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Mt Dandenong & District Historical Society Inc.
Photograph, Mt Dandenong North. Showing "Mountjoy"
The building with the white picket fence is the Beulah Tea Gardens opened by Eliza Hand c1904 at The Gap (now FiveWays). The building is still operating as a cafe. The Tourist Road does not yet exist. Old Coach Road comes into the picture from the right and the horse and cart is heading up Ridge Road. The elm trees can be seen on the left. The building up on the hill is the Mountjoy Guest House. ‘Mountjoy’ was built by the Paynter family in 1905. It had fourteen bedrooms, a dining room and sitting room, kitchen with a big wood burning range and verandahs on three sides. There were commanding views of the eastern ranges and the city to the west. Ellis Jeeves purchased ‘Mountjoy’ in 1908 and it soon became a popular tourist destination, the coach yards making it a centre of the district. ‘Mountjoy’ is a central feature of many photographs of Kalorama in the 1900s. The building burned down in 1975. Mt. Dandenong North was renamed Kalorama c1932.Black and white postcard showing a horse and cart on road between two buildings.On front ; Mt. Dandenong North. Showing "Mountjoy."postcard, mountjoy, guest house, beulah tea room, beulah, mt dandenong north, kalorama -
National Wool Museum
Taxidermy Sheep, Bilby Bill, c1980
Originating in New Zealand, the Drysdale, represented by Bilby Bill, was developed in the 1930s at Massey University (Canterbury) by crossing a coarse haired Romney and the hardy Cheviot breed. First imported to Australia in 1975, the Drysdale, due to a genetic abnormality, produces coarse, long staple fleece. This same gene also gives them their horns, something that generally does not occur in the parent breeds. Their fleece grows very fast, up to 25cm every six months; as such shearing is carried out twice a year. The coarse and hard wearing wool is mostly used for the manufacture of carpets. The Drysdale is a medium to large stocky sheep, weighing approximately 55kg and produces about 6 to 8kg of fleece per animal annually, which is 35 to 45 microns in diameter. The yarn used on the National Wool Museum’s Axminster Gripper Loom to make the Manor House Rug is spun from the wool of Drysdale sheep.Taxidermied male Drysdale sheep. Medium sized animal with white body coloration. Large horns protruding from the top of the skull. drysdale, sheep, new zealand -
Vision Australia
Photograph - Image, Queensland Training and Placement Centre for the Blind Inc
This honour board lists the individual award winners at the Queensland Training and Placement Centre for the Blind. Brian McGhie Award: 1974 Colin Ingram, 1975 Andrew Fox, 1976 Mateo Bertolani, 1977 Kevin Schwartz, 1978 Robyn Jones, 1979 Thu Minh Lam, 1980 Ross Hamilton, 1981 Wayne Evans, 1982 Gary Dale, 1983 Ian Gimm, 1984 David Ball, 1985 Paul Logan, 1986 Martin Rankin. Sophie Halstead Award: 1976 Renee Robertson, 1977 Veronica Hughes, 1978 Annette Anderson, 1979 Diane Chawner, 1980 Wai Lam, 1981 Lan Lee Lam, 1982 Antonia Muller, 1983 Elizabeth McKennariey, 1984 Tania Persig, 1985 Annette Gardner, 1986 Gail Suthers. Eric Watson Orientation and Mobility Award: 1983 Edward Van Doorn, 1984 Robyn Grundy, 1985 Vanessa Hinton.Brown rectangular board with three rows of names underneath the three awards providedBrian McGhie Award - 1974-1986 Sophie Halstead Award - 1979-1986 Eric Watson Orientation and Mobility Award - 1983-1985queensland industrial institute for the blind, nameplates -
Surrey Hills Historical Society Collection
Drawing - Architectural drawing, 2 Austral Street, Surrey Hills by Margaret Picken, 1991, 1989
Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. These skills were readily transferable to work as a property illustrator for the real estate industry. Process: “Sketches were ordered by phone initially as there were no mobile phones or computers then. I would take our 2 year-old son with me to the houses when the other 2 boys were at school. I photographed houses with a Polaroid camera and made a ‘thumbnail’ sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the ‘pen and ink’ was completed. This process was the only one I used the entire time. Polaroid photos gave an instant usable photo. I then delivered the sketches by hand to the offices. There were deadlines each week on a Tuesday.” “… about 2003 coloured photos began to take over the sketches and mainstream companies replaced sole traders like myself providing a one-stop shop for all advertising. I produced my last Real Estate sketches in late 2005.” Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated. Margaret Picken approached a number of historical societies in July 2020 with a view to donating her work. Sketches for post code 3127 arefheld by this collection. Others for suburbs including Ashburton, Balwyn, Camberwell, Canterbury, Blackburn, Box Hill, Burwood, Glen Iris, Hawthorn, Kew, Mont Albert North and Nunawading have been donated to the relevant historical group in those suburbs. (See Balwyn Historical Society, Box Hill Historical Society, Camberwell Historical Society, Hawthorn Historical Society, Kew Historical Society, Whitehorse Historical Society). In some cases, this collection also has a copy of the matching newspaper advertisement. Pen and ink architectural drawing on drafting film of 2 Austral Street, Surrey Hills (VIC) by Margaret Picken. The drawing, dated 1991, was commissioned by the Woodards real estate company.2 AUSTRAL ST., SURREY HILLS / MARGARET PICKEN - 91 / WOODARDS ~ C'WELLarchitectural drawing, houses, surrey hills / mont albert (vic.), artists, margaret picken 1950-, 1950, austral street -
Surrey Hills Historical Society Collection
Drawing - Architectural drawing, 11 Agnes Street, Surrey Hills by Margaret Picken, 1990
Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. These skills were readily transferable to work as a property illustrator for the real estate industry. Process: “Sketches were ordered by phone initially as there were no mobile phones or computers then. I would take our 2 year-old son with me to the houses when the other 2 boys were at school. I photographed houses with a Polaroid camera and made a ‘thumbnail’ sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the ‘pen and ink’ was completed. This process was the only one I used the entire time. Polaroid photos gave an instant usable photo. I then delivered the sketches by hand to the offices. There were deadlines each week on a Tuesday.” “… about 2003 coloured photos began to take over the sketches and mainstream companies replaced sole traders like myself providing a one-stop shop for all advertising. I produced my last Real Estate sketches in late 2005.” Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated. Margaret Picken approached a number of historical societies in July 2020 with a view to donating her work. Sketches for post code 3127 arefheld by this collection. Others for suburbs including Ashburton, Balwyn, Camberwell, Canterbury, Blackburn, Box Hill, Burwood, Glen Iris, Hawthorn, Kew, Mont Albert North and Nunawading have been donated to the relevant historical group in those suburbs. (See Balwyn Historical Society, Box Hill Historical Society, Camberwell Historical Society, Hawthorn Historical Society, Kew Historical Society, Whitehorse Historical Society). In some cases, this collection also has a copy of the matching newspaper advertisement. Pen and ink architectural drawing on drafting film of 11 Agnes Street, Surrey Hills (VIC) by Margaret Picken. The drawing, dated 1990, was commissioned by the Woodards real estate company.11 AGNES ST., SURREY HILLS / MARGARET PICKEN '90 / WOODARDS ~ BALWYNarchitectural drawing, houses, surrey hills / mont albert (vic.), artists, margaret picken 1950-, agnes street, californian bungalow -
Surrey Hills Historical Society Collection
Drawing - Architectural drawing, 37 Albany Crescent, Surrey Hills by Margaret Picken, 1991, 1990
Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. These skills were readily transferable to work as a property illustrator for the real estate industry. Process: “Sketches were ordered by phone initially as there were no mobile phones or computers then. I would take our 2 year-old son with me to the houses when the other 2 boys were at school. I photographed houses with a Polaroid camera and made a ‘thumbnail’ sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the ‘pen and ink’ was completed. This process was the only one I used the entire time. Polaroid photos gave an instant usable photo. I then delivered the sketches by hand to the offices. There were deadlines each week on a Tuesday.” “… about 2003 coloured photos began to take over the sketches and mainstream companies replaced sole traders like myself providing a one-stop shop for all advertising. I produced my last Real Estate sketches in late 2005.” Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated. Margaret Picken approached a number of historical societies in July 2020 with a view to donating her work. Sketches for post code 3127 arefheld by this collection. Others for suburbs including Ashburton, Balwyn, Camberwell, Canterbury, Blackburn, Box Hill, Burwood, Glen Iris, Hawthorn, Kew, Mont Albert North and Nunawading have been donated to the relevant historical group in those suburbs. (See Balwyn Historical Society, Box Hill Historical Society, Camberwell Historical Society, Hawthorn Historical Society, Kew Historical Society, Whitehorse Historical Society). In some cases, this collection also has a copy of the matching newspaper advertisement. Pen and ink architectural drawing on drafting film of 11 Agnes Street, Surrey Hills (VIC) by Margaret Picken. The drawing, dated 1990, was commissioned by the Woodards real estate company.37 ALBANY CRES, SURREY HILLS / MARGARET PICKEN -91 / WOODARDS ~ C'WELLarchitectural drawing, houses, surrey hills / mont albert (vic.), artists, margaret picken 1950-, albany crescent, 1980 -
Surrey Hills Historical Society Collection
Drawing - Architectural drawing, 4 Albert Street, Surrey Hills by Margaret Picken, 1990
Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. These skills were readily transferable to work as a property illustrator for the real estate industry. Process: “Sketches were ordered by phone initially as there were no mobile phones or computers then. I would take our 2 year-old son with me to the houses when the other 2 boys were at school. I photographed houses with a Polaroid camera and made a ‘thumbnail’ sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the ‘pen and ink’ was completed. This process was the only one I used the entire time. Polaroid photos gave an instant usable photo. I then delivered the sketches by hand to the offices. There were deadlines each week on a Tuesday.” “… about 2003 coloured photos began to take over the sketches and mainstream companies replaced sole traders like myself providing a one-stop shop for all advertising. I produced my last Real Estate sketches in late 2005.” Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated. Margaret Picken approached a number of historical societies in July 2020 with a view to donating her work. Sketches for post code 3127 arefheld by this collection. Others for suburbs including Ashburton, Balwyn, Camberwell, Canterbury, Blackburn, Box Hill, Burwood, Glen Iris, Hawthorn, Kew, Mont Albert North and Nunawading have been donated to the relevant historical group in those suburbs. (See Balwyn Historical Society, Box Hill Historical Society, Camberwell Historical Society, Hawthorn Historical Society, Kew Historical Society, Whitehorse Historical Society). In some cases, this collection also has a copy of the matching newspaper advertisement. Pen and ink architectural drawing on drafting film of 11 Agnes Street, Surrey Hills (VIC) by Margaret Picken. The drawing, dated 1990, was commissioned by the Woodards real estate company.37 ALBANY CRES, SURREY HILLS / MARGARET PICKEN -91 / WOODARDS ~ C'WELLarchitectural drawing, houses, surrey hills / mont albert (vic.), artists, margaret picken 1950-, albany crescent, 1980 -
