"The passing of the Melbourne Cable Tramways", featuring photographs of first cable tram, Fitzroy power house, cable trams in the street, Nicholson St, the No. 1 tram entering the National Museum, some historic notes on the construction of the system, its operations, MMTB takeover, a drawing of the grip and of the badges and buttons used and an image of the cable used. Notes that it was compiled by A. R. Turnbull with co-operation of F. King, K.L.Mackenzie and H. G de Mamiel. Original poster prepared by the MMTB and presented to the State Library or the Museum of Victoria at the time of closure. See Reg Item 6367 for another photograph and 6368 for another poster of the time - Melbourne tramways past and present posterYields information about the Melbourne cable tram system and its history. Frame - wooden outside painted white, glazed with clear glass, off white card backing with brown paper on rear, brass wire hanging wire with small eye hooks the side., containing a photo titled "The passing of the Melbourne Cable Tramways"tramways, cable trams, melbourne, tramcars, closure, museums

Port of Portland Authority archives.Front: (no inscriptions) 6473 (lower right ) (pencil) Back: A show stand intended for promotional purposes. (upper left) (pencil). Photography by The Arthur Studion. Further copies always obtainable at 27 Commercial St, east. Mt Gambier (blue stamp) (lower right).port of portland

Carrie Lam, Hong Kong’s chief executive, had plenty of political support in the territory’s pro-Beijing legislature to pass a bill that would allow extraditions to mainland China. The legislators were set to begin discussing the bill in early June, and intended to vote on it just weeks later. A series of protests took place, and after a June 16 protest saw the largest turnout yet, Ms. Lam made a major concession: She postponed the bill, at least temporarily. It was an undeniable victory for the protesters — but it did little to quell the unrest. Since the bill could later be reintroduced, protesters felt they remained in danger. The police tactics to break up the demonstrations on June 12, including the use of more than 150 tear gas canisters to push protesters far away from the government office, created a new set of demands from the protesters. Now, instead of just calling for the withdrawal of the bill and Ms. Lam’s resignation, they said they wouldn’t be content unless there was an independent investigation of officers’ conduct. They also wanted the release of protesters arrested on June 12, and for the government to rescind its description of the demonstrations as a “riot,” a designation that carries legal significance. None of that has happened. Many analysts say Ms. Lam is unlikely to step down, nor would Beijing accept her resignation if she offered it. She has more wiggle room on the other demands, but has not indicated any willingness to budge. The Hong Kong Protests are a leaderless, digital movement.There is no single leader or group deciding on or steering the strategy, tactics and goals of the movement. Instead, protesters have used forums and messaging apps to decide next steps. Anyone can suggest a course of action, and others then vote on whether they support it. The most popular ideas rise to the top, and then people rally to make them happen. At its best, this structure has empowered many people to participate and have their voices heard. Protesters say it keeps them all safe by not allowing the government to target specific leaders. Their success in halting the extradition bill, which was shelved by the territory’s chief executive, speaks to the movement’s power. Despite the lack of a clear leader, protesters have shown extensive coordination at the demonstrations, having planned the specifics online beforehand. Supply stations are set up to distribute water, snacks, gloves, umbrellas and shields made of cardboard. Volunteer first aid workers wear brightly colored vests. People form assembly lines to pass supplies across long distances, with protesters communicating what they need through a series of predetermined hand signals. Anyone walking in dangerous areas without a helmet or a mask is quickly offered one. No individual can speak on behalf of the protesters, which makes negotiations difficult, if not impossible. (https://www.nytimes.com/2019/07/02/world/asia/hong-kong-protest-explained.html, accessed 07/07/2019) Hong Kong’s amended extradition law would allow the extradition of suspects to mainland China for the first time. Supporters say the amendments are key to ensuring the city does not become a criminal refuge, but critics worry Beijing will use the law to extradite political opponents and others to China where their legal protections cannot be guaranteed. The government claims the push to change the law, which would also apply to Taiwan and Macau, stems from the killing last year of a Hong Kong woman while she was in Taiwan with her boyfriend. Authorities in Taiwan suspect the woman’s boyfriend, who remains in Hong Kong, but cannot try him because no extradition agreement is in place. Under the amended law, those accused of offences punishable by seven years or more in prison could be extradited. The new legislation would give Hong Kong’s leader, known as the chief executive, authority to approve extradition requests, after review by the courts. Hong Kong’s legislature, the legislative council, would not have any oversight over the extradition process. Many Hong Kongers fear the proposed extradition law will be used by authorities to target political enemies. They worry the new legislation spells the end of the “one country, two systems” policy, eroding the civil rights enjoyed by Hong Kong residents since the handover of sovereignty from the UK to China in 1997. Many attending the protests on Sunday said they could not trust China as it had often used non-political crimes to target government critics, and said they also feared Hong Kong officials would not be able to reject Beijing’s requests. Legal professionals have also expressed concern over the rights of those sent across the border to be tried. The conviction rate in Chinese courts is as high as 99%. Arbitrary detentions, torture and denial of legal representation of one’s choosing are also common. Many in the protests on Sunday 09 June 2019 said they felt overwhelmed by a sense of helplessness in the face of mainland China’s increasing political, economic and cultural influence in Hong Kong. Hong Kong’s top political leader is not elected by ordinary voters but by a 1,200-strong election committee accountable to Beijing. Half of its legislature are chosen through indirect electoral systems that favour pro-Beijing figures. Many Hong Kongers also cited the jailing of leaders and activists from the 2014 Occupy Central movement– a 79-day mass civil disobedience movement – as well as the disqualification of young localist lawmakers as signs of the erosion of civil freedoms. Resentment towards China has been intensified by soaring property prices – with increasing numbers of mainland Chinese buying properties in the city – as well as the government’s “patriotic education” drive, and the large numbers of mainland tourists who flock to Hong Kong. Many Hong Kongers are also concerned about China’s growing control over the city’s news media, as they increasingly self-censor and follow Beijing’s tacit orders. https://www.theguardian.com/world/2019/jun/10/what-are-the-hong-kong-protests-about-explainerPhotograph of a street art poster taken on the streets of Hong Kong during the protests against legislation to allow Hong Kong suspects to be extradited to mainland Chinese carrie lam, hong kong protests, extraditions, poster art, posters

