Showing 2768 items
matching arms-firearms
-
Bendigo Military Museum
Pamphlet - PAMPHLET No.23, Australian Government, Notes for Platoon & Section Leaders, 30 April 1943 Actual text published
It appears the last owner was William Edwin Hayward. VX 30915, 2/2nd A.A. Regt.NB> This has a wrong cover taped to this pamphlet. The cover is small Arms Training - Grenades. The actual text is Jungle Warfare Training for Platoon & Section leaders. The text is in black ink with drawings and illustrations. It is 44 pages. The actual text has 3 ring binder holes on left side.On P.1 of the text is - CPL Hughes L.R.. Crossed out is C.L. Gourlay.aust army, jungle warfare, ww2, s.w.p.a. -
Bendigo Military Museum
Booklet, Judy Maddigan, Essendon Rifles & World War 1, 2016
Paper cover, white background, red / gold print on front, black print on back. Front cover illustrated in red / purple / gold Coat of Arms of 58/32 Infantry Battalion. 26 cut, glossy white pages. Illustrated black / white / sepia / colour photos. Stapled.booklet, 58/32, infantry, battalion -
Glenelg Shire Council Cultural Collection
Newspaper - Newspaper Clipping - Thomas and John Burns, c. 1875
On April 21 1874 Thomas and John Burns who were 11 and 9 were on their way to school. On the way they stopped to play with friends at a bark mill located on Percy Street. Thomas decided to feed the machine located in the mill and after he got distracted both his hands became caught. John went to help his brother and his arm also got caught. A doctor had to perform amputations. This resulted in an outpouring of grief and a huge fundraising effort.Clipping from newspaper attached to white card. Black and white photo of Burns brothers standing in a drawing room, one missing both arms, the other an arm and hand, due to accident at a bark mill on Percy Street. Story beneath photo tells of the fundraising effort to help them.Back: 'VIVIAN' - handwritten, pencilbruns boys, john burns, thomas burns, bark mill, percy street, amputation -
Orbost & District Historical Society
doll, c. 1910-1920
This doll was reportedly won in a raffle in 1917, possibly in Orbost, Victoria.A female doll with its upper body including the arms made from porcelain and its lower body of fabric. It has genuine hair and also possibly eyelashes and its glass eyes are blue. It has painted eyebrows and mouth. The christening robe which it is wearing is not its original costume.doll child's-doll porcelain-and-cloth-doll -
Federation University Historical Collection
Photograph - Black and White, Frank Wright, mid 1900's
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man dressed in a suit seated with his legs crossed and his arms folded. The slatted timber bench seat upon which he sits, runs along the enclosed railing of what appears to be the deck of a boat. In the background is a forested mountain. The man is Frank Wright.frank wright, timber bench seat, conductor -
Bendigo Historical Society Inc.
Medal - BENDIGO CENTENARY COLLECTION: CENTENARY MEDALS, 1851/1951
Bendigo Centenary Medals x 2: Front, round medal with Bendigo Coat of Arms and the word 'Progress' at the bottom. The back has the dates 1851 and 1951. in the middle is a scroll with City of Bendigo Centenary'. A blue, white and red ribbon is attached through a small ring at the top. Box 625numismatics, medals-commemorative -
Bendigo Historical Society Inc.
Document - LONG GULLY HISTORY GROUP COLLECTION: INVITATION TO BOOK LAUNCH
Two invitations to the Launch of the Book 'A Brief History & Reminiscence of Long Gully' by George Ellis to be Launched by Laurie Whelan, Mayor of the City of Greater Bendigo. A photo of the Ironbark Mine with the Manchester Arms Hotel in the background is in the bottom corner. One page has a small photo of a street and bridge railing.bendigo, history, long gully history group, the long gully history group - invitation to book launch, st matthews church hall, a brief history & reminiscence of long gully, george ellis, laurie whelan, city fo greater bendigo, ironbark mine, manchester arms hotel -
Whitehorse Historical Society Inc.
