Leslie Thomas Palmby enlisted on 9.7.15 in the 7th reinforcements 24th Batt AIF. Embarked for Eygpt 26.11.15. Transferred to the 8th Batt 24.2.16. Embark for France 26.3.16, WIA 27.4.17 GSW to face, promoted L/Cpl 20.9.17, hospital 28.10.17 with Trench feet, promoted Cpl 27.8.18, promoted T/Sgt 23.9.18, promoted Sgt 31.10.18, hospital 18.3.19 with Scabies and Carbuncle. Discharged from the AIF on 4.8.19.Medal set, court mounted, set of (2) re. L.T Palmby 1 War Medal 1914-1919. 2 Victory Medal. (replica, not engraved)1. "3228 Sgt LT Palmby 24 Bn AIF"medals, military, history

The Battle of Sunda Strait was a naval battle which occurred during World War II in the Sunda Strait between the islands of Java, and Sumatra. On the night of 28 February – 1 March 1942, the Australian light cruiser HMAS Perth and the American heavy cruiser USS Houston faced a major Imperial Japanese Navy task force. After a fierce battle of several hours duration, both Allied ships were sunk. The sinking of HMAS Perth at the Battle of Sunda Strait 28 February -1 March 1942 cost 357 Australian lives. A further 324 crewmen fell into enemy hands. Two and a half years of brutal captivity claimed the lives of 106 of these men - 53 on the Thai Burma Railway alone.Framed cuttings of newspaper articles,13 photographs and 7 flags As Portrayed to the Australian Public 1942-1945 BATTLE OF JAVA SEA & SUNDA STRAIT 27 FEB - 1 MAR 1942 The first and only battle fought by a combined American Australian British and Dutch Naval Force against the Japanesesunda strait, hmas perth

Bendigo's first ceremonial dragon, the "Duck Bill" dragon appeared in Easter parades 1892-1898. "Moon face" only appeared in 1900. "Loong" paraded from 1901-2019 before being retired due to it's age and fragility. In the meantime "Sun Loong" was seen from 1970-2019. Bendigo's newest dragon, "Dai Gum Loong",(Big gold dragon) , is a water dragon and began service in 2019.From the Bendigo Advertiser, Wednesday September 28, 1988. Six loose pages. The articles related to the history of the Dragon in Bendigo. dragon city, bendigo advertiser, chinese

Tartar Emetic was a powerful emetic used during the nineteenth and twentieth century, though, it had been known of since the middle ages, which was used to widely treat a variety of infections and aliments. However, this medicine was known to cause multiple serious side effects and would be discontinued from use by the mid to late twentieth century. Unknown chalk. Aperient Pills are a drug used to relieve constipation. Calomel was once used as a purgative to remove unwanted waste from one's body. Calomel is a mercurous chloride mineral and looks like a white powder. Unfortunately, when used in high does, which was common during its use in the eighteenth century, it caused many side effects due to it inducing mercury poisoning. Many of the side effects however, were perceived as the medicine working properly , which only perpetuated its use until it was eventually removed from medical practice in the nineteenth century, being determined that it was more harmful than remedial.The left one of two marching medium sized wood drawers. Each drawer features four sliding lids on their top face which has a corresponding paper label depending on its contents as well as a small crescent notch, these lids slide laterally in pairs for either direction. These drawers are found in the front storage location of the parent item and bellow a row of glass containers.Tartar Emetic ... Chalk Aperient Pills Calomel volum collection, tartar emetic, calomel, aperient pills, laxatives, vomiting, digestion

This bottle was used in the Tawonga District General Hospital which was built in the 1950's specifically for the increase in population due to the Kiewa Hydro Scheme. It was used for first aid for the treatment of bruises and joints.Small clear brown glass hexagonal bottle with black screw lid. The lid is grooved for easier opening. On the 3 front sides is a torn white label with red writing, green borders and at the bottom (of the label) black back ground and white writing. On the back is heavily embossed 'Not To Be Taken' and on each side face embossed 4 vertical lines. (to indicate poison). The base is embossed.Label: A lot of small writing in red and 'Tincture of / Iodine'. Below in white writing 'Wholesale Drug Co. / Sydney' Back: 'Not to be Taken' Base: Common Seal / S 1006medical, tincture of iodine, bruises and joints, first aid

