built by Charles Huon de Kerilleau, founder of the Wodonga Run. Huon took up his country in 1836, living then about 13 miles from the present homestead, the front portion of which was built about 1870. The actual age of an earlier portion is not known. Excellent for "Barmagulla". Image 2: "THE HERMITAGE" - Home of the Taylor family, is 13 miles from Wodonga. It was begun in 1852 and finished in 1854, and is the oldest occupied home in the area. The original atmosphere of the interior is maintained. As "Gooloora" its little balcony would provide a splendid vantage point for MacLough's speech. Image 3: Murray River Country above Granya, Victoria Image 4: Looking over Murmungee from the Buckland Gap near Beechworth, VictoriaThe album and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Coloured photos of venues suggested as settings for filming of the series. des martin, many a mile, ringer's river, northeast victoria stories

The Housing Commission of Victoria (HCV) was established by the Victorian Government in 1938 after a public campaign for housing reform. After 1942 the HCV was responsible for developing regional and outer suburban housing estates where low-income families were located in proximity to expanding population areas and post-war industries. With greater funding and a severe housing shortage, the Commission's activities greatly expanded through the late 1940s into the 1950s. They began to build larger and larger estates of housing in the suburban fringes, as well as country towns The Housing Commission was largely responsible for the development of Wodonga up to 1973 and in 1975 was said to have built one-third of all homes in Wodonga, though many of these were handed to the Army. Criticism of the bureaucratic and undemocratic nature of the Commission and scandals over corruption in relation to housing developments in Melbourne's fringe areas resulted in the disbandment of the HCV and the formation of a Ministry of Housing in 1984. The work of the Housing Commission of Victoria allowed many people in Wodonga to acquire affordable housing and pay it off over time through monthly instalments. This booklet is of local and state significance as it is evidence of the role of the Victorian Government is providing access to affordable housing. It supported the development of Wodonga and the realisation of the "Australian dream" of home ownership.A small receipt book issued by the Housing Commission of Victoria to record payments and receipts for tenants who were purchasing their home through the Housing Commission. Monthly installments allowed people to access and purchase, affordable housing. On the front cover "Housing Commission/VICTORIA/ HOUSE PURCHASER'S/ INSTALMENT/RECEIPTS"housing wodonga, housing commission of victoria, public housing wodonga

