Belleek was established following the Irish famine of the mid nineteenth century that brought so many Australian families, including the Taffe and Berkery families to immigrate to the Australian colonies. This Belleek porcelain tea set and tray in the Thorn pattern based on the hawthorn bush sprig in flower carries the impressed registration mark for 1878. Belleek was well represented at the Melbourne International Exhibition of 1880-81 at Melbourne's Exhibition building and many examples were bought by key Ballarat Irish families including those connected to this family such as the Brophy, O'Malley and Fitzgerald families, Julia Taffe's (nee Berkery) aunts uncles and cousins. Many such examples remain in Ballarat collections although this is not one.Impressed factory mark and registration mark on base of each piece.belleek, porcelain, ballarat, ireland, exhibition building, melbourne, exhibition, thorn pattern, irish famine, tea set, tray, brophy, fitzgerald, o'malley, julia taffe, berkery, australian colonies,

Black powder splitting guns were commonly used to split large logs into more manageable pieces before the advent of excavators and front-end loaders in bush logging operations. A typical splitting gun used in Victorian forests was a piece of high-grade steel about 1-1/2 to 2 inches in diameter and about 16 inches long, and slightly tapered at one end. They had a ¾ inch hole drilled about 9 inches deep into the centre of the shaft with a small pilot hole drilled from the outside to load the fuse. The tube was carefully loaded with an amount of black gunpowder using a funnel and spoon. Experience being the guide on how much powder to use, which depended on log size, species and difficulty of splitting the wood. The hole was stopped with a piece of wadded paper and the gun positioned at the end of a length of the log to be split. The splitting gun was then belted into the log with a large wooden maul or even the back of an axe to a depth of about 3 to 4 inches. There were often markings as a guide. This also had the effect of tamping the black powder inside the gun. Preferably the gun was backed up by another large log to absorb the shock and avoid it flying off in the bush somewhere. I have seen guns where a length of string and coloured flag could be attached to help find them. A length of fuse was then inserted in the small hole and lit. Kaboom !!!! Needless to say, the splitting gun was a dangerous implement.Commonly used to split pulpwood but now rareBlack Powder Splitting GunFive marking rings used to guide how far the gun was in the logforest harvesting

The Man from Snowy River" is a poem by Australian bush poet Banjo Paterson. It was first published in The Bulletin, an Australian news magazine, on 26th April 1890. The poem tells the story of a horseback pursuit to recapture the colt of a prizewinning racehorse that escaped from its paddock and is living wild with the brumbies (wild horses) of the mountain ranges. Eventually the brumbies descend a seemingly impassably steep slope, at which point the assembled riders give up the pursuit, except the young hero, who spurs his pony down the "terrible descent" to catch the mob.Two characters mentioned in the early part of the poem are featured in previous Paterson poems; "Clancy of the Overflow" and Harrison from "Old Pardon, Son of Reprieve".The town of Orbost is situated on the Snowy River and the town has always been "the heart of Snowy River country".A first day cover for "The Man From Snowy River" stamps. There is a picture of a saddle in the top left-hand corner. There is a strip 5 stamps on the envelope and it has been stamped at Orbost Post Office. This strip has 5 scenes based on the Banjo Patterson legendary poem by the same name. The stamps include: At The Station, Mountain Bend, The Terrible Descent, At Their Heels and Brought Them Back.first-day-cover man-from-snowy-river stamps philately

The iconic bush surrounds of Lake Daylesford are now home to a new permanent artwork titled Cottage, by artist Jason Waterhouse. The artwork has been months in the making, thousands of S-shaped pieces have been hand crafted from three kilometres of wrought iron, then joined together to form a scaled-down miners cottage. ‘Cottage’ is a highly decorative wrought iron sculpture inspired by the gates at the Convent in Daylesford, “ said Waterhouse. “This work references the rich opulence of the Victorian gold rush and pre-war spa resort era in its patterning. In its form ‘cottage’ pays homage to the miners, workers and farmers on whose backs the riches of Daylesford were built.” Cottage is the first in a series of significant public artworks to be commissioned by Hepburn Shire Council. Cottage will enhance one of Victoria’s premier tourist destinations, Lake Daylesford. Large scale wrought iron public sculpture referencing the worker's cottage of the Goldrush period in Daylesford. 203cm (height) x 382cm (width) x 353cm (depth) verandah 159.5cm (height) wrought iron 32mm x 2.5mmpublic art, sculpture, jason waterhouse, stockroom, daylesford, hepburn shire, daylesford lake, cottage, site-specific art, art, wrought iron, hepburn, hepburn shire public art collection