Document, Certificate, 1946
A certificate issued by the City of Nunawading with the coat of arms and seal in colour.A certificate issued by the City of Nunawading with the coat of arms and seal in colour. Proclaimed 26 May 1946. Presented to 'L.A. Jones in grateful recognition and high appreciation for services rendered for King and Empire in the Great War 1939- 1945'. Signed by the mayor N. Armstrong and the Town Clerk, K. Charlesworth.A certificate issued by the City of Nunawading with the coat of arms and seal in colour. city of nunawading, world war, 1939-1945, certificates, jones, lionel arthur -
Flagstaff Hill Maritime Museum and Village
Plaque - Insignia, Bank of Australasia, 16-10-1980
This plaque displays the Bank of Australia's Coat of Arms and is significant because is ts the symbol printed on the Bank Notes of the Bank of Australasia. The bank of Australasia was incorporated by Royal Charter of England in March 1834. It had its Australian beginning on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank next bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000; the firm built the Warrnambool Post Office in 1856 and purchased land in Timor Street in 1858. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; Hawkins, Manager in 1856, W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The plaque with the insignia has significance through its association with the Bank of Australasia. The early Australian bank was established in 1834 by Royal Charter and opened in Sydney, Australia, in Sydney in 1835. The bank had many Australian offices in November 1877, particularly on the east and south coasts. Victoria had 45 per cent of all Offices. The plaque is locally significant for its association with the Warrnambool Bank of Australasia, which was established in 1854. It was Warrnambool Council’s first bank. The bank continued to operate until the organisation's merger in 1951 when it became the ANZ Bank Group today. The Bank was an integral part of the growth of local commerce and the community.Insignia of the Bank of Australasia. Cast metal coat of arms within a gold, shield-shaped border, painted gold and red, with blue, black and white details. Decals in each corner; upper left and lower right have a white sheep suspended by a blue ribbon, upper right and lower left have a 3-masted, square-rigged sailing ship with a black hull and red flags flying on each mast, sailing on waves with storm clouds in the sky. Between the emblems are gold stars.Decals; ships, sheep, starsflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bank of australasia, boa, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, currency, banknote, commerce, banking, heraldic shield, insignia, samuel hannaford -
Frankston RSL Sub Branch
Letter
Commemorative letter. Purpose unknown. The letterhead has the Australian Coat of Arms. The text of the letter is "In commemoration of the heroic deeds of the men of ANZAC at GALLIPOLI in 1915 and in recognition of the great debt owed by all Australians" also has the note "With the Compliments of the Government of the Commonwealth of Australia" -
Churchill Island Heritage Farm
Painting - Oil Painting, C. 1900
Given by Margaret Amess, youngest child of Samuel and Jane, to Mary Clay who was MA's maid until married. M.C. was aunt of donor. One of a pair (see 0344).Artist unknown, may have been Margaret Amess or her cousin Minnie Laurence, both of whom practiced art around the turn of the 20th century.Daylight scene of Churchill Island shore with sailing boat full sails heading towards shore. In large elaborate faded gold gilt frame matching 0344.On back: PREPARED MILLBOARD./(coat of arms)/WINSOR & NEWTON (Limited),/ARTISTS' COLOURMEN/To Her Majesty,/AND TO/T.R.H. THE PRINCE & PRINCESS OF WALES,/ 38, RATHBONE PLACE, W/NORTH LONDON COLOUR WORKS, KENTISH TOWN, N.W.churchill island, oil painting, margaret amess -
Churchill Island Heritage Farm
Painting - Oil Painting, C. 1900
Given by Margaret Amess, youngest child of Samuel and Jane, to Mary Clay who was MA's maid until married. M.C. was aunt of donor. One of a pair (see 0343).Artist unknown, may have been Margaret Amess or her cousin Minnie Laurence, both of whom practiced art around the turn of the 20th century.Moonlight scene of Churchill Island with rowboat on sea in foreground. Pink lower sky, moon full above. In large elaborate faded gold gilt frame matching 0343.On back: PREPARED MILLBOARD./(coat of arms)/WINSOR & NEWTON (Limited),/ARTISTS' COLOURMEN/To Her Majesty,/AND TO/T.R.H. THE PRINE & PRINCESS OF WALES,/ 38, RATHBONE PLACE, W/NORTH LONDON COLOUR WORKS, KENTISH TOWN, N.W.churchill island, margaret amess, oil painting -