The 2013 Emerging Writers' Festival was programmed by festival Director Sam Twyford-Moore. 2013 marks the tneth anniversary of the organisation.A green, white, brown and orange poster advertising the 2013 Emerging Writers' Festival, which ran from May 23rd until June 2nd in 2013.10th emerging writers' festival, sam twyford-moore, 2013, program, the wheeler centre, emerging writers', literary, anniversary, festival

Black timber framed lithograph of "Last Post". Lithographic poster illustration by Goethal A Van Reck commemorating the Fiftieth Anniversary of the opening of the Menin Gate in Belgium.Inscribed on front top of lithograph are the words "And to those of their dead who have no known grave." LAST POST. Goethals a Van Reck.

Other Number 02877.3Black and white photograph two students one teacher Secondary College, checking out VCE choices, posters displayed around the college.Lakes Entrance Victoriaschools

Printed poster, Roll of Honor, higlighting all the names of those who served in the Great War from the Rutherglen District. Black ornate wooden frame.Right column reads: ARMENTIERES / BULLECOURT / PASSCHENDAELE / VILLERS-BRETONNEUX / FREEDOM / 1919. Left column reads: POZIERES / YPRES / SOMME / MESSINES / VICTORY / 1914wwi, first world war, honor boards, rutherglen

Set of five components from Melbourne Cable tram saloon or trailer No. 427, from the inside or internal framing panels around a door. Made from soft wood, cut and assembled with wood screws, glued and then varnished. .1 - Small arch part or panel over the doorway with the cable tram number painted on to it "427". .2 - part or panel that fitted over the end saloon window - fitted with hinges to allow access to the saloon door slide mechanism. Has a MMTB Transfer - Cable Tramways poster glued to the surface. Internal part of this part has a light colour finish on the rear. .3 - as for .3, but without any poster. .4 - as for .3, hinged to the part of door archway component above this panel, including some screws. Has a MMTB Collection of Fares Poster glued to the surface. .5 - as for .4, but without the poster and one small framing piece.trams, tramways, cable trams, components