At the age of sixty-one Cliff Young, an unassuming potato farmer of Beech Forest, captured the imagination of the Australian people for his record-breaking five days, fifteen hours and four minutes it took him to run the 875 kilometres from Sydney to Melbourne. The previous record was one day, eighteen hours and forty-three minutes longer. Cliff runs with a shuffling gait, his arms hanging by his side, yet he waved to well-wishers throughout the journey. He's a country man with the dry humour of the bush. He trained by herding his brother's cattle on foot, wearing gumboots, and when he needs be he bamboozles experienced comperes with his succinct and witty answers.The Ballad of Cliff Young. Al Simmons. Judy Simmons Publishing; Cheltenham (Vic); 1983. 16 p.; illus. Soft cover.cliff young; athletics;

Legacy raised funds from the sale of Christmas cards for many years. The years these were used is unknown but they illustrate the subjects chosen by Legacy. They were: Princes Bridge and Melbourne City 1970 Flinders Street form the Melbourne railway station (Christmas 1968) Melbourne from the South, near St Kilda Road (Christmas 1972) A bush track at Wonga Park Victoria by Dudley Drew (Christmas 1974) Unknown years: Three wise men, dog with holly, three children around baby Jesus. These came from a selection of cards and order forms from 1960-1974 were part of a scrapbook of Legacy material, mostly promotional material, from the 1960s to 1970s.An example of fundraising material issued by Legacy in the 1960s and 1970s.A sample of Legacy Christmas Cards from a variety of years.fundraising, christmas cards

Bendigo Advertiser '' The way we were'' from 2002: Leaders: Lodge No. 52 Centenary officers - Back: R. G. Barby, V. J. Simpkins, I. L. Arbuckle, C. G. Watson. Middle: A. J. Ermel, J. C. Campbell, J. C. Chamney, A. E. Mallalieu, G. McCormick, R. C. Watt, A. H. Johnson, F. R. Boys. Front: N. J. Oliver, J. V. Horton, I. M. Campbell, E. H. Bush, R. L. Campbell, G. K. Allen, R. J. Longstaff. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' 1938 grade 1a Gravel Hill State School. This photo was taken at the Bendigo competitions, after performing in the ''Action Song for Boys'' section. The teacher was Miss Skinner. Back row, left to right: Bruce Albert, Unknown, Brian Hartley, Max MacLean, Keith Robertson. Centre row: Graeme Norris, Kevin Brennan, Max Stevens, Brian Dellar, Graeme Hyden, Malcom Bush. Front row: Lance Connor, Jim Grubb, Graeme Pascoe, Ian Connor, Peter McPhee, Bill Leggo, Bryan Randall.school, history, gravel hill

Black & White studio portrait photograph. Bearded moustached male aged approx mid fifty. Head & Shoulders. Jacket & Vest. Printed on front. 7 Collins St East, J W Lindts Melbourne. Extensive Reverse Printing include. From J W Lindt's Studio above lithograph view of Melbourne. Special Publications. 'Album of Australian Aboriginals', Characteristic Australian Forest Scenery, Genre, Pictures of Bush Characters, Men of Mark and distinguished Visitors to Victoria. Gold, Silver & Bronze Medals and Diplomas. Awarded at Philadelphia, Paris, Sydney, Brisbane, Sandhurst.J W Lindt's Studiophotograph, person, male

Eight copies of Maldon Folk Festival books for the years 2002, containing a programme alterations loose page; 2003; 2004; 2005; 2006, containing a 2006 Maldon Folk Festival Performers application; 2007; 2008 containing a Maldon Folk Festival Survey form; and 2010, containing a Maldon Folk Festival Survey form. All have colourful front covers with the name and dates printed on them. Also contains features, names of performers, advertisements, programmes and a map of the area. Performers include Emu Creek Bush Band, Wedderburn Old Timers and Peter Ellis.magazine, organization, maldon folk festival, peter ellis collection, emu creek bush band, wedderburn old timers, peter ellis

Collection of National Folk Festival programs and literature. Programs from the years 1995, 1996 and 1998. All have colourful covers and contains General Information, information on performers, programs, site maps, some photos of performers and some health information. Some pamphlets include a Ticket Order Form and a larger National Folk Festival 97 where the featured state is Tasmania. Letter to John Williams from Phil Wilson, Director National Folk Festival, dated 3 February 1996 confirming performance and ticket details for Emu Creek Bush Band CD Launch.entertainment, music, national folk festival, peter ellis collection, emu creek bush band, peter ellis