Rutherglen RSL Sub-Branch
Medal - Australian Service Medal 1939 - 1945
THE AUSTRALIAN SERVICE MEDAL 1939-1945 belonging to 410912 OLCORN G.J.Round silver medal with light blue red white red dark blue ribbonFront G.B.OMN:REX ET INDIAE IMP: GEORGIVS VI with picture King George Reverse side THE AUSTRALIA SERVICE MEDAL 1939 - 1945 with Australian Coat of Arms. Engraved around side edge 410912 OLCORN G.J.australian service medal 1939-1945, military medal -
Greensborough Historical Society
Photograph - Digital Image, The Herald, Greensborough Hotel 1924, 02/07/1924
The Greensborough Hotel is on the corner of Main Street and Hailes Street Greensborough. This drawing show the proposed design of the building, originally to be named the Farmers' Arms (see sign over door) and built on the site of the original hotel of that name. It was renamed after the original Greensborough Hotel (on corner Grimshaw and Church Streets Greensborough) burnt down in 1923. Despite many renovations and refurbishments, the Greensborough Hotel is still a recognisable landmark in Greensborough today.The Greensborough Hotel is one of the few buildings to survive the redevelopment of Greensborough in the 1970s.Digital copy of line drawinggreensborough hotel, main street greensborough, farmers' arms hotel -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Rifle Bucket
This type of rifle bucket was in use by the 4th Light Horse Regiment AIF in 1918. It was introduced into service following the Charge at Beersheba (Palestine, Oct. 31 1917) which lead to the introduction of the Cavalry sword to the Light Horse Brigades of the 1st AIF. The use of the cavalry sword required the riders arms to be free and this caused the relocation of the rifle from being slung on the rider's shoulder or carried in his right hand to being carried by the saddle. The Sword and the Rifle Bucket continued in use after WW1 by the 4th Corangamite Light Horse, the 17th Prince of Wales Light Horse Regiment and the 19th Yarrowee Light Horse Regiments in the 1920's and 1930's and possibly as late as 1941/42 prior to mechanisation and the demise of the use of the horse in combat. This item was designed to allow the rifle to be carried secured to the saddle and allow the right arm to be free to use the sword in combat. This Rifle bucket has had the mid strap replaced in service as evidenced by the use of 'black waxed, hand made thread', which was the type of stitching used by the Army on all saddlery and harness. On the rifle bucket, the makers name is usually stamped on this strap and the in service replacement of the strap explains why the maker's name is not present. The reinforcing leather at the lower edge of the bucket is unusual and judging by the colour of the leather it was added to the bucket by the regimental saddler as a repair probably at the same time as the mid section strap.None sightedrifle bucket, light horse, saddlery -
Nillumbik Shire Council
Sculpture: Angela NAGEL, Angela Nagel, Last on the Island, 2012
With an interest in 'Collective Unconscious' Nagel aims to explore the human condition, and our impact on the natural world / This figure embodies human and animal traits with semi-autobiographical references to investigate concepts relating to identity and home / Nagel focuses on the extinct, the pest, the endangered and the introduced as a way to reveal her concerns of humanity as creator and destroyer / In this sculpture a koala headed figure is in the pose of the martyr St. Sebastion / With no arms, there is an inability to protest or fight. This work is by a local contemporary artist and encompasses contemporary themes / This work was a finalist in the Nillumbik Prize 2012.Ceramic - sculpture human and animal like (koala) armless figure depicted standing in a similiar stance to that of a classical sculpture / Blue and white body with a yellow face / Made from porcelain with oxide, clear glaze and undergaze.nagel, sculpture, porcelain, animal, ceramic, classical -
Orbost & District Historical Society
black and white photograph, 1921
The Orbost Football Club began in 1894. This photograph shows the premiership team of 1921.They defeated Buchan. The Orbost football club players were known as the Busters and wore green and gold guernseys. An Orbost football team has participated in the East Gippsland League since the early 20th century. In 2003 in response to a dwindling population, the Snowy Rovers and Orbost Football Clubs were driven to merge into the Orbost Snowy RoversFootball clubs, through their many changes, have always been an important social fabric of the community. Sport is often regarded as an important part of life in rural Australia, contributing to community identity, sense of place, social interaction and good health.A black / white photograph of three rows of men in sports clothes The back row is standing, the middle sitting on chairs and the front row sitting on the ground.. All men have their arms folded and the photograph has been taken outside. The photograph has been pasted onto a grey buff card.on front - "Orbost Football Club Premiers - 1921" on back - 'Mary Gilbert"orbost-football-club recreation sport -
