The Keith Wingrove Trust conducts a competition among Australian artists, graphic designers and students for the production of Ex Libris Bookplates. The competition is called The Australian Bookplate Design Award. The purpose of the competition is to increase interest in and to attract publicity to the artistic value of bookplates. Although the competition is referred to as 'Australian' there is a category of award open to International artists. This bookplate was part of the 2013 Australian Bookplate Award. Gift of the Keith Wingrove Memorial Trust, 2015 Framed original bookplate featuring a brown creature. artist, artwork, keith wingrove memorial trust, bookplate, josh brady, framed bookplate, available

The Keith Wingrove Trust conducts a competition among Australian artists, graphic designers and students for the production of Ex Libris Bookplates. The competition is called The Australian Bookplate Design Award. The purpose of the competition is to increase interest in and to attract publicity to the artistic value of bookplates. Although the competition is referred to as 'Australian' there is a category of award open to International artists. This bookplate was part of the 2013 Australian Bookplate Award. Gift of the Keith Wingrove Memorial Trust, 2015 Framed ex libris bookplate featuring a woman with long flowing hair. 1/3artist, artwork, bookplate, framed bookplate, poschetto, emmah poschetto, keith wingrove memorial trust

Articles in the annual report include: official opening of a new library building at Enfield, over 1 million items circulated in the library, passing of Sir Robert Drew and Nola Dekyvere, first production of Il Globo and launched by Prime Minister Bob Hawke, launch of Bookline - a telephone ordering service for talking books and winning the first Australian Audio Book Award for Children's Books for The Clinker narrated by Bill Conn. 1 volume of text and imagesroyal blind society of new south wales, corporation records

fictioncover advertising silver star starch and harper's star oatmeal.

The building in the photograph is the Boiler House which was part of the former Sunbury Asylum. It was built in the 1920s to replace an older boiler. Coal and/or briquettes were burned to produce hot water and steam which was used to heat and supply hot water for the Asylum buildings. Steam attendants monitored and maintained the furnace and boiler seven days a week. It ceased production in October 1992 and since then has served as an Arts and Cultural complex for the local community. A non-digital black and white photograph of a large brick building with a tall chimney overlooking open rural countryside with two women sitting on the grass in the foreground. The image has been photographed from an earlier photograph. sunbury asylum, boiler house, arts and cultural complex, performing arts

The Salamandra is a Polish glider designed by Waclaw Czerwinski at the Military Glider Workshops in Krakow in 1936. This glider, designated “W.W.S.1”, was produced in substantial numbers prior to the second world war and used in Poland and some other eastern European countries for training pilots. Only one example survived the war, hidden away in the village of Goleszow in Silesia. In addition, no technical drawings could be found, so when the glider was discovered, the Gliding Institute being keen to re-establish gliding in Poland, used the glider to draw up new plans for construction. Five were built for the Institute in 1947 before production was resumed of the “Salamandra 48” at the SZD Jezow Workshops. Improvement were made by adding airbrakes and structural changes for the “Salamandra 49” and a windscreen and larger tailplane were changes adopted for the “Salamandra 53”. An export version designated “53A” was sold to and built under licence in China. Production of the Salamandra ceased in the early 1960s. Total production may have been in excess of 500. The glider was well regarded as a light weight trainer capable of soaring performance. The Museum’s replica was built by Ray Ash and may be may be classified as a “Salamandra 53”. However, he has added something of his own to the design by replacing the cable runs in the wings with control rods. The glider is substantially complete. The wings and tail / rudder surfaces have been covered with poly-fibre fabric. The fuselage woodwork is sealed with varnish. In addition to the finishing work (including painting) and rigging of the main components, the linkages for Ray’s control rod modification may need further engineering to make them operational. The Ray Ash Salamandra is the first of the type to appear in Australia. The Salamandra did not play any role in the development of gliding in Australia in the early years. However, it is an important exhibit in that it shows in tangible form a nacelle fuselage training glider in configuration and construction detail. As such it revisits the pioneering era of the 1930s and 1940s in Australia when wood, wire and fabric were the rule and the nacelle primary glider was generally the first step up for pilots who had mastered the basics in an open primary.Nacelled solo training glider of traditional wood and fabric construction. Construction incomplete.Noneaustralian gliding, sailplane, glider, salamandra, czerwinshi, poland, ash

