This cap was part of a media kit produced by Melba Industries, part of the Austrim Textiles Group. The kit was given away at a media launch to publicise the production of an Australian made, nylon wool pack called 'Jumbuck'. The packs will be made at the former Valley Mill in Geelong. This launch occurred on 21 July 2000 and was attended by Andrew Moritz, National Wool Museum Director, who collected this media kit for the museum collection.Part of media kit for launch of 'Jumbuck', Australian made nylon wool packs produced by Melba Industries (part of the Austrim Textiles Group) in Geelong.JUMBUCK / AUSSIE-MADE WOOL PACKS Melba Industries 80% WOOL / 20% VISCOSE / ONE SIZE FITS ALL / HAND WASH ONLY / MADE IN CHINAblack, mr lindsay - melba industries (an austrim nylex ltd company) austrim nylex ltd valley worsted mill, jumbuck wool pack

This bag contained a media kit produced by Melba Industries, part of the Austrim Textiles Group. The kit was given away at a media launch to publicise the production of an Australian made, nylon wool pack called 'Jumbuck'. The packs will be made at the former Valley Mill in Geelong. This launch occurred on 21 July 2000 and was attended by Andrew Moritz, National Wool Museum Director, who collected this media kit for the museum collection.Contained media kit from the launch of 'Jumbuck', an Australian made nylon wool pack produced by Melba Industries (part of the Austrim Textiles Group) in Geelong.JUMBUCK TM / AUSSIE-MADE WOOL PACKS FILDESFAST / LABELS BAGS PRINTING / Tel: 1800 351 185black, mr lindsay - melba industries (an austrim nylex ltd company) austrim nylex ltd valley worsted mill, jumbuck wool pack

Bridge St looking West from Peel St. Has a bank on the corner and an tram in the distance. Card dates the view as early 1900's. Card reproduced for Sovereign Hill Gold Mining Township by Rose Stereograph Co. of Glen Waverley c2000. Divided back type with caption, production and the Rose Co. symbol on the rear. Illustration of the same image added 4-1-2024 - by WTP & Co.Yields information about the appearance of Bridge St following the introduction of electric trams in 1905 and has a strong association with the work of Sovereign Hill and Rose Stereograph Co.Postcard reproduction - part sepia coloured and hand coloured. Second copy printed coloured illustration on plain paper.trams, tramways, bridge st, ballarat, esco, rose postcards

Kew Tapestry. The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.1. Survey Team. A Handcoloured cartoon created by the artist Joy Stewart as a template for the first of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "8th February 1803. SURVEY. Grimes, Flemming (sic), Robbins and McCallum explored the river (Yarra) to the falls (Dights), sighting several friendly aborigines, and were the first Europeans to set foot in the area now known as Kew". Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), joy stewart

Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.2. Turinville. A Handcoloured cartoon created by the artist Joy Stewart as a template for the second of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "TURINVILLE. Early country residence overlooking the Yarra River. Recreational activities of the period included picnics." Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), turinville, joy stewart

Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.3. East Kew State School. A Handcoloured cartoon created by the artist Joy Stewart as a template for the third of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "EAST KEW STATE SCHOOL. Typical country school attended by children from surrounding farms and market gardens". Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), joy stewart

Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.4. Boroondara Cemetery, established 1859. A Handcoloured cartoon created by the artist Joy Stewart as a template for the fourth of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "BOROONDARA CEMETERY, Established 1859. Horse drawn trams from Victoria Bridge terminated at gates bringing visitors to graves of relatives and friends; and sightseers to view the impressive pioneer memorials". Signed by the artist "(c) JStewart, 1988". bicentennial project (kew), boroondara general (kew) cemetery

Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.5. Kew Railway Station (1887-1958). A Handcoloured cartoon created by the artist Joy Stewart as a template for the fifth of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "KEW RAILWAY STATION (1887-1958). Established to transport passengers and produce too and from the city ... Kew developed as a residential suburb which included cottages an dlarge homes such as Villa Alba". Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), joy stewart

Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.6. War Memorial: Unveiled 1925. A Handcoloured cartoon created by the artist Joy Stewart as a template for the sixth of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "WAR MEMORIAL: Unveiled 1925. Post Office, Court House and Police Station erected 1888. ... The Junction of High Street and Cotham Road became the commercial heart of Kew." Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), joy stewart, wwi, kew war memorial

Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.7. Churches. A Handcoloured cartoon created by the artist Joy Stewart as a template for the seventh of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "CHURCHES. Religion has played an important part in the lives of Kew residents. The churches established schools and caring institutions." Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), joy stewart

Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.8. Kew. City of Parks and Gardens. A handcoloured cartoon created by the artist Joy Stewart as a template for the seventh of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "Proclaimed a Municipality - 18th December 1860 / Created a Borough - 1st October 1863 / Gazetted a Town - 14th December 1910 / Declared a City - 9th March 1921". Signed by the artist "(c) JStewart, 1988"joy stewart, bicentennial project (kew)

As Australia had not yet commenced production of adaptive items for the low vision and blindness community, many were purchased directly from the Royal National Institute for the Blind in London. This price list shows the variety of products on offer and the costs involved for each. Bankers cheques or money orders were required to send payment to the UK, and there was a range of games, tools and living aids as well as Braille equipment on offer.12 page booklet of items and prices assistive devices, royal national institute for the blind

A poster advertising the performing arts production of 'The Women of Troy' by Euripides; presented by University of Ballarat Arts Academy 2nd Year Performance Company. Translated by Nick Enright. It was performed at the PO Box Theatre on the corner of Sturt Street and Lydiard Street, Ballarat. Entry via Sturt Street Lane. There were four nightly performances starting at 8.00pm and one Sunday performance at 5.00pm. Tickets purchased via MajesTixOriginal Poster women of troy, university of ballarat arts academy, nick enright, euripides, po box theatre, majestix

This album was likely compiled by Freda Oxley, a friend of the Sellers who stayed with them at the Mission for a few years. The couple arrived in January 1925, replacing Mr and Mrs Gurney Goldsmith and stayed until January 1929. The photographs bear the stamp "Herschell's Prints - Pathe Agents". Charles Richard Herschell founded a film Production studio of the same name operating at 31 Agnes Street, Jolimont from 1925. A similar album by Freda Oxley with similar handwriting in white ink was donated to The National Library of Australia by her niece. Some of the images are exact copies. weller album, 1925-1927, tennis court, s.s. osterley, skaregrøm, mitchell, archbishop lees, new year's day, christmas, sherbrooke, chaplaincy, garden, cadets, officers, freda kathleen oxley 1882-1969

Produced by the Victorian and Melbourne Centenary Celebrations 1934-1935. An extensive four month event was planned. Includes a short section of the history of Victoria and Melbourne, Education, Religious Activities, Public Utilities, Primary production, places of interest, Instructions, Pleasure Resorts and Sporting. The Utilities included the Victorian Railways, MMTB, Police, Melbourne Harbour Trust and the SEC. Includes many advertisements for car dealers, manufacturers, insurance and hotels.Yields information about the Melbourne Centenary Celebrations in 1934.Book - 222 pages - 7 sections, glued cover with many black and white photos and advertisements.Has pencil marks on the front and inside front cover and in marks on the outside rear cover.victoria, centenary celebrations, melbourne, mmtb, vr, secv, harbour trust

