The Australian Deaf and Dumb Society of Victoria purchased and developed land at Blackburn Lake as a flower farm, the idea being to provide light occupation for the deaf and dumb unable to follow other regular employment, A home for aged and infirm deaf was also erected on the property.A rare example of advertising produced by the Adult Deaf and Dumb Society of Victoria for its Flower Farm at BlackburnSize 15.5cmHx21cmWlake park, blackburn, flower farm, deaf

The Australian Deaf and Dumb Society of Victoria purchased and developed land at Blackburn Lake as a flower farm, the idea being to provide light occupation for the deaf and dumb unable to follow other regular employment, A home for aged and infirm deaf was also erected on the property.A rare booklet advertising Lake Park Blackburn as an ideal public picnic spot.Size 12cmHx15cmW; 12 pages

An early colour photograph of the pumping station at Blackburn Lake which drew water from the lake for the Lake Park Flower Farm run by the Adult Deaf and Dumb Society of Victoria.This is significant as an early photograph of the pumping station at Blackburn Lake.Colour photograph, 25cmHx22cmWblackburn lake, lake park flower farm, pumping station

The people in the photograph were students, teachers and parents from Bulla and Mickleham Primary School who were attending a school camp at Beechworth. One of the activities was a visit to a local trout farm.A non-digital coloured print of a group of children and adults walking around a lake in bushland.trout farms, beechworth, school camps

The students from Bulla Primary School were taken on a school excursion to the Werribee Park Open Range Zoo. The trip was part of their environmental studies.A non-digital coloured photograph of four deer beside a lake in a fenced off open area.bulla primary school, werribee park open range zoo, school excursions

Donated by the artist, 2017Ink, lake residue and cotton stitching on Belgian linengippsland, artwork, permanent collection

Donated by the artist through the Australian Government Cultural Gifts Program, 2004Pastel on papergippsland, artwork, permanent collection

Purchased, 1984Type C printgippsland, artwork, permanent collection

Purchased, 1984Type C printgippsland, artwork, permanent collection

Purchased, 2013Engraving on papergippsland, artwork, permanent collection

Purchased with the assistance of the Gippsland Art Gallery Society, 2011Hand-coloured wood engraving on papergippsland, artwork, permanent collection

Purchased, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection

Purchased, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection

Purchased, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection

Purchased with the assistance of the Caltex Victorian Government Art Fund, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection

Purchased, 2019White ground etching on papergippsland, artwork, permanent collection

Purchased, 1975Watercolour on papergippsland, artwork, permanent collection

Purchased, 2012Oil on canvasgippsland, artwork, permanent collection

Elephants from a Circus at Fraser's Bricklayers Arms Hotel Barnes Street drinking out of Horse Trough. At that time the circuses used to be at the Stawell Showgrounds in lake Road now the Shire Yards opposite the Brickworks.stawell

Senior Citizens Club Opening 1961 Victoria Street Stawell overlooking Cato Lake with Rotunda visible.stawell

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The fountain is located on the southern side of the ornamental lake and was erected to celebrate the jubilee of the municipality (17 March 1906). Controversy surrounded the commission for the design and construction of the fountain, as it was originally assigned to a contractor in Carlton. Williamstown residents insisted the fountain be designed and constructed locally, and on December 1906 the fountain was tendered by local firm Bliss and Sons and opened for public use in 1906. The fountain features a symmetrical plan, consisting of fur granite columns supporting a granite canopy and is fully operational following restoration work in 2013. The idea for the fountain came from an elderly resident of Williamstown who suggested the council follow the example of Ballarat’s gardens with its many statues and monuments. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The significance of the fountain is its reflection of how Williamstown people felt for their Gardens and the importance placed on investing in locally operated business. It was noted in the Brief Jottings column of the Williamstown Chronicle, February 24 1906, the fountain is a “We favor the erection of the jubilee fountain in the Giffard-street (Williamstown Botanic) Gardens. Ornaments of that kind there will make that beauty spot even more attractive.” Sepia scene of a fountain situated on paths bordered with rocks. The fountain in on a plinth and the postcard shows the plaque and two of the four drinking stations. The fountain features a symmetrical plan, consisting of four granite columns supporting a granite canopy. Front: VALENTINE’S, M.355 THE FOUNTAIN, WILLIAMSTOWN GARDENS MELBOURNE, VICTORIA. REAL PHOTO. Reverse: vertical on left side of card and underlined: ‘Published by the Valentine & Sons Publishing Co. Ltd. / Queen St, Melb’. Top centre of card: Contains logo of ‘VALENTINES / REAL PHOTO SERIES’. The postcard is addressed to ‘Dear Agnes’ from ‘Una’. Marked in pencil on to right hand corner ‘1920 / $8’ believed to be put on the postcard by the vendor. postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, jubilee-fountain, fountain drinking-fountain, 1920, granite, bliss-and-sons, 1906

