Features a photo of the 1934 committee members and helpers on the cover, including names.A4 size booklet White card cover with blue print, 35 pages outlining prizes, classes and events, entry form. List of Stewards and Committee members and Life Members.See photos

Jim Clancy, Sid Stewart and John Hunter sit of 'sleeping quarters' for workers on threshing machines on a farm at Millbrook.jim clancy, sid stewart, john hunter, millbrook, farm work, agriculture, people

34 pages, illustrated.

Brown leather cover with embossed pattern on covers Gold embossed inscription on the front cover 138 pages ; 19 cm ; IndexHandwritten inscription on front page 'M. Figgins'agriculture, kilmore mechanics institute library.

The Grantville Show 1906b: The Lady's Hackney Competition (l-r Miss Alma Chapman (Almurta), Miss Grant (Almurta), Mrs Clare Atkins (Strezlecki Creek), Miss McMahon (Bena)

The Grantville Show 1906c: Mr Myles Bunn's (Bena) Prize Ayrshires. It isn't clear which, if either, man is Myles Bunn.

Grantville Show 1908b: Picnic at the Grantville show grounds, Grantville Show, January 1908.

Grantville Show 1908c: Crowds at the Grantville show grounds, Grantville Show, January 1908.

Grantville Show 1908d: Judging hacks at the Grantville Show, January 1908.

Black and white photograph - Grade 4B, 1954"Attached to photograph" Back Row- L to R: ?, ?, ?, David Rose, ?, ?, Ian McGoldbrick, ?, ?, ?, ?, ?, ?. 2nd Row - L to R: ?, Mary Lloyd, Jennifer Lewis , ?, ?, ?, Pamela Cowan, Noeline King, ?, Sandra Le Busque, Rosemarie Langer, Elaine Grinter, ?. 3rd Row - L to R: Ross Caughey, ?, ?, ?, Sheryl Buchanan, ?, Pauline Villaume, (?) Barker, ?, ?, ?. Front Row - L to R: ? Frickie, ? Frickie, David Briggs, ?, Peter Connell, ?, Robert Morris, ?, ?, Peter McKindley, ?. Teacher: Mr Smith.

Black and white photograph - Grade 8, 1935"Attached to photograph" Back Row - L to R: Alan Wilkins, Bob Adolphson, Norm Bissettt, Herb Washusen, (?) Tasker, Doug Jamieson. 2nd Row -- L to R: ?, Doris Aird, Evelyn Major, Natalie Moulder. 3rd Row - L to R: Jenny Rowe, Jean Payne, Doris Rutter, ?, Marjorie Clegg. Front Row- L to R: Geoff Williams, Gilbert Johnson, John Anderson, Keith Norris, Les Lloyd, Bruce Hone. Teacher:

The Bendigo Horticultural and Agricultural Show began in 1859 when a meeting was held at the Shamrock hotel to form a committee. The first competitive event was a ploughing competition held at Lockwood in June 1859.3 x Bendigo Agricultural & Horticultural Society Lady's Ticket: Cream and pink label with pink cotton through a small hole for wearing. Red Print on a cream back ground *Bendigo Agricultural & Horticultural Society. On pink back ground in the centre with red print is *Lady's Ticket. Underneath on cream is *Spring show carnival. 1931.Two tickets No. 560 and one 271 with /1/2/3. On the back in red print is *This ticket admits one. & must be produced at entrance gates and stand. Strictly not Transferable. Bendigo Agricultural and Horticultural Society. Spring Show Carnival, 1931. Tuesday, Oct. 13; Wed., Oct. 14; Thu., Oct. 15. Issued to....E.G. Ham Secretary. Pall Mall, Bendigo. Box 625organization, club/society, agricultural and horticultural show, bendigo agricultural & horticultural society

The Puffing Billy Preservation Society came into existence by a popular desire to retain something of our narrow gauge railway past, leisurely in this age but a boon to the sparsely settled areas it served in the past. It served the Wangaratta-Whitefield line, the Upper Ferntree Gully-Gembrook line, the Colac-Beech Forest-Crowes line, and the Moe-Walhalla line, the last railway line served being the Colac-Beech Forest line. None of these railways were a paying proposition but they played an important part in the areas they served. Nowadays, the last bit of line is a portion of the Upper Ferntree Gully-Gembrook line, from Belgrave to Lakeside, run by the Society. The Engine Shed has several small NA-class locomotives with NBH excursion carriages, and at the moment the Garratt G class in pieces. Here comes Puffing Billy! Puffing Billy Preservation Society; Belgrave (Vic); nd (after Aug. 1962). 18 p.; illus., maps. Soft cover.puffing billy preservation society; railways; wangaratta; whitefield; upper frentree gully; gembrook; colac; beech forest; crowes; moe; walhalla;

Photographed in the early 1900s, this black and white photograph depicts 25 members of the Mayday Hills Hospital Staff. Six men sit in front of the group (Mr Imhose stands fourth from the left in front row), upon the ground and behind them, in bright white clothing, sit eight female nurses upon a long bench (one of these nurses is identified on the rear as Miss A.J. Ross). Behind these women stand 10 men. The men are all wearing dark clothing and several have 'Kepi' style hats. The staff photograph was captured by Frazer and Vallance Photographers Melbourne. This image was originally combined with 1997.2491 but these images have since been torn apart and catalogued separately. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000, 33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour.At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Black and white rectangular photograph printed on photographic paper mounted on cardHandwriting reads: "Mental Hospital / Beechworth / Miss A. J. Ross / about 82 in 1944".mental asylum, beechworth, mayday hills, mayday hills hospital, victoria, mental health, history of mental illness, treatment of metal illness, asylum, hospital for mentally unwell, miss a.j. ross, nurse, staff, doctors

3281.1 is a photograph of Terry Martin. "Terry Martin travelled to Melbourne to Melbourne to display his extensive collection of axes and to demonstrate the art of broadaxe cutting. The axe Terry is holding is over 200 years old and is believed to have been used by ship builders in their trade. Terry makes his own axe handles from district timber." (Snowy River Mail 23 September 1987) 3281.2 is of Erasmo Giove. who came to Australia with his wife, Mina. They eventually settled in Orbost where Erasmo worked as a sleeper cutter withn his wife working alongside him. The Gioves lived with their four children, Tina, Rocco, Benodino and Graziela, in Forest Road, Orbost,These photographs are associated with the timber and sleeper-cutting industry in the Orbost Region. Timber sleepers were superceded by concrete sleepers in c. 1970s. Orbost has historically been based on the timber industry, but that industry has declined considerably over the last 20 years..The number of locals involved in the timber industry has declined and many of the mills have closed. This item reflects a time when that industry was a significant contributor to the economy of the district.3281.1 is of a man standing holding a long handled axe. 3281.2 is of a man holding a cross cut saw and holding in the other hand a framed photograph of a swing saw.woodcutting-tools axe saw-cross-cut saw-swing timber-orbost sleeper-cutting giove-erasmo martin-terry

Mavis Washfold was a member of the Christian and Washfold families of Kew. A musician, she had a longstanding association with the Kew Philharmonic Society. The Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).Kew Philharmonic Society certificate issued to Mavis Washfold giving her life membership in recognition of her service as secretary and member for 36 years. Issued 3 December 1985. Framed under Perspex. mavis washfold, kew philharmonic society, christian-washfold collection