Showing 9664 items
matching head
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Merbein RSL Sub Branch
Photograph, Thompson,William
WW1Photo,black and white-head and shoulders-WW1,uniform,-slouch,hat-rising,suns,on,collarsno, william, thompson, reg, 1136 -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Man
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .8)A tintype portrait of a man's head, attached to a card. The cheeks have been hand coloured.little gem -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a hat
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a woman's head, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a Hat
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head and shoulders, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
Federation University Historical Collection
Photograph - Photograph - Black and White, William H. Wooster at the Ballarat Observatory, Mount Pleasant
W.H. Wooster was associated with the Ballarat Observatory. .1) Photograph of W.H. Wooster with the telescope at the Ballarat Observatory. .2) Head and shoulders of W.H. Woosterballarat observatory, observatory, wooster, w.h. wooster, portrait, mount pleasant -
Federation University Historical Collection
Photograph - Black and White, Portrait of Arthur Nicholson, c1950s or 1960s
Arthur Nicholson former member of the Ballarat School of Mines Council for many years, Councillor of the City of Ballarat (mayor several time), Master Builder, Chairman of the Ballarat Water Commission, and much else.Head and shoulders of a balding man with grey hair wearing a suit and tie. He is Arthur Nicholson. portrait, ballarat school of mines, arthur nicholson, city of ballarat, ballarat water commission -
Flagstaff Hill Maritime Museum and Village
Brace
Brace metal with "spoford" or split chuck operated by a thumbscrew, wooden head and handle with varnished finish.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, brace -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland, n.d
Port of Portland Authority Archivesport of portland archives, seafront, malcolm mcfachern -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects electric shaver 'Philishave' c1950, c1950
The Philips Company was founded in 1891, by Gerard Philips and his father Frederik Philips in Holland (Netherlands) and started the production of carbon-filament lamps and other electro-technical products in 1892. The first Philips shaver was introduced in the 1930s, and was simply called Philishave. The Philishave has remained part of the Philips product . In 2018, the independent Philips Lighting N.V. was renamed Signify N.V. However, it continues to produce and market Philips-branded products such as LED light bulbs After World War 11 1939-45, new estates were opened for housing returned soldiers in City of Moorabbin and most of the men began using the new convenient electric razors manufactured by Philips and Gillette.An electric shaver 'Philishave' c 1950 with box, shaver head protector, electrical cord and plug Box ; PHILI SHAVE / PHILIPS Trademark Shaver :PHIL / SHAVE / AW / 209230V 4030 / AC ONLY / RTM / PHILLIPS / MADE IN / AUSTRALIApersonal effects, razors, electric shavers, philips pty ltd,, early settlers, city of moorabbin, post world war 11 settlement, bentleigh, highett, cheltenham, ormond, reed george, clark judy -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Tools, Pliers, adjustable locking 20thC, c1900
These multi function pliers were imported and used in Moorabbin Shire Many tools were imported by early settlers and also among the early settlers in Moorabbin Shire were blacksmiths who made tools for the other settlers who were establishing the homes, market gardens, farms, orchards and various businesses. Early settlers were self reliant and repaired their own equipment for kitchen,dairy, farm, horses, carts using various tools . This pair of multi purpose pliers is typical of the type used by early settlers in Moorabbin Shire c1900 Steel adjustable locking pliers c1900 with lion head vise, and spring loaded multi grip FOREIGNadjustable pliers, early settlers, market gardeners, blacksmiths, tools, building equipment, hammers, moorabbin shire, bentleigh, mckinnon, highett, cheltenham,mcewan james pty ltd, melbourne, bunnings pty ltd, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - 'O-CEDAR' Handimop, Kitchen Equipment
Made in England, O'Cedar Ltd Slough, BucksA small duster mop impregnated with 'O-CEDAR' furniture polish with cotton head and wood handle O'Cedar Dust Absorbing Handimop for your car - for your furnituremop, manufactured object, o'cedar -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: FEMALE HEAD AND SHOULDER PHOTO, Nineteenth Century
Sepia Studio portrait woman head & Shoulders. Growelle 69& 71 Swanston Street Melbourne.Growelle 69 & 71 Swanston St Melbourne.photograph, person, female -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A MAN
Head and shoulder portrait of a man wearing a jacket and bow tie. He also has a beard.photograph, portrait, male, portrait of a man -
Bendigo Historical Society Inc.
Photograph - POPPET HEAD WITH BUILDING IN FRONT, c.1900
Buildings in front of poppet head. Smoking chimney in background. Inscriptions: 'Hercules' on the back, written in pencil.topic, mining -
Bendigo Historical Society Inc.