Yields information about W4 671 technical details and demonstrates how the advertising in W4 class tramcars were used by the BTM.Poster advertising technical and historical details of W4 671. Consists of two sheets of paper printed with the information and taped together. Made by Len Millar prior to the tram's visit to Melbourne in 1996. Were located in the end advertising panels over the doors of W7 671 until replaced with a photo display panel during 2009, when collected. Two copies held.trams, tramways, advertisements, posters, w class trams

Advertising Poster for use in Tramcars printed on heavy cardboard - titled "Speed Hogs" about the opening of the final section of the Underground loop or City Loop - has a cartoon by "Jeff" - notes the connection of the north western lines - 1 May 1984 (PTV Website loop history accessed 7-2-2016) Has The Met logo in the bottom right hand corner.trams, tramways, the met, city loop, melbourne

Set of two Metcard Fares and Zones posters, Zones 1, 2 and 3 giving details of 2 hours, 2 hour packs of 5, daily, weekly, monthly, Short trip, and 60+ tickets and the various zone combinations. Dated 1 Jan. 2001 Has a zone map. .1 - Landscape format - two copies, both laminated. .2 - Portrait formattrams, tramways, metcard, metlink, signs, tickets

Poster - Full colour featuring Colonial Tramcar Restaurant Tram No. 442 with a background of Luna Park, Flinders St station and the Arts Centre with the words "Tramcar Restaurant - Tripping the Light Fantastic". On the rear is a divided back arrangement with space for stamp and an address, the company logo and name and contact details - no web site. c1985. See Reg Item 2173 for a postcard of this image.trams, tramways, restaurant tram, colonial tramcar restaurant, melbourne

Set of five large posters, featuring a person using public transport and how to use it titled "Public Transport Corporation - Your travel made easy" .1 - portrait format - for trams .2 - ditto for buses .3 - ditto for suburban trains .4 - landscape format for country trains - has a contact number for disability access. .5 - ditto for suburban busestrams, tramways, ptc, posters, trams, railways, disability services, behaviour

Poster printed on off white heavy A3 size paper titled "Service Alterations", produced by M>Tram, for May 2003, detailing the changes for buses on route 69 during the Glenferrie Traders Festival Sunday May 4 and tramway overhead renewals Sunday and Monday May 11 and 12, on route 79. Has the M>Tram logos, with contact details.trams, tramways, m>tram, timetables, melbourne, information, service changes

Set of two full colour poster printed on a vinyl plasticized based sheet - colours yellow and black. .1 - titled "Drivers Beware", staying clear of the yellow line and when turning on roads with trams. Features the rhino on a skateboard. .2 - titled "Beware" - look listen and be alert around trams - has the Yarra Trams logo and website name. Not dated, c2012.trams, tramways, yarra trams, melbourne, public transport, advisory sign, traffic control, safety, rhinos

Poster - full colour printed on gloss paper, titled "Grab the Latest Fares and Travel Guide for a smoother ride", advertising The Met publication. Features a bus, Comeng Train and a B class tram travelling on the side of a vertical coin. Advises where the publication could be obtained from. Possibly early to mid 1990's. See Reg Item 2507 for the actual guide.trams, tramways, the met, fares, melbourne

Yields information about a Buy Australian campaign in the mid 1950's and how poster panels were affixed to tramcars.Digital image from the Wal Jack Ballarat Album of Ballarat 21 with "Buy Australian" panels on the side of the tramcar, 15-9-1953, in Barkly St, Ballarat East. Has a Ballarat Show advert board in the background. See also Reg Item 7869 for another photo of No. 21. See image i2 for rear of photograph. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear in ink "SEC Ballarat No. 21 with "Made in Australia" week posters, Barkly St, Ballarat East". In top right hand corner is Wal Jack stamp with negative number "T165" written in.trams, tramways, barkly st, decorated trams, buy australian, tram 21