KEVIN ‘BOOFA’ INNES By Lucy McCormick Kevin was a member of the celebrated Innes clan from Inglewood, in Central Victoria. “I think the first Innes’ came to Inglewood in 1851. My daughter used to say she can’t marry anyone from Inglewood, because she’s related to them all,” says Kevin. ‘Boofa’ is enjoying some well-earned relaxation on the couch after breaking a kneecap six or seven months ago in a track work incident. Not that it seems to be bothering him too much; he’s got plenty of time to keep up with the trots on television. “I do follow them,” Kevin says. “I don’t miss many, and I do have a bet. I like to sit in the chair and drive a race as much as anyone.” With an illustrious career both as a trainer and in the sulky, it’s a safe bet that Kevin Innes is a more than handy ‘grandstand driver’. His name is associated as a trainer/driver with many handy horses, including Lea Sands, Imatoff and Stormy Morn to name a few. Kevin is typically circumspect about his bigger triumphs, however that doesn’t seem to be what interests him the most. “I’ll tell you something,” he declares, doing just that, “I like winning with the horses that were no good. Some people never get a good horse. Imagine that. Luck is a very, very important thing. You have to have luck to buy a good horse at the sales, to get it going, keep it sound, find a race for it, find and owner and get a draw. And they still make a liar of you.” Funny, interesting or quirky stories seem to be of greater interest to Kevin, such as the time he had a strong chance in a standing start race – the favourite in the race being his only worry. “I told the owner it only had a 20-metre handicap – I couldn’t beat it off that,” he remembers. “So I was leading, waiting for the favourite to run past me. Toward the finish, I heard it coming, and it ran straight past all right – minus the driver. He’d fallen out of the cart and I won the race. Just lucky.” The Innes family have always been heavily involved in one sporting pursuit or another – Kevin himself being a champion bike rider of his time. “My Uncle Roy was a good bike rider, so he dared me to have a go. It turned out I was quite good at it as well.” So good, in fact that for many years Kevin was able to make a living from bike riding, riding the ‘board track’ for many years. “We trained hard. Bike riding was very big back then, we’d train and ride three or four times a week.” Kevin’s riding career spanned four Herald Sun Tours, a Warrnambool to Melbourne and a Sydney to Melbourne race, to name a few. “It definitely gets you in – it was long hours,” he muses. “But like anything, horse racing included, you only get back what you put in. We trained hard. I never drank, and I still don’t. I’ve seen that many athletes, great ones too, brought down by alcohol.” Lucky with injury too, Kevin can only remember a sore ankle – as well as the requisite scrapes and abrasions from tumbles on the wooden boards of the velodromes. He still enjoys watching all the big bike races when he can. “You can watch them race all over the world – France, Sweden, Germany. “To be honest I sit up and watch them with my son and we get just as much of a kick looking at the countryside than anything else. It’s so different to when I was racing.” Betting on the bike racing was big in Kevin’s day as well, and some of the bookies Kevin saw betting on the bike racing, he saw at the Showgrounds betting on the trots on a Friday or Saturday night. “Racing was different back then. There would be twelve thousand people at the showgrounds – they don’t have to come anymore, it’s just as easy to watch it on the TV.” Kevin remembers in those days that drivers had to ‘weigh in’ as well – everyone who drove needed to weigh ten stone (just under 65 kilograms). It’s something he remembers fondly. “I know not everyone will.” Kevin won’t be drawn on the subject of favourite drivers, either. “Look. Driving is different now. No disrespect to current drivers, but you had to think a lot more on a three furlong track than they do now on the bigger tracks. You had to drive with brains. And I really believe that good horses make good drivers. The horses are very good these days. Today’s drivers – your Gavin Langs, Chris Alfords – they’re thinkers, and brains will beat brawn every time. The girls are just as good now too. You only have to look at Kerryn Manning.” A garrulous and popular character, Kevin has trained horses for the likes of legendary Richmond player Jack Dyer, and also spent his fair share of time hosting sportsman’s nights, holding his own with the likes of Ron Barassi. On one such night, they had flown in a light aircraft to their destination. During their show, Kevin noticed their pilot, sitting in the front row, laughing appreciatively. There was one problem. He had a beer in his hand, and was consuming it with some enthusiasm. As the night wore on, the pilot became more and more inebriated, and Kevin became more and more disturbed, knowing that this was the same pilot who was to fly them home when they finished. Unbeknownst to Kevin, however, the flight had been cancelled and the pilot hadn’t told anyone, instead deciding to take full advantage of his client’s hospitality. For now, Kevin is happy living in Inglewood with partner Barbara. Son Grant and daughter Carla aren’t far away (both work at the Bendigo Harness track, and Carla has held both a trainer and driver’s licence). His granddaughter, Barclay Sands, was born on the same day of the demise of their star performer, Lea Sands, and may give the biggest hint yet just how important the world of harness racing is to Kevin ‘Boofa’ Innes. Blue with white yolkKevin Innes embroidered on left side chestkevin innes, k innes, bendigo harness racing club, bhrc, bendigo, horses, race colours, trotting, pacing, harness racing

Sometimes called a sweetheart postcard, it was a way of sending thoughts to the troops overseas. The printing on the rear implies it was sent with a hamper to the troops overseas. The text and poem on the front says : 'Like the boomerang may you quickly come back. / To wish you a Speedy, Safe and Sure Return. This hamper is sent you with greetings sincere, And the hope that its contents will bring you "good cheer"; While you're doing your bit, we are thinking of you And we'll welcome you home when you've seen the job through, In the meantime just send us a message to say You've received this all right if you find it OK.' Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920.A record of correspondence with the troops in World War 1 and sending good wishes with a hamper. This type of experience would have been familiar to the first Legatees as they had served in World War 1.Postcard with a boomerang stapled to the front, also the image of a kookaburra.Printed on the back is' Postcard / Per Hamper Mail / From Griffiths Bros, Syd / To An Australian Hero / on Active Service ABROAD'world war one, war correspondence