This is a collection of 20 photographs of Royal Australian Survey Corps phases of map production at the School of Military Survey, Bonegilla, the Army Survey Regiment, Bendigo, and the Army Map Depot, Bandiana circa 1990. Colour photos are on 35mm slide film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. Photo .1P was probably taken on a survey station overlooking Lake Hume near Albury-Wodonga. The field party occupying the survey station was likely from a Map Control Survey course conducted by the School of Military Survey, Bonegilla. This survey station was part of a geodetic network used in field survey training and RASvy’s Lake Hume Test Range. Photos .3P to .16P were taken at the Army Survey Regiment, Bendigo and photos .17P & .18P were taken at the Army Map Depot, Bandiana. Photo .19P depicts a map of RASvy’s ARA units before the disbandment of 5th Field Survey Squadron, Perth and 2nd Field Survey Squadron, Sydney in 1990. This is a collection of 20 photographs of map production processes taken at the School of Military Survey, Bonegilla, the Army Survey Regiment, Bendigo, and the Army Map Depot, Bandiana circa 1990. Colour photos are on 35mm slide film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. Photo .2P is printed on photographic and scanned at 300 dpi. .1) – Photo, colour, c1980s. Geodetic Surveying: AN/PRR-14 Geoceiver antenna on hill surrounding Lake Hume. Series 3 Land Rover, field party tent and survey station beacon in background. .2) – Photo, black & white, c1980s. Geodetic Surveying: AN/PRR-14 Geoceiver antennas set up at the School of Military Survey, Bonegilla, Victoria. .3) – Photo, colour, c1990. Aerotriangulation: Wild PUG4 point transfer device, SSGT Bruce Hammond. .4) – Photo, colour, c1990. Aerotriangulation: Zeiss (Jena) Stecometer, SSGT Bruce Hammond. .5) – Photo, colour, c1990. Aerotriangulation: computer tape maintenance, SSGT Noel McNamara. .6) – Photo, colour, c1990. AUTOMAP 2: computer tape maintenance, SPR Nadine (Paul) Read. .7) - Photo, colour, c1990s. AUTOMAP 2: Optronics 4040 scanning/film output in Lithographic Squadron, SGT Sherri (Dally) Burke. .8) - Photo, colour, c1990s. AUTOMAP 2: Benson verification plotter output, SPR Nadine (Paul) Read. .9) – Photo, colour, c1990. Aerotriangulation: data management, SGT Neil ‘Ned’ Kelly. .10) & .11) - Photo, colour, c1990s. AUTOMAP 2: Wild B8 Aviograph stereoplotter Feature Extraction, unidentified technician. .12) - Photo, colour, c1990s. AUTOMAP 2: Graphic Edit Workstation, SPR Nadine (Paul) Read. .13) - Photo, colour, c1990s. AUTOMAP 2: Graphic Edit Workstation, SPR Dawn Hoadley. .14) & .15) - Photo, colour, c1990s. AUTOMAP 2: Graphic Edit Workstation, unidentified technician. .16) – Photo, colour, c1990s. Heidelberg Speedmaster 102 computer-controlled five colour lithographic offset printing press. .17) & .18) – Photo, colour, c1990s. Army Map Depot, unidentified storeman, Bandiana. .19) – Photo, colour, c1990. RASvy ARA Unit Locations before disbandment of field units in Perth and Sydney. .20) – Photo, colour, c1990. Set of overlapping aerial photography..1P, .3P to .20P - Some equipment is identified on the frame of the 35mm slides.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, school of military survey, army map depot

The Mark II Pilot Balloon Slide Rule was made of wood laminated with heavy white plastic with a length of 24.5-in. and width of 2.5 inches. Mark II rules were manufactured in Australia by W & G (Melbourne). The W & G rule differs only slightly from the English A. G. Thornton LTD rule. The W & G rule uses serif fonts and has some fiducial marks that the English rule lacks. Exact dates of production are not known but the MK II is known to have started production by 1927. The printed scales are engraved in the plastic faces. The slide rule has 4 captive cursors (glass windows and brass guides) that ride in slots on the top and bottom edges. Each can be moved independently of one another. The cursors are missing from this item. Brass knobs at both ends of the slide facilitate its movement. The case is fabric covered wood with felt lining. No known history for this item as located in a property after purchase. The Pilot Balloon slide rule is used to convert the observed azimuth and elevation readings into wind velocity and direction records. The use of slide rules was abandoned with the wide spread adoption of computers and programs to do the calculations, as well as the decline in the use of optical pilot balloon theodolites.Made in Australia by White & Gillespie (Melb) Pty Ltd. Established in 1910, the firm was involved mainly in printing plate manufacture, but during the Second World War it manufactured a variety of navigational aids and range finding devices for the military. About 250,000 instruments were made during that period. After the war the company produced, among other items, drawing instruments and slide rules. The case is fabric covered wood with felt fabric lining containing a long black laminate ruler with numerous white markings and numbers. Top of the ruler is in three sections with the centre section movable by small gold metal knobs at either end. This slide rule contains a engraved notation on the rear face "IMPORTANT. NORMALLY NUMBER OF GRATICULE SCALE DIVISIONS PER RADIAN (K) X LENGTH OF TAIL IN FEET (I) = 12X 105. IN OTHER CASES MULTIPLY GRATICULE READINGS BY 1.2/KI BEFORE CALCULATION ON RULE" Top of Slide Rule - RAAF Ident No G268/480 Serial WG/22pilot balloon slide rule, raaf

