An image taken of a man holding a rifle whilst two other men, one wearing a Canada Rifle Club blazer, look on. In the 1960's, the RVIB approached engineer George Glover to produce equipment to allow blind people to shoot, based upon that made available at St Dunstan's Hospital in the UK. The rifle range opened in February 1966 at the rear of St Kilda Road with 30 members, and soon became involved in matches with sighted rifle clubs in the area. The club had many successful years, competing against teams from Canada and New Zealand in 1968, and had the support of ICIANZ which provided them with free munitions as well as teams to compete against. In 1977, George Glover passed away and some of the skills required for maintenance of the equipment was lost, however the club continued until the late 1980's/early 1990s.1 Black and White image of man at shooting galleryrvib rifle club, royal victorian institute for the blind

Murray Comrie Collection. This image depicts the stables at rear of a two-storey bank building in Tarnagulla. The bank building was used first by the Colonial Bank of Australasia (from 1866 to 1888) and then by the Union Bank (from 1888 to 1942). The two-storey bank building was built in 1866 by the Colonial Bank of Australasia. Before this, the site had been occupied by Foo's shop. Whilst it was being built, the Colonial Bank operated from Company's Hotel (later known as Burstall Hall and the Council Chambers). The new double-storey building was used by the Colonial Bank from 1866 until 21st February, 1888. The premises were sold to the Union Bank for £2500. The Union Bank moved in and commenced operations on 6th June 1888, continuing until 1942. The building was later used as a general store until the 1990s. It is now a private residence. Monochrome photograph depicting stables at rear of the double-storey bank building in Tarnagulla. Image depicts a brick building with white timber doors and corrugated metal roof. The site was originally built by and for the Colonial Bank and later used by the Union Bank. tarnagulla, banks, banking, commerce, buildings, commercial road, horses, stables

Murray Comrie Collection. This image depicts the stables at rear of a two-storey bank building in Tarnagulla. The bank building was used first by the Colonial Bank of Australasia (from 1866 to 1888) and then by the Union Bank (from 1888 to 1942). The two-storey bank building was built in 1866 by the Colonial Bank of Australasia. Before this, the site had been occupied by Foo's shop. Whilst it was being built, the Colonial Bank operated from Company's Hotel (later known as Burstall Hall and the Council Chambers). The new double-storey building was used by the Colonial Bank from 1866 until 21st February, 1888. The premises were sold to the Union Bank for £2500. The Union Bank moved in and commenced operations on 6th June 1888, continuing until 1942. The building was later used as a general store until the 1990s. It is now a private residence. Monochrome photograph depicting stables at rear of the double-storey bank building in Tarnagulla. Image depicts a brick building with white timber doors and corrugated metal roof. The site was originally built by and for the Colonial Bank and later used by the Union Bank. tarnagulla, banks, banking, commerce, buildings, commercial road, horses, stables

Gift to Hilda and Eva Sebire in 1905. Uranium glass is glass which has had uranium, usually in oxide diuranate form, added to a glass mix before melting for coloration. The proportion usually varies from trace levels to about 2% uranium by weight, although some 20th-century pieces were made with up to 25% uranium.[1][2] Uranium or Vaseline glass was once made into tableware and household items, but fell out of widespread use when the availability of uranium to most industries was sharply curtailed during the Cold War in the 1940s to 1990s. Most such objects are now considered antiques or retro-era collectibles, although there has been a minor revival in art glassware. Otherwise, modern uranium glass is now mainly limited to small objects like beads or marbles as scientific or decorative novelties.A pair of ornamental Vaseline or uranium milk glass yellow/green swans.glass, ornaments, swans

This is an example of Melbourne Legacy promotional material that was issued to inform the public on the work of Legacy. One edition was included as a supplement in Mufti, (a veterans publication) in September 1982. The first edition featured Prince Phillip and the words he spoke during a telecast in 1980. Legatee Ken Green was the president. The edition in September 1982 had definitions of key words such as Legatee, Junior Legatee and an explanation of where money came from. It featured a photo of Alisa Watson of the Youth Leadership Group. Edition No 4 was from the Diamond Jubilee Year in 1983, it featured an article on Legatee Frank Doolan and the foundation of Legacy. It mentions a time capsule being placed in the Art Centre on 30 August 1983. See other items of marketing material from the 1990s to 2009 (items 01240 to 01258). The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material issued by Legacy.Brochure to promote Legacy x 5 editions. 01444.1 Volume 1 No. 1 August 1981 01444.2 Volume 1 No. 3 September 1982 01444.4 Volume 1 No. 4 June 1983 01444.3 Volume 1 No. 5 December 1983 01444.5 Volume 1 No. 6 August 1984fundraising, promotion