Bendigo Military Museum
Certificate - CERTIFICATE, FRAMED, 1995
Certificate awarded to "MR K N BANNON" Keith Noel Bannon No. W3081 RAN Enlisted 16/1/45 aged 18 years Discharged 25/12/46 Rank Stoker 11 on HMAS Lachlan.Certificate - heavy paper, original document. Black print with Australian Coat of Arms on top and " AUSTRALIA REMEMBERS/ 1945-1995" emblem below print. Print on beige background with decorative edge and emblem in green and gold colours. Certificate signed by Prime Minister, Minister for Veteran Affairs and Federal member.On certificate "On the 50th Anniversary/ of the end of the Second World War/ a grateful nation expresses its thanks to Mr. K.N. Bannon/for contributing to the war effort/ and the coming of peace.certificate, ww2, framed item, 50th anniversary, k. n. bannon -
Bendigo Military Museum
Book - BOOK, INFANTRY TRAINING 1911 (UK), His Majesty's Stationery Office/ Mackie & Co. Ltd, 1911
This is a pocket sized book. Red Buckram cover. It has 217 pages, printed in black ink. It has drawings and Military Manoeuvre's. It has drill movements, with and without arms, Coy and Btn level drills, machine gun drill. Infantry in battle, Attack Defence, fighting environments, Bayonet drills.Inside in advert section p.5, is written in pencil, Coat 7918, Rifle 4809, Bayonet 4893.passchendaele barracks trust, infantry trg 1911 -
Heidelberg Repatriation Hospital
Badge - Badge and proof, Intensive Care Badge Repatriation General Hospital Heidelberg, c. 1950
Awarded to staff who had successfully competed the ICU hospital based courseBadge (.1) and proof (.2) specific to Operating Theatre Staff at Repatriation General Hospital, Heidelberg. Silver enamel sheid-shapped badge with red ribbon top and edge with Australian Coat of Arms in centre with blue logo and word 'Heidelberg'. Brass proof of the same badge used in its manufacture.Reads: OPERATING THEATRE / HEIDELBERG / REPATRIATION GENERAL HOSPITALbadge, staff, education -
Flagstaff Hill Maritime Museum and Village
Monkey, 19th century
This toy monkey was part of the cargo from the Fiji and amongst the articles salvaged from the wreck. The three-masted iron barque Fiji had been built in Belfast, Ireland, in 1875 by Harland and Wolfe for a Liverpool based shipping company. The ship departed Hamburg on 22nd May 1891 bound for Melbourne, under the command of Captain William Vickers with a crew of 25. The ship’s manifest shows that she was loaded with a cargo of 260 cases of dynamite, pig iron, steel goods, spirits (whisky, schnapps, gin, brandy), sailcloth, tobacco, coiled fencing wire, concrete, 400 German pianos (Sweet Hapsburg), concertinas and other musical instruments, artists supplies including brushes, porcelain, furniture, china, and general cargo including candles. There were also toys in anticipation for Christmas, including wooden rocking horses, miniature ships, dolls with china limbs and rubber balls. On September 5th, one hundred days out from Hamburg in squally and boisterous south west winds the Cape Otway light was sighted on a bearing differing from Captain Vickers’ calculation of his position. At about 2:30am, Sunday 6th September 1891 land was reported 4-5 miles off the port bow. The captain tried to put the ship on the other tack, but she would not respond. He then tried to turn her the other way but just as the manoeuvre was being completed the Fiji struck rock only 300 yards (274 metres) from shore. The place is known as Wreck Bay, Moonlight Head. Blue lights were burned and rockets fired whilst an effort was made to lower boats but all capsized or swamped and smashed to pieces. Two of the younger crewmen volunteered to swim for the shore, taking a line. One, a Russian named Daniel Carkland, drowned after he was swept away when the line broke. The other, 17 year old able seaman Julius Gebauhr, a German, reached shore safely on his second attempt but without the line, which he had cut lose with his sheath-knife when it become tangled in kelp. He rested on the beach a while then climbed the steep cliffs in search of help. At about 10am on the Sunday morning