Melton City Libraries
Photograph, Marjorie [Myers] Butler, Unknown, 1992
Marjorie was a talented pianist in her teenage years achieving her L.Mus.A. her fourth qualification by the age of 18 years. She attended the Conservatorium of Music Melbourne studying pianoforte and later with a singing scholarship and won numerous competition from Ballarat to Bendigo. She started her teaching career after leaving Melton State School. She taught many students throughout district including Edna Butler, the young sister of her husband Bert Butler. While living in Hawthorn their children Adrian and Lynette were born. Their son Max was born in Bacchus Marsh while Bert was teaching at the High School and in 1950 was appointed to Numurkah HS. In 1953 the family moved to Frankston HS. In 1958 he was appointed foundation Principal of Ashwood HS at the age of 43, the youngest to achieve this level of seniority. He was also Principal at Huntingdale, Mordialloc/Chelsea, and Mornington until his retirement in 1975. Photographs pf Marjorie Butlers at Melton Cemetery local identities, pioneer families -
Brighton Historical Society
Clothing - Dress, c. 1974
This dress was worn by Brighton's first female mayor, Councillor Di Lopez, to a Mayoral Ball held at Brighton Technical School in 1977. Diane Margaret Lewis completed a law degree at the University of Melbourne, later marrying one of her classmates, criminal lawyer Ramon (Ray) Lopez. When she decided to run for the Brighton City Council in 1975, she was seen as an outside chance. Undeterred, she rallied a small group of friends and supporters and set out on an extensive door-knocking campaign that won voters to her side and successfully unseated former mayor Keith Devenport. She went on to serve two terms on council from 1975 to 1981. Di initiated many local projects, including the creation of a bike path along Nepean Highway and the first Brighton Festival, while balancing family life and a demanding ‘day job’ as personal assistant to Victorian Minister for Youth, Sport and Recreation Brian Dixon. She was a member of the Women’s Electoral Lobby and a champion for women’s representation, encouraging both Sally Allmand and Kate Harman to run for council (both were successfully elected). She advocated forcefully for an open, transparent local government in which ratepayers had the chance to participate and be heard. In 1976 Di became the first woman to hold the title of Mayor of Brighton, and she made it clear from the outset that she was going to do it her way. For the annual mayoral ball in 1977, ordinarily a staid traditional function, she chose a discotheque theme based on the Rod Stewart album Night on the Town, with a broad dress code of ‘black tie or jeans’: ‘You’ve got to get with the times,’ she said. ‘We want people to wear whatever they feel comfortable in.’ Di herself chose to attend in this knee-length chamois dress embellished with strings, ribbons, beads and feathers. It was both a fashion statement, exemplifying her colourful, flamboyant and forthright style, and a political one: a declaration of her intention to lead a progressive council, embracing the new and refusing to be hemmed in by dated traditions. In 2020 she was awarded an Order of Australia Medal for her service to local government and to the community of Brighton.This dress has local historical significance for its association with Brighton's first female mayor, Councillor Di Lopez, who wore it to a Mayoral Ball in 1976. The dress exemplifies her flamboyant reputation, modern outlook and willingness to break norms. At the time, the dress was a radical choice for a Mayoral Ball, where women typically wore formal evening gowns. With her choice of dress, Cr Lopez was making a public statement, breaking away from dated traditions and announcing her intention to bring the Mayor's office into the 1970s. In this way, the dress also points to the wider social and political changes taking place both in Brighton and across Australia during the mid-1970s.Three quarter length chamois dress circa 1974. Machine stitched with a v-neck and full length sleeves and an uneven raw hem, the dress is decorated with narrow thongs of chamois embellished with red beads and blue feathers. The open-fronted bodice is laced with red ribbon and the skirt is decorated with a large blue wool cross stitch and a combination of blue wool and purple ribbon cross stitch. Made in the style of an Indian 'Wild West Dress'.di lopez, chamois, brighton, brighton council, brighton technical school, mayoral ball, 1970s, feminism -
Bendigo Historical Society Inc.
Book - SANDHURST COURT RECORDS LEDGER, 1857 - 1858
District Police Office Sandhurst Court records. October 1857 - October 1858. Brown ledger containing the records of the District Police Office Sandhurst. Cover has linen like covering with suede leather corners and spine. All have decorative scroll and pattern work. Dates written in ink on the spine. Remnants of an adhesive label on the spine. Inside covers lined with red, green and gold patterned paper. Entries include names of judges, solicitors, witnesses, accused and plaintiffs, Each record include descriptions of charges and the rulings. Most of the sittings were conducted by police magistrate Lachlan McLachlan. Notes Philip Barton inherited the book from his father Russell Barton who died in 2002. Russell Barton was a barrister who practised on the Supreme Court Circuit in Bendigo from 1960 - 1975. He was interested in history and it is assumed that he was given the book by the Bendigo Court officials. Philip Barton gave the book to Dennis Johnason on the understanding that it be given to the Bendigo Historical Society. See Donor.government, local, court records -
Bendigo Historical Society Inc.
