Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of cast exterior water pipe party obscured by vegetation.villa alba museum, conservation photographs, victorian architecture, drain pipes

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of numerous pipes, all installed during the period when the house was owned by the Royal Women's Hospital as a home for nurses (1950-1974). The pipes extended from a bathroom installed at the end of the first floor hall, running along the box gutter to the rear of the building. [The pipes were removed in subsequent restorations].villa alba museum, conservation photographs, victorian architecture, drain pipes, waste water

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of numerous pipes, all installed during the period when the house was owned by the Royal Women's Hospital as a home for nurses (1950-1974). The pipes extended from the roof and from rooms used as washrooms on the first floor.villa alba museum, conservation photographs, victorian architecture, drain pipes, waste water

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one of two arched entrances to the portico on the ground floor with the main entrance door. Above this raised portico is the central tower at the front of the house. villa alba museum, conservation photographs, victorian architecture, porticos, towers, romanesque revival arches

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one of two arched entrances to the portico on the ground floor with the main entrance door. The cement render is detailed to resemble stone block work.villa alba museum, conservation photographs, victorian architecture, porticos, towers, romanesque revival arches, cement render

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one of two arched, rendered widows with later additions such as exterior drain pipe and gate.villa alba museum, conservation photographs, victorian architecture, cement render, windows

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one corner of the slate roof with evidence of slipped slates, rusted and blocked galvanised guttering and encroaching trees. This section of the roof is in the north west corner of the house.villa alba museum, conservation photographs, victorian architecture, slate roofs, gutters

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one chimney on the south west corner of the house. The distinctive rendering of the chimney cornets with the welsh slates used on the roof. This chimney services the fireplaces in the dining room and the second and third bedrooms. villa alba museum, conservation photographs, victorian architecture, slate roofs, chimneys

The photograph taken by either Reverend or Mrs Weller depicts the interior of the Manse: sofas, rugs, artworks on the walls, and a barrister stacking bookshelf.chaplain, manse, sofa, bookshelves, rugs, wood floor, reverend john reginald weller (1880-1969), weller album

This patch is one of two patches attached to the interior underarm seams of jacket 0033.1, as a means of reducing staining from sweat of the wearer.Oval shaped patch formed from four pieces of material (four semicircles), overlocked around the circumference in cream stiching. Patches are cream in colour with brown staining throughout. Patches are cotton on one side and a resistant/treated fabric on the reverse. summer uniform, sweat pad, military uniform

This patch is one of two patches attached to the interior underarm seams of jacket 0033.1, as a means of reducing staining from sweat of the wearer.Oval shaped patch formed from four pieces of material (four semicircles), overlocked around the circumference in cream stiching. Patches are cream in colour with brown staining throughout. Patches are cotton on one side and a resistant/treated fabric on the reverse. summer uniform, sweat pad, military uniform

Interior view of machinery at Foster Valley Mill. Shows the winding (or twisting) machinery (where the spun yarn is threaded onto bobbins).Spinning machinery within the Valley Mill.T. Lockwood Lockwood / GEELONGtextile mills operation, valley worsted mill, winding machinery, textile mills - operation

Interior view of machinery at Foster Valley Mill. Shows the winding (or twisting) machinery (where the spun yarn is threaded onto bobbins).Spinning machinery in the Valley Mill.T. Lockwood Lockwood / GEELONGtextile mills operation, valley worsted mill, winding machinery, textile mills - operation

This truck was fitted out for use as an auxiliary ambulance in the Second World War. Photographs AHSV646 and 647 show interior stretcher layoutBlack and white photograph of commercial truck fitted with stretchers in the back THE MUTUAL STORE LIMITED FLINDERS STREET MELBOURNE 12.150second world war

Pamphlet - four fold full colour document on light card titled "Victoria at a Glance - 1990" with the interior view of a W6? tramcar and a photo of Alf Twentyman's cable tram set on the rear cover. Documents gives statistics for Victoria of the years 1979, 1988 and 1989. Produced by the Australian Bureau of Statistics. Photo of the W interior Brian Gilkes with acknowledgement to the National Trust. Photo of the cable tram set supplied by Robert Green. Two copies held.trams, tramways, victoria, statistics, cable trams, w6 class

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 5, Boyd identifies three styles of interior decoration in Australia. The first, Exhibit A is directly influenced by the fashions of Paris, London and New York and does not integrate the interior with the exterior. Exhibit B is the Australian architectural style of the 1960s. Exhibit C is characterised by practical, cheerful and easy to clean up interior fittings based on colourful plastics. Boyd refers to this style as "Australian pop art". He continues by explaining why Exhibit C came to be the preferred Australian style over Exhibit B. He suggests that the Australian public is ill-informed and misguided, ultimately concluding that Australian interior design reflects the public's lack of taste. (Same content as item D193, differing side notes on left side of pages)This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), foolscap, 15 pages (compared to D193, 11 pages) (Two copies)One copy has crisper letters typed over on pages 1 and 5.university of the air, design in australia, australian style, interior decoration in australia, frederick ward, lester bunbury, frances burke, grant featherston, modernage fabrics, manuscript