World War 2 commenced in 1939 in Europe. The first controls over the production and distribution of products in Australia were introduced in 1940, partly due to disruption of shipping. In 1942, after Japan entered the War, comprehensive rationing was introduced to manage shortages and control civilian consumption. After the War, rationing was gradually phased out. Clothing rationing was abolished on 24 June1948. The last rationed product was tea, which ended in July 1950.Many young men from the City of Moorabbin volunteered for active service during WW2 .The market gardeners had to manage their farms with reduced labour. Farms and businesses over the whole country were affected so rationing was introduced to control the civilian use of commodities. Pink-coloured card, printed in black with coupons to be cut off from the left side, originally 24 supplied. 2 original, partly used paper ration cards issued in Melbourne 1948. !x Identity Card for Emma Marriott 1) Meat Ration 2) Clothing Ration 3) Identity Card1)If this Card is found it must be returned at once/ to the Deputy Director of Rationing Melbourne/Commonwealth of Australia/ 1948/ B 891314 MEAT/RATION CARD/Rg,D.1/ Issued to/Name Reed G.M/Address 251 Centre Rd/SE14/ tickets -MEAT 104 - 54 2) as above / B891313/ CLOTHING/ RATION CARD/ tickets 1- 56 3) OHMS / Identity Card ...........1942ww2, melbourne, bentleigh, food rations, food supply, farming, market gardeners, city of moorabbin, cheltenham, marriott emma, reed george, william green, kenneth j blackman

The Codd Bottle was first invented by English manufacturer, Hiram Codd at Barnsley in 1870. The groove inside the top of the bottle held a rubber ring. A small glass balll was held against this ring by the pressure of the 'pop' or 'fizzy' carbonated drink inside the bottle. This style of bottle was widely manufactured and used in the production of mineral waters and lemonade. The glass has a slight green tint, known as aqua glass, and is what the Victorian era produced as 'clear glass'This glass Codd bottle with glass ball and partial rubber ring was probably imported from England by Bennetts Pty. Ltd of Richmond, Victoria for their Lemonade and sold as refreshment to early settlers of Moorabbin Shire c1880A slightly green tinted, glass bottle with a groove inside the top which held a rubber ring, against which, the small glass ball inside the bottle was held by the pressure of the 'fizzy' drink inside.BENNETTS / LEMONADE diagonally across bottlecodd hiram, glass manufacture, glass bottles, moorabbin, brighton, barnsley england, carbonated water, soft drink, mineral water, bennetts lemonade maker, richmond, early settlers, market gardeners, melbourne

Ino SHUKUHO (13.02.1943- ) Born Kyoto, Japan The work of Ino Shukuho are completely handmade with the vast majority of his pots rectangle, squares or oval in shap. His pottery techniques limit production to a maximum of 3-4 pots daily. He is considered a Jaoanese 'national treasure' and he once handcrafter pottery for the Japanese emperor. In 1982 Shikuho Ino was a distinguished guest of the Gippsland Centre of Art and Design (GCAD). Wheel thrown porcelain with celadon glaze.Artist's stamp on base. jan feder memorial collection, ceramics, artist, artwork, gippsland campus, ino shukuho, jan feder memorial ceramics collection

To encourage the development of audio books, a series of awards were established by the National Library of Australia in 1988, and sponsored by TDK from 1991 until their demise in 2000. Open to both commercial and non-commercial publishers, it aimed to recognise the quality achievements by individuals and publishing houses and to promote the inclusion of audio books into the mainstream market. In 1992 the winner of the Adult Literature Category was "Patrick White: A Life" by Louis Braille Production and its narrator James Condon.2 black and white photographs, 1 proof sheet of transparencies and 8 transparencieslouis braille audio, awards, james condon

This style of geared drill was commonly referred to as an egg-beater drill and was first patented in 1838. During the late 19th century these drills became more common due to the development of mass production. Users also began to mount the drill onto a frame. This allowed greater control over the drill and removed the need to be holding it in both hands. This gave the operater greater control over the item to be drilled. The drill could be easily removed when required. This item is an example of a domestic woodworking tool commonly used before the widespread use of power tools. The construction of the basic wooden frame also demonstrates the ingenuity of early pioneers and tradesmen in adapting tools to suit their own needs.A metal hand drill which has been mounted on to an improvised wooden stand. hand tools, mass production, egg beater drills

