Black and white photograph, overlooking Charing Cross and down Pall Mall showing Alexandra Fountain, Post Office, Infant welfare centre, Beehive and other buildings. Written on back In the Sun, Thur 9 April 1953 page 12. Bendigo centre of the city looking over Charing Cross & down Pall Mall the main street this city in the heart of Vic is the shopping centre for 250,000 people who spend £45,000,000 a year. Includes an enlargement of the smaller photo.Herald Sunphotograph, streetscape, bendigo, bendigo-history-buildings

Yields information about the appearance of one of Ballarat trams early 1950's with a little information about the background.Black and white photograph of Ballarat No. 30 in Sturt St, west bound to Sebastopol. Has the Town Hall in the background and the shops on the south side of Sturt St. The Myer store sign, can be just seen. Two copies held, and dated 11-4-1953. Two copies held. Based on numbering system on Reg Item 4158, possibly John Webster photograph, same date as well. Image rescanned from copy neg and updated 31/5/2020.On rear in pencil or ink "CR15; 11-4-53" ON Negative in ink "CR 15"tramways, trams, sturt st, town hall, tram 30

Yields information about a Buy Australian campaign in the mid 1950's and how poster panels were affixed to tramcars.Digital image from the Wal Jack Ballarat Album of Ballarat 21 with "Buy Australian" panels on the side of the tramcar, 15-9-1953, in Barkly St, Ballarat East. Has a Ballarat Show advert board in the background. See also Reg Item 7869 for another photo of No. 21. See image i2 for rear of photograph. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear in ink "SEC Ballarat No. 21 with "Made in Australia" week posters, Barkly St, Ballarat East". In top right hand corner is Wal Jack stamp with negative number "T165" written in.trams, tramways, barkly st, decorated trams, buy australian, tram 21

Brown leather covered bible with 930 gilt edged pages. The spine has gilt embossed text. There is a dedication handwritten on the page opposite the title page."To the Victorian High Court from the Knights of Queensland. Interstate Rally 1950-51 3rd January, 1951"methodist order of knights

Kilpatrick & Co., Melbourne were active 1853-1925.A brass protractor, used in developing plans in the Engineer's Department of the City of KewCircular brass protractor in a square mahogany lidded case, retailed by Kilpatrick & Co., Melbourne. The protractor was used by staff in the Engineering Department of the former City of Kew. Handwritten inscription on label on lid:" J.R. Gray. G.P Russell,1951, Kew City Engineers used this".protractor, mathematical instrument, city of kew (engineering department)

Presented to Wor Bro J C Armstrong WM 1951-51 as a token of esteem May 1959

Medal commemorating the centenary of the establishment of a settlement on Bendigo Creek. Stokes & Sonsobverse; 1851 / City of Bendigo Centenary / 1951. Reverse: In centre: Coat of arms (Bendigo), Below Progresscity of greater bendigo medals

Medal commemorating the centenary of the establishment of a settlement on Bendigo Creek. Stokes & Sons pressed medal with gold finish to commemorate the 100th anniversary of the establishment of Bendigo. obverse; 1851 / City of Bendigo Centenary / 1951. Reverse: In centre: Coat of arms (Bendigo), Below Progresscity of greater bendigo medals

Photographs and negatives. Gertrude Perry Collection. Yellow Kodak folder containing prints, negatives and proofs with Perry 2 pounds 10 shillings and 6 pence written on the back. Three proofs of a lady which are discoloured. Two small negatives - One of a car with a picket fence and a shed behind it and the other of a person sitting on a chair behind a car and a bus. Four larger negatives, Three are of a dog and the fourth a garden. All these are enclosed between two sheets of black paper. Two receipts - one a receipt from Bendigo Advertiser Newspapers Press Photo Service for 6 shillings and 6 pence. Rec. No 9586. Dated Oct 18, 1953. The 2nd one from Reg. V. Brock Studios for 5 pounds 11 shillings and 9 pence. Dated 4//11/1953. Rec. No B3476. Five coloured photographs, Four of Gertrude Perry in costume, in one she is holding a goat. The fifth photo is four men dressed in various costume. All photos are the 'White Horse Inn' 1962.Reg. V. Brock of Bendigophotograph, gertrude perry collection, photographs, negatives, white horse inn (play)

Lapel pin worn by Alister Cannon in 1953. Alister boarded at Ballarat College 1950-1953. UniqueGold-plated lapel pin featuring Minerva head with upper and lower scrolls. Upper scroll engraved with 'BALLARAT' and lower scroll with 'COLLEGE'. Pin stem has four line markings at midway point. alister-cannon, lapel-pin, ballarat-college, boarding

Rev. Gilbert L. Moore (1911–1953) was Superintendent of Seymour Circuit from 1950 to 1953.Matte, colour, head and shoulders, studio portrait of Rev. Gilbert L. Moore.moore, gilbert l.

