Canwen Zhao was awarded the $10,000 We The Makers Acquisitive Prize for '35 Life' in 2023. Artist Statement: "35life" is a sustainable fashion project that transforms second-hand clothing materials into urban street outdoor-style products. Highlighting prominent Chinese classic red and green colours not only conveys eastern aesthetics but also adds a sense of unity to the clothing collection. The high-saturation and high-brightness full-colour palette keeps the clothing consistently "fresh," allowing any trendy colours to seamlessly integrate into the project's designs, thus extending the lifespan of the garments. Additionally, all clothing items can quickly transform into a stylish bag for convenient daily carrying and home storage. These bags are made from leftover fabric generated during the production process and serve as original packaging for sale. This approach not only reduces excessive packaging but also enhances the chances of resale in the second-hand market. The project draws inspiration from the traditional Chinese cultural concept of "huo feng ding," meaning "exchange the old for the new." it's also influenced by the designer's personal experience with health issues, making the designs suitable for individuals who can't be exposed to sunlight for extended periods, adapting to the changing urban lifestyle. 35life aims to provide visually pleasing and comfortable dressing experiences for urban dwellers who are busy with work and experience high levels of stress. Unlike traditional design patterns, this project adopts a unique design approach. It selects 3-5 pieces of raw materials based on their colours, and then disassembles them through structural lines. While retaining most of their functionality, these materials are rearranged and assembled on a flat surface before being shaped on a dress form. Subsequently, various ways of creating storage bags are derived from the initial clothing prototypes. After refining the designs, the final products are developed, and similar materials are used to create samples. Therefore, under this design methodology, even for the same garment, it is impossible to produce two identical pieces of clothing. Each garment is truly one-of-a-kind, which enhances its rarity and contributes to the longevity of the fashion pieces. The project includes various types of clothing, each with unique storage methods. This yellow look, named "elegant beach sunscreen monarch," draws its fashion inspiration from traditional Han Chinese attire and its storage concept from the Chinese cultural concept of "jiu jiu gui yi." the design employs flat pattern cutting, utilizing materials from the second-hand market such as beach towels, children's waterproof clothing, and women's dresses. Similar colours and patterns are reassembled through cutting and combining. For the sleeves, quick-drying, sun-protective sport fabric forms the base, overlaid with discarded silk fabric dyed with turmeric and plant dyes. This not only ensures functionality but also adds a sense of elegance. The length can be adjusted using drawstrings. Artist Bio: Zhao Canwen is a multidisciplinary fashion designer with a strong passion for integrating art, history, culture, and sustainable design. With over 15 years of experience in painting, she draws inspiration from ancient Chinese philosophy and aesthetics, which gives her a unique sense of beauty. After 8 years of fashion and art training, she possesses a keen insight into current trends and tends to combine art with commercial needs. Zhao's design style is diverse, characterized by a multidimensional approach, a focus on colour application, and storytelling through details.Outfit consisting of six pieces: - Orange plastic eye wear with green paint - Pair of red and green metal clip on earrings - Red beaded phone case with attached beads on string - Pair of red and green painted running shoes - Yellow and green hooded garment with red piping and zips - Brown bag with green beaded handlessustainable, fashion, we the makers, art, culture, design, chinese philosophy, prize

Used by internee at Camp 1. Red Cross tin received in Camp 1 from the German Red CrossRound tin container. Brown bottom, cream inscribed lidDeutsches Rotes Dreuz. Schokolade Hildebrand - Berlintin, german red cross issue, aberle g, camp 1, tatura, ww2 camp 1, commerce, containers

Issued by the Red Cross Emergency Service. Australian Red Cross Society, 44 Latrobe Street, Melbourne, C1Small paperback book. Well used, paper cover marked ad dog-eared. 16 pages. Price Three pence. Describes duties of a nurse, how to take temperature, pulse, dressing, washing, diet, bed making, bandaging.See photos

A letter sent to Australia by an Australian Army serviceman whilst on duty in Kure, Japan during the post World War 2 occupation. The serviceman is Driver B. Gillott service number VX97756, of the 1 Australian Salvage Unit of the B.C.O.F. The letter is dated 15th July, 1946 and is of five handwritten pages of approximately 8 x 5 inches in size. The stationery is printed in red ink with the Salvation Army, Australian Comforts Fund and YMCA insignia above the ruled writing area. The paper is a buff colour.This writing paper has the insignia of The Salvation Army, Australian Comforts Fund and YMCA printed in red above the ruled writing area.