One of 5 B/W photographs showing areas within Caulfield Town Hall. Production date unknown sometime after 1931 and before 1976. Copyright for this image is unknown, although likely commissioned by Council. It has been digitised and published here for educational and research purposes. If you believe that you have copyright to this image and would like it removed from the site please contact us through the 'Leave a Comment' tab below.B/W photograph showing the rear balcony, ceiling and seating in the Auditorium in the Glen Eira Town Hall. The image shows the Caulfield Town Hall Auditorium prior to 1987 when it was reconstructed and divided to make a lower floor to accommodate a gallery and an auditorium on the floor above.Small Sticker, green and gold, adhered to r.h.s. verso corner 'The Speciality Press Pty. Ltd.'

Originally published by Carboni in 1856 following the Eureka Stockade at Ballarat this second edition was not published until 1942 almost ninety years later. One of the major productions of the Australian private press movement of the 1920s this second edition was produced in 1942 by Ernest Shea's Sunnybrook Press Sydney, in a limited edition of 150 copies. The book is illustrated with lino-cuts by W.E.Pidgeon and introduced by H.V.Evatt. It has a dustjacket and slip case and is signed by Shea, Evatt and Pidgeon. Only 150 produced on a handpress, rare example of Australian fine printing especially in wartime and only the second edition of Carboni's "Eureka Stockade".Book made with rag paper, dust jacket and slipcase.Numbered 128 of 150, signed by printer and artist. eureka stockade, private press, ballarat, ernest shea, sunnybrook press, sydney, carboni, second edition., evatt, pidgeon.

What is distinct about the Performing Arts Course at the University of Ballarat is it has students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch..1: Four page program .2 to .18: Individual profile sheet, two sided - photo and profile of work. Sheets in cream gloss card folder.Signature of Peter Tulloch - back cover of folder.university of ballarat, u of b, performing arts, graduate exhibition, 1994, student profiles, program, donna brunt, naomi duryea, deanne lee clapton, james edwards, katherine elisa evans, bella goyarts, anthony marsh, suzanne martin, hilary paige mills, kylie moroney, matthew robert posetti, lawrence price, stuart pursell, aaron michael richardson, kirsty novak-russell, francisco antonio seguin, jessie watson, emma wray, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, kruse collection

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch.Small white booklet with black type. Each student has photograph and information over two pages Circular symbol - Season Graduate Company - 93performing arts, student profiles, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, buc, ballarat university college, graduate exhibition, 1993, curtis barnott, john bateman, peta brady, amanda davies, michael gibbins, ruth greenberg, ronald hinkley, rebecca moore, warren muschiali, martin newton, clare o'sullivan, kristian pithie, vicki pollock, simon power, shaun dumbrell, jay strybosch, libby tanner, cristin(tin) schwanker, adam turnbull, david whiteley, kruse collection

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. 13 A3 size gloss paper sheets folded. Photograph on one side and profile information on other pages. Grey A3 cover paper sheet folded for program. Writing in red ink. All enclosed in grey and pink coloured folder.performing arts, student profiles, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, buc, ballarat university college, graduate exhibition, 1992, fiona bennett, miranda crellin, peter ghin, andrea hearn, nerissa heath, joanne hyland, kimbra jeffries, brigid kelly, robert macleod, sandra moon, grainne o'boyle, howard tostivan, samantha trinder, kruse collection

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch.Yellow card folder 13 A4 size white gloss paper sheets. Photograph on one side and profile information on reverse.university of ballarat, u of b, performing arts, student profiles, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, tanya burne, marijana dujmovic, hayley giemza, marley huxley, bertrand labonte, sophie lampel, belinda lees atcl, matthew molony, daniel tonzig, lyn cyrill, vicki matthews, casey norton, robert alan sowinski, kruse collection

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch.One white A3 sheet, folded, with two white A4 sheets. Black and white photographs and black print performing arts, student profiles, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, buc, ballarat university college, graduate exhibition, 1991, jennifer pacey, simon piening, bernadette lamaro, jacqueline port, stephen macklin, michal glickson, felicity hay, gregory wright, douglas knight, merran lisette, sadat-jon hussain, emily robinson, nicholas reid, richard sutherland, third year, monologues, scenes, kruse collection