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 5, Boyd identifies three styles of interior decoration in Australia. The first, Exhibit A, is directly influenced by the fashions of Paris, London and New York and does not integrate the interior with the exterior. Exhibit B is the Australian architectural style of the 1960s. Exhibit C is characterised by practical, cheerful and easy to clean up interior fittings based on colourful plastics. Boyd refers to this style as "Australian pop art". He continues by explaining why Exhibit C came to be the preferred Australian style over Exhibit B. He suggests that the Australian public is ill-informed and misguided, ultimately concluding that Australian interior design reflects the public's lack of taste. (Same content as item D188, differing side notes on left side of pages)This is a script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D188 is the draft version.Typewritten, foolscap, 11 pages, (compared to D188, 15 pages)university of the air, design in australia, australian style, interior decoration in australia, frederick ward, lester bunbury, frances burke, grant featherston, modernage fabrics, manuscript, ohm2022, ohm2022_30

Gramophone cylinders, black, 6 grooves on interior stored in cardboard round container with detachable lid. The Clarion Record, made and sold by The Premier Manufacturing Comp. Ltd. London. 126 Southern Melodies.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, gramophone cylinders, the clarion record, the premier manufacturing comp. ltd

The house is one of the oldest on the Island, built in 1868 by Robert Anderson. Photos were taken for a feature in The Weekly Times, April 1925.HistoricalTwo black & white photos of Glen Isla House, mounted on cardboard. One is an external view of the home and grounds.The other of the interior of a sitting room with padded chairs, mantlepiece, lamps and numerous paintings.23 Weekly Times April 25. P.56.Pix 2 2 col x 2 S/Sglen isla, robert anderson, homes

Temporary chapel at the Central Institute, Siddeley Street. The Institute designed by Walter Butler was inaugurated in November 1907 by Governor Northcote. Amongst the furniture are the lectern donated by Lady Northcote, the altar donated by Mrs Charles Shuter in December 1907. Both are still in use in the St Peter chapel. The Siddeley Street chapel was finished in 1909 and dedicated on the 26 January 1910.The pictures shows the enduring use of the religious furniture which is still in the St Peter the Mariner chapel in the Flinders Street mission.Small monochrome photograph of interior of the temporary chapel at Siddeley Street Institute with pews, communion table (gifted by Mrs Charles Shuter in December 1907), and the lectern (gifted by Lady Northcote in December 1907).in pencil: 137siddeley street institute, chapel, lectern, altar, chairs, lady northcote, amelia shuter nee lord, communion table

Part of hostess/stewardess uniform of 1950's era.Complements the collection of air flight crew attire.Navy blue hostess beret. Crown is folded, creating a pleat. Has a scalloped turned brim. Wool gabardine material outside. Black cotton interior lining. Damage to material at front of hat.hostess, stewardess, ansett, navy, side cap, flight attendant

The Ballarat School of Mines was the first site of Technical Education in Australia. Initially it opened in 1870 and educated miners. Black and white photograph of the interior of the Ballarat School of Mines Physics Laboratory. Numerous pieces of equipment sit on benches. The image in the 1908 Ballarat School of Mines Calendar was title 'Physics Demonstration Room'.ballarat school of mines, laboratory, physics, scientific instruments, science, classroom, education

A number of photographs showing interiors, exteriors and views through windows taken in the former Ballarat Supreme Court (Lydiard Street South) now the Federation University SMB Campus Performing Arts Theatre.ballarat school of mines, theatre, perfroming arts, former ballarat supreme court, staircase, armstrong street south

7 black and white negatives and 1 larger one. Contained in a beige envelope. Br 1235 3/- written on the envelope. One negative is a Scalebuoy, 1 is the interior of a room and the rest are photos of scales?sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, negatives, envelope

Photos taken prior to moving offices from 1920s building to renovated factory around the cornerColour photo Unichema offices 164 Ingles Street (formerly J Kitchen & Sons) taken May 1996: View of interior: office partitioning from balcony, looking south toward entrancebuilt environment - commercial, business and traders - soaps/candles, david thompson

The Wesleyan Church, Denham Street in Lower Hawthorn, as the area was then called, was opened on 2 May 1886. The building was designed by Geelong architect William Henry Cleverdon and was built of brick in the Gothic style. Its dimensions were 55 x 33 ft and the façade incorporated a rose window and spire 50 ft high. A wooden vestry was placed to the rear. The building and the organ were seriously damaged by fire on 1 April 1970, started by a painter's blowtorch. The church was not rebuilt.B & W photograph of the interior of the Denham St. Methodist Church Hall, Hawthorn. The photograph is taken from the seating area towards the stage, which is furnished with an organ, an upright piano, a table and chairs.denham street methodist church, organ, hall