Series consists of: I) Bird Songs And Night Calls - tape cassette of Sounds from the Shire of Eltham sound tapes (4 copies) recorded and copyright held by Duncan King-Smith. Liner notes included with each cassette. 2) Listening to the Landscape - Stories and Places - Collected from the Shire of Eltham, 1988. Tape cassettes and program guides (3 copies of each); recording, design and production by Duncan King-Smith.shire of eltham archives, series listing

The photograph shows a ship visit. It is historically significant and thought to be one of a series of photographs linked to a publicity campaign circa 1955-1956 promoting the work of the Mission. The campaign partly inspired by the Centenary year of the Mission in Australia (1956) also resulted in the production of a black and white short film "The Flying Angel", featuring and Padre Oliver and the work of the Mission was deposited in 2016 with the Australian Centre for the Moving Image, (ACMI) Federation Square, Melbourne.Padre Frank Oliver, Chaplain to the Mission to Seafarers 1930 - 1960 led the Mission through a period of significant changes through the mid 20th C. This image is one of a series of key images showing the work of the Mission Chaplain in the Post WWII period. Father Frank Oliver wearing uniform including officers cap walking up a gangway and being met by a group of four men. There is a fifth man standing slightly to the left of the photograph.Discolouration on the bottom left and top centre of the photograph.uniform, machinery, ship, crew, gangway, deck, handshake, chains, rope, buoy, pulleys, rivets, padre oliver, frank leslie oliver, mission to seafarers, mission to seamen, seamen's mission, robin kent, kerr bros studio

This scoop was professionally made and well before plastics and aluminium scoops were manufactured. It was in a period when mass production and cheap imports where not common. This item would have been produced well after World War II and before the cheap Asian imports. It was a period in time(the last years) when items such as this scoop were made to last and consumerism was not at the "throw away" mass consumption time of the late 1900's. The rural sector in the Kiewa Valley used this type of "made to last" domestic implement when home made cakes and pastries were commonly made in the household kitchen. Because of the relatively isolation of the valley, bulk supplies of flour, sugar and other cooking ingredients were the required quantity for both domestic household and farm use. Local general stores also had these scoops to provide clients with their required flour, sugar and other bulk loose grains (processed or unprocessed) This lite galvanised rolled steel flour/sugar scoop has a tapered handle extruding from a small cone shaped base. It has a half circle scoop extending from a full circular base which has a small containment ridge which acts as a collection rim. The collection scoop has its front shovel end tapered and rolled edge (outwards) presenting a barrier and air relief when thrust into the flour/sugar. All the edges are rolled and connection links have been soldered. The handle is not of solid steel which accounts for the light weight. The base of the "shovel" is slightly concave to allow gravitational forces to keep the flour centre of mass. The handle has a ridge pressed in the sheet metal at about two thirds up the shaft All metal to metal joins have been pressed and soldered together.loose grains, sugar, millet, nus, nails, loose grocery items.

“Optical microscope made in Australia after 1939-45 war. Made in Australian Optical Company, Melbourne heade by Lawrence Dickens Collection Design probably by Maximilian Hertzberger; Messrs Curtis and W. Gallaghar, both ex MSL, were responsible for production. Full discussion given in Bolton, H.C. J.J. McNeill and the Development of Optical Research in Australia. Historical Records of Australian Science 5 (1983) pp 55-70”Black and white photograph of optical microscope. See History of Object for transcript of writing on back of image.