Newspaper - THE ADVERTISER: FRIDAY JULY 3, 2009 HISTORY-EVENTS THAT SHAPED BENDIGO 32 PAGES, 1881
Headline Moments of the Past The Advertiser, Friday July 3, 2009 History - Events That Shaped Bendigo 32 Page Supplement. Newspaper supplement includes images and articles as diverse as the construction of Alexander Fountain in 1881, The Great Depression 1930s, End of World War II 1945, CBD Floods 1949, Queen Elizabeth's Visit 1954, Olympic Games (Melb) and first television in Bendigo 1956, Bendigo farewells local champion horse 1958, Demolition of verandahs on local buildings 1960s, opening of Eppalock 1964, The Vietnam War 1965-1975, The new dragon Sun Loong 1970, The last tram run and Faraday kidnapping 1972, opening of Sacred Heart Cathedral 1977, opening of Hargreaves Mall 1982, Killians Walk Fire and Gaol Siege 1987, Local government Amalgamation 1993, Opening of Marketplace and Discovery Centre 1995, Restoration of Rosalind Park Cascades 1997, Bendigo Tornado 2003. This publication has not been scanned.bendigo, history, bendigo advertiser -
RMIT GSBL Justice Smith Collection
Journal series, The Incorporated Council of Law Reporting for England and Wales, The law reports : Privy Council appeal cases heard and determined by the Judicial Committee and the Lords of Her Majesty's most honourable Privy Council [Appeal], 1865
Previous owners: T. H. Smith, T. W. SmithNo. of volumes: 218 Volume range: Vol. 1-6 (1865-1875), Vol. 1-15 (1875-1890), Vol. 1891-2014 (Years with 2 parts: 1916, 1921-1922, 1967, 1969, 1983, 1990-1992, 1994-1995, 1999-2007) (2009-2014 unbound) Later title: Appeal cases Reporters: Moore, E. F. (1865-1873) MacPherson, W. (1973-1874) Cowell, H. (1874-1881) Clark, C. (1975-1881) MacQueen, J. F. (1875-1879) Wheeler, G. J. (1879-1881) Editors: Bulwer, J. F. (1881-1885) Stone, A. P. (1886-1894) Pollock, F. (1895-1936) Topham, A. F. (1936-1939) Williams, R. E. L. V. (1940) Sutton, R. (1941-1952) Colinvaux, R. P. (1953-1968) Lamb, J. F. (1969) Ellis, C. J. (1970 - 1995) Williams, R. (1996-2007) Scowen, C. (2008)law reports: digests: etc. -- great britain -- periodicals, law reports: digests: etc. -- great britain, appellate procedure -- great britain -- cases -
Orbost & District Historical Society
black and white photograph, 1971
This photograph shows the second major bridge across the Snowy River at Orbost. The current Snowy River bridge is the fourth to provide a crossing to the township of Orbost. The first, in 1891, lasted just two years before it succumbed to flood waters. The bridge in this photograph was built in the 1920s as a road and rail bridge, and was again partly washed away by flood waters in 1934. After the end of the first World War the Victorian Railways considered an extension of the railhead across the river at Orbost, and in 1922 a new timber and steel girder structure, a joint Country Roads Board — Victorian Railways venture, was built and completed at a cost of £41,000 (the steel girders came from the Flinders Street viaduct reconstruction). Subsequently it was decided not to take the railway across the river, and the bridge was only used by road traffic. It was severely battered by floods during its life. and after the devastating 1971 floods was eventually replaced by the current bridge in 1975. (info from Newletter 54N by John Phillips)This is a pictorial record of the flood damage in 1971 when part of the Snowy River Bridge was washed away.A black / white photograph of a bridge which has been damaged by floodwaters. It shows one end has been washed away.orbost-snowy-river-bridge-1971 floods-orbost-1971 -
Bendigo Military Museum
Photograph - AUTOMAP 1 Production – Army Survey Regiment, Fortuna, Bendigo, c1978-1980
This collection of 17 photos was most likely taken in c1978-1980. The AUTOMAP 1 computer assisted cartography and mapping system was introduced in 1975. The components of AUTOMAP 1 were the Input Sub-System of four Wild B8s stereoplotters and three Gradicon digitising tables, the Optical Line Following Sub-System – Gerber OLF, the Verification Sub-System – Gerber 1442 drum plotter, the General Purpose Sub-system – HP21MX computer and the Output Sub-System – Gerber 1232 flatbed plotter). The first map was published in 1978 (Strickland 3665-3, 1:50,000). AUTOMAP 1 was the first computer assisted cartography and mapping system utilised by the Survey Corps and was the first system used by Australian mapping organisations. The history of the AUTOMAP 1 system is covered in more detail with additional historic photographs, in pages 116-118 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4.This is a set of 17 photographs of Air Survey Squadron military and civilian personnel operating AUTOMAP 1 equipment at the Army Survey Regiment at Fortuna, Bendigo, c1978-1980. The photographs were on 35mm colour slides and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, c1978-1980, Gerber 1442 verification drum plotter. .2) - Photo, colour, c1978-1980, Gerber 1442 verification drum plotter, SPR Garry Ames. In background - Hewlett Packard (HP) 2100A Minicomputer Input Subsystem controlling Wild B8 Aviograph stereo plotters. .3) - Photo, colour, c1978-1980, Gerber 1442 verification drum plotter. .4) - Photo, colour, c1978-1980, digitising topographic features with a Wild B8 Aviograph stereo plotter, CPL Adrian Rynberk. .5) to .6) - Photo, colour, c1978-1980, Wild PEB8 stereo profiler. .7) - Photo, colour, c1980, HP 9640A Programming System. .8) - Photo, colour, c1980, HP 9640A Programming System, L to R: unidentified, SGT Alan Toogood. .9) - Photo, colour, c1978-1980, Gerber Optical Line Follow (OLF), CAPT Rob Bridge. .10) - Photo, colour, c1978-1980, Gerber OLF. .11.) to .12) - Photo, colour, c1978-1980, Gerber OLF, SPR Gerry Gunn. .13) - Photo, colour, c1978-1980, Gerber OLF. .14) - Photo, colour, c1979, Gradicon edit table. .15) to .16) - Photo, colour, c1981, Gradicon edit table, SPR Chris Gordon. .17) - Photo, colour, c1981, Gradicon edit table, L to R: SPR Chris Brown, unidentified..1P to .17P - Some of the equipment is annotated on the frame of the 35mm slides.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, automap 1 -
Federation University Historical Collection
Album - Album - Sample Stickers, ZILLES COLLECTION: Album, Sample Stickers produced by Jeff Zilles
Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. A form of sticker began in 1839 when Sir Rowland Hill invented adhesive paper. The first self-adhesive label was invented in 1935 by Stanton Avery - Avery Labels. In the 1940s "bumper strips"were created. Now referred to as bumper stickers. The stickers shown are for car dealerships, motor bike, tractor and agricultural equipment and entertainment. They are for places in Ballarat, Bendigo, Geelong and Wonthaggi, indicating that Zilles were well known for the quality of their products. These stickers were possibly produced in the 1960s, 1970s and early 1980s. The Swinger was a local dance that ran at the Ballarat Civic Hall between 1972-1975. Dress was neat casual and men were required to wear a tie. The average age of attendees was 18-25.Dark green vinyl cover, three bolts holding it together. Thirteen pages - black cover paperSticker on each pagezilles printers, stickers, bumper stickers, self-adhesive label, santo avery, sir rowland hill, car dealers, motor cycles, farm equipment, ballarat, bendigo, geelong, wonthaggi, ballarat motors, rambler, triumph, toyota, brown murphy geelong, leyland australia, berko datsun geelong, mental ballarat, sound conditioned bendigo, col hawkins, frank faulkner car sales, patron products ballarat, mil haven tractor cab ballarat, john basin ballarat, swinger, b & g myers pty ltd ballarat, arthur shultz, don mullin motors wonthaggi -
Eltham District Historical Society Inc
Photograph, Eltham Living and Learning Centre "Goat Shed" - official opening by Cr. Peter Graham, Shire President, 30 May 1991, 30/05/1991
Background to the two openings of the "Goat Shed": Following a need to clean up some of the old L&L Centre buildings, in 1989 Council decided to enclose the remaining goat shed in a steel truss frame for use as a store room. Claire Fitzpatrick, who had run animal husbandry and goat classes on the site from the 1975 opening of the L&L Centre, was invited by the Committee to officiate at the naming of the new building on 3/12/1989. Following a fire of the stables/workshops on 8/5/1990 (which had to be cleared off the site) Council/Committee decided to use the $15000 insurance money to upgrade/refurbish the 1989 building to replace classrooms lost in the "stables fire". This refurbished Goat Shed was officially opened on 30/5/1991 by Cr. Peter Graham, Shire President. (Gleaned from Committee file, 1987-1992.) Photos show Cr Graham plus Gillian Barclay (Co-ordinator), Liliana Unsworth (Engineering Design Draftsperson) and Bill Oakley (Corporate Development Officer). Colour photographeltham living and learning centre, goat shed, gillian barclay, peter graham, liliana unsworth, bill oakley -
Eltham District Historical Society Inc
Photograph, Eltham Living and Learning Centre "Goat Shed" - official opening by Cr. Peter Graham, Shire President, 30 May 1991, 30/05/1991
Background to the two openings of the "Goat Shed": Following a need to clean up some of the old L&L Centre buildings, in 1989 Council decided to enclose the remaining goat shed in a steel truss frame for use as a store room. Claire Fitzpatrick, who had run animal husbandry and goat classes on the site from the 1975 opening of the L&L Centre, was invited by the Committee to officiate at the naming of the new building on 3/12/1989. Following a fire of the stables/workshops on 8/5/1990 (which had to be cleared off the site) Council/Committee decided to use the $15000 insurance money to upgrade/refurbish the 1989 building to replace classrooms lost in the "stables fire". This refurbished Goat Shed was officially opened on 30/5/1991 by Cr. Peter Graham, Shire President. (Gleaned from Committee file, 1987-1992.) Photos show Cr Graham plus Gillian Barclay (Co-ordinator), Liliana Unsworth (Engineering Design Draftsperson) and Bill Oakley (Corporate Development Officer). Colour photographeltham living and learning centre, goat shed, gillian barclay, peter graham, liliana unsworth, bill oakley -
Eltham District Historical Society Inc
Photograph, Alan and Steve at the Eltham Living and Learning Centre "Goat Shed" - official opening by Cr. Peter Graham, Shire President, 30 May 1991, 30/05/1991
Background to the two openings of the "Goat Shed": Following a need to clean up some of the old L&L Centre buildings, in 1989 Council decided to enclose the remaining goat shed in a steel truss frame for use as a store room. Claire Fitzpatrick, who had run animal husbandry and goat classes on the site from the 1975 opening of the L&L Centre, was invited by the Committee to officiate at the naming of the new building on 3/12/1989. Following a fire of the stables/workshops on 8/5/1990 (which had to be cleared off the site) Council/Committee decided to use the $15000 insurance money to upgrade/refurbish the 1989 building to replace classrooms lost in the "stables fire". This refurbished Goat Shed was officially opened on 30/5/1991 by Cr. Peter Graham, Shire President. (Gleaned from Committee file, 1987-1992.) Photos show Cr Graham plus Gillian Barclay (Co-ordinator), Liliana Unsworth (Engineering Design Draftsperson) and Bill Oakley (Corporate Development Officer). Colour photographeltham living and learning centre, goat shed, steve, alan -
Eltham District Historical Society Inc
Photograph, Alan at the Eltham Living and Learning Centre "Goat Shed" - official opening by Cr. Peter Graham, Shire President, 30 May 1991, 30/05/1991
Background to the two openings of the "Goat Shed": Following a need to clean up some of the old L&L Centre buildings, in 1989 Council decided to enclose the remaining goat shed in a steel truss frame for use as a store room. Claire Fitzpatrick, who had run animal husbandry and goat classes on the site from the 1975 opening of the L&L Centre, was invited by the Committee to officiate at the naming of the new building on 3/12/1989. Following a fire of the stables/workshops on 8/5/1990 (which had to be cleared off the site) Council/Committee decided to use the $15000 insurance money to upgrade/refurbish the 1989 building to replace classrooms lost in the "stables fire". This refurbished Goat Shed was officially opened on 30/5/1991 by Cr. Peter Graham, Shire President. (Gleaned from Committee file, 1987-1992.) Photos show Cr Graham plus Gillian Barclay (Co-ordinator), Liliana Unsworth (Engineering Design Draftsperson) and Bill Oakley (Corporate Development Officer). Colour photographeltham living and learning centre, goat shed, alan -
Eltham District Historical Society Inc
Photograph, Eltham Living and Learning Centre "Goat Shed" - official opening by Cr. Peter Graham, Shire President, 30 May 1991, 30/05/1991