This is an example of Melbourne Legacy promotional material. Clive James was Personality of the Year in 1993, which was the 70th anniversary of Legacy. The logo said "Seventy years of constant caring 1923-1993". Clive had been a junior legatee as a boy. This A4 page could be used as a poster to promote badge week. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994?). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers.Colour A4 promotional leaflet with a photo of Clive James.legacy promotion, legacy week, 70th anniversary, clive james

This is an example of Melbourne Legacy promotional material. Legacy invited Daryl Somers to be Personality of the Year in 1996 and again in 1997. He participated in many events to promote Legacy, including a parachute jump with Ron Barassi, a car raffle, lunches and compering a concert, 'A Night to Remember' (see 00853, 00854, 00997, 00056). The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994?). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers.Colour A4 promotional poster with a photo of Daryl Somers and a copy of a newspaper advertisement.legacy promotion, badge appeal, legacy week, advertisements

This is an example of Melbourne Legacy promotional material. It is possibly from the 1990's as it was in a folder with marketing material from that time. The brochure mentions 119,000 widows and 3,000 children enrolled Australia wide. It lists the types of assistance as: "rental and housing, welfare, educational, legal, employment, medical, dental and residential care". The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers.Colour promotional leaflet to explain Legacy's work.legacy promotion, badge appeal, legacy week, marketing

Ena Sophia Jarvis, nee Morant 1914-2004 migrated with her family from England and arrived in Eltham about 1938. Ena helped establish Eltham's first kindergarten and worked as an assistant and volunteer at Eltham Pre School for many years through to the early 1990s. Contents: Newspaper article; Tale of old Eltham - with characters, by Linley Hartley, green valley, Diamond Valley News, Tuesday, June 14, 1983, p33 (article featuring tales from sisters Joyce Webb and Ena Jarvis) Photocopy of photo in mount; Ena Jarvis with her dog in garden circa 1983 Newspaper article; Ena celebrates 30 years, by Sally McDonnell, Diamond Valley News, Tuesday, April 15, 1986, p14 Newspaper article; Preschool says thanks, Diamond Valley Leader, January 8, 2003, p7 Folder of brief biography, newspaper clippings and funeral readings ena jarvis, morant family, eltham pre school, joyce webb, eltham high school, tony morant, market gardener, brisbane street, eltham, arthur munday, mrs morrison, danila vassilieff, black friday, victorian bushfires - 1939, clarrie hurst, st margaret's church, st margaret's anglican church, eltham kindergarten, burgoyne grocery store, john harcourt, fay harcourt, geoff webb, eltham war memorial, eltham war memorial trust

Mrs Charlotte Anderson was born Charlotte Eliza Alsop in England in 1838 and arrived in Australia in 1848. She married lawyer James Anderson in 1864, and in the year of his death in 1878 she became the founding owner-Principal of Ruyton Girls' School, Kew. Mrs Anderson operated Ruyton initially in her own home of 63 Bulleen Road, Kew (now 63 High Street South). According to Ruyton histories, Mrs Anderson is said to have begun the school with her own two sons, four daughters and some of her Alsop nieces and nephews who resided in Kew. Around the time of the addition of Maud King, the first student outside the family, the school changed to a 'Ladies College', and the boys were sent elsewhere for their education. By late 1881 Mrs Anderson began using the name 'Ruyton' for the school, in honour of a connection to Ruyton-XI-Towns, Shropshire, England where her great-grandfather had been vicar and where she was baptised. In 1882 Mrs Anderson moved the School to Edgecomb in Studley Park Road from 1882-1888. The larger premises enabled her to begin accepting boarding students from 1882. She retired due to ill health and sold the school to her friend Miss Eliza Bromby. Mrs Anderson lived at 'Bongamero', in the King Valley, Victoria until her death in 1906. She is buried in Boroondara Cemetery. One of Ruyton's four Houses, Anderson, is named for Charlotte Anderson. Artwork AC/0099 is a framed reproduction photograph of an original portrait of Mrs Anderson, c.1900-1906. The location and date of the original photograph is unknown, but may be held among Ruyton papers at the State Library of Victoria (MS 12079). The reproduction was probably created to be part of the gallery of Principals and significant people for the Conference/Boardroom, Henty House.A framed, black & white reproduction of a photographic portrait. The portrait shows the head and shoulders of a middle aged woman wearing Victorian-era clothing including a dark ribbon tied around her collar. She wears a lace cap on her head, and the cap's tail is draped around her shoulders. The woman's body is partially turned away from the camera, while her face is turned toward the camera. Plaque on frame: "Mrs Charlotte Anderson/ 1878-1888"charlotte anderson, ruyton, ruyton girls' school, kew (vic), bulleen road, high street south, studley park road, edgecomb, woman, school, teacher, principal, anderson, reproduction, 1990s