These are the first two Malayan nurse recipients of an Australian Imperial Force Scholarship. This entitled them to spend three months with the Melbourne District Nursing SocietyNurses from Malaya came to Australia under the Australian Imperial Force (A.I.F) scholarship program.Black and white photograph of Malayan nurses, Miss Alice Chia and Miss Ooi Soh Im. Both Malayan nurses have dark short hair and are wearing glasses. They are wearing long grey coats which have collars and a belt, and dark brimmed hats. The nurse on the left is carrying an oblong case in her right hand and the one on the right has a white folded document in her left hand. They are standing on a path. Part of a brick building is to their left and rear, and a set of stairs is to the right rear. Part of a window can be seen to the left and some low bushes in front of the building. melbourne district nursing society (1885-1957), rdns, royal district nursing service, aif scholarship program, miss ooi soh im, miss alice chia

Photograph of a group of firemen posing for newspaper article holding various fire brigade equipment that was published in the Border Morning Mail Monday 15th April 1940. Sepia rectangular newspaper reproduction printed on matte photographic paperObverse: One of the many bush fire brigade units who protect the north-east of Victoria, who paraded at Beechworth on Saturday. The group includes: Messrs. E. Jessup, F.Paton, G. Witherow, J. Carney, M. Sonneman, K. Allen, G. Wald, W. Rae, W. Lee, D. Hume, J. Morrison J. Neary, A.D. Neary, J. Witherow, A.J Goonan, R. Hupwood and W. Shannon. Reverse: 7625.1emergency services, beechworth, burke museum, newspaper article, photograph, fire brigade, fire, firemen

The Ruyton Reporter (formerly known as Ruyton Reports) captures the essential Ruyton Girls' School experience for the broader school community. It has been produced since 1986.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Thus, the record can be used as a reference example for research into Victorian school history. It also gives insight into the types of activities and events undertaken at Ruyton Girls' School during the period of its production. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Black and white newsletter printed on paper with staple binding. 8 pages.Front Page: Vol. 1 No. 2 AUGUST, 1986 / R / RECTE ET FIDE LITER / RUYTON / GIRLS' SCHOOL / Reports / From Ruyton Girls' School / 12 Selbourne Road, Kew. 3101 / Telephone (03) 819 2422 / The Year 7 Camp at / Valley Homestead in Ovens, / Victoria was an outstanding / success. The first in a series / of camps with an adventure / bias for secondary students / at Ruyton, this camp is / held in early June, so that / younger students can / experience early winter / conditions in the high coun- / try, while enjoying the / warm modern comforts of / the Valley Homestead. As / kangaroos grazed on Mt. / Buffalo, the girls were / introduced to activities such / as Obstacle Courses, Bush / Dancing, Bush Skills such as / fire lighting, first aid and / shelter. Accompanied by / members of staff, these / activities proved not only / interesting and enjoyable, / but challenging and ap- / propriate to the age group / involved. As the leader, Miss / Willis, explained a special / week for all who took / part. / HIGH ADVENTURE / IN HAPPY VALLEY /ruyton girls' school, ruyton, school, students, newsletter, ruyton reports, ruyton news, kew, victoria, melbourne, girls school

Christmas 2001 articles include: Governor of Victoria re-dedicates KG War Memorial Tower Election details (2002) Summer at the Diamond Creek Pool Community Safety Expo Nillumbik Festival of the Arts: ‘art, caught in the act’ 22 Feb to 3 Mar 2002 Neighbourhood Character Study out for comment Plans to revive St Andrews Market site Integrated Transport Strategy seeks less car usage Eltham Festival Album Rural connector roads strategy Rural Collector Roads to be Sealed Roundabout funding for Diamond Creek Community Fireguard helps prepare for fire Planning for bush fire this summer Capital Works projects on track for 2001-2002 Eltham Town Square opens council newsletters, nillumbik news, nillumbik shire council

