Photograph shows a river through bushland; this is the Plenty Gorge.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.plenty river, plenty gorge metropolitan park

Photograph shows a river through bushland. This is in Plenty Gorge.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.plenty gorge, plenty gorge metropolitan park

``Newspaper clipping from "The Mail", 10-10-95, P 3. Bushlinks Community conservation group Maroondah Bushlinks staged a "plant rescue" on Sunday at Barnsdale Forest on Loughnan's Hill. Certain trees were removed and transplanted to Loughies Bushland and others will be taken to local community nurseries`

Rocky gorge is known as The Grand Canyon, part of the Wonderland/ Pinnacle walking track.Photo shows a rocky gorge. Aroad can be seen through bushland in the background. Two figures can be seen middle foreground about to climb a ladder to higher level . A handrail is visible on the track above the hikers.Copyright photograph. This photograph may be reproduced on condition that it is acknowledged as " Victorian Railways'.scenery, wonderland range

This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape, with creek and grassland in foreground surrounded by bushland and hill in distance, by A.W. Eustace, under glass in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, oil painting, landscape, chiltern

Also an enlarged copy in brown tones 10 x 15.5Black and white photograph of Mrs Comer's rustic Tea Rooms on the North Arm. It shows a rough bush construction, outside seating and tables, surrounded by bushland. Group of tourists seated at tables. Lakes Entrance Victoriaanimals, waterways, township

Cardboard Cover: with a watercolour painting of bushland with a figure in foreground to the right. Picture Painted by Georgina McCrae . at the top is a black rectangle with White writing at the bottom is a logo in green below which is "National Trust in Black PrintAt The top Over a Black Background in white print 'Our Mountain Home' 'The McCraes of Arthur's Seat'. Ath the Bottom in Black Print "National Trust"stawell, victorian history, journal

Thought to be taken at "Terreglea" in Warrigal Road circa 1900. Maybe related to the Dodgshun family.A black and white photograph of a man standing in bushland. He is wearing a coat that has toggle-like closures down the front (instead of buttons). He is also wearing a cap and has his hands in his pockets.clothing and dress, warrigal road, surrey hills, terreglea, house names

Photograph shows a river and bushland, part of the Plenty River catchmentPart of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.plenty river

Clircular tapa cloth painted and sewn to a round wooden frame. View of a village painted on front of cloth, depicting a pole and wire fence with palnts at base, and palm trees and bushland in the background. The huts have thatched roofs.Front: Tonga Friendly Islands (lower centre, black dye)

Land became freehold, purchased by Jack Phillips.Colour photograph of a white painted brick residence with corrugated iron roof, sash windows, Set in bushland overlooking Lake Tyers, built on the site of the Mill Point saw mill at Mill Point Toorloo Arm Victoriahouses, heritage study

Photograph shows a path leading into bushland, this is part of the Plenty River Trail.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.plenty river trail

Photograph shows a river and bushland. This is the Plenty River behind the football ground in Greensborough.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. Caption on slide "Plenty"plenty river greensborough, plenty river

Painting of Yarran Dheren Reserve, Mitcham by Whitehorse Historical Society member, Barbara Rogalski. One of a set of 4 paintings.Small oil painting of bushland with bush of pink & white blossom in foreground. Mounted in beige cotton fabric with inner beige plastic frame. Outer frame of brown wood with gold trim. Yarran Dheren Reserve is located in Mitcham.Yarran Dheren '88 Barbara Rogalski.painting, yarran dheren, barbara rogalski

Rock obtained for works at the Entrance and around Gippsland Lakes.Black and white photograph of a tramway through bushland, steep bank above tramline, tree fern gully below. Tramway connected quarry to landing on Mississippi Creek, Colquhoun Forest north of Lakes Entrance. East Gippsland VictoriaMyer's Creek Tramwayvegetation, transport, room display

This is the definitive guide to the Box-Ironbark forests of Central and North-East Victoria First published in 1994 as The Forgotten Forests. By the Victorian National Parks Association Ltd.Cardboard cover with yellow band at top containing Title in green print, below which are 3 colour photographs one showing bushland, one showing closeup of a flower, the other showing a bird. Logo for the Victorian National ParksVictoria's Box-Ironbark Country. A Field Guide Autographed by Ian McCann (Photographer)stawell

Felltimber Creek Road is on the south-eastern edge of West Wodonga. It was originally covered in bushlandA large black and white image of cows grazing in a paddock. Image is in a metal and glass frame.felltimber creek, wodonga 1980s, wodonga scenes

Landscape painting of an Australian country road with horses and carriages, with a bushland background, in a brown wooden frame. Awarded to Wangaratta High School-Goulburn north east region, by the Australian Natives' Association for the most improved school gardens and grounds in 1986

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor containing 86 post cards. See 1400. Colour photo of a rustic bridge at Jubilee Lake, Daylesford, Victoria Stream running through bushland setting. PO stamp dated Dec 27, 1905 Addressed to Miss Stapleton, Arcade, Bendigo Sender unknown postcard, collector, alice mcgregor

Photograph shows prickly pear in bushland near Greensborough. This demonstrates a lack of land care management.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.prickly pear, weeds, land management

Photograph shows a post and wire fence with bushland beyond, and example of poorly managed farmland, thistles in foreground.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"weeds, farming

The project team for this document comprised E. Beacham, T. Claridge, B. Ebbs, C. Wilso. and J. Cristofaro.This booklet is a useful refernce tool.A document of 86 pp, titled Far East Gippsland Tourism Strategy Study Interim Report October 1987. it has a cream cover and black binding with a b/w photograph of four people in a bushland setting. It contains fold-out maps.tourism-east-gippsland

Journal of Australian Electric Traction Association, Volume XIX, No. 12. December 1964, 16 pages. History of document: Part of 'Basil Miller. Cover picture shows a ten car interurban set in a bushland setting at Beecroft in the Sydney suburban area.Pub: Australian Electric Traction Asscn. Printer: O'Loughlin Bros. Pty. Ltd., Sydney NSWdocument

Two Salvation Army Sunday School Picnic photographs showing groups of people in bushland setting. 1911-1912.Two sepia photographs of large groups of people in a bush setting. Also two enlarged copies.Picnic at Stawell 1911 or 12. When Jack & Emma were the Officers at Stawell.stawell religion

This book was produced by Gordon and Nina Andrews of Netherbyre in Orbost.This is a locally created book. It helps to tell the story of who the Snowy River pioneers and therefore how we came to settle here. It is a useful research tool and is significant to the history of the Orbost area.A 47pp soft covered book titled, Snowy River Pioneers, by Gordon and Nina Andrews, On the front cover is a coloured painting of a hut in bushland. It contains Charles West and other selected stories. The text is by Gordon Andrews. The artwork is by Nina Andrews and Vere Moon.Copyright 1990 Gordon & Nina Andrews Netherbyre, Orbost 3888snowy-river-pioneer stockmen

Colour photographic print in Black frame and mushroom Brown Mat. Picture Depicts the clearing of space for headquarters construction. One man using a jackhammer on rock while another sits with rifle beside him. Back ground is bush/ forest and cleared bushland.My Vietnam Collection. Task force headquaters construction - 1966 Peter Fischer. On back - Gift horse gallery / fine art original works by local and interstate artists. Professional picture Framers. CNR Paxton st & 130 Main North Rd. Clare 5453. Phone / Fax / Mob.photograph