Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. Textile designers used glasses such as these to see how many threads are within a textile sample. It was important to count correctly, otherwise the enlarged final pattern would be out of alignment. These glasses were popular in the 1950s but were replaced by viewing lens, such as item 8040 (in the National Wool Museum's Collection) in the 1960s because of their compact nature.Thin metal wire makes up the frame of the glasses. The metal is a standard metallic silver. The piece to sit on-top of the ear is excessively curved to hook around the ear. This is done to ensure the glasses do not fall off the face while looking down to view thread counts in a textile sample. The glasses are lacking lenses in their usual place. This has been replaced by another thin wire frame which protrudes an extra inch in front of the frame, almost like an additional layer of the glasses. Where this layer / frame ends, two lenses can be found which are square and much smaller than typical glasses lenses. This has been done to allow for powerful magnifying glass which would be ill-suited if it sat too close to the face / eyes. The glasses are also accompanied by their original box. The box is blue and has a large rectangle running through its centre. This rectangle works as a cushion for the glasses and is required as a result of their unusual shape.textile design, textile calculations

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. Textile designers used viewing lenses such as this to see how many threads are within a textile sample. It was important to count correctly, otherwise the enlarged final pattern would be out of alignment. Before compact lenses such as this, specialised glasses were used such as 8039.The viewing lens has a 3 fold design in order to fold up to be compact and easily transportable in a pocket while also working to provide its own stand when unfolded. The lens is black and contains one circular piece of magnifying glass on the top panel.Top panel. Words, scratched. NINOtextile calculations, textile design

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. This notebook contains information on how to calculate and enlarge a small sample pattern into a larger textile. It is a hand-written notebook that was passed from a master to an apprentice. This notebook is written in German and belonged to George Snchabel and was given to Nino Corda, who eventually donated it to the National Wool Museum. Nino only spoke basic German so many of the passages of writing were lost to him, regardless the illustrations and little bits of German he did know made this a useful resource which was often looked upon for inspiration and guidance.The notebook has a black cover on both the front and back with no writing. The spine is in bad condition and is being held together by three strips of tape. Internally, the pages have faded to a pale peach colour with a background blue square pattern. The notebook is completed with black ink used for writing and illustration. Occasional red ink is used for highlighting and illustration.textile calculations, textile design

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. This notebook contains information on how to calculate and enlarge a small sample pattern into a larger textile. The equations would provide answers to the required length of thread (often measured in weight as opposed to distance) of a selected textile. The sample and appropriate thread would be needed for mass production at a commercial mill.Blue textured vinyl forms the covers of this notebook. On the front of the inscription is visible in gold text. Internally, small font black writing on yellowing pages forms most of this notebook. Pp.128 published pages with calendar and spare pages for notes forming the second half of this notebook. Front Cover. Words, printed. WITH THE COMPLIMENTS OF / NOEL P. HUNT & CO. PTY. LTD.textile design, textile calculations

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. Once a pattern has been selected for mass production, a master card is produced. A mastercard shows exactly how to replicate the designs and colours depicted on the sample attached. “Ends” is the technical word to describe a vertical band and “picks” describes a horizontal band.Brown card with fabric sample stapled to the top right. Writing is present on the left and bottom of the card detailing the information applicable to the design of attached fabric. 14 individual Masetercards in collectiontextile calculations, textile design