This VHS was produced by the State Electricity Commission of Victoria, to show the pristine state of the Kiewa River and Valley post the completion of the Kiewa Hydro Electricity Scheme (Circa 1950s), The late 1970s on wards was the beginning of deeper social scrutineering by pro environmental groups such as the Australian Wilderness Society (1976) and the Greens (political Party), before, during and after the construction phases of any man made structures in forest/bush areas which may or could damage or adversely affect the natural flora and fauna of sites. This promotional VHS, which was produced in the 1990s, was to project that unlike the Tasmanian State Electricity Commission (Franklin Dam issue), the Victorian State Electricity Commission acted in a way to protect the environment to the maximum level possible. With the passage of time since, and the issue of the global push to minimise carbon pollution, and as an alternative to coal fired power stations, the use of hydro electricity can now be seen as a highly efficient alternative to "coal powered" electricity. This VHS is a snap shot in time (1990) when the Kiewa Valley was still relatively under populated and holiday houses owned by city bound workers was still relatively insignificant. As more and more holiday makers retire to a small but friendly region(Kiewa Valley and Mount Beauty) the increase in visitor numbers will affect the local rural bush scene more and more. The changes that will occur (in time) can be measured against the scenes presented in this video. The additional resources provided by the State Electricity Commission of Victoria of "alpine bush" fire control and management, together with an ongoing educational scheme for school children in learning about what constitutes the Alpine country's unique environment, are a very important offshoot, benefitting to both the communities within the Kiewa Valley and regional Victoria.This VHS tape is stored within its own plastic cover which has a front side covered by a coloured photograph(both front and back cover) of the Kiewa River, just to the north east of the Mount Beauty township. The VHS tape is nestled within a formed inner structure which not only prevents the tape from moving to and fro but also unnecessary intrusion of foreign particles.Front cover "KIEWA" on the spine top circle with lines projecting out and below this "SEC". Middle of spine "KIEWA" and bottom of spine "VHS"secv, kiewa valley, dale-bromley, cy-duff, chris- harding, michael-glucz, forestation education, wilderness photography, nature film.

Bioclip was developed in the late 1990s as a way of removing the wool from sheep without the need for shearing. Sheep, although mostly lambs up to 50kg, were dressed in the nets and injected with a protein which caused the wool to break at the skin. The net was used to hold the loose wool in place and left on for several days to allow the wool to continue to grow on the sheep (and offer protection against the elements once the net and wool were removed). The net was cut and destroyed during the removal process. Bioclip stopped being produced c2013. Factors for this included the cost of a shearing team was cheaper than the equipment needed for Bioclip, and it wasn't as popular with wool growers as anticipated. Those who used Bioclip would swear by it with many saying they would never go back to using a shearer, as Bioclip produced a clean and even result, with no damage or stress done to the sheep. Bioclip could only be used on young and small sheep, with a maximum size of 50kg.Cream coloured netting, stitched in a flattened cylinder shape with a hole at each end (for sheep head and tail) and four holes on underside (for sheep legs). Green stitching on one end.

The Heritage Troop of 8/13 Victorian Mounted Rifles was a very public face of the regiment during the 1980s and early 1990s. It conducted one royal escort, several vice-regal escorts and numerous VIP escorts in the border, north-east and wider Victorian locations. The royal duty was at the opening of Hopkins Barracks, Puckapunyal by HRH Prince Charles accompanied by HRH Princess Diana, 31 October 1985. Major General Kevin Cooke GOC 3rd Division authorised the establishment of the troop in February 1980. Captain (later Major) Robert Morrison was the troop leader and the driving force behind the concept seeing potential where others did not. The troop was made up mainly by serving members of 8/13 but did include some civilian members. Training and advice came from former light horsemen: Des Martin (8LH), Norm Whitehead (21LH), Bob Fyffe (20LH) and Fred Trickey (Riding Master RMC). Mannequin dressed in the uniform of a sergeant of the 8/13 Victorian Mounted Rifles Light Horse Heritage Troopmilitary, light horse, heritage, vmr

