Murray Comrie Collection. This is a reasonable copy of an older original. Copy probably made by Murray Comrie in the 1960s. Monochrome photograph of men harvesting Eucalyptus foliage, possibly at or near Arnold West.arnold west, industries, agriculture, eucalyptus, distilling, forestry, plants, trees

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s.This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history. Men's 'Baronex' analogue, stainless steel wrist watch, c. mid-century. On back of watch face "STAINLESS STEEL BACK/WATER RESISTANT/ANTIMAGNETIC SHOCKPROOF/DUST PROOF". On watch band near clasp "100% /STAINLESS STEEL/HONG KONG". On watch face "BARONEX/JEWELS INCABLOC"watch, clock, time, timepiece, haeusler collection, wodonga, social history

Photos of a presentation of a trophy and prizes after a bowling day. The paper label says Buckley Park Bowling Club were the winners of the Legacy Open Pairs Tournament for the Sir Dallas Brooks Trophy. Runners up were the MCC Bowling Club. These photos were in an album of photos from 1993. Legatee Woodward was one of the presenters. Bowling and golf days were an excellent social event for Legatees as well as a fundraiser. A record of the type of activities Legacy provided as a social outlet for the Legatees and for fundraising.Colour photo x 2 of mens bowls day presentation and a paper label.Paper label provides a caption for the photos.legatee event, bowls, fundraising, trophy

One of fifty one photographs originally in a photo album found in the National Wool Museum’s office. The album was water damaged and the images were removed for conservation. The images follow the process of wool. Beginning in a sheep paddock and finishing as a folded fabric. It includes all the steps in between in this process, including shearing, transporting, selling, washing and the many different steps in the process of turning a single thread of wool into fabric.Black and white image showing two men standing amongst bales of wool.AUSTRALIAN NATIONAL PUBLICITY / ASSOCIATION / FLINDERS STREET RAILWAY BUILDING, / MELBOURNE AUSTRALIA / W2wool industry, working life, women, boonoke station, farming, sheep farming, agriculture, sheep stations, transport, wool processing, shearing, textile industry, wool

One of ten sculptural portraits of men with beards on the external of the Ballarat Town Hall..ballarat town hall, portraits, sculpture

BHS CollectionA black and white photograph of Lancewood Men's Hostel for students at Bendigo Teacher's College.bendigo, education, lancewood, la trobe university bendigo collection, collection, bendigo teachers' college, students, bendigo, education, accommodation, tertiary education, teacher education, photo, photograph, photographs, photography

Ruins of Gustav Mahnke’s Bakery Shop Corner of Main Street and Wimmera Street Stawell destroyed by fire 1922. The Chimneys left standing would have belonged to the ovens. Firemen Left R. Chapman - extreme right Alf Pickering , inspecting damage. The Post Office Hotel and the destroyed bakery on the corner of Main and Wimmera Streets. Gustav Mahnke, a German, was a borough Councilor, Mayor for three successive terms - 1904-07. Note extreme right in the backgorundbehind trees - Stawell Baths.B/W. Photograph of the ruins of a burnt building, next to a Hotel with four men.Part of a sign reading "TEL"stawell business streetscape

Cheltenham Tennis Club, Park Road, Cheltenham Back (left to right) Carrie Hayman, Clem Phillips, Anne Chandler, J Woods, Eugenie Fairlam, J Francis, W Foreman, Maggie Maxwell, Fanny Woff, Minnie Cullen, Third Row: Dr A Weigell, Edwards, C Scantlebury, WoBlack and white image of a group of men and women standing courtside with rackets in their handsRound red sticker:X2 [crossed out] Handwritten in blue ink enclosed in a circle:49 / written in pink ink 50%tennis, cheltenham, cheltenham tennis club, sport

Locomotive Elfreda leaves Cheltenham station with guests for laying of foundation stone at Melbourne Benevolent Asylum - Kingston CentreBlack and white image of locomotive Elfreda with men and women on open air carriagesPrinted in black text a round white sticker: 80 Handwritten in red ink: 75% Velcro sticker x2locomotive, trains, benevolent asylum, cheltenham, kingston centre