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. These three bolts of fabric come from the same run of fabric used to tailor Suit Jacket 8045. All fabrics were designed by Nino Corda while he was working at the Foster Valley Mill. The bolts of fabric have an attached swing tag. This swing tag details information such as composition of the fabric, total amount of fabric and the design number.Three bolts of fabric with repeating pattern in 100mm grid. All three bolts have frayed edges, indicative of their need to be sent for finishing. The dominant colour in all three fabrics is grey. 8044.1 has red and green lines running vertically and horizontally and an attached swing tag. 8044.2 has red and orange lines running vertically and horizontally and an attached swing tag. Fabric bolt has yellow label attached to one edge of fabric, depicting the fabric’s number. 8044.3 has orange and blue lines running vertically and horizontally. No swing tag is attached.8044.1. Swing tag. Typed wording. Front. foster / valley / Pty / Ltd. / (Incorporated in Victoria) 8044.1. Swing tag. Typed and handwritten wording. Reverse. JONO TAILORING / CALL NO……………. / DESIGN 6302-49-5 / PIECE NO 9528 / METERS 3.5 STRINGS…………… / NET METERS…………… / COMPOSITION / 70% WOOL 30% POLYESTER 8044.2. Swing tag. Typed wording. Front. foster / valley / Pty / Ltd. / (Incorporated in Victoria) 8044.2. Swing tag. Typed and handwritten wording. Reverse. left over (?unknown handwriting?) / CALL NO…………… / DESIGN 6302-49-2 / PIECE NO…………… / METERS 6.0 STRINGS…………… / NET METERS…………… / COMPOSITION / 70% WOOL 30% POLYESTER.textile design

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. This Suit Jacket was tailored from fabric designed by Nino while he was working at the Foster Valley Mill. Nino developed a Mastercard such as w8043, which was sent to a mill in order to produce bolts of the desired fabrics w8044. These fabrics were then given to tailors where the final product was produced, such as this Suit Jacket.Single breasted suit jack with two buttons and notched lapel. Jacket is predominantly grey with black buttons and a silver silk interior lining. Four darker grey vertical and horizontal lines make up the design of the fabric on the exterior of the suit jacket. suit jacket, weaved, tailored

Colour photograph showing an outdoor group portrait of people seated and standing on the deck of a shearing shed, with blue sky above and gravel road below. Handwritten text in black ink is shown on the back. back: [handwritten] Shearing Team Puckapunyal army Base Seymour / 75,000 Sheep, 21 Shearers plus shed staff Yard staff / and cooks / Started Shearing for Jim Walker / Sep 8th 1986shearing, agriculture, wool, workers, army base, seymour, victoria, rural life, people, portrait, working life, puckapunyal

Staff on Port Fairy Railway Station 1918 namedcomposite scan from information used in an exhibition on trains. This depicts staff and children transport, rail, road, train, railway station, staff

After closing as The Stag Hotel the building became known as Seacombe House a boarding house and later a boarding school. First Licensee was a Captain John Turner Sanders in 1848.Black and white Photograph of Two story rendered Seacombe House with Staff outsidehotel, stag, seacombe, sanders, sackville street, cox street, inn

This honour board commemorates Victorian Postmaster General's Department workers who served in the First World War. A total of 3,726 employees of the Postmaster General's Department enlisted in the Australian Imperial Force during the First World War. This represented about one in every five of the total number of men employed by the Department. Many other employees volunteered, but were rejected for health or other reasons, whilst men in key positions could not be spared. This board was displayed at the Spirit of ANZAC Centenary Experience, Melbourne, in February 2016.This honour board was produced by the Postmaster-General's Department and passed through its successor entities until donation to the National Communications Museum in 2018. Its provenance is further supported by the supplementary photograph (VH256) held by the Museum which shows the board in production. The board provides a comprehensive list of the names of Postmaster-General staff across various departments, constituting an important resource for genealogical or social history researchers and a focal point for remembrance by fellow communications workers. The style of the board itself is rare, as it was an unusual practice for honour boards to be hand-lettered on paper.Handpainted paper on linen honour board, perspex glazed with a wooden frame."POSTMASTER GENERAL'S DEPARTMENT / VICTORIA" "ROLL OF HONOR / 1914 1918" "FOR / GOD / KING / AND / EMPIRE"|Headings that precede list of names: "CORRESPONDENCE / BRANCH" "CENTRAL EXCHE" "SUBURBAN AND COUNTRY / POST OFFICES" "TELEGRAPH / BRANCH" "ELECTRICAL ENGINEER'S BCH" "MAIL / BRANCH"pmg, postmaster general's department (pmg), world war 1, ww1, postal workers, honour boards, first world war

