A greenish gray coloured covered manual with two punch holes down the left hand side. The information on the front cover is in black ink. Top right hand side handwritten is Chap. 5 bring a dummy. under this reads DSN 7610-66-048-0380 australia - armed forces - service manuals, 3 inch mortar, infantry, weapons

A brown colour cover with black details. Top right corner reads 7610-66-018-6712. In the middle is the insignia of the Australian Military Forces. There are four punch holes down the left hand side. (note the pages in this manual are loose)australia - armed forces - service manuals, drill manual, australian military forces

A brown colour cover with black details. Top right corner reads 7610-66-018-6712. In the middle is the insignia of the Australian Military Forces. There are two rusty staples down the left hand side.australia - armed forces - service manuals, drill manual, australian military forces

A blue colour cover with black details. Top right corner reads 7610-66-013-1640 In the middle is the insignia of the Australian Military Forces. At the bottom of the covr there is a white sticker with the information: Including lessons for the 7.62mm Automatic Rifle.There are four punch holes down the left hand side. (note the pages in this manual are loose)australia - armed forces - service manuals, drill manual, australian military forces, infantry platoon weapons, 7.62mm self loading rifle and bayonet.

A blue colour cover with red details. there are six punch holes down the left hand side.australia - armed forces - service manuals, drill manual, 7.62mm self loading rifle and bayonet., infantry training, infantry platoon weapons

Agray colour cover with red details. there are seven punch holes down the left hand side. Also there are two rusty staples down the left hand side. At the top of the booklet the name Sgt Hodder is written in black ink.australia - armed forces - service manuals, drill manual, infantry training, infantry platoon weapons, fieldcraft, sgt hodder

A brown colour cover with black details. There is the Australian Military Forces Insignia in the middle of the cover. There are four punch holes down the left hand side. . At the top of the booklet SP is written near the code 7610-060-3675. there is the number 101 is written in black ink on the front.australia - armed forces - service manuals, drill manual, ceremonial

A blue colour cover with red details. there are seven punch holes down the left hand side.australia - armed forces - service manuals, drill manual, infantry training, infantry platoon weapons, handling of weapons

A greenish colour cover with black details. There are four punch holes down the left hand side. At the top of the page is the name Sgt Hodder written in black ink.australia - armed forces - service manuals, drill manual, command and organization, sgt hodder

Donated by Dr Colin Holden through the Australian Government's Cultural Gifts Program

A crfeam coloured cardboard cover with black information on the font. Top right hand corner reads W.O. code No. 6774. There are three punch holes and two metal staples down the left hand side of the booklet.australia - armed forces - service manuals, r.a.m.c., royal army medical corps, drills, exercises

Demonstrates how the SEC used enameled signs to convey instructions to passengers and confirm the advice of the conductor.An enamel sign with black lettering and border line on an off white background. The enameling is stained due to rust. The sign reads "To stop Car pull left hand cord ONCE". Where the enamel has been chipped, an attempt to disguise the damage has been made with paint. The reverse has been enameled in a mixture of black and white, but this shows signs of chipping and rust damage. Two holes have been drilled in the centre of the LH and RH edges to enable the sign to be attached to the tram car. The reverse shows signs that the enamel has been marked prior to firing as the sign rested on a framework which removed the enamel surface, allowing lines of rust to form.tram signs, tam car signage

Demonstrates how the SEC used signage to convey instructions to passengers and confirm the advice of the conductor.A brass metal plate sign with stenciled lettering and border lines etched and painted black. A small hole has been drilled in each of the corners to enable fixing to the tram car. The reverse has remnants of glue and timber fragments from past adhesion.tram signs, tram cars, tram safety signs

A greenish gray coloured covered manual with two punch holes down the left hand side. The information on the front cover is in black ink. Top right hand corner reads DSN 7610-66-048-0380 australia - armed forces - service manuals, 3 inch mortar, infantry, weapons

A greenish gray coloured covered manual with two punch holes down the left hand side. The information on the front cover is in black ink. Top right hand corner reads DSN 7610-66-048-0380. There is a mark made by a stamp which reads ......Wo1, RSD 2 Mil Hosp on the top left hand sideaustralia - armed forces - service manuals, 3 inch mortar, infantry, weapons, 2 mil hosp