The Olive-Backed Oriole are very common birds for northern and eastern Australia, as well as New Guinea. Similar to the Yellow Oriole, this species is more versatile yet less distinctive in colouring. The streaked underparts and red bill and eyes are easy identification features of this bird. Both sexes look very similar, with female colouring being slightly duller than males. This species frequents open forests and woodlands, and can tolerate dry climates. Most of this species breeds from September to January during the tropical wet season in northern Australia, but some are known to migrate south to breed in the summer. This species eats mainly native fruit, berries, and insects. This specimen is a good example of this species, but the colouring is very dull compared to living birds. This specimen has one red eye, which is a good example of a distinctive feature of this species. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Olive-Backed Oriole has a faint olive-green head and back, and a faint red-tinged beak. Its body is cream coloured with brown streaks. It has one red eye. This specimen appears to be immature and/or female, as it has a pale pill and a duller-olive green back, with streaks quite high up on it's chin, which is indicative of an immature female of this species. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 52a / Australian Oriole / See catalogue page 17. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, oriole, olive-backed oriole, yellow oriole, australian birds

A vintage gold square lidded Statesman Lancers 10 tobacco tin with the name printed in black lettering with black and red stripes above and below the name in a triangular shape. There is an ornate 10 pointed star with a white crest in a red circle stamped below the stripes. The word Press with a pointed triangle is written in red on the bottom right of lid for opening. On the back are specifications for the cigars and L35 stamped as well as a brown picture of a cigar on the left. Inside the lid is Lancers "None so Mild" written in black. There is a cream coloured folded piece of paper on which the cigars would have sat. On the left and right sides is written - Statesman Lancers in red print.Statesman Lancers 10 and the word Press is printed on the front of the lid. Inside is written, Lancers "None so Mild". On the back Specifications: Length: 3 3/4 inches (Approx) Circumference: ! 1/8 inches (Approx) Smoking time: About 18 minutes Blend: Mild, International Taste: Mellow, piquant Ash: White, clinging Mouthpiece: Straight cut. On the left and right sides is written - Statesman Lancers in red print.cigars, smoking equipment, cigar tin

exhibition, national gallery of victoria, ngv international, fashion, designer, dresses, red

chinese, china, chariot, horse, gold, red, xiangcheng

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Steel plate with Mopar symbol. Molar are distributors and dealers for automotive parts.Steel plate, red with sticker of blue yellow and red. USA ENGINEERED AND APPROVED - MOPAR- ...AUSTRALIA LIMITED. Distributors & Dealerszilles printers, mopar, engineered, australia, usa, distrbutor, dealer, parts

Red, yellow and red brochure for the Aboriginal Education Centre. aboriginal education centre, reconciliation

Rusted Lid Red & yellow label with red writingRefreshing Kola South Gippsland Cordial Korumburra

Red Cross Badge (Fund Raising) Red and Whitestawell

75th Anniversary of Mark LOdge No. 29Gold card cover with red print and red designGrampian Mark Lodge No. 29 (Drawing) 75 TH Anniversary 1912-1987stawell

Season 1984/85 Bendigo Harness Racing Club Membership BadgeEnamelled Red Badge attached to length of Red CordFront: Imprint of horse, sulky, driver / Bendigo Harness Racing Club. Back: Not Transferable / Season 1984-85 / Ends 31st July 1985 / 255.bhrc, bendigo harness racing club, harness racing, trotting, badge, membership, 1984/85

Season 1989/90 Bendigo Harness Racing Club Membership BadgeEnamelled Red Badge attached to length of Red CordFront: Imprint of horse, sulky, driver / Bendigo Harness Racing Club. Back: Not Transferable / Season 1989-90 / Ends 31st July 1990 / 201.bhrc, bendigo harness racing club, harness racing, trotting, badge, membership, 1989/90

Season 1979/80 Bendigo District Trotting Club Membership BadgeEnamelled Red Badge attached to length of Red CordFront: Imprint of horse, sulky, driver / Bendigo District Trotting Club. Back: Not Transferable / Season 1979-80 / Ends 31st July 1980 / 013 / AJ Parkes.bhrc, bendigo harness racing club, harness racing, trotting, badge, membership, 1979/80

Admission tag to Australian Open 2002. Played at Victoria Golf Club 21-24 Nov 2002. Bruce Harding was a rules official at this Australian Open at Victoria Golf Club.Bruce Harding is a past HGC President and was involved with Victoria's junior teams, the Victorian Golf Association and was a rules official..Red enamel on metal with red strap. Keyring style.Obverse: “Holden Australian Open Victorian GC Vic” Reverse: “Admits to course and clubhouse. Victoria Golf Club 21-24 Nov 2002. Dress regulations apply”bruce harding, australian open (golf)

Admission tag to Australian Open 2002. Played at The Grand Golf Club, Queensland 22-25 Nov 2001. Bruce Harding was a rules official at this Australian Open at The Grand Golf Club, Queensland.Bruce Harding is a past HGC President and was involved with Victoria's junior teams, the Victorian Golf Association and was a rules official..Red enamel on metal with red strap. Keyring style.Obverse: “Holden Australian Open The Grand GC QLD” Reverse: “Admits to course and clubhouse. The Grand Golf Club 22-25 Nov 2001. Dress regulations apply”bruce harding, australian open (golf)