This telegram was sent from the Royal Netherlands Airways, Sydney, to the manager of ABC Radio Station 2CO, Corowa, New South Wales. This telegram relates to the 1934 London to Melbourne Air Race. The telegram records the Royal Netherlands Airways' thanks to ABC Radio 2CO radio staff for their efforts in broadcasting an emergency message to the residents of Albury after the Dutch airliner ‘Uiver’ became lost at night in bad weather. As requested local radio listeners drove their cars to the Albury racecourse and illuminated an emergency landing ground using their vehicle headlights. This allowed the lost airliner to land safely.This item relates to the London to Melbourne Air Race of 1934, a significant event that shaped Australia's history as it proved travelling to and from Australia could be done within a reasonable time by air, thereby making the country less isolated. Up to that time Australia was three weeks away from Europe by steam ship. The Air Race was dreamt up by the Lord Mayor of Melbourne, Harold Smith, to commemorate the centenary of Victoria's statehood and was sponsored by the Melbourne chocolate manufacturer Sir MacPherson Robertson. The Royal Netherlands Airways entered a Douglas DC2 plane 'Uiver' - the largest aircraft in the race, and the only one to carry passengers as well as crew, to show that a commercial passenger service to Australia was possible. But in the last leg of the race, the Uiver lost its way in an electrical storm over the Riverina town of Albury. Several communication methods were used to land the plane safely, including the signalling of the word "Albury" in Morse code using the town's street lights. Local ABC Radio station 2CO also made a call for locals to light up a makeshift landing strip for the plane at the town's racecourse. The plane landed safely and the next morning with the help of the townspeople who pulled it out of the mud, took off and finished the race in second place. The story of the Uiver points to the importance of communication in its various forms: two-way and broadcast radio, Morse, and light signals. The survival of the Uiver is a reflection of the ingenuity of Australian communications and the solutions that can be found through the sharing of ideas of information. The landing of the Uiver was an important moment in Albury's social history, as residents participated in the rescue of the plane and its passengers, helping the Uiver to continue on its journey and finish second in the Race. When the Uiver crashed in the Syrian Desert in December 1934, Albury residents contributed to a memorial which honoured those who were killed. Beige paper telegram printed with black ink and overwritten with typewriter. Telegram split into sections designating details of the telegram, details of the recipient and a space for the transmitted message. A small section of paper is missing from bottom left corner."Extend to you my warmest appreciation for your most valuable / assistance rendered to Netherlands machine by continuously keeping your / wireless organisation available during a period of extremely difficult / air navigation stop I assure you that in Holland and in Java your action / is most deeply appreciated Bakker chief representative in Australia for / Royal Netherlands airways. / 6 18pm"telegrams, telegraphic messages, communications, radio, uiver, royal netherlands airways, albury, london to melbourne air race, morse code

LocalBlack & white photographPort Fairy FC 1922port fairy, football club, team and admin staff

[Information from Helen Laidlaw who is researching a history of an immigrant family from Lincolnshire] One of the nine children of this family was Mrs W.B. (Charlotte) Jones, who with her husband built “Brocklesby” in 1866. Mrs Jones was widowed in 1889, and sold the house in 1902. (She then moved to the white house next door to the Lauriston staff car park) The house was designed by Melbourne architect Lloyd Taylor, who also built Bond Stores for Mr. WB Jones. The Bond Stores are still standing. Ms. Laidlaw surmised that the children in the photos were probably Mrs Jones’ grandchildren, born from 1887.

Information from Helen Laidlaw who is researching a history of an immigrant family from Lincolnshire. One of the nine children of this family was Mrs W.B. (Charlotte) Jones, who with her husband built “Brocklesby” in 1866. Mrs Jones was widowed in 1889, and sold the house in 1902. (She then moved to the white house next door to the Lauriston staff car park) The house was designed by Melbourne architect Lloyd Taylor, who also built Bond Stores for Mr. WB Jones. The Bond Stores are still standing. Ms. Laidlaw surmised that the children in the photos were probably Mrs Jones’ grandchildren, born from 1887.Lottie Macvean (daughter of W. Jones), and her children Maffra, Olive, Gertrude at Brocklesby, 1894.