This history of the Victorian town of St. Andrews (formerly Queenstown) and its surroundings was written to celebrate the 140th anniversary of St Andrews Primary School. Describes the displacement of the Aboriginal inhabitants of the area, European settlement and the Gold Rushes and the Caledonia diggings. Discusses establishment of the school, church and cemetery and various other notable events. The school in 1998 and speculations on the future by primary school pupils. Contents: Introduction The First People Mining- What a rush! The School The Church Queenstown Cemetery The Hotels The Police Paddocks The Families Queenstown in the early twentieth century The Queenstown Bush Fire Brigade The 1st Queenstown Scout troop Queenstown, the 1940s and 1950s The Characters Odds and Sods St Andrews - The Present Times The Future St Andres Primary School in 1998This book is significant in that it documents the history of the St Andrews community from the indigenous presence through its foundation during the Victorian Gold Rush through to local bushfires and predictions of the future by local primary schools students in 1998. It remains the only significant secondary source publication written specifically on this rural community.Reprint edition with index 158 p. : ill., ports ; indexEx Eltham College copy Bendigo bank donation label inside cover Title page with stampings for D.D. Davey Senior Library Rear page date due slip st andrews, queenstown

This history of the Victorian town of St. Andrews (formerly Queenstown) and its surroundings was written to celebrate the 140th anniversary of St Andrews Primary School. Describes the displacement of the Aboriginal inhabitants of the area, European settlement and the Gold Rushes and the Caledonia diggings. Discusses establishment of the school, church and cemetery and various other notable events. The school in 1998 and speculations on the future by primary school pupils. Contents: Introduction The First People Mining- What a rush! The School The Church Queenstown Cemetery The Hotels The Police Paddocks The Families Queenstown in the early twentieth century The Queenstown Bush Fire Brigade The 1st Queenstown Scout troop Queenstown, the 1940s and 1950s The Characters Odds and Sods St Andrews - The Present Times The Future St Andres Primary School in 1998This book is significant in that it documents the history of the St Andrews community from the indigenous presence through its foundation during the Victorian Gold Rush through to local bushfires and predictions of the future by local primary schools students in 1998. It remains the only significant secondary source publication written specifically on this rural community.158 p. : ill., ports ISBN 0646353756st andrews, queenstown

In the 2000s Legacy released a range of Legacy Bears to expand the merchandise available for sale during Legacy Week and at other fundraising opportunities during the year. A special edition bear to commemorate 100 years from the end of World War One. The bear is wearing a World War One soldiers' uniform including a slouch hat with feather. The date 2018 and Legacy is printed on his boots. In 2020 another Lighthorse bear was released, retailing at $20, with slight differences to this one. The Light Horse Brigades were mounted infantry made up of mostly young men from the country. They were experts at rough-riding from their lives in the bush and could navigate terrain easily for long periods with little food or water. An example of the type of products sold along with Legacy Badges for fundraising in the 2010-2020s.Legacy bear dressed in World War One Soldier uniform with a printed cardboard tag.Printed tag gives the price as $15.legacy appeal, fundraising, legacy bear

Contents: • What happened in the Shire of Eltham in 1924 by Jim Connor • Next Meeting –7:30pm Wednesday 9th October 2024 • November Excursion - Saturday 2nd November – Killeavey Walk and Talk • Robert Hoddle – Chains and Grids in Terra Nullius by Anne Paul (Part 3) • A Heidelberg School Artist in Eltham by Marguerite Marshall • Eltham Council Officers; Tuesday 6th April 1937 • Our new sponsor • Percy Leason by Richard Pinn • Body in the Bush – Misadventure or Murder? By Terry Beaton • Shillinglaw Cottage – 60 years on by Jim Connor • Montsalvat People by Richard Pinn o Helen Lempriere (1907-1991) o Sigmund Jorgensen (1940-2019) • You Can Bank On That! by Jim Connor The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 newsletter distributed to members (Digital and A4 photocopy)newsletter, eltham district historical society

Gordon Ford was a conservationist and a pioneer of natural-style landscaping. He came to Eltham in 1948 and bought a block of land in John Street extending through to Pitt Street. Artist Peter Glass lived opposite in John Street. Early on, Gordon worked for Alistair Knox on construction of the mudbrick Busst house amongst others. At the same time, with the help of friends including artist Clifton Pugh, he progressively built his own house ‘Fülling’, which "grew like Topsy" utilising a variety of second-hand materials. His main focus, which became his life-long occupation, was garden landscaping. Inspired by Edna Walling and Ellis Stones, he sought to reflect the bush settings of rural Victoria where he had grown up. Commissions included Monash University and countless industrial sites but designing for the archetypal quarter-acre block gave him the most satisfaction. He had a huge impact on the look of gardens in Australia from the 1950s, creating seemingly natural bush environments by carefully integrating indigenous and exotic plantings. Gordon died in 1999 and is buried in Eltham Cemetery; the gravesite in a natural landscape setting is marked by a plaque. Another plaque (away from his grave) notes his landscaping design work within the cemetery grounds and at Alistair Knox Park. Gordon Craig Ford 30-8-1918 - 16-6-1999 Landscape designer Loved and respected Husband of Gwen, father Of Angela, Emma, Ben, Cassie, Dailan, Caitlin. A good life lived well Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p55This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, graves, eltham cemetery, gordon craig ford, gravestones, gwen ford, memorials