A novelty postcard with pull-out strip of 11 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.A novelty postcard with pull-out strip of 11 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.Having a Thrilling Time/ at MARYSVILLE 1765 PRINTED PAPER/ MAILING NOVELTY/ SHAPE PASSED BY THE G.P.O./ FOR PRINTED PAPER POSTAGE RATE/ Only Name and Address of Sender Allowed/ If any other writing, Letter Postage is required/ TO OPEN RAISE FLAP From VALENTINE'S "MAIL NOVELTY" POST CARD. COPYRIGHT Printed in Great Britain Shape Passed/ by G.P.O./ for/ Printed Paper/ Postage Rate/ 34-2 Tomarysville, victoria, postcard, souvenir, valentine publishing co, acheron way (image 1), keppel's falls (image 2), cumberland falls (image 3), stevenson falls (image 4), mount margaret (image 5), main st (image 6), nicholl's lookout (image 7), the old ford (image 8), the acheron way (image 9), taggerty river (image 10), the road to cumberland valley (image 11)

These items were in the Ballarat School of Mines Museum, and when the museum was closed they were saved from the tip, and returned decades later. The Alafolo or afui are anthropomorphic clubs found across the island of Malaita. As war clubs, blows were struck with the edges of the club, which varied in length from under three to four feet. At least some of these clubs served a largely ceremonial function, particularly those rare examples with shell inlay. Malaitans war clubs are usually made of tooa, a reddish hardwood. Most finished clubs are submerged in mud (saltwater or fresh) for about a month, during which time they acquire a glossy black finish.Two native weapons, probably South Pacific in origin. .1) light coloured timber paddle with carving. Possibly Solomon Islands. .2) A dark coloured Alafolo made with heavy ironwood, with geometric designs from the Solomon Islands with stylized face, carved geometric design at top end; two carved rings with geometric design between them toward bottom end.ballarat school of mines, ballarat school of mines museum, ethnographic, paddle, club, ethnographic material, new number, solomon island, alafolo, malaita, weapons, new guinea

It is possible that this may have been a wedding present or gift to Roy Wines and or his family as his name is scratched on the bottom. Roy was married in 1924 in Warrnambool. Roy Arthur Wines was Born in 1897 in Mailors Flat Victoria Australia and Died in 1980 in Ballarat. Roy lived for a number of years in Warrnambool during his married life.A massed produced item that at the time was cheap to buy with no makers mark or date stamp thousands would have been produced using a mould to make the ceramic case in two half's by pouring liquid clay into the mould and then joining the half's together when cured. This item could have been produced in Holland at any number of pottery factories at this time for export in vast quantities.Ceramic clock; the mechanism is plated steel and set in a ceramic case with glass over the face. The ceramic base colour is white with royal blue ceramic colour to the front and sides only. The blue ceramic has been painted over with lime green house paint on the front and sides. An inscription of a handwritten name is on the case and a hard-to-read model or batch number is on the cast base. Handwritten "Roy Wines" Cast number "6072"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, clock, roy wines, ceramic, ceramic clock, horology, time keeper, travel clock, bedside clock, timepiece

Greeting Card: Heart Shaped covered in red velvet with a plastic like material in the shape of a fan with the word 'Remembrance in silver' across the face of the three sectioned fan. A cream ribbon is threaded through the fan and a bunch of Forget Me Not flowers is painted on the front with a cream cotton tassel on the base of the fan. The back is plain card which has slits for a stand. Box 625ephemera, mementoes, cards, greet card. remembrance. memento.

Hand tinted photo on cream board. Sacred heart cathedral (Bendigo). Red brick being faced by stone. Scaffolding in foreground. Note - the ventilation on the roof. Paper frame representing timber. Inscription: On front, B.L, Sacred Heart Cathedral'. On back, printed in pencil, 'Sacred Heart Cathedral'. Research: James Lerk, 'Construction of the transept and Sanctuary of the sacred heart cathedral c1957'place, building, sacred heart cathedral

Photograph - black & white of 2 women sitting at a table with pen and paper (bottle of ink on table). Other women standing around but can only see bodies (not faces). Date written on front of photograph is 11.9.1947. Written on back of photo - obtaining signatures to petition for referendum re nationalisation of banking. In front of Beehive Hargreave Street. Mrs Burley with me. Who is me?person, group, pethard family, photograph. pethard family collection. signing of a petition. mrs burley and me.