a party of land selectors - including F. J. Stansmore, Leslie Dickson (or Dixon) and Mott - found Gebauhr. They were near Ryans Den, on their travels on horseback from Princetown towards Moonlight Head, and about 5km from the wreck. Gebauhr was lying in the scrub in a poor state, bleeding and dressed only in singlet, socks and a belt with his sheath-knife, ready for all emergencies. At first they were concerned about his wild and shaggy looking state and what seemed to be gibberish speech, taking him to be an escaped lunatic. They were reassured after he threw his knife away and realised that he was speaking half-English, half-German. They gave him food and brandy and some clothing and were then able to gain information about the wreck. Some of the men took him to Rivernook, a nearby guest house owned by John Evans, where he was cared for. Stansmore and Dickson rode off to try and summon help. Others went down to the site of the wreck. Messages for rescuing the rest of the crew were sent both to Port Campbell for the rocket rescue crew and to Warrnambool for the lifeboat. The S.S. Casino sailed from Portland towards the scene. After travelling the 25 miles to the scene, half of the Port Campbell rocket crew and equipment arrived and set up the rocket tripod on the beach below the cliffs. By this time the crew of the Fiji had been clinging to the jib-boom for almost 15 hours, calling frantically for help. Mr Tregear from the Rocket Crew fired the line. The light line broke and the rocket was carried away. A second line was successfully fired across the ship and made fast. The anxious sailors then attempted to come ashore along the line but, with as many as five at a time, the line sagged considerably and some were washed off. Others, nearly exhausted, had to then make their way through masses of seaweed and were often smothered by waves. Only 14 of the 24 who had remained on the ship made it to shore. Many onlookers on the beach took it in turns to go into the surf and drag half-drowned seamen to safety. These rescuers included Bill (William James) Robe, Edwin Vinge, Hugh Cameron, Fenelon Mott, Arthur Wilkinson and Peter Carmody. (Peter Carmody was also involved in the rescue of men from the Newfield.) Arthur Wilkinson, a 29 year old land selector, swam out to the aid of one of the ship’s crewmen, a carpenter named John Plunken. Plunken was attempting to swim from the Fiji to the shore. Two or three times both men almost reached the shore but were washed back to the wreck. A line was thrown to them and they were both hauled aboard. It was thought that Wilkinson struck his head on the anchor before s they were brought up. He remained unconscious. The carpenter survived this ordeal but Wilkinson later died and his body was washed up the next day. It was 26 year old Bill Robe who hauled out the last man, the captain, who had become tangled in the kelp. The wreck of the Fiji was smashed apart within 20 minutes of the captain being brought ashore, and it settled in about 6m of water. Of the 26 men on the Fiji, 11 in total lost their lives. The remains of 7 bodies were washed onto the beach and their coffins were made from timbers from the wrecked Fiji. They were buried on the cliff top above the wreck. The survivors were warmed by fires on the beach then taken to Rivernook and cared for over the next few days. Funds were raised by local communities soon after the wreck in aid of the sufferers of the Fiji disaster. Captain Vickers was severely reprimanded for his mishandling of the ship. His Masters Certificate was suspended for 12 months. At the time there was also a great deal of public criticism at the slow and disorganised rescue attempt to save those on board. The important canvas ‘breech buoy’ or ‘bucket chair’ and the heavy line from the Rocket Rescue was in the half of the rocket outfit that didn’t make it in time for the rescue: they had been delayed at the Gellibrand River ferry. Communications to Warrnambool were down so the call for help didn’t get through on time and the two or three boats that had been notified of the wreck failed to reach it in time. Much looting occurred of the cargo that washed up on the shore, with nearly every visitor leaving the beach with bulky pockets. One looter was caught with a small load of red and white rubber balls, which were duly confiscated and he was ‘detained’ for 14 days. Essence of peppermint mysteriously turned up in many settlers homes. Sailcloth was salvaged and used for horse rugs and tent flies. Soon after the wreck “Fiji tobacco” was being advertised around Victoria. A Customs officer, trying to prevent some of the