Background to the two openings of the "Goat Shed": Following a need to clean up some of the old L&L Centre buildings, in 1989 Council decided to enclose the remaining goat shed in a steel truss frame for use as a store room. Claire Fitzpatrick, who had run animal husbandry and goat classes on the site from the 1975 opening of the L&L Centre, was invited by the Committee to officiate at the naming of the new building on 3/12/1989. Following a fire of the stables/workshops on 8/5/1990 (which had to be cleared off the site) Council/Committee decided to use the $15000 insurance money to upgrade/refurbish the 1989 building to replace classrooms lost in the "stables fire". This refurbished Goat Shed was officially opened on 30/5/1991 by Cr. Peter Graham, Shire President. (Gleaned from Committee file, 1987-1992.) Photos show Cr Graham plus Gillian Barclay (Co-ordinator), Liliana Unsworth (Engineering Design Draftsperson) and Bill Oakley (Corporate Development Officer). Colour photographeltham living and learning centre, goat shed, gillian barclay, peter graham, liliana unsworth, bill oakley -
Australian Gliding Museum
Machine - Glider - Sailplane, 1946
This Grunau Baby 2B glider, often referred to as the “Blue Grunau”, was built by Australian Sailplanes in 1946 and acquired by a syndicate consisting of Norm Hyde, Rob Dowling, Leo Dowling, Dick Duckworth and Ted Desmond of the Gliding Club of Victoria. Piloted by syndicate members and other GCV members the glider performed well in soaring and cross country flights at the various sites used by the GCV in 1947, 1948 and 1949. The glider went to Sydney for a while and then returned to be operated by another syndicate at the GCV. Pat Burke and Bob McAliece bought the glider in the 1950s and then sold it to Keith, Jack and Bruce Hearn of Melbourne. In 1957 the Blue Grunau moved to Western Australia and was added to the Glider Register as VH-GLC. Thereafter the glider had a series of owners. The glider has come to the Australian Gliding Museum via the RAAFA (WA) Division. The flying record of the Blue Grunau has been logged for the period of 28 December 1957 to 17 September 1975: Time in air – 559 hours 37 minutes from 1513 flights. Single seat glider /sailplane of wooden construction with plywood and fabric covering.australian gliding, glider, sailplane, grunau, blue grunau, australian sailplanes, hyde, dowling, duckworth, desmond, burke, hearn, gliding club of victoria, gliding club of western australia, narrogin gliding club -
National Wool Museum
Photograph - Photographs, C. Glover and Sons Pty. Ltd, 1890-1944
C. Glover and Sons Pty. Ltd. was founded on Brougham Street, Geelong c.1870. They operated as a wool and sheepskin storeroom situated on both sides of Brougham Street; where the current Elders building is located. The store was owned and operated by Joshua Glover with his brother Cyrus. A third brother Arthur also worked at the store. It was a very successful business and employed up to 40 men at its peak. Cyrus Glover died quite young, around 54, with his son Howard taking his place in the partnership at 23. During the Second World War the business was requisitioned by the Australian Government. Their wool was utilised to produce defence uniforms for Commonwealth personnel C. Glover and Sons was a very successful business which reluctantly closed its doors around 1975, as a result of the wool industry taking a downward turn Australia wide. It was decided by the family that this was the only option at the time. Howard Glover was Jan Glover’s (donor) father in law. Jan Glover donated these images to the National Wool Museum in 2021. Image 1 is a black and white image of a truck with 11 men standing in front. The truck is loaded with dumped bales of wool. The image is taken outside of the C. Glover and Sons' building. The reverse of the image is stamped. Image 2 is a black and white image of 2 rows of men. The first row of six men are sitting in their cricket whites. The second row of 10 men are standing in suits bar one-man 3rd from the right, who is also in his cricket whites. The image is taken on a cricket oval with the grandstand visible in the background. Image 3 is a black and white image of 12 men. The first 3 men are sitting on wool bales while the other 9 stand behind. The image shows the word 'record' spray painted on a piece of timber hanging behind the man. This is expressed in the men's faces with emotions of joy and celebration coming through. The men are standing in front of large machinery presumed to be used for wool pressing/dumping. Image 4 is a black and white image of 15 men and 5 horses in front of two large white sheds with triangular rooves. The men are all standing with the majority having their arms crossed. On the left is a cart carrying sheep skins. On the right are two smaller carts that appear to be carrying wool bales. Image 5 is a black and white image of a wool and hides storeroom. The ceiling is lined with multiple sheep skins while the floor has multiple wool bales neatly stored. In the background of the image, two men can be seen inspecting wool while sitting at a small white table. Behind this, 5 men are standing in a crowd while another man is seen to the left of the men at the table. This separate man is standing inspecting a wool bale. Image 6 is a black and white image of a wool storeroom. Numerous bales of wool can be seen open for inspection stacked semi-neatly one next to another. 6 men can be seen inspecting a bale of wool in a group. Another 5 men are present in the room performing separate duties.Image 1 Reverse. Black Stamp INTERNATION FOTO-NEWS / H. A SOETEKOUW / 52 GHERINGHAP ST., / GEELONG / PHONE X 2920 Image 2 Wording. Typed black lettering. Geelong Buyers and Brokers Cricket Team. Image 3 Wording. Blue handwriting RECORD OF PRESSING FOR ONE DAY / FORTY BALES / 1910 Image 4 Wording. Blue handwriting. 1890 Image 5 Wording. Typed black lettering. Messrs. Moss & R. Allan. / Government Sheepskin Appraisers. 1918. Image 6 Wording. Black Handwriting. C. GLOVER & SONS. APPRAISEMENT NO. 50 14/12/1944. / GOVERNMENT SHEEPSKIN APPRAISERS. MESSERS. R. BORLAND & H. V. McCALLUM / GEELONG REPRESENTATIVES. J. GLOVER & H. J. GLOVER. c. glover and sons pty. ltd, geelong 1870, brougham street, wool & sheepskin storeroom -
Unions Ballarat
Dismissal of a premier: the Philip Game papers (Don Woodward Collection), Foott, Bethia, 1968