Sir William Gilliatt was born in 1884 in Lincolnshire. He was educated at Boston Grammar School and Wellingborough College, and began his medical career at the Middlesex Hospital in 1925. He became obstetric and gynaecological surgeon at King's College Hospital, a position he held until his retirement in 1946. Gilliatt was a foundation fellow of RCOG, U.K. and served on the Council from 1932 until his death in 1956. He was also the President of the RCOG from 1946 until 1949. Gilliatt was known to be an excellent clinical teacher and was gynaecologist to the Royal family for two decades. He wrote very little for the medical journals, but his influence on obstetric and gynaecological practice was considerable and his attention to detail was painstaking. He was killed in a motor accident on 27 November 1956.Framed black and white photograph. Photograph is a side-on portrait image of Sir WIlliam Gilliat, who is turning his head to face the camera slightly and is smiling. Photograph is signed 'William Gilliat/April 1951'. An inscription, likely to be the name of the photographer, appears in the bottom right-hand corner of the photograph. The frame is a simple gold coloured metal frame, with a rose decoration in each corner.William Gilliat/April 1951rcog

Photograph showing two women, both wearing aprons and a man in a three piece suit and a bowler hat standing at the front gate of a late Victorian home. Bow windows in front are partially obscured by greenery and there is ornate iron lace work on the veranda. A lady with her face deliberately obscured is holding a kitten. The name 'Yareena' is on a plate attached to the lace work on the veranda,buildings, house, yareena, yareena

The Bruck Inhaler is a modification of the Clover Inhaler, designed by Lambert Bruck. Bruck added a glass dome which enabled the level of ether to be monitored during administration. This was a revolutionary change as it removed guess work from the process.The Bruck Inhaler is a historically, aesthetically and scientifically significant piece. The basic design is based on the Clover Inhaler, but with a rounded bottom. The idea of a glass viewing window was possibly inspired by Wilson-Smith Inhaler. The Bruck Inhaler is historically significant as it is the first inhaler to be made with a completely clear lower glass section. This improved the usability for the ether administrator, and eliminated much of the guesswork associated with dosage and ether levels, which in turn improved the patient experience. This piece provides a strong local link to both anaesthetic and general medical practice at the turn of the century. The design is credited to Ludwig Bruck of Sydney, and was presumably manufactured in the same area. Bruck, as the attributed designer, holds much relevance to the significance of the object, as connected with him is much historical information about the social context of medical practice. Ludwig Bruck was a prominent figure in the medical industry. He started his medical career in Sydney as a Medical Transfer Agent, and later owned a shop at 16 Castlereagh Street, Sydney. This business is listed in the 1903 Register of Firms as a Medical Agent and Importer of Medical Instruments and Books. Bruck was vocal as a journalist and published analyses of medical statistics, as well as the well known Australasian Medical Dictionary and Handbook, which included the “List of Unregistered Medical Practitioners”. Ludwig Bruck was an immigrant. He was of German descent, which placed him in a precarious position within Sydney society during the turn of century. Bruck conducted several public conversations with prominent members of the Australian Natives Association through the Sunday News in regards to his disagreement of the employment of medical practitioners by the ANA specifically to corroborate their health insurance policies. He was also a stalwart supporter of the Australian arm of the British Medical Association, being the publisher of the first and subsequent editions of The Australian Medical Gazette. Bruck chose to end his life with a combination of poison and chloroform on 14 August 1915, after being accused of trading with the enemy during World War One. His suicide note stated his horror at leaving his business partner to deal with the tarring of his reputation as the reason for his decision. The Bruck Inhaler has aesthetic significance as it is a beautiful example of turn of the century surgical design and craftsmanship. Aseptic methods of surgery were well known by 1909, and the aesthetic design of the Bruck Inhaler conformed to these principles. The ability for the surgeon to unscrew, clean and sterilize each part of the Inhaler contributes to the streamlined design of the piece. The Buck Inhaler holds scientific significance. There is the capacity for further research to be undertaken on the object. Geoffrey Kaye often collected multiple examples of equipment, usually one for reverse engineering and another for teaching. There are currently two examples of the Bruck Inhaler in the collection, presenting an opportunity for further technical research on the object. The inhaler is oval shaped with one half made of glass to allow observation of the ether level. A vertical cross tube, 22mm in diameter passes between the face-piece and the bag [missing]. There is a stopcock for admission of oxygen or nitrous oxide opposite the bag attachment. There is a central tube, 28mm in diameter, with controllable ports on either side. There is also a tear-drop shaped fask mask.Hand engraved on side of base: L. Bruck / Sydneyclover, joseph, bruck, lambert, inhaler, rebreather, nitrous oxide, oxygen, williams, probyn