Hugo Wertheim (1854-1919), was a merchant and manufacturer and was born on the 12th July 1854 at Lispenhausen, in the German electorate of Hesse-Kassel, son of Meyer Wertheim and his wife Minna, née Heinemann. Hugo reached Melbourne in October 1875. He soon began advertising, from premises at 39 Flinders Lane East, as agent for his father's cousin Joseph Wertheim, a well-established manufacturer of sewing machines. Hugo returned to Germany where he married Joseph Wertheim's daughter Sophie Emilie (1864-1953) on 30 August 1885 at Frankfurt. the couple then came to Melbourne. In a short time, with extensive advertising, Hugo established a substantial business, selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He also mounted elaborate displays at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. O. C. Beale worked with him before setting up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Wertheim opened a large, innovative piano factory at Richmond, Melbourne, intending to produce 2000 pianos and player pianos annually, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis on 11 July 1919 at his home at South Yarra, his wife, two daughters and three sons survived him; Herbert Joseph (1886-1972), the eldest, continued the business. Rupert became a share broker and went on to represent Victoria in inter-State tennis in 1913-27 and Australia in Davis Cup matches against Czechoslovakia in 1922. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices.Early Australians had to be self-reliant in regards to making and mending their clothes and utensils. This sewing machine was one of many items used that exhibit the skill and craftsmanship of the women in these early families. A sewing machine was a necessary part of each home and this item demonstrates how women of the time managed had to become self-reliant in the repair and making of their families clothes to make their household budgets go further.Sewing machine, Wertheim brand “ Syst 182” hand crank operated machine with folding handle, timber case and carry handle. Metal machine is painted black, with remnants of gold, red and green scrolls and floral decoration. Machine has base with inlaid measuring rule across front and 2 holes drilled through the base (perhaps for mounting machine to a bench). Machine tilts open, hinged on one side, after thumb screw is unwound, revealing machine’s workings and serial number. Base has a fitted round, concave, silver metal pin holder with lid that hinges open, and symbol pressed into lid; several pins are inside. Body of machine has brand name transfer across front and oval metal trademark disc on front. Metal sliding covers over footplates have stamped lettering. Timber machine case or cover includes an accessory box with sliding cover and metal hook and eye latch, and inside the box are 23 metal sewing attachments, a disc and a stick of black crayon with maker’s trademark on it paper cover. Workings of machine have seized up. The crayon wrapper has printed on it “For the wonderful Wertheim new family machine made in Germany ‘Syst. 182’”, and the maker’s symbol with “Trademark” beside it. Made for Hugo Wertheim.“WERTHEIM” transfer across front and back of machine body. Cover of pin holder has symbol ‘Wings above a shield’. Maker’s trademark on gold oval disc, “WERTHEIM / FRANCFURT” and picture of a dwarf with a hammer. Left footplate has script “Syst 182”, right footplate has stamp in oval shape “MANUFACTURED IN - - /SPECIALLY FOR / HUGO WERTHEIM” Serial Number “7501”flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sewing machine, hand crank sewing machine, hugo wertheim, wertheim, clothing manufacturer, sewing, syst 182

The wooden pattern was possibly made for casting a part for Craftman Marine, makers of engines for boats and other machines. It is part of a set that is stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; rectangular wooden block with a corner cut diagonally. A five-sided shape has been carved into the centre, with one side curved inwards and slightly shallower than the other sides. The cut-out area is painted black. Three holes are drilled in the cut-out side to align the pattern with another piece of work. A wooden slat is fixed across the diagonal side. The back of the pattern has a handwritten inscription, possibly by two writers. The pattern is part of a set of foundry patterns from Briggs Brass Foundry and is connected to Craftman Marine.In black handwriting: "1 # H AL" Handwritten in a different hand: "CRAFTMAN MARINE" Written the the first hand: BRIGGS" (or "BRICK")flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, craftman marine, craftsman marine

A khaki coloured cardboard booklet with black information on the front. Top right hand side reads 7610-66-096-4848. Below the Australian Army Insignia are the details of the Booklet. Yo the left of the Insignia there is a stamp which reads PDW. There are two punch holes down the left hand side. The booklet is covered in plastic.australia - armed forces - service manuals, land warfare