looting, was assaulted by looters and thrown over a steep cliff. He managed to cling to a bush lower down until rescued. In 1894 some coiled fencing wire was salvaged from the wreck. Hundreds of coils are still strewn over the site of the wreck, encrusted and solidified. The hull is broken but the vessel’s iron ribs can be seen along with some of the cargo of concrete and pig iron. Captain Vickers presented Bill Robe with his silver-cased pocket watch, the only possession that he still had, as a token for having saved his life and the lives of some of the crew. (The pocket watch came with 2 winding keys, one to wind it and one to change the hands.) Years later Bill passed the watch to his brother-in-law Gib (Gilbert) Hulands as payment of a debt and it has been passed down the family to Gilbert Hulands’ grandson, John Hulands. Seaman Julius Gebauhr later gave his knife, in its hand crafted leather sheath, to F. J. Stansmore for caring for him when he came ashore. The knife handle had a personal inscription on it. A marble headstone on the 200m high cliffs overlooking Wreck Beach, west of Moonlight Head, paying tribute to the men who lost their lives when Fiji ran aground. The scene of the wreck is marked by the anchor from the Fiji, erected by Warrnambool skin divers in 1967. Amongst the artefacts salvaged from the Fiji are bisque (or china) toys, (including miniature animals, limbs from small bisque dolls), rubber balls, a slate pencil, a glass bottle, sample of rope from the distress rocket and a candlestick holder. These items are now part of the Fiji collection at Flagstaff Hill Maritime Museum, along with Captain Vickers’ pocket watch and Julius Gebauhr’s sheath knife. This toy monkey is classified as Fiji 5 on the SWR Flagstaff Hill’s Fiji collection is of historical significance at a State level because of its association with the wreck Fiji, which is on the Victorian Heritage Register VHR S259. The Fiji is archaeologically significant as the wreck of a typical 19th century international sailing ship with cargo. It is educationally and recreationally significant as one of Victoria's most spectacular historic shipwreck dive sites with structural features and remains of the cargo evident. It also represents aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The Fiji collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. China toy monkey salvaged from the wreck of the Fiji. The monkey is in a seated pose with its arms around its knees. This solid, moulded toy is made of bisque (sometimes described as bisque or porcelain) and the material is an pinkish brown colour with darker orange in its lap. The surface is worn and slightly pitted.1891, china, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwrecked artefact, flagstaff hill maritime village, shipwreck coast, warrnambool, porcelain, moonlight head, wreck bay, cargo, bisque, toys, miniature animals, monkey -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A MAN
Small head and shoulder portrait of a man. He is wearing a jacket and a high buttoned waistcoat with a watch chain. He also has a beard. Printer's name and address printed in red on the back with a Coat of Arms, floral work and two birds. Also a printed medallion with '1862 London Honoris causa'.C. Nettleton, 1 Madeline Street, North Melbournephotograph, portrait, male, pportrait of a man, c nettleton -
Bendigo Historical Society Inc.
Document - WES HARRY COLLECTION: POLL, RE LOAN, 09/08/1883
Envelope containing the results of a poll conducted in 1883, re. the City of Sandhurst obtaining a 25,000 pound loan. Hotels were used as polling booths, the hotels being; Farriers Arms hotel, London hotel, Albion Hotel, Blue Bell Hotel, Rose of Australia, Australian Hotel, United Kingdom.City of Sandhurstorganization, government, local government, city of sandhurst, loan of 25, 000 pound -
Essendon Football Club
Plastic membership ticket, 2011
Available as an add-on to EFC membership ticket packages (Bronze, Silver, etc); does not give access to ground but does give access to a seat in Essendon Cheer Squad bay at Essendon games played in Victoria, access to purchase a seat in Cheer Squad bay at Essendon games played outside Victoria, weekly banner making and the chance to hold the banner up on game day. Official 2011 Essendon Cheer Squad member card; plastic card with image on front of players on ground with their arms linked; "Official Cheer Squad Member 2011" in white text in bottom half of card, with Stand as one / Proud / United / Excited" in red and white text below. Reverse is blank.essendon football club, cheer squads -
Bendigo Historical Society Inc.