VMR Heritage Troop was a very public face of the regiment during the 1980s and early 1990s. It conducted one royal escort, several vice-regal escorts and numerous VIP escorts in the border, north-east and wider Victorian locations. The royal duty was at the opening of Hopkins Barracks, Puckapunyal by HRH Prince Charles accompanied by HRH Princess Diana, 31 October 1985. Major General Kevin Cooke GOC 3rd Division authorised the establishment of the troop in February 1980. Captain (later Major) Robert Morrison was the troop leader and the driving force behind the concept seeing potential where others did not. The troop was made up mainly by serving members of 8/13 but did include some civilian members. Training and advice came from former light horsemen: Des Martin (8LH), Norm Whitehead (21LH), Bob Fyffe (20LH) and Fred Trickey (Riding Master RMC). This was an example of the troop engaging in a community activity. Colour photograph of street scene in the Victorian town of Dimboola, June 1986. It was a set for shooting an episode of a TV series "Flying Doctors" and included a cameo appearance of a section of four light horsemen from the 8/13 Victorian Mounted Rifles Heritage Troop. Horsemen were Corporals S Walch, A Florent, N Morris and Trooper C Ellison. Photo is glued to a fluted plastic card.light horse, dimboola, television, flying doctors

Reversible ski jacket made by Rosalie Kiessling, 1970s. Used by Rosalie's son and daughter-in-law, from the 1970s through to the 1990s. The Kiessling family skied at Mt Buller and are members of Omega Ski Lodge. German by birth Rosalie, grew up skiing and ice skating, studied fashion design in Munich and worked designing women’s ski wear and lingerie before migrating to Australia via New Zealand in 1939 with her husband. As skiing increased in popularity following the end of WWII, Rosalie’s business grew reaching its peak during the 1960s. Though it was never large; at most she employed three staff. Rosalie continued to design and manufacture fashionable but functional ski wear until the late 1970s, although increasing imports from large overseas manufactures and constant new innovations in fabric technology made it difficult for her to compete in a relatively small industry. Reversible ski jacket with side zip pockets and full zip front. One side of the jacket is black fabric, while the other is black checked with a yellow and red weave. Rosalie Kiessling sportswear Melbourne / All cottonskiing, ski clothing, fashion design

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. This laundry basket was reinforced with a solid heavy base that gave it both strength and the ability to remain upright as clothing items were placed inside. This cane laundry basket made in the basket shop of RVIB for use in the organisation possibly between 1930-1940, not for sale. Held with staff in the Enterprises section since the move to 201 High Street in the early 1990s.1 cane basket with lidroyal victorian institute for the blind, employment

The brass wall clock retains its key. It was provided by the Department of Shipping and Transport in about 1900 and is original to the lightstation. It was mounted in the watchroom, a small extension at the front of the lighthouse (later radar station), where lightkeepers completed many of their reports and recorded radio schedules, weather observations, distress calls and other data. Good, reliable clocks were also essential for maintaining a strict roster of hours for winding the clockwork mechanism that kept the lens active. The name of the clock’s manufacturer has not been determined. More specifically it was used for logging radio schedules that were made at five minutes to midday, everyday, and for recording the times of weather observations, distress and any other calls that came in. AMSA notes that ‘Lightkeepers who used this clock were said to have polished and wound it every week while it was in use until the 1990s when its otherwise impeccable time keeping mechanisms finally became inaccurate’.The brass clock at Wilsons Promontory illustrates the importance of timekeeping in a nineteenth century lighthouse. Despite its slightly chipped face, the timepiece has first level contributory significance for its historic association with the watch room and confirmed provenance. The significance of this clock also lies with its complete provenance..1. Brass clock with a circular white face and black roman numerals. Three brackets at back to attach to wall. Face of clock is covered by a hinged glass cover with a fastener. .2. key. Roman numerals on face of main clock. "1-12" On inner dial "10-20-30-40-50-60"