Group of Borough and Shire Councilors and Visitors at a Back to Stawell 1922 Back Left to Right: T.D. O'Callaghan, C. Chamberlain (Town Clerk), A.E. Heal, J. Webster, J. Lysaght, W. Webster, R,. Tucker, D. Moore, J. Murray, J.G. McConachie, F.W. Bond, J. O'Connor, A. J. Wood. Middle: A.E. Tobin, W.F. Irvine, W.J. Foreshaw, G. Mitchell. A. Clarke, G. Barnes, W.A. Whitford, G.T. Holden, W.J. Nolan, G.A. Smith, E.P. Timmins, H. Henderson. Front: D.M. Mitchell, W. Simpson, J.C. Hutchings, D. Bell, Major Rough, J. Paton (Mayor), D. Williams (President) J. Williams, F.J. Derry. J. Hutchins, M. Cooper. Names in "Borough of Stawell" History. Magazine Box 1 (Mr. Sharpleys Book Page 17)Black and white photograph of a large group of men standing and seated in front of a building.1922 'Back to Stawell' Celebrations Borough & Shire Councilors & visitors (Names in "Borough of Stawell" History) Mag. Box 1. (Mr. Sharpley's Book) Page 17 Group of Borough and Shire Councilors at a luncheon given by CR. D. Williams Shire President, on the occasion of the "Back to Stawell", 1922. Back, Left to right - T.D. O'Callaghan, C. Chamberlain (Town Clark), A.E. Heal, J. Webster, J. Lysaght, W. Webster, R. Tucker, D. Moore, J. Murray, J.G. Maconachie, F.W. Bond, J. O'Connor, A.J. Wood. Middle - A.E. Tobin, W.F. Irvine, W.J. Foreshaw, G. Mitchell, A. Clarke, G. Barnes, W.A. Whitford, G.T. Holden, W.J. Nolan, G.A. Smith, E.P. Timmins, H. Henderson. Front - D. M. Mitchell, W. Simpson, J.C. Hutchings, D. Bell, D. McKay, Major Rough, J. Paton (Mayor) D. Williams, (President), J. Williams, F.J. Derry, J. Hutchins, M. Cooper. Original - Photo Chapman Stawell stawell government

Franco Liburti was wearing this coat when he farewelled his wife Assunta in Naples, Italy in 1957, the day she departed for Australia. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Men's coat featuring a charcoal herringbone weave, with three buttons down the front and on each sleeve cuff.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community, naples

Sepia photograph of nine men. Four men seated in front row. Five men standing hehind. A handwritten sign in front of the men says 'BENDIGO'. There are mining tools beside them and one man is holding a wine bottle and pouring wine into a glass. There are tents in the background. Written on the back in red ink 'To Mackay and the Bendigonian Young Bendigonians in the West Christmas Day 1896 at Rocky Bay A Doughty C Wilkinson D Manners C Cudey S Nestor John Downes A McAllister J Burtonclay R Kuhlkens

This memorial designed by Peter Blizzard is dedicated to more than 36,000 Australian men and women were held captive as prisoners by the enemy during the Boer War, World War 1, World War 2 and the Korean War. This memorial honours and names them, the names are etched into the black granite wall adjacent to the pathway. Water springs from beneath the 'Lest We Forget' stone then flows down the wall into the narrow watercourse in front of the first group of names and into the reflective pool, then continues past the second group of names. Finally it disappears under the pathway, returning to its source under the 'Lest We Forget' stone to start the journey again. Water symbolizes the essential nature of man, sacrifice, suffering, spirituality, healing, cleansing, birth and re-birth. The memorial is created from natural materials and is designed to be in harmony with the Ballarat Botanical Gardens, and to create a sense of timeless, dignity and respect. The long pathway of the monument is designed to create a visual perspective of the large distances that Australians travelled to the various conflicts. The paving is shaped like railway sleepers in recognition of the role that railways and railway journeys were relevant to many prisoners of war. The Memorial was declared the first military memorial of national significance located outside Canberra in 2008. Dedication services are held at the memorial on the Sunday closest to 6th of February, ANZAC day and on Remembrance Day. The memorial is of historical and aesthetic importance to the people of BallaratMonument made from carved bluestone, water feature and flagsInscribed with the names of 36,000 Australian men and women were held captive as prisoners by the enemy during the Boer War, World War 1, World War 2 and the Korean War. The listing is by surname and initials and shown by war.prisoners of war, boer war, world war 1, world war 2, korean war, lest we forget, peter blizzard

Albert Edward Corrie VX47191. 6th Postal Unit.1. Black & White photograph, two soldiers sitting on fence. 2. Black & White photograph, 6 men/soldiers. 3. Black & White photograph, 2 men sitting on front bumper bar of Military truck.photographs, ww2

Photos collected by Alan Telford VX146055 2nd AIF. Refer 357.3 also 331.8, 332.2, 358.3, 359.3. .1) Labuan War Cemetery showing entrance & Men working. .2) Labuan War Cemetery showing entrance & men working. .3) Camouflage entrance to Japanese fox hole. ,4) Japanese POW's on work party...1) "AIF War Cemetery Labuan" on back of Photo. .2) "Labuan ,some graves from Sandakan Death March" on back of Photo. ,3) "Jap Fox Hole" on back of Photo. .4) "Japs at Work" on back of Photo.photography-photographs, graves cemetery, japanese pow’s

UnknownReproduction of original photograph depicting four men standing in doorway of a woolshed. Man in centre is standing on a pile of sacking, a man in front of him is leaning against a barrel and two men are standing to the left and the right of a wooden plough.Front: (no inscriptions) Back: First Plough in Portland, First Wool, First Cooper, First Blacksmith, First Bales of Wool (black type on label)plough, industry, rural, farming, wool bales

