The P.S Australien was built in 1897 by Richard Wilson, of Moama. In 1937 the vessel was used to tow boilers, winches and derricks to the banks of the Murray River to aide in the construction of Locks 6,7,9 and Yarrawonga Weir. The barge is viewed from the rear, as the rudder can be seen, and shows the enormity of the loads of wool which a barge could carry. The two vessels are tied together and appear to be moored at a small pier.The P.S Australien is one of the oldest paddle steamers built at Echuca. It was a working vessel during the construction of the Yarrawonga weir in the 1930s which was the beginning of the irrigation system which enabled the Agriculture Industry to become such a prominent part of the Murray-Darling River Basin social history. A paddle steamer and a barge, loaded with wool, are seen docked together on a river. There is a small wooden jetty leading to the bank where gum trees are growing.p.s australien, yarrawonga weir, echuca paddlesteamers, murray river paddle steamers, wilson, richard, wool industry

A photo taken during set-up of the Wildflower Show in 1985. The child on the left with the pink top and curly red hair is Kristy Miller (who in 2009 became a school teacher at Halls Gap Primary School). The child on the right with a white outfit and red hair tied in a ponytail is Nadia Miller (who currently, 2010, manages the Pomonal Store). The identities of the other children are unknown.The photo shows five children involved in painting activities on the floor. Stands with floral displays can be seen in the background."85 9 27" imprinted date on bottom, right of photoevents, wildflower show

In a room panelled with white boards on a grey wall, two man stand in front of a raised television screen. Both wear name badges, which are unreadable, and are dressed in suits and ties. The man wearing a heavy silver chain around his wrist and glasses presents two white boxes, marked Voice Tapes on the side, to the other man. It is unknown what occasion this was taken upon.royal victorian institute for the blind, audio equipment

The Common buzzard, a medium-sized raptor, is found across Europe and Asia, and in Africa in the winter months. It is the UK’s commonest bird of prey, found in nearly every county. Due to their large size and their brown color, they are often confused with other species, especially the Red kite and the Golden eagle. They may look the same from a distance, but the Common buzzard has a very distinctive call, like a cat’s mew, and a distinctive flying shape. When soaring and gliding, the tail is fanned and its wings are often held in a shallow 'V'. The colour of individuals varies from dark brown to much lighter, though they all have a finely barred tail and dark wingtips. This species occurs across Europe and Russia, and parts of Northern Africa and Asia in the cooler winter months. It lives in a range of habitats, especially woodland, moorland, pasture, scrub, arable land, marsh bog, villages, and sometimes towns and cities. This particular specimen has been mounted in a correct stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Common Buzzard is brown in colour with lighter markings on the chest. It has a white patch of feathers on the back of its head and it has darker wingtips and yellow feet. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing tag: 30 / Buzzard / Catalogue page 52. / Metal tag: 4043 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, common buzzard, bird of prey

The photograph shows the state of the Echuca wharf in 1973 or 1974. The P.S Pevensey looks like it has just received a fresh coat of paint. There is also a train parked on the wharf behind the school students. The river also appears to be quite high. This photograph shows the state of the wharf in the early 1970's. It shows the fence between the wharf and Murray Esplande was relatively new. The tourism industry was very new to Echuca in the 1970's but the P.S Pevensey looks ready to take Tourists cruising on the Murray River. It also shows schools were using the port as a valuable resource for teaching History.A black and white photograph of the P.S Pevensey tied up to the Echuca Wharf. There is a group of school children leaning over the wire fence at the edge of the wharf. There is also one teacher supervising the children. The Steam Packet Inn and the Customs House can be seen in the background.Pevensey; Melbourne can be seen clearly written on the paddle steamer. On the back of the photograph is written "This photograph is with the compliments of the Ministry of Tourism, Government of Victoria. Please acknowledge photo; Michael Cheshire. There is also a purple Port of Echuca stamp on the back of the photograph.echuca wharf, p. s pevensey, ministry of tourism, cheshire, michael