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch.One white A3 sheet, folded Black and white photographs and black print Signature of Peter Tullochperforming arts, student profiles, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, final year company, university of ballarat, momentum, savage/love, cast crew, tanya burne, marley huxley, marijana dujmovic, bertrand labonte, jayley giemza, matthew molony, sophie lampel, daniel tonzing, belinda lees, lyn cyrill, vicki matthews, casey norton, robert sowinski, kruse collection

Black and white photograph of Volvo Articulated bus in "The Met" colours, c1985, Number 06 at Doncaster depot. Has other buses in the background. Model No. B10ML on radiator. Web site: http://www.showbus.co.uk/Australia/gallery/met2.htm accessed 20/8/2013 - says under a photo of a similar bus: "In 1985 Japan took delivery of 100 Volvo B10ML articulated buses for services to the World Expo in Tokyo. The order caused a stir at the time as Japan was self-sufficient in bus production. However articulated buses were not street legal, so after the Expo the buses were all exported. Seventy nine of them ended up in Australia, popping up all over the country."On rear in ink "MTA Newly acquired Volvo Artic Bus"trams, tramways, the met, buses, doncaster, tram 6

The polish was developed in Australia by William Ramsay who named it Kiwi after the flightless bird endemic to New Zealand, the home country of his wife, Annie Elizabeth Meek Ramsay. Its success in Australia expanded overseas when it was adopted by both the British and American armies in World War I. In the UK, Kiwi was for many years manufactured at its British headquarters in Ealing (Brumwell Road, London W5 1DT). From here the factory manufactured for the UK market and exported the Kiwi brand too much of Europe and the Middle East. In the mid-1970s, as part of a major streamlining, the UK factory was closed with production switched to France. The UK operation moved to Surrey at Yately becoming, effectively, a sales and marketing office, with distribution contracted to a third party. In 1980, production for the UK market moved back to the UK and was housed in a factory near Huddersfield. The UK head office was relocated to Maidstone, Kent, where Kiwi had other product interests. Following the global merger with Nicholas Laboratories, the UK head office was again relocated to Slough at the Nicholas building on Bath Road.A significant product as Kiwi is an Australian brand name of shoe polish, first launched and sold in Australia in 1906 and as of 2005 sold in almost 180 countries. Previously owned by the Sara Lee Corporation since 1984, it was sold in 2011 to S. C. Johnson. It is the dominant shoe polish in some countries, including the United Kingdom and the United States, where it has about two thirds of the market. In Malaysia and Singapore, Kiwi has become such a household brand for a shoe polish that the word "kiwi" has been genericized into a verb in the Malay language, meaning "to polish one's shoes".Metal cleaning outfit of Kiwi boot polish brush, scraper, & polish missingKiwi Boot Polish to front of containerflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