Mrs Winifred Fotheringham who helped launch the 1990 Legacy week as she was the oldest Legacy widow and had reached 101 years of age. She was taken to the new building at 101 Collins St to promote Legacy Week. She arrived in a Rolls Royce with Legatee Peter Boulter and was given flowers and chocolates. Photos show them on a tour of the building which at the time was going to be the tallest in Melbourne. Photos were in a scrapbook of photos spanning 1983 to 1991.A record of the type of activities Legacy provided as a social outlet for widows and fundraising for Legacy. Colour photo x 4 of Mrs Fotheringham being taken to 101 Collins St and a white paper label about the event.White paper label with black type ' 101 year old Legacy widow, Mrs Winifred Fotheringham received star treatment from . . . 101 Collins St. Arriving in a rolls royce (with her Legatee Contactor, Peter Boulter) Winifred received a bouquet of flowers, a huge box of chocolates and was given a VIP tour of what will be the tallest building in Melbourne. In her inimitable style, once back at the nursing home, she passed the chocolates around for all to share and gave the flowers to the front desk so that, again, all the residents could enjoy their beauty.'widows, fundraising, legacy week

Two photos from an album belonging to JB McLean, of his voyage home from World War 1 in 1920 on the Ceramic. The photos shows the front section of the Ceramic with some passengers. The Ceramic departed Tillbury, UK 12th March and docked in Freemantle on 27th April 1920 and then went onto Adelaide, Melbourne and Sydney. The Ceramic was a transport vessel built in Belfast in 1913 for the White Star Line to transport frozen produce and apples from Australia to UK. It was taken over by the Australian Government for troop transport in October 1914 and could carry over 3,000 troops. This trip in 1920 there were 1467 on board, there were women and children as well as 439 soldiers returning home, one of whom was John 'Basil' McLean. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.A collection of items from John Basil McLean is in the archive. Kept as an indication of what founding legatees experienced in World War One and what they saw on the way home.Sepia photo x 2 of the forward section of the Ceramic glued to black cardboard in an album of photos from 1920.Handwritten caption 'Looking forward' in white ink.souvenir, world war one, jb mclean, ship, ceramic

Photos of a Legatee receiving a service certificate of appreciation from President David Ford and two other legatees. It appears to be at a nursing home. Names unknown.A record of appreciation of a Legatee's service.Colour photo x 2 of a Legatee receiving a certificate.Written on the back "Nov 03" in blue pen, on the front is the camera date of 3/12/03.legatee, service award

B&W photo of Bert (Gilbert William) and Minnie (Williamina Wilson) Sutton (daughter of Charles Macauley and Minnie Gray) standing outside their original home in Belgrave Heights. The photo shows the couple standing at their post-and-wire front fence at their property in Lockwood Road. The house was next door to Edward's store. Bert is in shirtsleeves and Minnie is wearing a cardigan over a dress. Their house is a single gabled house of weatherboard and fibro sheeting with an L-shaped open verandah. After purchasing the house Bert altered it, eventually enclosing the verandah and turning it into a sleepout. The house has been extensively altered since but is still standing in Lockwood Rd. The block is treed and the garden appears to be rather wild. A tiled roofed building is behind the house and to the left, possibly a garage. On the nature strip in front of the Suttons' house is a wooden bench, and attached to a tree are the signs, "Lockwood House" (with a hand pointing right), "To golf links" (with an arrow pointing right) and "Central Park Tennis Courts" (with an arrow pointing left). The sun is shining. Bert, who was a carpenter, died in 1969 and Minnie died in 1977. Copy of original photo donated to our society by Kath Oram, a founding member.

The chinese called the rich goldfields in the heart of Victoria Dai Gum San, Big Gold Mountain. A place of untold wealth and promise. Today Dai Gum San is a rich Chinese Cultural Centre and Chinese precinct in the centre of Bendigo which links the Golden Dragon Museum with the Yi Yuan Gardens and Kuan Yin Temple. The gardens are a place of peace and beauty and the Kuan Yin Temple is a stunning home for the goddess of compassion.Squarish piece of quartz with printed plaque attached to front face. Dai gum san / In appreciation of your contribution / to the development of the / Bendigo Chinese Precinct / August 2010dai gum san, bendigo chinese dragon, golden dragon museum, city of greater bendigo heritage attractions