Contract of sale of land dated 3rd December, 1953 between Mr. W.B. Nicholls (seller) and Mr. A.R. Reddie (buyer) for that piece of land that lies above the depth of 50 feet below the surface of lot 12 on plan of subdivision lodged at the office of titles in red ink No. 5394259 dated 19/1/1953 and being part of allotment 12 section 10 township Kangaroo Flat, together with all improvements thereon. Price 2,850 pounds.organization, business, h.a. & s.r wilkinson real estate

Black and white photograph of a Ballarat tram No. 23 decorated to celebrate the Centenary of Gold 1851 - 1951. Other trams in background. Note: Shovel and pick on front. Destination indicates 'Victoria St'. Reverse: Stamped in purple ink 'K. S. Kings No.E.(x)(I) (handwritten in blue ink). Copyright reserved. Written in blue ink S.E.C. Ballarat No.23, decorated and illuminated for 'Gold Centenary', 1951. Ballarat Depot 19.8.1951..person, individual, basil miller

Women's Royal Australian Army Corps Description The Women's Royal Australian Army Corps was formed as an all women's corps of the Australian Army in April 1951. Its Colonel-in-Chief was Princess Margaret, Countess of Snowdon. Wikipedia Founded: 1951 Role: Service support Active: 1951–84 Presented by F35799 Lt Fiona Campbell WRAAC 11 Nov 1998

These magazines published articles on health for the family giving up to date information with diagrams on common health problems. Magazines with written Information was subscribed to by families at the time as transport and technology was not readily available in remote areas. The Upper Kiewa Valley situated in a remote part of Victoria didn't have easy access to health information. These magazines were available to farmers in the Kiewa Valley and to the workers and their families during the construction of the Kiewa Hydro Electric Scheme from the 1940s. With the introduction of improved transport and technology magazines eventually became less popular as a source of information. They are of interest in that they indicate the medical knowledge of the time and can thus be compared to current day knowledge.11 magazines with colorful covers and the occassional colored picture inside. Each has 32 pages. Periodicals - March, may, July, Sept, Nov. 1951 & jan. 1952. Also - Jan-Feb., Sept-Oct. 1973 and Mar, July-aug. 1974 Also Australian Women's Weekly supplement magazine 'Family Medical Guide' March 1962 with 47 pages. Inserted is a 16 page supplement (also Women's Weekly) dated Aug. 1976 titled 'Poison & First Aidhealth, magazines, medical guide, kiewa hydro electric scheme, kiewa valley

Yields information a former Ballarat driver who went to Melbourne and drove a specially fitted out tram car in Ballarat.Newspaper clipping from The Herald, Melbourne, Sat. 5/5/1951, titled "No. 1 Retires today", about the retirement of MMTB Employee No. 1, Mr. E (Ted) B. Williams after a 47 years on the trams. Worked in Bendigo, Ballarat, North Melbourne (NMETL), and MMTB. Senior Traffic Inspector. Lost a leg shunting trams at the Showgrounds. Contained originally within Reg Item 5623 at the front of this note book. For items see btm5623 loose items list.pdf.nmetl, bendigo, ballarat, mmtb, inspectors, retirements

Yields information about the dispatch of MMTB C class tramcars to the SEC Provincial tramways and the order that they were transported in.Hand written list on ruled paper titled "Ex MMTB C class bogies to SEC", giving list of nine tramcars to Ballarat, Bendigo or Geelong in the period April to June 1951, provides tram car number, date left Melbourne, to which city and Melbourne mileage. Has a note the "cars loaded at Preston shops each Monday" Contained originally within Reg Item 5623 at the front of this note book. For items see BTM5623 loose items list.pdf.bogie trams, mmtb, preston workshops, ballarat, bendigo, geelong

Yields information about the streetscape in Wendouree Parade near Webster St.Digital image from the Wal Jack Ballarat Album of a photograph of the No. 11 in Wendouree Parade, near Webster St, View Point line, 6-1-1951, Photo by Wal Jack. The tram has the destination of City and an auxiliary board saying "Grenville Street" . Note the "Warning Oncoming Trams" sign adjacent to the tram. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear of photograph in ink "SEC, Ballarat No. 11 in Wendouree Pde near Webster St, View Point Line 6-1-51" and Wal Jack stamp in top right hand corner with number "T1277" written in.trams, tramways, view point, webster st, wendouree parade, tram 11

Photograph of shearing table in use, designed by John Borthwick.Photograph of shearing table in use, designed by John Borthwick.Location: On white label, rear of image: Wording: Shearing table marketed 1953 designed by Qld. grazier John Borthwick shearing machinery shearing, shearing machinery, shearing

Bendigo Advertiser ''The way we were'' from 2002. Teamwork: William Packham and Fred Duckering work together cutting chaff and storing it in hessian bags at Myers Flat in 1953. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Victorian Railways general appendix to the book of rules and regulations and to the working time table dated 1953. Inside the hard red covered book is the name J R Dempster. The pages are distorted with damp.document, memo, railway, victorian railways general appendix to the book of rules and regulations and to the working time table dated 1953. j r dedmpster.

Charter of Returned Sailors, Soldiers and Airman's Imperial League of Australia (Victorian Branch) presented to Lilydale sub-branch 1st February 1920. New charter signed and issued 23rd January 1953.

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between1944-51.arists - kew (vic), art exhibitions - kew (vic), alma figuerola

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.arists - kew (vic), art exhibitions - kew (vic), alma figuerola

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.alma figuerola album, arists - kew (vic), art exhibitions - kew (vic)

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.arists - kew (vic), art exhibitions - kew (vic), alma figuerola

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.On reverse, handwritten "4583 Alma Figuerola" Photographer stamp" Copy Right This photograph may not be reproduced without permission in writing from the Editor of "The Age", *** Collins Street, Melbourne, and Pitt Street, Sydney"alma figuerola album, arists - kew (vic), art exhibitions - kew (vic)