These 35 photographs were taken at an Army Survey Regiment Open Day at Fortuna Villa, Bendigo on the 24th of February 1990. This occasion was one of several events held to commemorate the 75th anniversary of the formation of the Royal Australian Survey Corps. Although historical tours of Fortuna occurred on a regular basis, this was the first technical open day since 1972. The Royal Australian Survey Corps recognised that an Open Day was the best way for the local community in Bendigo to gain an insight into the unit’s important role as Defence’s map production agency, its technical equipment, and its economic importance to Bendigo. It also gave them an opportunity to tour through historic Fortuna Villa. This occasion is covered in more detail in page 143 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. Refer to items 6434.27P and 6436.18P for more photos of the Open Day taken inside Fortuna, the garden areas and production areas of Lithographic Squadron. Photo prints of some of these photos were scanned and catalogued in items 6247.30P and 6291.6P.These 35 photographs were taken at an Army Survey Regiment Open Day held at Fortuna, Bendigo on the 24th of February 1990. The 35mm colour and black & white negatives photographs were scanned at 96 dpi and are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1990. CPL Neale ‘Tex’ Houston with visitors in Aerotriangulation Section. .2) - Photo, black & white, 1990. L to R: MAJ Peter Clark and WO2 Neil ‘Ned’ Kelly with visitors in Aerotriangulation Section. .3) - Photo, black & white, 1990. SGT Bruce Hammond with visitors in Aerotriangulation Section. .4) - Photo, colour, 1990. SGT Bruce Hammond with visitors in Aerotriangulation Section. .5) - Photo, colour, 1990. SGT Steve Gloster with visitors in Aerotriangulation Section. .6) - Photo, colour, 1990. L to R: CPL Noel Brinsmead and CPL Darren Wilkinson with visitors in Aerotriangulation Section. .7) - Photo, colour, 1990. L to R: CPL Noel Brinsmead with visitors in Aerotriangulation Section. .8) - Photo, colour, 1990. MAJ Peter Clark with visitors in Aerotriangulation Section. .9) - Photo, colour, 1990. CPL Mark Lander with visitors in Plotting Section. .10) - Photo, colour, 1990. SSGT Andy Boath with visitors in Plotting Section. .11) - Photo, colour, 1990. SPR Stuart Bowd with visitors in Plotting Section. .12) - Photo, colour, 1990. CAPT Roger Hancock with visitors in Plotting Section. .13) & .14) - Photo, colour, 1990. AUTOMAP 2 - CPL Peter Peterson with visitors. .15) - Photo, colour, 1990, AUTOMAP 2 - L to R: SSGT Graham Johnston, SPR Grant Davis with civilian visitors. .16) - Photo, colour, 1990, AUTOMAP 2 - L to R: CPL Steve McGuiness, SSGT Graham Johnston with civilian visitors. .17) - Photo, colour, 1990, AUTOMAP 2 - civilian visitors. .19) - Photo, colour, 1990, AUTOMAP 2 - L to R: unidentified, SPR Tony Jackson, CPL Mark Westbrook, SSGT Bob Bright, with civilian visitors. .20) - Photo, colour, 1990, AUTOMAP 2 - L to R: WO2 Adrian ‘Charlie’ Creedy, CPL Mark Westbrook, SPR Mick Duggan with civilian visitors. .21) - Photo, colour, 1990, AUTOMAP 2 - L to R: SPR Mick Duggan, CO LTCOM Rene van den Tol, SSGT Bob Bright, CPL Mark Westbrook with civilian visitors. .22) - Photo, colour, 1990, AUTOMAP 2 - L to R: SPR Damien Nolan, unidentified, SPR Peter Smyth with civilian visitors. .23) - Photo, black & white, 1990, AUTOMAP 2 - L to R: SPR Peter Smyth, CAPT Steve Hledik, SGT Martin Evans, MAJ Neil Taylor with civilian visitors. .24) - Photo, black & white, 1990, AUTOMAP 2 - L to R: SPR Mick Duggan, CPL Mark Westbrook with civilian visitors. .25) - Photo, black & white, 1990, AUTOMAP 2 – LCPL Sandy Winn with civilian visitor. .26) - Photo, black & white, 1990. Display of digital storage media. .27) & .28) - Photo, colour, 1990. Cartography - SPR Ian Baldwin with civilian visitors. .29) - Photo, black & white, 1990. Cartography - SPR Ian Baldwin with civilian visitors. .30) - Photo, black & white, 1990. Cartography - SGT Sherri (Dally) Burke with civilian visitors. .31) - Photo, colour, 1990. Cartography - L to R: SGT Sherri (Dally) Burke, SSGT Dennis Learmonth with civilian visitors. .32) - Photo, colour, 1990. Cartography – SGT Barry Hogan with civilian visitors. .33) & .34) - Photo, colour, 1990. Cartography – CPL Dan Cirsky with civilian visitors. .35) - Photo, colour, 1990. Cartography – L to R: SPR Jeanette (Lane) Dury-Lane, CPL Diane (Thomas) Soutar with civilian visitors..1P to .35P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, automap 2

This is the funeral Order of Service for Les O' Callaghan. Born in Balmoral Victoria, he came to Warrnambool in 1932 to study at the Warrnambool Technical School. He worked for forty years in the laboratory as a microbiologist in the Kraft Cheese Factory based at the Warrnambool Cheese and Butter Factory in Allansford . His research work here formed the basis of the Department of Agriculture guidelines for dairy production in Victoria. He was a noted Warrnambool historian and was President of the Warrnambool and District Historical Society for forty years.This item is a memento of Les O Callaghan a prominent 20th century identity in Warrnambool.A sheet of white paper folded in two to make four pages. There are three photographs and black printing. Two of the pages have black edging.A Celebration of the life of Leslie Alexander O'Callaghan 1st August 1918 -26th November 2014les o callaghan, kraft factory allansford