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. Both the lodge and lake (1904) were built during the curatorship of Mr Thake. The logo in the middle of the words ‘POST CARD’ indicates the card was printed by M. Schulz in Prague. Schulz was a long-established company from Prague and printed postcards for customers from worldwide. Schulz printed in photo-chromolithography. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.A colour image of the ornamental lake and part of the Curator’s Lodge. The lodge has a green roof, tall brick chimney, is brown timber with brick where the fireplace would be. The small island with a succulent is in the centre of the image. The image looks across the top of the lake where the rock edging can be seen. Reflections of the plantings and lodge can be seen.Front: ‘Williamstown Gardens’. Reverse: Reverse: Centre top ‘POST CARD’ with a logo [MS] in the middle of the words; left side vertical ‘O. Rippon Series’; left side ‘This space may be used for communication.’; right side ‘For Address only.’; left side bottom ‘Printed in Germany’. In pencil top right corner ‘1907 / $7’ (believed to be inserted by the vendor.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, ornamental lake, succulents, 1907

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The fountain is located on the southern side of the ornamental lake and was erected to celebrate the jubilee of the municipality (17 March 1906). Controversy surrounded the commission for the design and construction of the fountain, as it was originally assigned to a contractor in Carlton. Williamstown residents insisted the fountain be designed and constructed locally, and on December 1906 the fountain was tendered by local firm Bliss and Sons and opened for public use in 1906. The fountain features a symmetrical plan, consisting of fur granite columns supporting a granite canopy and is fully operational following restoration work in 2013. The idea for the fountain came from an elderly resident of Williamstown who suggested the council follow the example of Ballarat’s gardens with its many statues and monuments. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The significance of the fountain is its reflection of how Williamstown people felt for their Gardens and the importance placed on investing in locally operated business. It was noted in the Brief Jottings column of the Williamstown Chronicle, February 24 1906, the fountain is a “We favor the erection of the jubilee fountain in the Giffard-street (Williamstown Botanic) Gardens. Ornaments of that kind there will make that beauty spot even more attractive.” Sepia scene of a fountain situated on paths bordered with rocks. The fountain in on a plinth with a plaque. The fountain features a symmetrical plan, consisting of four granite columns supporting a granite canopy. High stumps of trees are just behind the fountain with larger trees in the background to the right and left of the image.Postcard, Gardens, Post-Card, Williamstown-Botanic-Gardens, Hobsons-Bay-City-Council, Jubilee-fountain, fountain drinking-fountain, granite, Bliss-and-Sons, Madeleypostcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, jubilee-fountain, fountain drinking-fountain, granite, bliss-and-sons, madeley

The lake was built in 1904, during the curatorship of Mr Thake. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.Sepia image of the ornamental lake and part of the Curator’s Lodge in the background on the left side of card. The small island with a succulent is in the centre of the image with a similar plant on the right side of it. The water is edged with rocks. Reflections of the plantings and lodge can be seen.Front: ‘The Artificial Lake, Williamstown Gardens. Vic.’ ‘0457/3’ ‘THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, ornamental lake, crown studios, lee heap furniture warehouse

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic Gardens. Interviewer is Lindy WallaceA primary source of information on memories of the Gardens. Iris was born in Williamstown in 1943, has lived in Williamstown all her life and has been witness to changes in the Gardens over those years. CD and transcript of interview with Iris Whitehurst and her memories of the Gardens from her childhood through to adulthood. Iris was born in Williamstown and has memories of the Gardens from an early age. In the interview she talks of playing on the cannons, memories of the Gardens appearance over the years and the contribution of the Friends of the Gardens.iris whitehurst, fish pond, ornamental lake, gates, curator, horse, cannons, williamstown botanic gardens, hobsons bay city council

82 pages, illustrated.

Part of the womens formal uniform for the Winter Olympic games, Salt lake City, 2002Part of the female formal uniform.ANNA FIORIfashion, shoes, costume, sport, salt lake city