Jack Lang was a former NSW ALP state treasurer and was elected Premier on two occasions. His government was dismissed in his second term of government by the State Governor due to his defying the Commonwealth Government's financial agreements' legislation. Sir Philip Game was the State Governor who dismissed Lang. The author of this book is the daughter of the secretary to the Philip Game. Unlike Sir John Kerr (who dismissed Prime Minister Whitlam in 1975), Game expressed some uncertainty about whether his decision to sack Lang's government was sound: "In spite of the popular endorsement of my assassin's stroke, I am still wondering if I did right. I still believe that Lang has a great deal of right on his side, that a lot of what he advocates will have come to pass, and that the extremists on the other side are a greater danger than extreme Labour." (From a personal letter written by Sir Philip Game on July 2nd, 1932.)" (Back dust jacket.)Political and social history.Book; 223 pages. Front cover: blue and white background; photograph of Jack Lang, Sir Philip Game and one other; black lettering; author's name and title. Dust jacket. Back cover: various quotations from Jack Lang, Philip Game, the author and Lady Game.Price: in pencil, $6.btlc, ballarat trades hall, ballarat trades and labour council, game, sir philip, lang, jt, lang, jack, treasurer - nsw, finances - federal government australia, state governors - nsw, history - australia, politics and government, premier - nsw -
Unions Ballarat
Photograph: Paul Keating with Norm and Betty Borchers, 25 October 1995
Photograph: Paul Keating, Prime Minister of Australia, pictured with Norm Borchers (left) and Betty Borchers (right). Paul Keating visited Sebastopol Community Centre in September 1995 as part of Jenny Beacham's campaign. Paul Keating was the 24th Prime Minister of Australia and the Leader of the Labor Party from 1991 to 1996. Norm Borchers was a long-term trade unionist (Amalgamated Engineering Union and the Australian Railways Union) and ALP member; he lived and worked in Ballarat. Norm Borchers passed away in 2008. Borchers was a Club President of the Sebastopol Lions Club (1975-76). He worked for the railways as an engineering employee and was long-term trade unionist (Amalgamated Engineering Union and the Australian Railways Union) and ALP member; he lived and worked in the Ballarat area. Norm was active in workplace disputes during the ALP split in 1955. He was a long time supporter of Ballarat Trades Hall. Betty Borchers worked as a legal secretary. She was active in the Ballarat ALP and is the wife of Norm Borchers.Photograph.btlc, ballarat trades and labour council;, ballarat trades hall, keating, paul, prime minister, borchers, norm, borchers, betty, beacham, jenny, politicians, elections -
Surrey Hills Historical Society Collection
Photograph, Surrey Hills viewed from 'Quamby' at 293 Mont Albert Road, c 1915, 1915
Quamby was built in 1898. From 1900/1903-1924 it was the home of Andrew Sherar and family. From 1924-1960s it operated as Mosgiel Hospital under the direction of Matron Elizabeth Anderson. Until Box Hill Hospital opened most Surrey Hills children were born at Mosgiel or at Nethercourt Hospital in Wilson Street or later in Union Road when Matron Tank moved her hospital here. Mosgiel Hospital was demolished c 1975 after it was sold by Box Hill Hospital. It was replaced by units. Andrew Sherar was conductor of the Wyclif Church choir for many years and was a member of the Melbourne Liedertafel. Isie Sherar was organist at Wyclif Church and also taught piano in Union Road. Connie Sherar was in the Wyclif choir and married Ernest Swan, an elocutionist and orator. Dorothy Sherar was a pianist and accompanist. Elsie Sherar was also in the Wyclif choir and was a soloist; she later moved to Templestowe. Ken Sherar was a boy soprano at St Paul's Cathedral; he later moved to Queensland.Black and white photo looking south down Vincent Street from 'Quamby', located at 293 Mont Albert Road, Surrey Hills. In the centre foreground is a timber house with 2 chimneys and a tiled hip roof. It has a return veranda and is fenced on 2 sides by paling fences and picket fences on the other two. In the background are many more houses. A road lined with power poles runs from the right foreground to the middle distance.quamby, vincent street, edwardian style, topography, andrew sherar, isie sherar, connie sherar, dorothy sherar, ken sherar, elsie wappet -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Salt Glazed Pot by Janet Mansfield, 1984
Janet MANSFIELD (1934-2013 ) Born Sydney, New South Wales Janet Mansfield studied Ceramics at the National School of Art, East Sydney Technical College in 1964 to 1965. She received a Crafts Board Grants in 1974 to study in the United States of America; to research salt glaze technique in 1975; to exhibit in Japan in 1985; to travel to Hungary fir a symposium, and an Australia-Japan Foundation Grant in 1977 to study in Japan. She was a visiting lecturer to the Gippsland Centre for Art and Design in 1980 and a Spotkanie guest in 1984. Her work was fired to wood kilns and taken to stoneware temperatures. She used salt for shorter firings, or in the anagama kiln depended on the ash and flame for glaze effects. Janet Mansfield has been editor of 'Pottery in Australia' and 'Ceramics: Art and Perception'. In 1987 she was awarded an Order Of Australia Medal for services to art and ceramics. In 1980 Janet Mansfield was a visiting lecturer at the Gippsland Institute of Advanced Education. She was a guest at Spotkanie in 1984.Wheel thrown wood fired and salt-glazed stoneware.jan feder memorial ceramics collection, ceramics, janet mansfield, gippsland campus, visiting lecturer, spotkanie -
Federation University Art Collection
Ceramic - Ceramic - Stoneware, Pilven, Peter, Autumn Vessel, 1998
Peter PILVEN (1956- ) Born Ballarat Peter Pilven is acknowledged by his peers for his high level of tacit skills, including throwing, and for his sound technical knowledge of materials.Training with John Gilbert's Edinborough Pottery from 1972-1975, Pilven trained with Joan Campbell in Fremantle in 1976. In 1977 Peter Pilven obtained a Diploma of Fine Art (Ceramics) from Ballarat College of Advanced Education (now Federation University). The following year he worked with Ian Dowling at Geraldton, WA, and with the Western Australian Aboriginal Education Unit in 1979. He next trained with Alan Cagier-Smith in England between 1980 and 1981. Peter Pilven established his own studio in 1982. He has been teaching ceramics at Federation University since 1983, and is considered by his students, to be a living treasure. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, ceramics, peter pilven, pilven, stoneware, wheelthrown, madeinballarat -
Surrey Hills Historical Society Collection
Drawing - Architectural drawing, 18 Arundel Crescent, Surrey Hills by Margaret Picken, 1989
Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. These skills were readily transferable to work as a property illustrator for the real estate industry. Process: “Sketches were ordered by phone initially as there were no mobile phones or computers then. I would take our 2 year-old son with me to the houses when the other 2 boys were at school. I photographed houses with a Polaroid camera and made a ‘thumbnail’ sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the ‘pen and ink’ was completed. This process was the only one I used the entire time. Polaroid photos gave an instant usable photo. I then delivered the sketches by hand to the offices. There were deadlines each week on a Tuesday.” “… about 2003 coloured photos began to take over the sketches and mainstream companies replaced sole traders like myself providing a one-stop shop for all advertising. I produced my last Real Estate sketches in late 2005.” Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. These skills were readily transferable to work as a property illustrator for the real estate industry. This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and 2005. Each work is signed and dated. Margaret Picken approached a number of historical societies in July 2020 with a view to donating her work. Sketches for post code 3127 are held by this collection. Others for suburbs including Ashburton, Balwyn, Camberwell, Canterbury, Blackburn, Box Hill, Burwood, Glen Iris, Hawthorn, Kew, Mont Albert North and Nunawading have been donated to the relevant historical group in those suburbs. (See Balwyn Historical Society, Box Hill Historical Society, Camberwell Historical Society, Hawthorn Historical Society, Kew Historical Society, Whitehorse Historical Society). In some cases, this collection also has a copy of the matching newspaper advertisement. Pen and ink architectural drawing on drafting film of 18 Arundel Crescent, Surrey Hills (VIC) by Margaret Picken. The drawing, dated 1989 , was commissioned by the Woodards real estate company.18 ARUNDEL CRES. S. HILLS / MARGARET PICKEN '89 / WOODARDS ~ C'WELLarchitectural drawing, houses, surrey hills / mont albert (vic.), artists, margaret picken 1950-, californian bungalow, arundel crescent -
Surrey Hills Historical Society Collection
Drawing - Architectural drawing, 28 Arundel Crescent, Surrey Hills by Margaret Picken, 1993, 1989
Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. These skills were readily transferable to work as a property illustrator for the real estate industry. Process: “Sketches were ordered by phone initially as there were no mobile phones or computers then. I would take our 2 year-old son with me to the houses when the other 2 boys were at school. I photographed houses with a Polaroid camera and made a ‘thumbnail’ sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the ‘pen and ink’ was completed. This process was the only one I used the entire time. Polaroid photos gave an instant usable photo. I then delivered the sketches by hand to the offices. There were deadlines each week on a Tuesday.” “… about 2003 coloured photos began to take over the sketches and mainstream companies replaced sole traders like myself providing a one-stop shop for all advertising. I produced my last Real Estate sketches in late 2005.” Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. These skills were readily transferable to work as a property illustrator for the real estate industry. This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and 2005. Each work is signed and dated. Margaret Picken approached a number of historical societies in July 2020 with a view to donating her work. Sketches for post code 3127 are held by this collection. Others for suburbs including Ashburton, Balwyn, Camberwell, Canterbury, Blackburn, Box Hill, Burwood, Glen Iris, Hawthorn, Kew, Mont Albert North and Nunawading have been donated to the relevant historical group in those suburbs. (See Balwyn Historical Society, Box Hill Historical Society, Camberwell Historical Society, Hawthorn Historical Society, Kew Historical Society, Whitehorse Historical Society). In some cases, this collection also has a copy of the matching newspaper advertisement. Pen and ink architectural drawing on drafting film of 28 Arundel Crescent, Surrey Hills (VIC) by Margaret Picken. The drawing, dated 1993, was commissioned by the Woodards real estate company.28 ARUNDEL CRES, S. HILLS / MARGARET PICKEN ~ 93 / WOODARDSarchitectural drawing, houses, surrey hills / mont albert (vic.), artists, margaret picken 1950-, arundel crescent, 1940 -
Surrey Hills Historical Society Collection
Drawing - Architectural drawing, Margaret Picken, 7 Arundel Crescent, Surrey Hills by Margaret Picken, 1995
Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. These skills were readily transferable to work as a property illustrator for the real estate industry. Process: “Sketches were ordered by phone initially as there were no mobile phones or computers then. I would take our 2 year-old son with me to the houses when the other 2 boys were at school. I photographed houses with a Polaroid camera and made a ‘thumbnail’ sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the ‘pen and ink’ was completed. This process was the only one I used the entire time. Polaroid photos gave an instant usable photo. I then delivered the sketches by hand to the offices. There were deadlines each week on a Tuesday.” “… about 2003 coloured photos began to take over the sketches and mainstream companies replaced sole traders like myself providing a one-stop shop for all advertising. I produced my last Real Estate sketches in late 2005.” Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. These skills were readily transferable to work as a property illustrator for the real estate industry. This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and 2005. Each work is signed and dated. Margaret Picken approached a number of historical societies in July 2020 with a view to donating her work. Sketches for post code 3127 are held by this collection. Others for suburbs including Ashburton, Balwyn, Camberwell, Canterbury, Blackburn, Box Hill, Burwood, Glen Iris, Hawthorn, Kew, Mont Albert North and Nunawading have been donated to the relevant historical group in those suburbs. (See Balwyn Historical Society, Box Hill Historical Society, Camberwell Historical Society, Hawthorn Historical Society, Kew Historical Society, Whitehorse Historical Society). In some cases, this collection also has a copy of the matching newspaper advertisement. Pen and ink architectural drawing on drafting film of 7 Arundel Crescent, Surrey Hills (VIC) by Margaret Picken. The drawing, dated 1995, was commissioned by the Woodards real estate company.7 ARUNDEL CRES., S. HILLS / MARGARET PICKEN ~ 95 / WOODARDS ~ C'WELLarchitectural drawing, houses, surrey hills / mont albert (vic.), artists, margaret picken 1950-, californian bungalow, arundel crescent