.1) Trousers, polyester light khaki colour .2) Shirt, polyester light khaki colour with W.O insignia on both sleeves. .3) Belt, nylon webbing khaki colour, silver colour belt buckles. .4) Tie, cotton khaki colouruniforms, polyester summer

This Ensign was last flown over “Lae” in New Guinea in 1946 by No 33 RAAF Transport Sqd. Item belonged to Maxwell Lennox Matheson No 418447 RAAF, enlisted 22.5.42 age 19 years. At discharge from the RAAF on 19.2.48 he held the rank of Flight Lieut. RAAF 33rd Transport Sqd ensign. Light green/blue fabric lower half, top right hand quarter. Union Jack in top left hand corner. Canvas inner edge with rope looped at top (stitched) looped at bottom (tied).“IWB 2005”, written on canvas edgeflags - military, raaf, ensign

Victor Henry Evans No 418655 enlisted in the RAAF on 29.5.42 aged 30 years.On discharge from the RAAF on 24.8.45 he was a flying Officer in No 1 Sqd RAAF. Identity Discs re V.H.Evans. .1) Octagonal shape, engraved on both sides. .2) Round shape engraved on both sides. .3) Metal Key, miscellaneous tied to Octagonal disc. .4) Platted leather neck cord to hold ID disc..1) & .2) "418655 Evans V.H RAAF Meth". On the obverse "A2"identity disc’s, raaf

The roll is the Bonnie Doon District 1914 - 18. There seven people with the same surname “Jury” on the rollBeige cardboard folded booklet. Front cover has title in blue print with B&W photo of statue of soldier on granite monument with list of names. Back cover has blue print and red and blue flag. Booklet tied with beige cord.documents-pamphlets, military history-army, bonnie doon

This felt rat is significant because it is a unique, handmade mascot carried by an Australian soldier at Tobruk. The soldiers were called 'the rats of Tobruk'. He gave it to an ambulance driver, a local Frankston woman, who treasured it.This is a handstitched felt toy rat. It is made from light brown and pale green felt with pink embroidery thread blanket stitching. The facial features are made from felt. It has a pale green grograine ribbon neck tie. The stuffing is very firm.This item is handmade with no inscription or markings.1942, england, trench art, australian soldier, rat of tobruck, felt toy, handstitched, blanket stitch, ambulance driver, j pickles, f a n y

The Royal Australian Navy Uniforms are based on the uniform of the Royal Navy. They reflect traditions that can be traced back to the Royal Navy (England) and demonstrate the relationship between the two. The Royal Australian Navy Uniforms are based on the uniform of the Royal Navy. This collar is part of a Naval Ratings Uniform which was presumably owned by J.M. Parsons.This collar is one part of a naval ratings uniform which consists of four parts. The uniform is representative of the Royal Australian Navy uniform and can be traced to the Royal Navy (England). The complete uniform shows the connection between Australia and England since European settlement.Navy cotton Collar with three narrow cream stripes around neck and over shoulders. Two side pieces and two loops. One middle piece. The collar fits over the head with side pieces and middle secured with tie fasteners through loops. Owners name printed three times in capitals on reverse side of collar "J.M.PARSONS"navy, naval ratings uniform, naval ratings collar, collar, ran, royal australian navy, j.m. parsons, j parsons, parsons, military uniform

This Theatrical outfit was used by the Ormond Choral Society, a group of local residents who gathered for community activities and to provide entertainment for the post WW11 settlers in the new estates in Moorabbin Shire c1950 Gladys Reed was a member of the Ormond Choral Society c 1950. and these clothing props were used in the plays and musicals when performed in the the City of Moorabbin A Theatrical outfit for the Ormond Choral Society c1950 of a 3 /4 wrap around pink jacket with , 3/4 sleeves, ribbon ties and machine over sewn scalloped edges and black decoration. The full length pink pants have elastic at waist clothing, theatrical outfits, ormond choral society, musical societies, reed gladys, clark judy, post world war 11 estates, city of moorabbin, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework

Small oval, head and shoulder portrait of a man. He is wearing a jacket and a bow tie. He also has a beard. Photo mounted on yelow card with the photographer's name printed in red. Also a Coat of Arms. Card has rounded corners and is embossed.Stewart & Co., Melbournephotograph, portrait, male, portrait of a man, stewart & co.