Carol Porter’s artwork Don’t get mad, get elected! features a woman towering over Parliament House in Canberra. Below her, tiny suit-clad politicians run screaming as she holds one of their colleagues upside-down, and another tumbles from her grasp. The look on her face is cool and determined; it is a reversal of the more common horror poster trope of ‘damsel in distress’. Porter says of the work: ‘It was tapping into the fact that women should get into power and make a difference’. Porter is a contemporary political cartoonist and poster artist who has worked out of Melbourne since the 1970s. She uses humour in her social commentary on various Australian issues and is well known for the prints she produced at RedPlanet – the alternative poster press inspired by an anti-elitist mission to reconnect art with communities. The poster was commissioned by the Victorian Women’s Trust. It first appeared on Melbourne billboards in 1997, a year after the federal election that swept John Howard to power.Donated by the artist

A limited edition poster produced for the re-opening of the Shamrock Hotel printed on thick off white paper and showing a black & white illustration of Shamrock Hotel by Michael Muter above a shield in mushroom tone and border of same. Reads: 'The grand re-opening the Shamrock Hotel, Bendigo, Victoria. This poster was specially produced for the official re-opening of the Shamrock Hotel, Bendigo by the Premier The Hon. R. J. Hamer E.D. M.P. on Tuesday April 14th, 1981. This limited edition poster has been personally signed by the Premier.' Produced by Steam age Australia. Designed and Illustrated by Michael Muter. 237/500.place, building, shamrock hotel

Diggers & Mining. Gold. Slide shows a bustling restaurant, poster advertising White Star Liverpool, Ballaarat Trumpeter Poster laying on counter top. Makings on picture: S.T.G., Interior of John Alloo's Chinese restaurant. Ballaarat. James J Blundell ? ? Melbourne. Section underneath reads; The interior of John Alloo's Chinese restaurant. Ballarat. Markings: 15 994.GOL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

This postcard shows a display of posters and educational materials relating to health education taught at the Pathfinder school, created by local professional Mary NormanBail. This is one of a collection of several hundred photos, books, documents and teaching aids donated to Langi Morgala Museum by Jessica Norman-Bail (or by her estate). Almost all the collection relates to Jessica's mother, the photographer, artist and educator Mary Norman-Bail, and to Mary Norman-Bail's Pathfinder School, which was located in Ararat for several years in the first half of the twentieth century. Black & white postcard featuring a display of health education teaching materials. The display is on a cloth covered table. The rear of the postcard is handwritten text. "This is some of the / work that brought / credit and honour / to the school. / Through the Australian / Boradcasting / Commission. / You cannot see the / books very well / but they are beautifully / illustrated and are / at present being / sent round the schools / in Japan. / M.Norman Bail / S.A.P.F. / Ararat Vic." pathfinder, normanbail, health education

Demonstrates how advertising was done within W class tramcars - boxes of the driver's door and yields information about the Firestone Sundowner casual shoes.Poster Firestone Rubber Company "Sundowners", the dress casual shoes for the family. Thought to date from the late 1960's possibly when the trams were withdrawn. Were located in the end advertising panels over the doors of W3 661 and used a base for historical photographs of 661 in Melbourne (See Reg Item 4692 and 4693) until replaced during 2009, when collected.trams, tramways, advertisements, posters, w class trams

Poster - full colour on off white paper, A4 single sided, titled "140 Commuters", showing a photograph of a crowded road with a rail bridge in the background (Hoddle St Richmond) and C 3035 with the destination of St Kilda Beach on a route 96. Has the Yarra Trams Melbourne all over logo. 2 copies held. See Reg Item 2515.3 for a different version.trams, tramways, yarra trams, hoddle st, richmond, route 96, st kilda beach, c class, tram 3035

Full colour poster, printed on gloss paper, titled "The Transport Loan No. 4". Advertising that a prospectus could be obtained for this government guaranteed loan paying 13.75%, interest from the Victorian Transport Borrowing Agency, Money used for funding transport projects. Has photographs of various transport scenes including B1 2001 and MAN bus 182. Two copies, large and small size.trams, tramways, public transport, victoria, funding