The Keio University Hawks were one of the first two Aussie rules teams in Japan, along with the Waseda University Bombers. Those teams were formed to play a warm-up game at Yokohama baseball stadium before an exhibition match between VFL teams Essendon and Hawthorn. The first visit by the Keio Hawks to Australia was in September 1988, About 20 students from Keio and two or three from other universities made the trip. Their visit included training sessions at the Hawthorn and North Melbourne clubs. They then played Japan's first international match against the Sunbury Football Club's under-19 team.The following year they returned to Australia and during this visit played a match in Bacchus Marsh in September 1989. The Keio Hawks returned to Australia over subsequent years in the 1990s included some visits to Bacchus Marsh. During one of these visit a Keio Hawks pennant was presented to the Shire of Bacchus Marsh.Football club banner. Three vertical felt stripes in red and blue with the team name KEIO written in white felt block letters across the width of the banner. Along the top of the banner, a narrow strip of white felt with two metal eyelets to allow for display. Gold coloured textile fringe along the V-shaped bottom of the banner. In a whimsical reference to the university origin of the club, there are two gold felt crossed pen-nibs on the central red section. KEIOkeio university australian rules football club, australian rules football teams japan, australian rules football bacchus marsh

Murray Comrie Collection. This image depicts the stables at rear of a two-storey bank building in Tarnagulla. The bank building was used first by the Colonial Bank of Australasia (from 1866 to 1888) and then by the Union Bank (from 1888 to 1942). The two-storey bank building was built in 1866 by the Colonial Bank of Australasia. Before this, the site had been occupied by Foo's shop. Whilst it was being built, the Colonial Bank operated from Company's Hotel (later known as Burstall Hall and the Council Chambers). The new double-storey building was used by the Colonial Bank from 1866 until 21st February, 1888. The premises were sold to the Union Bank for £2500. The Union Bank moved in and commenced operations on 6th June 1888, continuing until 1942. The building was later used as a general store until the 1990s. It is now a private residence. This is a reasonable copy of an older original. Copy probably made by Murray Comrie in the 1970s. Monochrome photograph depicting stables at rear of the double-storey bank building in Tarnagulla. Image depicts a brick building with white timber doors and corrugated metal roof. The site was originally built by and for the Colonial Bank and later used by the Union Bank. tarnagulla, banks, banking, commerce, buildings, commercial road, horses, stables

Murray Comrie Collection. This image depicts stores in the main street of Tarnagulla, including the two-storey bank building being used as a licensed general store. The bank building was used first by the Colonial Bank of Australasia (from 1866 to 1888) and then by the Union Bank (from 1888 to 1942). The two-storey bank building was built in 1866 by the Colonial Bank of Australasia. Before this, the site had been occupied by Foo's shop. Whilst it was being built, the Colonial Bank operated from Company's Hotel (later known as Burstall Hall and the Council Chambers). The new double-storey building was used by the Colonial Bank from 1866 until 21st February, 1888. The premises were sold to the Union Bank for £2500. The Union Bank moved in and commenced operations on 6th June 1888, continuing until 1942. The building was later used as a general store until the 1990s. It is a now private residence. Probably taken by Murray Comrie in the late 1960s. Monochrome photograph depicting a section of Commercial Road, Tarnagulla at the intersection with Poverty Street, including two stores - one a bakery/milk-bar and the other a general store operating in the former Bank building. tarnagulla, banks, banking, commerce, stores, shopping, shops, food, groceries, buildings, commercial road

This is an example of Melbourne Legacy promotional material from 1993, which was the 70th anniversary of Legacy. The logo said "Seventy years of constant caring 1923-1993". The poster could have multiple uses and the tin wrapper had the same logo and slogan. "Please help Legacy help the widows and children of those who fought for your freedom. Please buy a badge" The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994?). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers.Colour promotional poster and collection tin wrapper from the 70th anniversary. legacy promotion, badge appeal, legacy week, 70th anniversary

This is an example of Melbourne Legacy promotional material from 1993, which was the 70th anniversary of Legacy. The logo said "Seventy years of constant caring 1923-1993". Legacy hosted a breakfast at the regent Hotel on 19 February 1993, with Clive James as a special guest. This is a brochure and an invitation to the event. During the event Clive was revealed as Legacy's Personality of the Year for 1993 (see 00751, 00752, 00753). The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994?). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers. In this case a special event was held to promote the 70th anniversaryColour promotional brochure and an invitation from a breakfast with Clive James during the 70th anniversary, and an article from the Answer. legacy promotion, legacy week, answer, 70th anniversary, clive james

This is an example of Melbourne Legacy promotional material appealing to ex-servicemen to join Legacy. It is possibly from the 1990's as it was in a folder with marketing material from that time. The brochure mentions 114,000 widows and 3,000 children enrolled Australia wide. It is a brief outline of Legacy and asks for more volunteers from ex-servicemen that have served overseas to join Legacy. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994?). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s, and the advertisement is encouraging ex-servicemen with overseas experience to join Legacy. More recently the criteria has changed so that overseas service is no longer a requirement.Black and white advertisement to promote becoming a Legatee.legacy promotion, history, legatees