This letter refers to the production of long wool and sourcing the fleece and breeding stock of the Lincoln long wool breed. He writes from Lincolnshire and is looking at developing opportunities in Australia and New Zealand. The breed became popular in the latter part of the 19th century and large prices were paid for stock particularly rams. They were bred for wool as well as meat. The breed had declined in popularity in the later part of the 20th century. This letter is part of the Bostock collectionA handwritten letter documenting the link between English markets and Australian sheep farmers.Pale blue paper, lightweight, handwritten in black ink.Joseph* Kirkhamwarrnambool, lincoln long wool, joseph kirkham lincolnshire, 1872, bostock

This item is an example of Carnival Ware glass. Carnival Ware is pressed glass to which an iridescent surface shimmer has been applied using metallic salts. The trade name of the colour is 'Marigold'. Carnival Ware was first produced in U.S.A in 1908 and production in both U.S. A. and other countries continued until the 1940s, with the 1920s being the decade when it was most popular. It was a cheaper version of a decorative item for the household as well as having a utilitarian purpose and is a collectable glass today.This vase has no known local significance but is retained as an example of an item likely to be found in many local households of the 20th century.This is an orange-coloured pressed glass vase. It is on a stand of three legs and has a fluted patterned top rim. The body of the vase has raised decorations of butterflies and berries.carnival ware, vintage glass ware, carnival ware glass vase

Dubbed from original recording with introduction by Joh Ebeli 2002 General chit chat and banter between Joh Ebeli and Alan Marshall on various current affairs, matters of the past and artists and Joh's method of sculpture production. Topics include gold prospecting, Smith's Gully, Politician Jim Cairns, artists Neil Douglas and Pablo Picasso. See also EDHS_00666 colour photo of Alan taken by Joh Ebeli and EDHS_02441 photo of plaster cast modelCompact audio cassette TDK D60 IEC I/Type I Converted to MP3 file; 33.8MB, 0:32:19 Case labelled "Alan Marshall talks while Joh Ebeli is sculpting his face in #1977 - in his bungalow in Eltham"alan marshall, alan marshall bungalow, artists, audio cassette, audio recording, eltham, joh ebeli, sculptures, gold prospecting, smiths gully, sculpting

Lisa Widdop (16/07/1971-18/01/2024) was an "artist, painter, creator of many things, connoisseur of small and precious things" Quote from her memorial card. Lisa was an alumni of Federation University. Lisa was also a passionate member of OZACT - a touring theatre company dedicated to making Shakespeare accessible to con temporary Australian audiences with performances in Southern Australia's outdoor landscapes. Lisa was involved in management, designing of props, costumes and production of these performances.Coloured prints on black backgrounds.1 Pussy-cat, pussy-cat where have you been? I've been to London to see the Queen. Pussy-cat, pussy-cat what did you there? I ate a chili right under her chair.

This camera was designed by William Johnston in 1904. Production began in 1905. There were many versions, the number indicated the length of film which corresponds to the width of the panorama. Originally designed for photography of large groups of people. Later it was used for landscapes. This camera was used by the local Lorne photographer William Anderson who took photographs of visitors and local scenes. William purchased Norman Brown’s photographic business in December 1899 and worked in Lorne until his death in 1948It is a large format rotating panoramic camera. A concertinaed fine leather tube with the adjustable lens is contained in a black wooden leatherette covered rectangular box. On the top is a metal winding handle, a series of weights and a carrying handle. The lens is a Gundlach - Manhattan rapid recto graph. The camera rotates on a geared tripod through 360 degrees with the film driven past the exposure slot by a clock work motor.cameras, lorne, william anderson,

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Ronaldson Bros and Tippett began in Creswick Road Ballarat 1905. They were manufacturers of agricultural machinery and oil engines. In the 1930s they began production of tractors. The company was taken over in 1970 and closed. Black design on white background.Name of company. Artwork inside oval shapezilles printers, ballarat, ronaldson bros and tippett, agricultural machinery, oil engines, tractors, coat of arms, logo