This homestead was built by Charles Griffith on a 55,000 acre Run. It replaced an earlier dwelling which was a slab hut with a bark roof. Charles Griffith, an Irish barrister, with his friend, James Moore, settled on Glenmore Station in the Parwan Valley in 1840. Their partnership lasted until 1848. In 1846, whilst in Ireland, Griffith married Miss Jane Catherine Magee, then returned to Glenmore and later took his nephew, Molesworth Richard Greene, into partnership, which arrangement proved to be long and prosperous. In 1857, they bought runs at Mount Hope and Mount Pyramid, which they kept until the days of free selection. Griffith led an active and successful public life.He was a member of the new Victorian Legislative Council in 1851, and was later an elected representative of the Legislative Assembly 1853-1859. He occupied many important public positions, including that of magistrate for Bacchus Marsh. Griffith was a devout Anglican and hosted Bishop Charles Perry at his station near Bacchus Marsh in 1849. He died in 1863 at his home in South Yarra.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The photograph shows a view of an extensive single-storey homestead consisting of three adjoining buildings, with a further building on the left of the main property. The series of three buildings is built in an elevated position, with pathways leading through a garden. At the front there is a vegetable garden which seems to be still in a state of development. The main house, possibly of brick, is set at an angle to the other two in this complex. It has a hip roof with a concave verandah on two sides with arched barge boards and simple unadorned pillars. There appears to be a hammock slung between two pillars. Two chimneys can be seen on this dwelling.The adjoining building is of a simpler design, with a lower roof line and a verandah running along the front. Two chimneys can be seen, one emitting smoke. This middle building may be a kitchen and rooms for day-to-day use. The third building is also of a simpler design, with a gable above a verandah. The purpose of this building is less clear. The different styles of construction suggest that these buildings were built separately at different times for different purposes. To the left of the main group of buildings is another cottage, smaller and of a simpler design. A fence runs along the front, clearly separating this building from the others, suggesting it may have been the dwelling of an overseer.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, farms bacchus marsh, charles james griffith 1808-1863, glenmore station

The building was the residence of the engineer who was responsible of managing the early electric supply that was installed in Sunbury in 1909. The town's power supply put an end to gas lighting that had been used and homes had the benefit of having electricity connected to their homes. In 1926 the State Electricity Commission took over supplying electrical power to Sunbury. The cottage is now a private home and the power house building has been demolished. he complex occupied land on the corner of Jackson and Shields Street.At the time the electric supply was installed in Sunbury in 1909, few small country towns had electric power connected.A non-digital scanned coloured photograph with a narrow white border of a small double fronted wooden cottage with a corrugated iron roof with trees growing behind the building.electricity, engineer's corrage, jackson street, shields street, power supplies

408 p.fictionjames dodds, original collection, fiction, thomas mayne reid

This black and white photograph shows the front view of the Ovens Benevolent Home with one person sitting on a bench seat against the nearest part of the building and another person walking on the grass. This photo is estimated to have been taken in the early 1900’s when the Ovens Benevolent home would have still been fairly contemporary. According to Woods (p. 121) in the 1860’s the government spent considerable sums to establish several public buildings such as the Benevolent Asylum, the Hospital and Insane Asylum to support those in need of care in the area directly after the Indigo gold rush which had left Beechworth, a fairly remote regional and newly formed township (Gold was first discovered in Beechworth in 1852) with a number of infirm and destitute people in its wake and which due to the support and establishment of these facilities ‘made Beechworth a significant social welfare centre in Victoria’ (Woods, p. 121). Originally named the Benevolent Asylum, the building was renamed as The Ovens Benevolent Asylum in 1935 and again to The Ovens and Murray Home in 1954. The building construction began in 1862 and was unique in its features of Flemish Gothic Revival style which utilised red brick and granite, ‘the main facade is dominated by four curved, Flemish gable ends, […] incorporates paired windows of pointed Gothic form and dark brick diaperwork patterning. The adjacent J. A. Wallace Wing of 1899 was designed by Donald Fiddes as a separate building. Also constructed of red brick, Fiddes adopted a conservative approach, designing a simple domestic scale building with central projecting gable porch and flanking bull nosed verandahs.’ (https://vhd.heritagecouncil.vic.gov.au/places/118). Initially established to provide housing and care for aged, orphaned or widowed members of the population, over time the Ovens Benevolent Home focused more on the age care responsibility which functioned as such up until 2005.The Ovens Benevolent Home is significance due to its association with the early development of Beechworth. It shows the civic, social welfare development that took place in the town after the peak of the gold rush which helps to establish the character of the community being built at the time and their cultural values at play. This photograph also clearly shows the early functioning landscape of that building and its purpose as well as the significant elements of its aesthetic significance and unique and striking architectural forms of the building.Black and white rectangular photograph [copy from slide]Reverse: / 7588 /housing and care, aged care, donald fiddes, ovens benevolent home, flemish gable, brick diaperwork, photograph, black and white photograph, public building, benevolent asylum, indigo gold rush, beechworth, the ovens and murray home