Used by Postal staff in the early 1900's and manufactured by Holden and FrostManufactured by Holden and Frost Ca 1900Rectangular shaped leather bag used to carry mail. Two leather straps around Girth to keep closed16 Irval REAL HIDE120leather, bag, postal

The Ballarat School of Mines was established in 1970 and was the first school of Mines in Australia.A number of Ballarat School of Mines Annual General reports bounds in a dark blue hardcover with black leather spine. Includes some illustrations such as the Ballarat School of Mines Senior Staff.mining, mining alumni, geometry, steam, botany, ballarat school of mines, alfred mica smith, j f usher, andrew anderson, chemistry, metallurgy, a e c kerr, henry j hall, veterinary science, robert e weir, assaying, mineralogy, petrography, algebra, trigonometry, applied, mechancis, land surveying, mine surveying, dynamics and heat, sound and light, magnetism and electricity, carpentry and joinery, architecture, photography, john warrington rogers, james bickett, thomas wanliss, henry cuthbert, museum, william huey, steele, and, gas, engines, mine managers certificate, john m sutherland, charles e campbell, cyanide plant, mining laboratory, samuel thornton, daniel walker, percy osborne, robert allan, hubert murphy, charles deane, ernest trend, thomas evans, alfred johnston, boer war, richard maddern, underground, ferdinand krause

Item used to operate and record the time in the Cincinnati Time Recording clock. This type of clock was used by the MMTB in the 1930s. The key would be issued by the depot staff to crews for use in the clock to record times so that they could be matched up against the timetable to see whether tram or bus services were running on time. Understood that this style of key was last used on the Port Melbourne bus route. The Museum has one of these clocks at its depot which was obtained from The Met in? The second photo shows the key in position before turning the handle around it. By the 1960's (or earlier) they were only used on the M&MTB bus routes. All the tram routes had M&MTB copies with a very different style of key. Only used on two man bus routes and the conductor held the key due to the half-cab bus design. On the tram routes the driver was responsible for the key and recording the time. The key number represented the crew's shift number. For a while towards the end of their use on the trams they were the Run number. This change led to many lost keys! See item 9568 for an example of the time recording clock itself.Demonstrates a Cincinnati "Bundy" time recording clock key.Key - or Bundy Clock key made for a Cincinnati Time Recording Clock comprising a circular brass section with a key number section secured by a screw at one end and a flat steel strip inserted into the brass section, with a hole at one end that could be placed on a hook. The steel strip is riveted into the brass round section. Two keys held.Steel section stamped "tramways" and "55" and "263"tramcars, tramways, bundy clock, cincinnati, time recorder clocks

This newsletter the "Diggers Digest" from the Bendigo RSL Sub Branch is midterm 1999. Some of the main points are; President Holmes message re the introduction of Affiliate Members to the RSL at the AGM on Feb 8th and the full Committee that was elected, 8 Office Bearers and 12 General Committee. Anzac Day led by 108 year old Jack Lockett who recieved the 80th Anniversary medal at the service on behalf of the Prime Minister, guest speaker was Dick Levy RAAF. The work of the Central Victorian Veterans Support Centre (C.V.V.S.C) in gaining Pensions and Welfare for Ex Service personal. The success of the first Sandakan service held in Crook street on March 7th at the Memorial erected there, guest Speaker being Bruce Ruxton State President. Museum report. There are several other articles with dates, times for future RSL events 1n 1999. Photos, top. Three regular long standing RSL volunteers in Appeals, Frank O'Connell, Norm Smart and Fred Addlem discussing the Anzac Appeal results for 1999, all are Committee men, Norm Smart is a Life Member. Centre. On the right Alan Holmes President Bendigo RSL, center Bill Wilkinson a sponsor of the Newsletter and Cliff Richards Snr Vice President. Bottom shows the Bendigo and District Servicemens Club bonus points case, a Staff member in front.Newsletter, paper A4 size, total 6 pages includes front mailing address, 4 pages of newsletter and 1 page of photos. There are 6 Business advertisements who sponsored the newsletter, there are 24 sub headings re the RSL's work and events, the last page of photos has 3 images on.On first page, "DIGGERS DIGEST" - "Newsletter 1999"brsl, smirsl, diggers, digest, newsletter, 1999