Transferred from original performance location in Fitzroy to Melbourne Athenaeum Theatre. The Elizabethan Trust production was performed after a season at the Sydney Biennale. The performance consisted of five, 20-minute variations on a fictional love story. The theatre review by Leonard Radic comments: This kind of performance theatre is an attempt to cross the boundaries between art and theatre. It is genuinely experimental in that it seeks to give new meaning to old situations. ... It dares to be different.Large flyer, 2 small flyers and newspaper articleprediction piece 8: winter/passion, lyndal jones, athenaeum theatre, the australian elizabethan trust, program

A film of the 43rd Annual Conference of Legacy Clubs ceremony at the Australian War Memorial 1971, addressed by Legatee Rev. Cyril Reeve in a stirring fashion. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible. Commercially made, sound and faded colour, gone to red 8.09 mins. Production CTC-TV Canberra. The solemn religious ceremony is typical of the 1970s and the film exemplifies the respectful attitudes of the times towards fallen comrades.Blue plastic cannister with large sticker on lid. Fitted blue plastic reel inside, 16mm film, 400 feet. Sticker on lid is as follows: CLIENT: CANBERRA ENTERPRISES / REEL: No. REELS: Copy No. 1 TITLE: FORMA - LEGACY - CEREMONY / colourfilm PTY. Limited / 35 MISSENDEN ROAD / CAMPERDOWN 2050, N.S.W. / AUSTRALIA / PHONE: 51 3208 Also at MOORE PARK / 31 4131 / ARTARMON / 43 5875conference, legatee event

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This garment was created by Margeaux (Melbourne) which specialised in the production of "high-class cocktail and evening wear" (The Age, 17 March 1956).Knee length short sleeved grey silk and grey tulle cocktail dress with an attached outer covering of patterned lace of a lighter grey colour. The garment has the label of ‘Margeaux Regd. Imported fabric’. There is a zip at the back. There is some discoloration (due to sun damage?) to the lace at the shoulders. australian fashion - 1950s, margaux of melbourne, cocktail dresses, women's clothing

Throughout its history, the YCW movement produced numerous publications for members and for the wider community. Some of these were regular papers or newsletters with high production values. Others were short lived efforts, produced 'in house' on low budgets. Reading across the collections, these public expressions of YCW communication provide insight into the movement's methods, the concerns of young women and men of the period, and how these shifted over time and across location.This four page document reveals the key concerns of the YCW movement in Melbourne in 1971; internal migration from regional Australia to the cities and road safety. It features photographs taken by chaplain Jim Nippard. Black and white printed newsletter with photos over four pages.

The Keith Wingrove Trust conducts a competition among Australian artists, graphic designers and students for the production of Ex Libris Bookplates. The competition is called The Australian Bookplate Design Award. The purpose of the competition is to increase interest in and to attract publicity to the artistic value of bookplates. Although the competition is referred to as 'Australian' there is a category of award open to International artists. This bookplate was part of the 2013 Australian Bookplate Award. Gift of the Keith Wingrove Memorial Trust, 2015 A framed original ex libris bookplate for Katelyn Reid featuring green swirls.bookplate, framed bookplate, available, availalble bookplate, ex libris, keith wingrove memorial trust, reid, katelyn reid, artist, artwork

The Keith Wingrove Trust conducts a competition among Australian artists, graphic designers and students for the production of Ex Libris Bookplates. The competition is called The Australian Bookplate Design Award. The purpose of the competition is to increase interest in and to attract publicity to the artistic value of bookplates. Although the competition is referred to as 'Australian' there is a category of award open to International artists. This bookplate was part of the 2013 Australian Bookplate Award. Gift of the Keith Wingrove Memorial Trust, 2015 Gift of the Keith Wingrove Memorial Trust, 2015Framed limited edition ex libris bookplate for James West. If features a male holding an 'ex libris' flag. Edition: 1/3artist, artwork, keith wingrove memorial trust, bookplate, framed bookplate, west, james west, available, available bookplate

The Keith Wingrove Trust conducts a competition among Australian artists, graphic designers and students for the production of Ex Libris Bookplates. The competition is called The Australian Bookplate Design Award. The purpose of the competition is to increase interest in and to attract publicity to the artistic value of bookplates. Although the competition is referred to as 'Australian' there is a category of award open to International artists. This bookplate was part of the 2013 Australian Bookplate Award. Gift of the Keith Wingrove Memorial Trust, 2015 Framed original wood engraving for a bookplate which features a frog.artist, artwork, bookplate, framed bookplate, keith wingrove memorial trust, frog, edwin jewell, reuter