White coloured information booklet about the Albion Hotel in Guernsey.'Your Home in Guernsey. Few minutes from start of bus routes. Boat Trips, Island Tours and the Airport buses. Perfect view of the adjacent islands. Situated on the Harbour front. Your comfort is the Proprietor's first consideration.'

The women in the photograph were members of the Sunbury Red Cross in 1915 and was taken during the years of World War 1 at 'Rupertswood Mansion' one of the Clarke family's homes. Over those four years the local people supported the war effort in many ways. School children knitted garments for the soldiers, Food parcels were sent away to the Front. Local events were held to raise money for the war effort. Many events supporting the war effort took place at Rupertswood and the Sunbury Red Cross frequently gathered at the mansion.On the Homefront members of the Sunbury community worked tirelessly to support the war effort and leading this movement was the local Red Cross.A non-digital sepia photograph with a narrow cream border of a group of well-dressed women posing for a photograph in front of a large mansion. A note on the back states that it is an original photograph which was taken in 1915. sunbury red cross, red cross, world war 1, rupertswood mansion, sir william clarke

Two guides or leaflets: 1. A Cherry Growing in Victoria Bulletin 67 from The Department of Agriculture, Victoria, Australia. Pp. 24. It has full details and photographs for cherry growing contributed by several writers. Advertisements for agriculture are inside the front and back covers. Price 3D. is printed towards the bottom of the front cover. 2. A very damaged four page leaflet titled, Fruit Spraying Guide for the Home Gardener compiled by two contributors, (Reprinted from The Journal of the Department of Agriculture, Victoria.) It has several tables for various fruits, diseases, symptoms and treatment. (It is reprinted from The Journal of the department of Agriculture, Victoria.) Two Invoices are included in this entry: 1. F.W. Britton & Son Timber and Hardware Merchants. Invoice No. 2441 12 June 1948 for three items sold. 2. An account Sales Note Barrow Bros. Commission Agency Proprietary Limited Produce & Dairy Produce merchants and Manufacturers in Melbourne. Four items were sold, plus cartage on 23.3.50.non-fictionThe Cherry Growing in Victoria booklet and Fruit Spraying Guide for the Home Gardener leaflet were useful for understanding how to grow the local produce in Victorian conditions at the time. dockets, receipts, sales records, leaflets, information sheets, information booklets, instruction leaflets, fruit growing, fruit pests

Woodlands Homestead is the building in the photograph and the people standing at the entrance must have been invited by the former Shire of Bulla to visit the property when it became a tourist attraction. Des. Dumbrell, the gentleman wearing the light safari suit and standing in the front was one of the local councillors when Woodlands was opened to the public in the 1990. The park later became a home for retired racehorses.Woodlands Park became a popular tourist park within the area with many varied attractions which include the prefabricated homestead, native fauna and flora and mt. Gellibrand, the highest point in the park. A non-digital black and white photograph with a cream border, of a partial view of the entrance to a homestead built from stone with a galvanised roof. Nineteen people are gathered as a group at the main entrance. A palm tree is immediately behind the group with larger trees in the background.woodlands park, woodlands homestead, oaklands junction, shire of bulla

The photograph was taken to welcome home the Sunbury men who had fought in overseas battles during World War 1.Those who were not wearing their uniforms had been discharged as a result of injuries but they were eligible to be included in the Welcome Home functions that took place after 1918.Many men from Sunbury enlisted in the defence forces during World War 1. Sadly some did not return while others did come home.A non- digital black and white photograph of a group of men with one little girl seated and standing in four rows in front of a large screen. Most of the men are wearing army uniforms, one is in a sailor's uniform and others are in civilian dress. world war 1, defence forces, sunbury