Doll belonged to donor's granddaughter. A teaching doll to show children how to use zips, buttons and press studs.Toy clown doll with plastic head and hands, vinyl feet and soft body. Orange wool hair. Open and close eyes with long ashes. Painted face with blue eye shadow and red nose and smiling white painted mouth. Yellow and red ruff around neck, and blue, red and yellow suit. A zip on left side with two pockets on right side.Copyright Red Box Toy Factory Hong Kong. Red Box325b 29m Av 5am Frantoys, dolls

The Legacy of Richard Hartley Smith, a pioneer retailer of Upper Pall Mall Bendigo, 44 pages with black and white photographs, the story of other pioneer retailers and developers who began their businesses and property investments with such energy and enthusiasm, leaving us some of the buildings that still face Pall Mall today. The buildings include the remnants of the original shop owned by Richard Hartley Smith.Murray Poustiebendigo, history, businesses, bendigo-history-retailers

A Spalding 'Leader' tennis racquet, featuring: laminated convex throat; and, handle with fine-grooved faces and deep-grooved sides. Decal of model name, with Native American emblem, feature across throat on obverse. 'A.G. Spalding & Bros. Made in U.S.A.' logo encircling ball trademark features on throat on reverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Gut, Leathertennis

A wooden racquet, with black string whipping, fine-grooved handle, and partially double-strung gut face. Inscription along throat on obverse: DAVEGA DRIVER. Inscription across throat on reverse: DAVEGA/"THE SPORTSMAN'S PARADISE"/NEW YORK CITY. Inscription across butt cover: DAVEGA. Materials: Wood, Gut, String, Paint, Ink, Leather, Glue, Lacquer, Metaltennis

A small carton (.2) containing a used tether tennis ball (.1), and, a string and elastic tether (.3). Inscription across one face of the box: THE PERFECT/KUM-BAK/.../TENNIS SELF-TRAINER/... Across another: THIS CARTON/CONTAINS -/ONE TENNIS/AUTO COACH/CAPTIVE BALL/COMPLETE WITH/ATTACHMENTS. Materials: Rubber, Felt, String, Metal, Cardboard, Paper, Inktennis

Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.One of only two fragments of the painted domed ceiling of the ballroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This roughly square piece of the plasterwork shows a woman's head. Given the size of the face, it is believed that this section of the fresco represents one of the four 'geographic depictions of the earth including the seasons, night and morning'.Label: 'This is from the Southesk Ballroom 14-7-70'cullis hill & co., fresco, ordsall, southesk

Monochrome portrait photograph of a man. He has a beard and bushy eye brows and sits with his face slightly in profile. He wears and double breasted jacket with a bow tie. His portrait is placed in an oval framed mount board which is in a rectangular wooden frame. The frame is painted dark brown but has a border of flowers and foliage picked out in gold colour.official portrait photography, civic portrait, mayor, portland mayor, 1800s

A newspaper cutting of a photograph taken at the Bendigo East State School in 1923. The photograph shows 37 students posing for a school photograph. One the girls carries a large doll. One of the boys is seated with a drum. The caption reads HAPPY FACES: Know any of these students from the Bendigo East State School in 1923? Write a letter to the editor. Gemma Starr Collectionbendigo east state school, bendigo schools, gemma starr collection, 1923 bendigo east state school

Scanned and printed by LERHS.Copy of page from The Lakes Post showing children of grades 3 and 4 at Lakes Entrance State School. Lakes Entrance VictoriaThis picture was taken of a grade 3-4 class at Lakes Entrance State (Primary) School 2672 back in 1954. If you can pick out a face or know somebody that attended the school around this time let the 'Post' know.schools