Has a strong association with volunteer staff, and the first house at Bungaree.Colour print of groups of BTM Volunteers at the Bungaree house, c19789, the original house used by the Museum, weather board. Two photos group on same sheet. Photo 1 - Paul McDonald, Bill Kingsley, Richard Gilbert and Campbell Duncan on the porch Photo 2 - Peter Hill, Peter Winspur and Richard Gilbert in front of the house, possibly soon after moving in, given the condition of the grass etc. Photographer unknown at time of cataloguing, trams, tramways, btps, bungaree, volunteers

Notice - duplicated foolscap sheet titled "Notice to Employees - Staff Signalman and Ticket Examiner Relief Depot Starter", calling for applications for the positions, gives salary range, conditions, closure date for applications. Dated 30/6/1977. Signed by W. Aird Secretary.trams, tramways, signalmen, mmtb, inspectors, officers, wages

Pamphlet - single side A5 size - titled "Trammies Willing to work - Government shuts down system", about the tram blockade of Jan. 1990, gives the background to the dispute, what events occurred and about the dispute, elimination of tram conductors, station staff and introduction of Met ticket.trams, tramways, tram blockade, strike, unions, conductors

Pamphlet - single side A5 size printed on white paper, titled "What's Happening", complaining about the lack of trams due to lack of staff and maintenance on W class trams - at South Melbourne Depot. Gives contact details for the Premier (Joan Kirner), Transport Minister (Peter Spyker) and PTC Chairman - Ian Stoney. c1991trams, tramways, south melbourne depot, unions, w class, services

Set of three colour photocopies on A4 sheets of documents issued to MMTB Traffic staff at the time of the 1956 Olympic Games in Melbourne. Titled "A Special message to all members of the Traffic Staff on the occasion of the XVIth Olympiad at Melbourne" - title page - General information page - about welcoming visitors to the city, information location, recognition of visitors - Ticket or passes - including an illustration and details of free travel badges. Also includes information on bus services to the Olympic village and sight seeing trips.trams, tramways, olympics, mmtb, tickets, passes, badges, buses

Notice - printed on foolscap paper, MMTB Notice to Traffic Staff, D 2566, issued by R. C. Drummond Traffic Manager, 26/10/1971 of the "Construction of Foundations for new railway bridge at Flinders and Spencer St" about the closure of Spencer St and alternative arrangements for tram passengers - walk - Saturday 30/10/1976 and Sunday 31/10/1976.has in ink in the top left hand corner "60 crew"trams, tramways, railways, vr, spencer st, bridges, murla

Notice - photocopy of a printed on foolscap paper, MMTB Notice to Traffic Staff, D 3395, issued by R. C. Drummond Traffic Manager, 18/5/1982, "Batman Avenue Vintage Tram Winter Recess", advising of the operation ceasing on 30/5/1982. Noted the Zoo tram will continue to operate each Sundaytrams, tramways, vintage trams, hawthorn, zoo tram

Newspaper clipping from The Age, Monday 4 May 2015 - titled "Former connies just the ticket", featuring a story on Kevin Tierney of the Connies standing with tickets in front of tram 946 and inside the tram as well. Article by Hannah Francis, photos Paul Jeffers. Has a photo of Kew depot workers with a barrow of sand - Staff Christmas function 1977 written in chalk on a board on the steps of tram 224.trams, tramways, the connies, kew depot, conductors, sanding equipment, tram 946, tram 224