A khaki coloured cardboard booklet with black information on the front. Top right hand side reads 7610-66-096-4848. Above the Australian Army Insignia there is a stamp which reads HQ 6 Cons Gp, Library. Top left hand side reads ACC No 17 in black texta. There are two punch holes down the left hand side. The booklet is covered in plastic.australia - armed forces - service manuals, land warfare

A khaki coloured cardboard booklet with black information on the front. Top right hand side reads 7610-66-096-4848. Above this is the W.O. 2 Moir. Below the Australian Army Insignia are the details of the Booklet. There are two punch holes down the left hand side. The booklet is covered in plastic. Amendment List No 1 is loose in the booklet.australia - armed forces - service manuals, land warfare, w.o. 2 moir

A khaki coloured cardboard booklet with black information on the front. Top right hand side reads 7610-66-096-4848. Below the Australian Army Insignia are the details of the Booklet. There are two punch holes down the left hand side. The booklet is covered in plastic.australia - armed forces - service manuals, land warfare

A brown cover whish has some water stains on it. The information on the cover is in black. Top right hand corner reads W.O. Code No. 6774. There are three punch holes and tow metal staples down the left hand side of the booklet.british army, r.a.m.c., training pamphlet, drills and exercises

Considered the best of the early mud-brick houses built by Alistair Knox. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p143 The Busst house hidden by trees at the corner of Silver Street and Kerrie Crescent is considered the best of the early mud-brick houses built by Eltham architect, Alistair Knox. Knox himself said, that the Busst house was the most mature mud-brick house designed at that period. ‘It related with true understanding to its steep site and expressed the flexibility of earth building ………to develop a new sense of flowing form and shape’.1 Built in 1948 for artist Phyl Busst, a former art student at Montsalvat, the house helped usher in Eltham Shire’s distinctive mud-brick residential character. Knox was the pivotal figure of the style developed from the 1950s to the 1970s.2 Scarcity of building materials after World War Two encouraged mud-brick building because earth was a cheap and plentiful building medium. But when Knox began building in mud-brick in 1947, no council in Victoria knew anything of this ancient art and he needed a permit. Fortunately the Commonwealth Experimental Building Station at Ryde in NSW, had been experimenting with earth construction to help overcome the shortages of that time. They published a pamphlet that became available in Melbourne on the same day the Eltham Council was to consider whether the earth building should be allowed. Knox caught one of the three morning trains to the city in those days and bought several copies of the pamphlet to give to each councillor. On his return he found the councillors standing on the steps of the shire offices after lunch at the local hotel. He heard that earth building had been discussed before lunch and that they were not in favor of it. Knox gave each councillor a pamphlet. They passed that plan and by doing so, opened the door for all future earth building in Victoria and by default, in Australia.3 Mud-brick houses attracted artists to Eltham, for their aesthetic appeal and because they were cheap. Those who built their own houses, included film maker Tim Burstall, artists Peter Glass, Clifton Pugh, Matcham Skipper, Sonia Skipper and husband Jo Hannan. For Knox, mud-brick building was more than just a cheap building medium. He saw it as harmonising with the surrounding bush and as a way of counteracting the growing materialism of the age. He wrote of its impact on ‘ 20th century man. It should counteract the confusion that the perpetual flow of high technology products have upon him ..’.4 Building the Busst house on a steep site was difficult because most earth-moving equipment was then in its infancy. For instance drilling for explosives was done by hand, which was a slow and painful process. Knox, assisted by his foreman Horrie Judd and Gordon Ford (who was to become a famous landscape designer), built two large main rooms - a living room/ kitchen downstairs - and upstairs, a studio/bedroom. The studio/bedroom opens onto the balcony, which covers the living area. The bath made of solid concrete by stonemason Jack Fabro, is particularly deep. Sunshine pours through the three French windows of the north-east facing kitchen/living area, which is lined with timber. The large hearth can fit a family around the fire while the timber floors and solomite (compressed straw) ceilings add to the cosy atmosphere. The garden is thick with trees, and in the late 1990s, Ford put in a pool near the original dry wall he had built as a young man.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alistair knox, alistair knox design, busst house, kerrie crescent, mudbrick construction, mudbrick houses, silver street