This knife and scabbard belongs to Lindsay Fankhouser, who wore it on his ankle when he served as an engineer/ crewman in the RAAF (Iroquois and Hercules) during the Vietnam war. He used this knife many times a day while he was serving. It is a brown leather knife sheath, with a decorative front and two canvas straps attached at the back. The shorter strap is located at the bottom of the sheath and the longer strap is located just below the belt loop. Both straps are fixed in place with stitching. The top strap has a square of stitching, while the bottom strap has two lines of stitching that follows the stitching of the sheath. The belt loop is at the top of sheath and is a fixed flap of leather that is folded across the top and also holds the handle of the knife in place using a circular hole that fits around the butt of the knife. The bottom canvas strap has three adjustable brass male press studs on the left side as well as the fixed female one on the right. The top canvas strap has four adjustable brass male press studs on the right side as well as as the fixed female one on the right. The sheath is held together by stitching and five iron rivets. There is one on the point of the sheath, two on either side of the top, and two more 51mm below the top two. 46mm above the sheath, there are another two iron rivets on either side. Above that on the holding flap, there are two iron rivets just above the circular hole on either side. On the flap, around the hole there are three brass flat-headed split pins, one on either side and one on the front. At the top of the sheath, above the decorative embossing, there is a dark brown jagged cut strip of fixed leather. All the leather on the object is a reddish-brown, while the canvas and stitching is light beige. The end stitching on the canvas straps is dark grey. The front of the sheath is polished leather, while the back is rough.On back of belt loop flap, there is an embossd manufactuing patent number; PATENT Nr152.463 On face of the sheaf there embossed decoration. It depicts a lion with stylised decorative foliage and above the lion there is a fleur de lise. Above that it reads Soallingen Norge.norway, norge, soallingen, knife, small knife, hunting, scabbard, sheath, vietnam, lindsay fankhouser, raaf

Used in WWIIUsed in WWIIClinometer Mk IV: Vickers Machine gun brass and steel. Used for sighting long range fire or a fixed fire line of fire for a Vickers .303 inch machine gun. The top of the clinometer contains a spirit level and at each end there is a brass and steel winder that can depress or elevate the clinometer from minus twenty degrees to plus twenty degrees. The brass scale is graded in five degree units. At the bottom of the clinometer is two brass lugs and a brass steel spring loaded small plate, used for attachment to a Vickers machine gun. Serial number 809.The front face plate has markings: DEP DEGs and ELEV DEGs. The scale is marked in one degree increments numbered in five D degree increments to the left, and five E increments to the right. The left winder is marked from zero to fifty degrees in ten D degree increments. The right winder is marked from zero to fifty degrees in ten E degree increments. The rear face is marked: 1940, the letters TS inside a circle, and No 809. It also has CLINOMETER SIGHT (MARK IV) markings.clinometer, wwii, vickers, machine gun, sight

Fob watch in leather protective cover with strap and buckle / stamp imprint on back of leather cover - Prov.pat.No Fob watch in leather protective cover with strap and buckle / stamp imprint on back of leather cover - Prov.pat.No. 14450 - letters in Biro 'W.A.V. 5 / inside of cover stamped '26' / stamp on strap -picture of a crown and word ' Brand ' / Fob watch - words on bottom of watch face 'Made in Italy' , blue metallic watch hands , dirt and mold round edges , inside the watch words 'Made in Italy ' ,numbers '35209. . 14450 - letters in Biro 'W.A.V. 5 / inside of cover stamped '26' / stamp on strap -picture of a crown and word ' Brand ' / Fob watch - words on bottom of watch face 'Made in Italy' , blue metallic watch hands , dirt and mold round edges , inside the watch words 'Made in Italy ' ,numbers '35209.personal effects

Booknon-fictionExplores the lives, ideas and artworks of women in the Surrealist Movement including Frida Kahlo, Meret Oppenheim Dorothea Tanning and Leonora Carrington, alongside their more well-known male counterparts.painting, drawing, collage, photography, surrealism

These pennies belonged to Private Henry JONES VX48340 who enlisted at Wangaratta on 25th July 1940 and served with the 2/23rd Battalion 2nd A.I.F. He was twice wounded and after being wounded at Tobruk spent time in hospital in Alexandria. (refer item 69) He was discharged from the army on 26th of September 1945.The game of two up is played by throwing two pennies in the air and betting on which way they face up on landing.Light pink velvet and plastic box with engraved inscription containing 6 penny coinsPresented to WANGARATTA R.S.L. by THE FAMILY OF THE LATE HARRY JONES 1993two up pennies, private henry jones, ww2