This book has information about shipping companies and the world's ports. It was a handy guide for travellers of the time and included how and where to board ships going to various countries in 1930 & 1931. In effect, it was a reference work like a timetable for shippers and travellers alike.The book has maps depicting N.Y.K. shipping lines all over the world, indexes (including advertisers), and is thumb-indexed. This book is an official guide that supplies vast information for ships and shipping lines but also for tourists of the time. These types of reference works are keenly collected today.Official Shippers Guide reference book to the Principal Ports of the World, OSAKA SHOSEN KAISHA, 1930 – 1931, Seventeenth Edition, edited, compiled and designed by M. Franklin Kline. Large, hard covered, bound book with margin thumb tabs. Covers are dark red with gold lettering and embossed pattern. Centre of front cover has an oval image of a red steam ship on a gold sea. Above the ship is a white flag with a red emblem.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, traveller's guide, shippers guide, osaka shosen kaishaguide, guide to world ports, m. franklin kline

Wooden mantel clock mounted on a piece of timber which appears to have been screwed down onto another piece of furniture.. The timber is red coloured. The clock has brass handles on both sides, one of which is missing. The clock is very rectangular in shape.Eight hour, half hour turn E.N Welch Mfg. Co. 37/6 Fosterville. are the only discernable words written on the remains of a red label stuck on the back of the clock. WELCH is written on the clock face.

The red-winged blackbird is native to North America. They live in a verity of places from southern Alaska at its northern most point, to the Yucatan peninsula in the south and covers the greater part of the continent reaching from the Pacific coast of California and Canada to the eastern seaboard. Populations that are most northerly migrate south after the mating season, but some of the populations in the central and western United States, Central America and the Gulf Coast are resident year-round. In the breeding season, Red-winged blackbirds are found in a range of fresh and saltwater environments, including in small trees and bushes along marshes and watercourses, in agricultural areas and dry meadows. During migration, they can be found in, pastures, prairies and cultivated fields. They are polygamous. The Red-winged blackbirds are known for their scarlet and yellow shoulder patches but on this specimen are rather dull and the feathers are not as glossy black as they are in other images. It is mounted accurately but the feathers appear to be ruffled. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Red-Winged Blackbird is one of the most common birds in North America and is the most boldly coloured one. The males are glossy-black with shoulder patches of scarlet and yellow which they are able to puff up or hide according to their level of confidence. Females look like a big, dark sparrow, being a subdued, streaky brown. The colouring of this particular specimen identifies it as male.[torn] page 58 / Tag: A. 4423taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, american birds, north america, red-winged blackbird, red-winged starling, migratory, alaska, canada, saltwater

An Australian tale written by Maud Jeanne Franc, author of "Marian" and "Vermont Vale, etc. New Edition.Brown/green marbelled board cover with black leather spine and corners. Spine torn and worn. "Mechanics Institute Kilmore' printed on spine in gilt. Corners of cover very worn, loss of marbelling. Binding loose. 358 pp. Fair condition.Flyleaf, '434' crossed out in red ink. '256' hand written in red ink/Kilmore Mechanics Institute stamp.adult fiction, kilmore mechanics institute library.

Cheltenham Bowls Club, which was located to the rear of Cheltenham Railway station. This photograph was taken by Percy Fairlam, who opened a photographers shop in Charman Road. Percy took many of the best known photographs of Cheltenham at the turn of the century.This photograph was taken by Percy Fairlam, who opened a photographers shop in Charman Road. Percy took many of the best known photographs of Cheltenham at the turn of the century.Black and white photograph of people bowling at the Cheltenham Bowling Club, depicting a large area of lawn surrounded by trees and bushes, with buildings in the background. There are several groups of men and women standing on the lawn in front of a series of small balls.Printed in black ink on a round white sticker: 111 Handwritten in red ink: 90%. Handwritten in red ink: K000603leisure, bowls, games

Aerial photograph of Moorabbin, including Chesterville Road, Keys Road and Wickham Road, Moorabbin, Briggs cottage, Neill's waterhole, McKittrick property, site of FRUMELBlack and white aerial view of Moorabbin. Houses, market garens, roads, and water features are all clearly visible.Handwritten in red ink on reverseL A 603 / 97% [in red circle] Handwritten in blue ink on reverse: 9502 06111 / M'bbinmoorabbin, city of moorabbin, chesterville, keys, wickham

Gathering of people outside the Mechanics Hall, Temperance Hall and Free Library, Nepean Highway, Cheltenham - in background the railway line and paddocksBlack and white image of people gathering outside the Mechanics Hall, Temperance Hall and Free Library, Nepean Highway, Cheltenham - in background the railway line and paddocksRound red sticker: X16 [crossed out] Handwritten in blue ink circled: A5 Handwritten in red ink: 89%temperance hall, nepean highway, cheltenham, library, mechanics hall