Photograph - RELIGIOUS PRINT
Colour Religious Print showing young girl in 'peekaboo' bonnet and purple dress staring through a casement style window surrounded by pink flowers & vines, inscription reads 'He shall gather the lambs with his arms, and carry them in his bosom. IS.40.11', Black and gold lacquer framephotograph, religious print, religion, religious print, print -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Surgical scissors used by Dr Michael Kloss, Jetter and Scheerer
Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown. This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal surgical scissors. Consists of two arms with handle grips, a narrow shaft, and small cutting blades at the end of each arm. The inner aspect of the scissors is engraved with the number '47'. The shaft is engraved with a derivation of the Rod of Asclepius, featuring a serpent wrapped around a rod, with the entire design topped by a crown.'47'obstetrics -
Geoffrey Kaye Museum of Anaesthetic History
Sudeck's Mask (or cone), circa 1900
This item was designed by surgeon Paul Herman Martin Sudeck to administer ether and then chloroform anaesthesia. Paul Hermann Martin Sudeck was a German surgeon (28 December 1866 - 28 September 1945). He first described his inhaler in a 1903 article, "Eine neue Aethermaske" (A New Ether Mask).The metal cone shaped mask has moulded features on the proximal end to fit over the patient's mouth. The distal end is rounded and has an area for the absorbent material (in this item, a sponge) through which the anaestheric ether or chloroform was dripped. The side 'arms' would have been used to attach a strap.inhaler, mask, cone, paul herman martin sudeck, germany, ether, chloroform, sponge, 1900 -
Geoffrey Kaye Museum of Anaesthetic History
Mask, Spectacle frame, c. 1930
The use of a catheter for oxygen therapy was introduced by Arbuthnot Lane in 1907. However, its true value can be seen in its use during WWI. Masks were cumbersome and uncomfortable for the wounded and nasal delivery of oxygen was received more easily. The Tudor Edwards' Spectacle-frame was manufactured in London during the 1930s. Dr Penn recorded that it was an inefficient means of oxygen therapy because of the smallness of the nasal tubes.Metal mask resembling spectacles with round frames and rounded ends of the arms to secure around the ear. There is a tube coming from each round eye frame to end in a curve that sits in the nostril. The other end of this tube has a rubber tube attached which meets in the middle via a metal connector.oxygen therapy, intra-nasal -
Anglesea and District Historical Society
Souvenir Plate, Estimated 1937
Souvenir plate commemorating Coronation May 12, 1937 of King George 6th and Queen Elizabeth - crowned in Westminster Abbey. Cream china plate with British Coat of Arms. Names of King George 6th and Queen Elizabeth in red on gold background around edge with "Crowned May 12 1937'".Royal Crest - By appointment. A Perpetual Souvenir in Paragon China to commemorate the Coronation of their majesties King George 6th and Queen Elizabeth crowned in Westminster Abbey May 12 1937. Registered and copyright. Made in England.plate, coronation 1937 souvenir -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, 1897
Yields information and demonstrates information about the use of Ballarat No. 29 as a service tram in 1943. This tram was seldom used in traffic, very few photographs exist of it.Black and white photograph of King St Sydney with cable trams, at the intersection of King and George St, looking east. Has a cable set (dummy No. 13) with destination of King St. Has Packers Liverpool Arms, Royal Exchange Hotel and other shops in the background and many well dressed people.Typed on rear "New South Wales Government Cable Tramways" "King and George Streets in 1897 showing Cable Dummy No. 13 and trailer." "594.AA."trams, tramways, sydney, cable trams