Postcard - POSTCARD. PHOTO OF SMALL CHILD WEARING HEAD SCARF AND CUDDLING A CAT
Postcard. Photo of small girl wearing a head scarf and cuddling a cat. Rear. Names deleted. -
Bendigo Historical Society Inc.
Photograph - SMALL PORTRAIT PHOTOGRAPH MALE
Small head and shoulders portrait photograph of a male, photographer Wood 314 George Street Sydney.Woodphotograph, portrait, male -
National Vietnam Veterans Museum (NVVM)
Weapon, M60 Machine Gun Flash Eliminator
This flash eliminator from a 1st Battalion, Royal Australian Regiment, M60 machine gun was hit by a Viet Cong bullet on 6 November 1965 during Operation Hump north of Bien Hoa. The bent metal on the eliminator can be clearly seen. The round fragmented on impact, wounding both the gunner, Private Anthony John McIvor from Richmond, NSW and the gun No.2 , Private Glen Brett Woodward from Brisbane, Queensland. Woodward subsequently returned to operations but McIvor was evacuated to Australia to be treated for his wounds.A muzzle device attached to the muzzle of a rifle, e.g a M60 machine gun that has a bent head.m60 machine gun, operation hump, bien hoa, pte anthony john mcivor, pte glen brett woodward, flash eliminator -
Churchill Island Heritage Farm
Functional object - Iron bound wooden mallet
Round wooden handle. Large head with metal band at each end. Some paint stains.iron bound, wooden, mallet, tool, tools, hammer, churchill island -
Churchill Island Heritage Farm
Tool - Screwdriver
Flat head screwdriver with surface rust, and a black wooden handle; paint worn off handlechurchill island, tool, screwdriver -
Coal Creek Community Park & Museum
Large bolt
8407.1 - The bolt has a roughly cubic base beneath the head and a screw-thread at the other end. -
Bendigo Historical Society Inc.
Functional object - AUCTIONEERS GAVEL
Small wooden gavel used by Auctioneers, round cylinder head and narrow handle held by nail.commerce, office equipment, gavel -
Bendigo Historical Society Inc.
Leisure object - DOLL COLLECTION: SOFT BABY DOLL
Soft Stuffed baby doll with plastic head and hands.Dresses in pink with white bib and bottle in hand.toys, dolls, plastic, joy time. made in korea for george tauber imports melbourne australia. -
Bendigo Historical Society Inc.
Slide - BENDIGO STREET VIEWS & FORTUNA, May 1961
Slide. Bendigo Street Views & Fortuna. Poppet Head in Bendigo area. Maybe Nth Deborah?slide, bendigo, bendigo street views & fortuna., bendigo street views & fortuna. -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: FEMALE HEAD AND SHOULDER PHOTO
Sepia tones head and shoulders portrait of a female with short hair and a garland of flowers around neckline.Vandyck Studiosphotograph, person, female -
National Vietnam Veterans Museum (NVVM)
Photograph, P.O. Carver (MIA)
Framed black and white head and shoulders photo of P.O. Carver (Missing In Action) in dress shirtphotograph, missing in action, p.o. robert carver -
National Vietnam Veterans Museum (NVVM)
Print - Print, Framed, The Best Seat in The House - Vietnam 1969, 1969
Coloured Photograph of a Centurion Tank with two soldiers with their head and shoulders out the top of the turret hatch.My Vietnam Collection- Darryl Lavis.centurion tank, 1969, lavis, darryl lavis, my vietnam collection -
Clunes Museum
Tool - PICK
Hand made iron pick head, no handle, slightly curved point at hammer end, no shoulderNilpick, hand tool, gold mining equipment -
Tatura Irrigation & Wartime Camps Museum
Sketch - Pastel
Josef Thum was an Austrian artist in Camp 13, as a POW. Ken Hill was a member of AAAS - Mobile Cinema Unit 36 around 1946-47 and based at Murchison. After hostilities ceased Thum was permitted to assist Hill, in the presentation of "Pictures" as was the common term of the period, each time there was a screening at MurchisonBlack and white pastel sketch of "Head of Christ". A pieceof tissue paper is attached to cover the sketchhead of christ, sketch, thum j, hill k, camp 13, tatura, illustrations, pastel -
Tatura Irrigation & Wartime Camps Museum
Photograph, Julius Kresny
Julius Kresny was a superintendent at Raffles Hotel Singapore before being interned. He came over on the Queen Mary and was in Camp 3 Rushworth. He joined the 8th employment company.Black and white photograph of a man front on but head looking to the right of photograph. Dressed in a suit and tie. julius kresny, raffles hotel singapore, queen mary liner -
Anglesea and District Historical Society
White Metal Pin Dish
Repouss Dish. Profile of lady's head and shoulders with flowers and ribbon surrounding. Made of white metal.As in Description.pin dish, repousse