An article in The Answer showing the Odes that are recited at Legacy events in the 1990s. Remembrance is a feature of all formal meetings and formal gatherings involving members of the Legacy family. At the Widows' Club Meetings a widow will say: 'Let us stand for a moment in silence In memory of our loved ones Lest we forget' (repeated by Widows) At the Widows' Club meetings a Legatee will say: 'Let us stand for a moments in silence In memory of your husbands, our comrades, those dear to each of us Who offered their lives to defend our freedom. Lest we forget' (repeated by Widows). At a Ceremony of Remembrance Gatherings of Junior Legatees by a Legatee will say 'Let us stand for a moment in silence In memory of your fathers, our comrades And those Junior Legatees who fave their lives for our country We will remember them' (repeated by Junior Legatees) 'Lest we forget' (repeated by Junior Legatees)Remembrance is a vital part of Legacy's ongoing commitment to the families of the deceased servicemen and women.Printout of a page from The Answer in August 1996.answer, poem

Taken in 1990, this photograph depicts a row of shops in Beechworth, with the shopfront of watchmaker and jewellers, William Turner and C.F. Falck, in the foreground, and newsagent and bookseller James Ingram's shop in the background.This photograph is of social significance to the Beechworth community in depicting the Street of Shops, the creation of curator, Roy Harvey, which opened in 1979 at Burke Museum. According to the Indigo Shire Council webpage for Burke Museum, this addition 'began a new period of collecting with Roy Harvey calling to the community for donations. The response resulted in an influx of material adding to the town history/ development and local identities collections. The Shops and their contents reflect another period in museology.' The historic shopfronts in this image portray those of local settlers, William Turner and CF Falck's Watchmaker and Jeweller store, and James Ingram's news agency and bookshop. William Turner was originally a goldfields official who became a commissioner on the Ovens goldfield, and later a resident warden, at times performing magisterial duties and chairing the Local Court. Charles Frederick Falck, born in Korlin, Germany, in 1833, a skilled watchmaker and jeweller, ran the jewellery business from 1862. Along with William Turner and Melbourne barrister, George Milner Stephen, he prepared a dazzling display of gems and jewellery from Beechworth for the Royal Society's Exhibition in Melbourne in 1865. This act signposted Beechworth's progress as a nineteenth-century gold rush town with a population of around 3000. In the mid-1850s, newsagent James Ingram established a newsagency and supplied papers and stationary to the goldfields. He and bookseller R.T. Vale stocked a wide range of literary, historical and religious works, textbooks, periodicals and newspapers, as well as hosting a reading and writing room on Camp Street{?}. James Ingram was a 'devoted instigator and supporter of the town's welfare institutions', who raised funds for to establish a hospital, primary school and benevolent asylum, and assisted people who'd fallen on hard times with his wife. He was also a mainstay of the early Baptist church, holding meetings in his house. He died in 1928, six weeks short of his 100th birthday. Ingram's Rock, north-west of Beechworth near where he lived in later life, was named after him. Colour rectangular photograph printed on matte photographic paper.Obverse: FALCK 1880 / maker & Jeweller/ WARDENS OFFICE/COACHING OFFICE/ EST. ??55/ ????ON HOUSE/ JAMES INGRAM/ NEWS?????? AND BOOKSELLER/ TOYS visible above shopfront in left foreground. Reverse: Catalogue item number 3305 pencilled in top right-hand corner.beechworth, beechworth historic shops, william turner, cf falck, james ingram, turner and falck watchmaker and jeweller, james ingram newsagent and bookseller, burke museum, promoting settlement, marketing and retailing, living in country towns, making regional centres, preserving traditions and commemorating, beechworth founders, victorian gold rush towns, beechworth pioneers, ingram's rock, 1860s beechworth, street of shops, roy harvey

Photos were mainly taken by Bernard Grayden who resided on Phillip Island as a child and later in retirement. Coloured photographs of the remains of the wreck of the Speke and the Knoll at Kitty Miller Bay, Phillip Island.the speke, kitty miller bay phillip island, shipwrecks, photographs

Coloured photographs showing aerial views of the townships and the Island.rhyll, photographs, cowes, san remo, newhaven, aerial views of phillip island