Small head and shoulder portrait of a man. He is wearing a jacket with a white bow tie and vest which is buttoned up to the neck. Photo mounted on yellow card with photographer's name and address printed on the front and back. Photo also has a gold border.M. Bent, Centre of Pall Mall, Sandhurstphotograph, portrait, male, portrait of a man, m bent

black and white photograph: Bendigo centenary celebrations ? Woman in costume - light coloured dress, full sleeves caught above elbows. Hat with ribbons tied under chin. On back MP 191. 'copyright Bendigo Advertiser, CD 286' ' 1960/97'Bendigo Advertiserperson, individual, female

Sepia photograph of young male, seated on upholstered chair, round table with fringed table cloth. Man in three piece suit, with fob watch, lapel pin and striped tie. 'A. & G. Taylor, Coat of arms. Photographers to the Queen,' printed on bottom of photo.A. & G. Taylor UKperson, individual, portrait male

Studio Portrait head & shoulders of young clean shaven male. Jacket above pale contrasting vest. Turned up collar with neck tie. Flower in lapel and handkerchief in jacket pocket. Printed on Front.. Growelle 69 & 71 Swanston Street Melbourne.Growelle 69 & 71 Swanston Street Melbourne.photograph, person, male

Postcard, WW1, Sepia image of the Sambre Canal from Chasnow taken at Charleroi. Barges tied up on left side, canal is iced over, buildings behind the trees at left. G25 and GS handwritten in pencil on reverse See also copy 1401.94postcard, postcard, ww1, france, charleroi, sambre canal, chasnow, barges

The sitter, Associate Professor Peter D Livingstone, was the Inaugural President of the newly established ANZCA, February 1992. The portrait was later unveiled at the Council Meeting [17-18 Feb 1994] followed by the official opening of Ulimaroa on 19 February 1994. Further information about Professor Livingstone is found on Lives of the Fellows; http://anzca.online-exhibition.net/fellows/fellows-1992/peter-david-livingstone/ The artist Graham Inson is represented in many major public and private art collections. A finalist in the 1990 and 1992 Doug Moran Portrait Prize, he has painted numerous official portraits of politicians, academics and for many of Australia's largest Companies. Oil painting on canvas of Associate Professor Peter Livingstone, seated at an angle facing left, wearing the College gown and tie with a dark plain background. Mounted on a fabric backing in a gold leaf frame with a small brass plaque affixed to the lower center of the frame.[brass plaque] ASSOCIATE PROFESSOR / PETER D LIVINGSTONE / INAUGURAL PRESIDENT / 1992 / PRESENTED BY THE / AUSTRALIAN SOCIETY OF ANAESTHETISTSpainting, livingstone, peter, anzca president, inson, graham

A black and white photograph of two Military Police on security and protection duty on board a Navy Supply vessel tied up at the wharf at Vung Tau Harbour react to some locals on the wharf acting suspiciously (note text is missing from the bottom of the photograph)photograph, vung tau, military police, hmas boonaroo, hmas jeparit, gibbons collection catalogue, vung tau harbour

Skirt in slate grey denim, hand sewn with a heavy (linen?) thread, waistband - coarse herringbone weave webbing, white with navy stripes, waist ties white cotton, hand-stitched to form tapes. Made in three pieces and roughly pleated into waist.Waistband front marked "F2" twice in red (paint) mark on wearer's left overstrikes "F5" in black (Ink)costume, sunbury asylum, george evans collection

Worn by patients at Sunbury Asylum.Undershorts in flannel (fawn and red stripe). Waistband backed with heavy calico. Front closes with two black buttons and back has two adjusting ties made of cotton tape. There are two lengthwise keepers on the waist fronts. Combines hand and machine sewing.Inner waistband stamped "Mental Hospital - Sunbury" in red circle. "Flannel underpants male" handwritten in ink inside waistband.costume, sunbury asylum, george evans collection