Gordon Ford was a conservationist and a pioneer of natural-style landscaping. He came to Eltham in 1948 and bought a block of land in John Street extending through to Pitt Street. Artist Peter Glass lived opposite in John Street. Early on, Gordon worked for Alistair Knox on construction of the mudbrick Busst house amongst others. At the same time, with the help of friends including artist Clifton Pugh, he progressively built his own house ‘Fülling’, which "grew like Topsy" utilising a variety of second-hand materials. His main focus, which became his life-long occupation, was garden landscaping. Inspired by Edna Walling and Ellis Stones, he sought to reflect the bush settings of rural Victoria where he had grown up. Commissions included Monash University and countless industrial sites but designing for the archetypal quarter-acre block gave him the most satisfaction. He had a huge impact on the look of gardens in Australia from the 1950s, creating seemingly natural bush environments by carefully integrating indigenous and exotic plantings. Gordon died in 1999 and is buried in Eltham Cemetery; the gravesite is marked by a plaque. Another plaque (away from his grave) notes his landscaping design work within the cemetery grounds and at Alistair Knox Park. Gordon Craig Ford Landscape Designer 30. 8 .1918 - 16. 6. 1999 Eltham Cemetery Trustee fom 1987 - 1999 Gordon settled in Eltham in 1948 He was a conservationist and a pioneer of natural style landscaping, continuing design and construction until his death. His local work and influence can be seen in many private gardens, the Eltham Cemetery and the Alistair Knox Park.Born Digitaleltham cemetery, gravestones, gordon craig ford

Photos are in a collection relating to James Lyle TRUSCOTT No.1842. Enlisted in the RAAF 13.5.1935, aged 19. Discharged 7.2.1942 with the rank of LAC. .1) Photo, black & white, three men standing in front of a large tree. .2) Photo, black & white, group of men stretched out in a barracks area. .3) Photo, black & white, man in uniform, pith helment beside ant hill. .4) Photo, black & white, two men, in uniform, hats, ties in gardens. .5) Photo, black & white, Bush setting with crashed plane in distance. .6) Photo, black & white, crashed aeroplane. .7) Photo, black & white, harbour scene with two ships in distance. .8) Photo, black & white, close up of section of large ship..1) On rear in pen: ARCH LOXTON, JIM TRUSCOTT, BOB THOMPSON. .2) On rear in pen: RAAF DARWIN, ACCOMMODATION CIVIL DROME 1940, note lack of rainwater tanks. .3) On rear in pen: ARCH. A. LOXTON (S.A. ATHLETE) near Darwin 1940 - 1983 lives at Tocumwal NSW. .4) On rear in pen: Jim Truscott, Ben Kennedy, Darwin Botanic Gardens 1940. .5) On rear in pen: 6AM 11.12.39 Thursday, END OF DARWIN CIVIL DROME - No Deaths - Troops Returning south to join AIF. .6) On rear in pen: 6am 11.12.39 DARWIN CIVIL DROME, No Deaths - Lookheed Electra, DMF troops going south. .7) On rear in pen: 1939 - from ABBOTTS House DARWIN HARBOUR - foreign ships detained. (why?) .8) On rear in pen: This is part of the Queen Mary close up - will enclose this next letter - Lyle.photographs, raaf

William Lunn Invoice: Cream paper with navy print and red and light blue lines. Dated April 30th 1923. Bendigo Glass and paper hangings Warehouse, TEL. 315 PALL MALL, Bendigo. Invoice no. 1595. Mr A Bush View Street. Dr. to William Lunn, Painter, Glazier, Paperhanger. &c. Dealer in glass of All Descriptions. Colours, Oils, Paints, Varnishes, &c. Terms - Cash. Paper hangings, Borderings of Newest designs, and panel Decorations. Invoice is for work to be carried out Painting etc, also lists materials and price. At the bottom is a orange Stamp Duty 2 pence stamp. Box 625business, retail, house furnishings, william lunn. a bush