Two (2) Black and white Photograph in a black frame. 1. Men crowd around the plane aft as a cow makes her way down onto the ground 2.Men move about the rear of the aircraft collecting and1. A delivery of cows for the Special Forces. 2. A delivery of concertina wire - Highlands 1965transport/deliveries, caribou

Small book of yellowing pages, with blue coloured lettering and picture of the Australian flag and three men, army, navy and air force. Union Jack in flag is red and whit and has slight red colour in the faces of the men.On front cover: The Digger's Book of Humour 1963. Written in black ink at the top is Kath Gibb In front cover: Complied by A Group of Ex-Servicemen.book of humour, wwii, world war 2, digger's book of humour

Also two other copies, one very dark 15.5 x 23.5 cm, and black and white 16.5 x 25.5 cmSepia postcard showing S.S Dargo at wharf at Paynesville. Stacks of wooden fish boxes on wharf. Several men on wharf and on S S Dargo. Three men in rowing boat. Raymond Island in distance. Paynesville VictoriaS S Dargo Paynesville A Cooper Photoships and shipping, waterways, houses

B/W. An NA-class engine pulling laden timber trucks around a curve with one man leaning out of the engine, two men standing outside at either end of the locomotive, and five men astride the trucks.beech forest; railways;

B/W. On 26 February 1902, on opening day, six men face the camera, including the Governor of Victoria. Other men and a dog at varying distances circulate around three passenger carriages on the Beech Forest line.beech forest; railways; opening;

Man on the right is believed to be Mr Bowyer. A Mr Bowyer farmed land just east of Mont Albert Station around about the turn of the century - not known if there is any connection with that family. Car believed to be a 'T' Ford; driver and owner: Mr Bowyer; thought to have been taken in the early 1920s. We would like additional information or confirmation. A black and white copy of a photograph showing two men standing in front of a bus with a sign on its side identifying its destination as from Mont Albert, Balwyn and Deepdene to Melbourne. Both men are wearing suits and hats. Mr Bowes of Mont Albert(mr) bowyer, bovill family, transport, bus service, mont albert, deepdene, balwyn, t ford, (ms) ellena biggs

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. An image of two men operating a chaff cutter which is drawn by horses. The men are believed to be Fred and Harry Klinge, working at their shed on the Klinge property, "The Laurels". wodonga pioneers, haeusler family, glass negatives, dry plate photography

This image has been taken at the side of St Matthew's Church, Cheltenham. Sepia toned image of cricket team. There are twelve (12) people in the photograph, including two men lying down at the front, with cricket bats in their hands. While it appears to be a men's team, there are three young boys in the back row.sport, cricket, cricket club, cheltenham, cheltenham cricket club, st matthew's church

This photograph is believed to date from an early Old Lintonians Association reunion, possibly held in 1914. A note accompanying the photograph says it was taken at Linton Park. Note that this may not be a photograph of an OLA reunion. An identical photograph in the collection (Registration no. 242) is said to be the Methodist Church Jubilee, held in 1910.Postcard-size sepia photograph shows a group of people posed for photograph in an outdoor setting, three rows at back standing, two rows at front (men only) sitting and lying on the ground. Ladies in hats, men in ties.old lintonians association, reunions

Group of three black and white photographs featuring scenes around Mirboo North. Set in decorative brown and black timber frame. The images are set one on top of the other. They feature a group of men and horses posing in the street, three men wearing straw boaters standing in a field of flowers and a smaller group of men with horses and carts standing in front of shops in the street.

Black and white photo: Bendigo Cricket Club about 1901 ? Photo is in pieces. On back of photo Sir John Quick ? 3 rows of men ( 17 ) 5 men dressed in suits and hats, others in cricket whites. Two men in front row holding cricket bats. Copy of photo enclosed, copy shows photo intact. Also catalogue no.1486.bendigo cricket club, cricket club

BHS CollectionCopy of photo. Large group of men gathered at dining tables. All males, dressed in dinner suits. Five men seated in front of photo, numbered across bottom photo - no names. Tables set with food and bottles of wine/beer. Some men in background holding long, white pipes in their mouths. In the room has brick walls, flags hanging from ceiling.Unknownperson, individual, basil miller

Battery trams operated between 1890 and 1892. The Mollison Street depot was the original tram depot and included the facilities for charging large numbers of batteries.Black and white photograph. Four rows of men posed in front of doorway of brick building. Tram tracks leading into doorway. Men dressed in suits, top hats. Man in front row left holding baby. Window to right of group has Bendigo Tramways written (partly revealed). Sign on far left above heads of men says positively No Admittance.Mollison Tram Depot written in blue ink on back of photo. Basil written in pencil.person, individual, basil miller