As attached. See Ref. NA4362Red and white check Tetoron and cotton summer dress. The dress has short sleeves, shirt collar, buttoned to below the waist with four white buttons. The waist has two ties with two white buttons. There is a slit pocket on the right hand side.costume, children's uniform

From the Till collectionTHE TILL COLLECTION SIGNIFICANCE STATEMENT|The significance of the Alwyn Till Collection is that Alwyn was born in Mitcham in 1921. He attended Mitcham Primary School and Box Hill Boys High School. He served his Community mainly through his activities within the Christ Church Anglican Church Mitcham. He joined the Royal Australian Airforce in World War II in September 1939. He trained as a Pilot in Australia and Canada, was posted to England and saw action in Europe. He was shot down over France and rescued by and then joined the French Resistance and while fighting with them was fatally shot. A Baron fighting with him wrote to his mother to inform her of his death.|Alwyn's parents were Evaleen Victoria Till (nee Maggs) and Sydney Norman Till who first lived in Creek Road Mitcham, before moving to 573 Whitehorse Road Mitcham. His father served in World War I where his eyesight was damaged and he was taught by the then Blind Institute in suitcase making of which we have two examples in this collection. He died in 1931. Alwyn took over responsibility for his mother and sister Alison. We can understand how devastated his mother and sister would have been at the news of Alwyn's feeling that he must serve his country in World War 11.|His letters home were so precious to them that they carefully kept all his correspondence, notices of death and condolences from friends. After Alison's death in 2007 her relation Joan Walker transcribed each of Alwyn's letters home into two bound volumes. The executors, Joan Walker and Anne Drew deposited the original letters with the Whitehorse Historical Society. Due to their significance as historical documents of one serviceman's complete correspondence with his family the Whitehorse Historical Society Committee after consultation with the donors deposited the original letters with the State Library of Victoria. The Whitehorse Historical Society retains the copies.|Alison and her mother kept many family memorabilia and personal items which make up this significant collection as they show how people lived, worked and served in the local community and municipality.|This collection represents the love and devotion of the women to their families during the course of two world wars. The father was disabled as a result of World War 1 and died an early death and a son who thereafter took on the responsibility as head of the family at an early age. This young handsome charismatic son served his community in peace time and gave his life in World War 11. This mother and sister were devoted to his memory.Blue hand stitched square bound at neck edge with white tape and ribbon ties. Three lines of pattern. One has circles one has pink thread and one dark blue thread. The bottom edge is fringed in blue and white thread.costume accessories, children's

Use by the Mitcham branch of the Australian Red CrossAistralian Red CrossApron - Over shoulder front and back|White apron with red cross on back and front; and in centre with 'Australian Red Cross' written below in black At bottom is red oblong space with 'Emergency Service' written on.|Apron has white binding with white ties.as abovecostume, female uniform, civilian

Four coloured photographs (a-d) taken in 2009 during Whitehorse History Week. Photographs a and d show Whitehorse councillors, Phillip Daw (blue tie) and Raylene Carr (black dress with yellow badge) All photographs include members of the historical society.whitehorse history week, whitehorse historical society inc, daw phillip, carr raelene

Also black and white 10 x 15 cm copy donated by M Holding January 2012Sepia toned copy of a postcard showing the punt at the Tambo River, one man on horse, three men standing, cattle penned on punt, one man in rowing boat tied to punt. Jetty near landing on far bank of river. Johnsonville Victoriaboats and boating, schools, waterways

Yields information about the nature of tram services and trams at the tram depot.Agfa colour slide, white cardboard mount, photo by Keith Caldwell on 12/3/1962 of: Tram 39 leaving the depot. Tram has the destination of Mt Pleasant, but the trolley rope has not been tied down which may indicate it is shunting. In ink "Ballarat 12.3.62" and "BAO"tramways, trams, wendouree parade, sec depot, tram 13