Collection of State Income Tax and Land Tax Assessment notices (S A Bush, Bairnsdale): a. Year commencing 1/7/1919; b. 1/7/1920; c. Land Tax Notice for year 1921; d. Memorandum to Taxpayer (assessment of income for 1919-1920); e. Handwritten single-page note relating to figures for various income tax and rates (& other) dated 10/8/1921. On reverse of note is Thanksgiving Service (United Peace) held at the Rotunda, Bairnsdale Tuesday 12 Nov. 1918 - Order of Service. Union Lodge of North Gippsland invitations (2) to ordinary meetings of the Lodge. 1930.person, individual, bush collection - personal, bendigo, bush collection, collection, business, commerce, retail

White card with embossed crazy pattern and scallop edges. It has a colourful oval frame glued on the front. It has yellow and pink roses, small blue flowers, green leaves and blue ribbon. Glued in the centre is an oval picture of a boy and a girl dancing. The boy is wearing brown trousers and a white shirt with red braces and brown shoes. The girl is wearing a purple and yellow dress with green bands around the hen edge and a white blouse. She has blue shoes and white stockings. The background is grey with some pink flower bushes behind them. Inside is loose pink paper with a verse titled: 'The Fragrant Flowers.'person, greeting cards, malone collection, malone collection, greeting cards

Green covered history of dances, The Dance Program, Musical Forms and Dance Examples and Celtic Music Forms. Dance Programs include the Eighteenth Century, the Nineteenth Century, the Twentieth Century, the 50/50 Dance, the Old Time Dance the New Vogue Dance, Decline of the Set Dance, the Contemporary Program and Old Time and New Vogue and musical time signatures. Collected by Peter N Ellis and dated 23 June 1992. On the front are sketches of two emus playing musical instruments and a koala and a wombat dancing. The name Bush Dance & Music Club of Bendigo Inc. is printed on a banner below the illustration.clubs, music, bush dance & music club of bendigo, peter ellis collection, bush dance & music club of bendigo, john williams, peter n ellis, michael treacy

Literature from the 26th National Folk Festival held in Canberra on the 16-20 April 1992. Program containing General Information, the Performers (including the Emu Creek Bush Band), Festival Map, the Programme and Dance Programme Information. Also leaflets: Visitors Guide, Program, Embassies in Canberra, University Halls of Residence Bruce Burton & Garran Halls Information for Visitors, Map of Australian National University, and an article titled 'Real Folk' with information about performers. Pioneer Performers Series Information Sheet April 1992 contains Introduction, Current Available Items, Current Projects, Forthcoming Events and Ramblings of a Modern Day Collector.entertainment, music, national folk festival, peter ellis collection, australian national university, 26th national folk festival canberra 1992, the monaro folk music society, emu creek bush band, wongawilli colonial dance club inc

This photograph is a record of the Melbourne District Nursing Service (MDNS) Moorabbin Centre, situated at 611 South Road, Moorabbin. It was opened in mid 1965 and was the fourth Centre MDNS had opened. Following Royal patronage in 1966, it became known as Royal District Nursing Service (RDNS) Moorabbin Centre.Gradually over the years, Melbourne District Nursing Service, MDNS, later known as Royal District Nursing Service, RDNS, from 1966 when they received Royal patronage, opened Centres throughout the Melbourne Metropolitan area. Their Trained nurses (Sisters) left from these Centres each morning to carry out their nursing visits in a specific area, taking any sterilized equipment needed with them. They returned at the end of the day to write up their patients nursing histories, clean and reset any equipment used ready for sterilization, and to contact other medical personal as necessary. Most of the RDNS cars were housed at each Centre, only a few being driven home by a Sister.Black and white photograph of RDNS Moorabbin Centre. The building is a single story brick building with a flat roof. A row of short glass windows are seen above the brick work to the left of the large glass doors which are on the right of the building. A low standing horizontal fence is seen along the front and along either side of the path leading up to the door. Some bushes are seen in the right hand side garden of the building. A footpath can be seen in front of the fence. On the left of the photograph can be seen a white house with a pitched roof. A dark sky with fluffy white 'cumulus' clouds are seen above the buildings.Photographers stamp. Quote No. DX 18mdns, melbourne district nursing service, mdns centres, royal district nursing service, rdns